Jacket Off

I apologize for the title, but I couldn’t pass up the opportunity. Now back to our regularly scheduled essay:

In 2002, my friend Katie and I went to Andy’s Cheepees, a vintage clothier in the SoHo neighborhood of Manhattan. I had been living tough in New York Adjacent for four years by that point, and I had acquired a new personality. I felt cool. I had cool friends, and we did cool things together. But there was something missing.

I haven’t been to New York in ten years, but when I first arrived, and through the six years I spent there, everybody had a leather blazer, black with a medium-to-narrow lapel. You were practically issued it. And the thing about those jackets was, they were pretty cool. Even though everyone had one, they were cool. It wasn’t about conforming, it was about being as awesome as your peers.

I went to Andy’s Cheepees with the sole purpose of getting one of those jackets, and I quickly found one that fit (40L at the time). However, the guy at checkout wouldn’t sell it to me. Instead, he took me to the back and found me one in a dark brown with a wide collar, looking more like a pea coat than a blazer.

Most people who know me as an adult know this jacket. It was comfortable, it was awesome, and it was vintage. It made me more confident and sexy. It was around that time that I came up with Jack Murphy: Cop on the Edge, who became my alter ego. You all know Jack, he doesn’t play by the rules. He drives his beater through fruit stands. He violates the Bill of Rights. He was married once, but not anymore, as he lives in a shitty apartment by himself. He may or may not have a dog, whom he feeds people food. He says things like, “You don’t get it, do you? You just don’t get it.”

Upon meeting Jack Murphy, Rita called me Jackass Murphy because friends don’t want your head getting too big.

I retired the jacket in 2013 because it was pretty beaten up. I never got rid of it—it’s in my closet right now—but it’s not wearable. I replaced it with a similar jacket, almost the same color. This one looks like a leather safari jacket, but it’s as cool as the original, and I’ve worn it around Germany, England, and DC. 

There’s just one problem: I’m not sure I want to wear it anymore. Why am I making such a big deal about this? That jacket has been a major part of my identity for twenty-two years, and the weather right now is perfect for it. As soon as the temperature made it to the 40s in the morning, I knew the time had come, and I slipped it on, and meh. No joy was sparked.

I don’t feel cool anymore. I’m self-conscious about my weight, I haven’t had a good haircut in years, and I’ve forgotten how to smile. I do feel cool sometimes, but it has nothing to do with my jacket. Most of the time, I wear the denim one and layer it with a hoodie when it gets chillier. I only wore the leather one twice last year.

I’m a completely different person than I was twenty years ago. I’m a different person than I was ten years ago. One year ago. Six months ago, I didn’t have a cat. Change is the only constant. I think of it as regenerations, as in Doctor Who. Twenty years ago, I was the Shenanigan. Today, I’m the Bohemian.

In a few years, who knows? I might strut around the nursing home in my vintage leather jacket and bust some skulls. In the meantime, it’s waiting for me, if I’m so inclined. It’s my history.

A Day in the Life

I woke up about ten minutes before my alarm this morning, and it still pissed me off. Oscar slept on the floor because I’d rolled over onto him at about 2:30. He knows my alarm means breakfast, so he bullied me into getting out of bed and feeding him. I brushed my teeth, cleaned out his litter box, made my bed, picked out my clothes for the day, and showered. Since it was super-early, I worked on a drawing until my favorite café in the DMV region opened at seven. I took the Metro the two stops and huffed and puffed it up some very Bay Area terrain. When I arrived, I enjoyed a breakfast sandwich while reviewing the proofs for my novel. I then continued working on my drawing and watched people for the next three hours, until the art store opened. I didn’t need paint, ink, or paper, so I just browsed. I also found the comic book shop Nicole had shown me years ago, but it wasn’t open yet. In this beautiful, late-summer day, I explored Silver Spring, Maryland and went home to open up my social medias.

The one and only post I could find that acknowledged what’s on my mind today was the car salesman meme, this one selling a plane that can crash into two buildings for the price of one.

I’m done until tomorrow.

The Furminator

“Listen. And understand. That cat is out there. He can’t be bargained with. He can’t be reasoned with. He doesn’t feel pity, or remorse, or fear. And he absolutely will not stop, ever, until the birdie-on-a-stick is dead.”

In another regeneration, I went out a lot with my friends. Sometimes it was with one friend (Hugh or Mark) or it was a salon of drunken idiots (Rita) or it was rock and roll (Satanicide). Even though I was depressed, I cherished my adventures, and every Sunday, during my downtime at The Post, I summed them up and sent them out to a select group of friends who hadn’t yet told me to stop sending them.

