Off the Old Block

There are a series of short stories I really love, by famed mystery writer Lawrence Block, and they’re all about a character named Keller. The stories were published all over the place, and they’re self-contained, but there’s a specific order to them, and with the collection I own and have owned since slightly after I moved to New York, you can follow the story. I remember I first encountered the character in an issue of Playboy (there IS stuff in there that aren’t nude pictures, honest!), and he stuck with me that I was stunned to find out that there was a whole book of his stories.

Keller is a regular lonely guy in New York who has maybe too much spare time. He watches movies, goes on long walks in Central Park, sees a therapist, and he takes up stamp-collecting at one point. Every once in a while, maybe once a month, he gets a phone call, he takes a train to Upstate New York, talks to his boss, and flies out somewhere in the United States, and murders someone. He’s not an action-movie hitman by any means. He very rarely uses a gun, he’s not a martial artist, he’s not insane, and he doesn’t kill only “bad people.” He just very efficiently figures out how to get into someone’s comfort zone and exterminate them, no questions asked.

As someone who had been raised on Tarantino movies and a lot of the crime dramas from the nineties, it was very easy for me to put aside the horrible job this character has and get to know him personally. Maybe it was that compartmentalizing I’m pretty good at. Either way, I didn’t think much about it. He’s an introvert with a rich inner life, like me, only instead of fixing spreadsheets, he killed people, and I was able to identify with him.

Around the time I got the book, I was dating a wonderful artist in Brooklyn, and she was interested in whatever I was interested in, so she watched all my favorite movies and read all my favorite books, yet she has a very low violence threshold. She really wrestled with the book because she liked Keller, but what he did was monstrous, and she struggled to reconcile that.

I’m rereading the book, trying to inspire myself to write my next novel, now that I’ve finished the one I put aside to write my screenplay, as well as the one I put aside to write the one I put aside for the screenplay, and I’m remembering something that pissed this girlfriend off about the book more than any of the murders did. In one story, Keller gets a dog, and in a subsequent story, he later gets a dog-walker. Then, in another story, he and the dog-walker hook up. One story after that, Keller gets an assignment and takes care of it, going through all the motions, until the very end, where he tells someone she left him, and she took the dog.

This infuriated my girlfriend. Why did he take twenty-five pages to acknowledge that his relationship had ended? Why was he not thinking about it and mourning it that whole week he was out of town and killing someone? Why did he not talk to anyone about it? And yet for me, this seemed to be the natural thing. This is before “compartmentalizing” became a word that people used, but what was wrong with filing grief away? There was an unexpected loss in your life, and you might as well start moving forward as soon as you can instead of dwelling on it. It’s how I handled my breakup with her, and boy did that cause problems post-relationship (she is the one ex who will never talk to me ever again—all of the others, even with their grievances, acknowledge me). It’s also how I handled my divorce. The grief spilled out sometimes, mostly because of the far-reaching financial ramifications, but mostly it was tucked away where it wouldn’t interfere with me.

I am willing to acknowledge that my muted reaction to the divorce probably had to do with the truckloads of lithium I’m on, but there was no excuse for how I reacted in 2002. (Which was twenty years ago. Jesus.) I also know that I almost had a friend break up with me last year, and I did not compartmentalize at all. I yelled, I screamed, I begged, so I’m not incapable of feeling grief. Men are taught not to feel emotions other than anger, so I wonder how much of that had to do with Keller’s reaction to that breakup, as well as mine. I haven’t lost anyone close to me in years—what’s going to be my reaction when it inevitably happens?

I haven’t made it to the offending story yet; Keller has just met the dog-walker, and they are just friendly right now. I haven’t read this book in over twenty years, so I wonder how I’m going to see it. Will I identify with Keller’s stiff upper lip, or will I be angry at him like she was, all that time ago.

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The Snow Miser Reloaded

I used to live in Nebraska. It wasn’t for very long—only four years, or less than one-eleventh of my life. At Hastings College in January, we had what we used to call “Interim,” but is now called “J-Term” (the latter which feels like a racially charged insult of some sort, but I’m not in charge of marketing for Midwestern liberal arts colleges, so what do I know?). I have a lot of memories of the time I spent in Hastings, some good, some bad; but Interims, with their university-like focused classes and more spare time than we were used to, really stuck out. I bonded with people I’d never really spent any time with before, I’d had a lot of adventures, I played a metric shit-ton of Doom II in the computer lab, and most of all, I froze.

I lived in Indiana for another four years later in my life, and I spent long January and February weekends in Upstate New York. I loved winters in New York City, as I often had a girlfriend at those points, and there was a lot of cuddling under the covers to keep warm. Also the city seemed so much more electric at that time of year, sometimes because of Christmas, and sometimes it might have been that the cloud of air in front of your face that invigorated everyone. Of all these places I’ve lived, nothing has measured up to winters in Nebraska, where once, as I walked across campus to get to my dorm, a gust of freezing wind caught me and slid me back about a foot on the ice.

Winters in New York were impersonal, dropping in because they had a job to do and leaving as soon as was polite in March or April, only to return again later in the year. Winters in Indiana brought ice storms with them, which were just kind of mean. Mostly what I remembered of the winters in Upstate New York, as well as those