I’m at an age where I stop telling people how old I am and start rounding up. My ex got custody of almost all of my friends in the divorce, and all of my hobbies are solitary, so I don’t have as many adventures anymore. That said, three big things happened to me Monday and Tuesday, and I’m going to report them to you.

First, Oscar is growing up to be a cat, where before he looked like a black ferret. He’s a teenager now, so all he wants to do is play, and when he’s not trying to convince me it’s dinnertime, he’s bugging me to get the birdie-on-a-stick and wave it in his face. He’s sweet, but I have a job.

One of my favorite things to do with Newcastle was take him outside to explore our backyard. One of my favorite things to do with Henry was put him in a harness and take him for a walk. I bought Oscar a harness, and a backpack so I could go for walks with him. It stressed him out, but if he could get used to it, he might have a good time.

Monday, I got him into his harness, which is hard because he’s coated with a thin layer of butter, loaded him in his backpack, and walked the three blocks to find the only open area of grass in my neighborhood.

I opened up the backpack, and he very slowly made his way out, saw me, and freaked out. He squeezed out of the harness and ran straight into traffic. I ran right after him, kicking off my flip-flops in the street, and I didn’t care if I got hit by a car, as long as Oscar got to safety. You’re not going to believe what happened next.

All four lanes of traffic stopped to let us make it across. I was expecting to watch Oscar die, but the asshole drivers of DC had our backs. I chased him through three backyards until he tried to hide under a hosta, and I scruffed him and brought him home. Because flip-flops are flat, you can’t tell they got run over.

That was Monday.

I love my job, but that doesn’t mean it doesn’t fray my nerves. Between ending my day with that and public transit (still better than driving), I don’t want to have to deal with the nuisance of our concierge only being at the desk 50 percent of the time. So when I pick up any packages that come in for me, I tend to pick them up after I get out of the shower. Don’t worry, I dress first.

At 4:30 this morning, I picked up a package from Missouri and just assumed it was the carved owl I just bought for my owl shrine. It was not. With Oscar’s supervision, I opened the box to find another box, and in that box was this mug:

I did not order this mug. In the mug was a business card for a potter who lived in Florida, along with something that looked like a bookmark. On the back was a lovely note thanking me (yes, me—it said “Dear Jeremiah) for the letter I’d sent years ago and how moved they were. Life was happening, so they hadn’t replied, but they sent the mug as a token of appreciation. Signed, “William Pona tawa sina.”

I had no idea who the holy hell this was. I did not remember writing that letter years ago, and I didn’t know a William who made pottery. I visited the website and found out that’s a luxury mug. The clues clicked into place. It wasn’t the potter, it was one of my college roommates, Will. He lives in Missouri. I sent him an essay I’d written about him two years ago, and I’d never heard back.

I figured it out, but I didn’t figure it out in time to stop me from sending a polite email to the potter thanking him for the gift and expressing joy that my words touched him so much, as if I knew him.

That squared away, I had one last detail to attend to. What the hell is “Pona tawa sina”? I looked it up, only raising more questions. Pona tawa sina is from a language called Toki Pona, which was invented in 2001 and bridges the gap between all languages. Kind of like Esperanto, only less baffling. Pona tawa sina literally means “goodness toward you.” It’s a way of saying goodbye or thank you.

That was before work. When I arrived, there was a surprise waiting.

One of the many, many perks of my job is that we get stretch breaks lunchtime Wednesday and Thursday. When I started eating at my desk a year ago, the stretch instructor was Katja, a young, slim, petite, cute-as-a-button person with a pink pixie cut and a lot of energy. Katja was recently replaced with Hali, a young, slim, petite, cute-as-a-button person with a pink pixie cut and a lot of energy.

I hang drawings of Newcastle, Oscar, myself, and other pictures I’ve done, practically daring people to ask me about it. Hali took my dare, and I found out they were a bit of an artist themselves. They’re just learning about watercolors and painting around town, so the next day, I brought them my retired brushes, the cool travel set I’d purchased in Doha. There’s nothing wrong with them, I’ve just traded up. They’ve been occupying a small space in my art drawer, and I wasn’t going to throw them away. Now they have a loving home.

There was a thank you card on my desk when I got to work this morning. Hali wanted to tell me how important those brushes were to them, and they could not wait to take them out for a spin. They have an Etsy store, and I bought some stickers.

I’ve become such a hermit, it’s hard to imagine that I am having any sort of impact in this world. And yet today, the first thing that happened to me today was someone making sure I understood I had affected them, twice. Maybe I was wrong about my impact.

Trapped in Amber

I’ve been thinking lately about perfect moments. There those events in your history that aren’t weighed down by the stresses of life. You can start your day anxious and cranky, and you could end your day depressed and disappointed, but in the middle, time stands still, and everything is as it should be. I’m almost fifty, and I have so many.

I can remember with clarity my first kiss (in the back of a GATE van, fist-bump), even if I can’t remember the reason we were in Albuquerque, or the fact that I figured out shortly after that I didn’t even like this person. I can recall what she was wearing, and the fact that she had to make the first move before I noticed.

I remember walking by a canal in Florida with my parents, who were married forty-four years by this point and were still holding hands. I recall the yellow-green of the grass, the fence to the left, and trees in the near distance.

I remember Newcastle chasing me through the apartment until I jumped onto the bed, and he joined me, and we snuggled together on the green sheets.

There’s so many.

I have a favorite. It’s stuck with me for over twenty years because it was perfect. It’s an unremarkable moment, and I feel safe in assuming that all of my friends, including Facebook friends, experience this. There was something about this time, though, that didn’t fade.

In January or February, 2003, I had spent the night at my girlfriend’s apartment. We had known each other as long as we’d lived in New York, but we were still in our honeymoon period. Work beckoned us, so we bundled up and walked to my subway station in the cold and snow, surrounded by drifts of dirty ice. She lived on 210th Street, so the trains were all elevated, so we hid from the precipitation under the tracks, with the painted girders. Casually, she kissed me goodbye before heading off to her own train.

And that’s it. That is the moment that sticks out to me the most. I remember the black belt of her black coat and her debutante gloves. I remember the leopard print lining of her hat. I remember her hand on my heart, a gesture she made a lot with me. I remember that it was the most natural thing in the world.

She had kissed me goodbye before, but something had changed. This time I felt like I was an important part of her life, not just some guy. She seemed a little more relaxed. And for the first time, I felt like I was good enough for her. She and I had dated twice before this, and we felt hopeful that the third time would be a charm. There was a lot of hope in that kiss. We were really good friends, even before we started dating (again), so there was comfort.

The third time was not a charm. A few months later, I had a depressive episode and broke up with her over the phone. We stayed friends, though not as close as before, and then we became really close again long-distance. Unfortunately, I was cut off from most of my friends during my marriage, so we drifted apart, and our current lives are about as opposite they can get. I don’t expect she even remembers this because it was so mundane. It was my moment.

Why is this my favorite memory? I think it was the intimacy of it.

So many lifetimes later, I will always have that moment, that kiss in the snow, when everything was perfect.

With a Single Step

I have a lot of vestigial dates on my calendar. For example, September 13 will always be the birthday of my ex, Andrea. I make a note of it every year, despite that she will never speak to me again. May 7, the day after my dad’s birthday, belongs to a high school best friend who grew up to be odious. These are people I no longer have a relationship with. But that’s the past. On the rare occasion I make a new friend, I can’t remember when they were born.

Other dates that have no relevance for me are April 30, which is my wedding anniversary. December 13 is when she served me divorce papers. Her birthday is March 23, but I can safely say that I haven’t noticed it the last five times that day has passed. August 22 (today!) is the twentieth anniversary of when I left New York.

In 2004, I was miserable a good half-to-two-thirds of the time. This was mostly because of my untreated, undiagnosed mental illness, and also, I was really lonely. Kate was the solution to this because she was, at the time, my soul mate, and she was opening her home to me. The resulting adventure was epic.

Was it a good decision? Well, Kate treated me like her property. She convinced me that all my friends were insane and that the only ones I could trust were hers, all of whom turned their backs on me following the split. (Some of them pretended to be “neutral” while actually being Team Kate. These are the people I think the least of.). She convinced my doctors and me that I was incompetent and couldn’t take care of myself. She tried to create a rift between myself and my family.

On the other hand, she was the biggest cheerleader of my art. She bought me supplies I still use and encouraged me to start my own art business. (She wanted to make greeting cards, which I did not enjoy.) She hired me a personal trainer, and for five years, I was in great shape. (You can’t tell by looking at me now that I used to run 5Ks for fun.) Most importantly, she was a champion of my mental health, and the only reason I can function at all is because of her.

In addition, she turned me into a Mac person, she expanded my flavor palette, she took me around the world, she taught me to be more financially responsible. She brought Newcastle and me together. I dressed better when I was married. I feel like I was more of an adult back then, even compared to now.

I honestly think that leaving New York twenty years ago was the best decision I could have made at that point of my life. It was when I took the first step to being an adult. It was when I packed up and chased true love. It was when I was brave. That’s why I remember August 22 every year.

The Giving Tree

Prior to Sunday, Oscar and I were living in Nicole’s apartment, formerly our apartment. I stayed there for two weeks, and Oscar stayed a week longer than that. The problem is, Henry has been really depressed and crying all night since Newcastle and I moved out, so she was thinking of getting him a kitten. But she wanted to practice with someone old enough to defend himself.

Oscar and Henry did not get along. When the former first showed up at the latter’s, there were some really bad fights, so Nicole’s boyfriend cobbled together a gate to keep them apart, but they could get used to each other. They called it the DMZ. Oscar could jump on top of it without much effort. They could be in the same room together, and on my first night, they snuggled up on opposite sides of my lower legs and we all slept together.

His last week there, Oscar finally had the Surgery That Dare Not Speak Its Name, and I walked him to the vet in a backpack. I couldn’t watch his reaction, but he was quiet, and I think that’s a good sign.

But now we’re home. Nicole’s apartment is 850 square feet, mine is 435. I’d love to take him for a walk, but on the rare occasions I don’t pass out from blood loss and get him into the harness, his feet stop working. His motto is “Death from above!”; but he doesn’t have a lot of heights to aspire to.

I don’t want Oscar to get bored. I play with him a few minutes periodically. I talk to him, I let him sniff whatever’s in my hand, I scratch him behind the ears whenever I see him, I open my window in the middle of a heat wave. I don’t want him to get bored. I bought him a new cat tree and backpack. The tree arrived today, it took me over an hour to assemble it. It’s the perfect height to loaf out in front of the window. On the lower tier, there’s a ledge that’s perfect for hanging out with Dyad while he’s working.

Unfortunately, I have to get rid of the old one. Until January, I’ve never lived alone in my life, especially when it came to Newcastle. I’d never made a big purchase for my cat, the love of my life. It came from our joint account when I was married, and Nicole and I split expenses for the cat. So the first thing I bought was a tree for Newcastle. It was not a tall one, for an old man, but he never used it anyway.

Newcastle only lived alone with me for six weeks, and he never used it. Sometimes he’d get into the hammock that was the same height as my desk. Even if I wasn’t looking, I knew he was there. He was my anchor. Since then, Oscar enjoyed the hammock a lot whenever I was working.

I hated throwing the tree away because it’s the last monument I had to him. But I got a new kid, and I’m buying presents for him now.

* Oscar is in this picture.

Frisky Business

As you may know, I’m ace, or asexual. Some may find this hard to believe because I’ve had my fair share of sex in my life, but there is a pattern. I tend to be more randy when I’m manic, and when I’m baseline or depressed, I’m not interested. I’m still drawn to sexiness, but I don’t want to have sex. Asexuality is a scale, and I fit on it somewhere.

Anyway, that’s my way of saying that I’m apparently going through a manic period. This means delusions of grandeur, snap decision-making, irresponsible spending, a really short, hot temper, and I start remembering sex fondly again. As a result, I started getting a little frisky with some of my drawings. I’m still seeing all the errors, but I’m happy with most of these.

Art to Art

I’ve been feeling really self-conscious about my art lately`. I’m continuing to draw, almost compulsively, and paint or color, because I like the act of doing it. Unfortunately, I am not that crazy with the results.

I obsessively catalog and curate my art, going back almost as far as I’ve been drawing, which was 1998. I started out sketching in lined notebooks or whatever I could get my hands on, and I was so proud. I was drawing stick figures and bodies with no faces, and to me, they were as classic as a John Singer Sargent. Unfortunately, those notebooks are all lost to history. The first sketchbook where I started drawing faces was given away as a wedding gift to someone who would appreciate the symbolism of it. That’s the first six months of me making art.

The earliest drawings I have digitized are from 1999. They’re of Sean, Lisa, and Eugene, characters from a short story I wrote in college and the sequel I was working while I was figuring this out. I still write and illustrate these characters constantly.

Twenty-five years later, I continue to feel pride in these sketches. I can’t always say the same.

Recently, I skimmed through thousands of digitized drawings and picked only the ones that sparked joy, which turned out to be about six hundred. As I was paging through, I saw countless bad drawings that are making me ask myself who I’m fooling.

I’ve drawn pictures as recently as last week I would be mortified by if someone else saw it. Even as I’m getting better with basics like hands and anatomy (I’m still trying to get the hang of hips), I draw mostly stinkers. There are dozens of pictures of Lisa crosshatched with red, blue, green, and black pens, and only four of them are worth looking at. (Almost) everything I drew between 2015 and 2020 was so bad, I quit drawing altogether.

I didn’t start drawing again until the end of 2022, when my coworker saw a self-portrait I did in 2020 (one of the few good ones I did) and would not let me say no to her request for a portrait of her own. This time, I bought a cheap sketchbook and a mechanical pencil and started from scratch.

Look, I have no idea what the hell I’m doing. I have no training. I have two anatomy books that are useless to me because that is not how I learn. I read How to Draw Comics the Marvel Way. Every breakthrough I’ve made is met with a backslide, and I can’t seem to stop that from happening. I’m self-taught, and it shows.

I look at the comic book artists I take inspiration from, and they don’t make mistakes. The penciller doesn’t make one hand bigger than the other. The inker doesn’t lean too hard on their brush and make one line really thick. The exception to this is my idol, Matt Wagner. In his 1983 series, Mage, you can witness his evolution, issue by issue, as he gets better by doing it.

This inspired me to start drawing comics in 2002. I figured out how to do it by doing it. It’s how I learned to draw in the first place, and it’s the most satisfying way for me.  

I’m not going to share as much art as before. A lot of what I’ve already shared is a huge mess, and I’m really embarrassed about it. I’m also not getting as much engagement over social media, so I’m seeing that as a less and less productive way to spend my time. If there’s one that really knocks me out, I’ll share it. Otherwise, I’ll turn the page and try again.

Noir Favorite Things

A while ago, I started listening to podcasts, and I soon learned that some really talented people were doing old-timey radio shows. I quickly zeroed in on writer and voice actor, Gregg Taylor and his baby, Decoder Ring Theatre, home of the superhero adventures of Toronto’s Greatest Champion, the Red Panda and my favorite, Black Jack Justice. Set in the fifties, the show is about a Private Detective and coffee snob, Jack Justice, and his partner, Trixie Dixon, two-fisted Girl Detective.

Taylor is an enormously talented writer. The styles of Red Panda Adventures and Black Jack Justice, as well as the anthology plays he does are wildly different. The tone between episodes of a single show will veer out of control. Black Jack Justice has had episodes that leave me laughing aloud on the train or episodes that break my heart with the injustice of it all. His dialogue is spot on, and I wish I could pull out a few quotes to share.

I picked up a couple of his novels when I was a reader, and his conversational style in the shows translates perfectly to paper. He’s been a big inspiration to me, as a writer and as an artist, so I did this little piece a while ago.

Tooting my own Horn

Evidently, farting is funny. There are fart jokes in ancient Roman murals. We all know who Shakespeare is because 60 percent of his writing was baffling language, and the other 40 percent were fart jokes your English teacher had to explain to you. Fart jokes are mighty.

I don’t understand the appeal, to be honest, though I think it may be the taboo nature of farts, mixed in with “there but for the grace of God go I.” Farts smell really bad, and there’s something funny about being people being disgusted.

Some people are really proud of their farts, and some people don’t ever admit to having them. But the fact is, we all fart. Kim Kardashian farts. And since it’s a shared experience over the world, a vocabulary is going to be built around them. And that brings me to my question.

You know how some farts just explode, real attention-grabbers? Other farts are the opposite, hissing out of your anus with nobody the wiser. The problem is, these are also the most fragrant, so what do you call them? Silent-but-deadly? This is the one I hear the most. I understand the appeal of the gag, where it’s like a ninja of discomfort, but it’s not as good as the other one. I learned of this one in middle school, and I loved it for its sheer poetry: silent-but-violent.

I never hear it anymore, even though it is the superior of the two by every means. Silent-but-deadly describes poison gas, but silent-but-violent knocks you around a bit, gives you a bloody nose. And it rhymes.

When you were a kid and the scent of a microwaved dead skunk marinated in used gym socks comes from the bowels of someone in this room or elevator car, what do you call it?

Silent-but-deadly?

Or silent-but-violent?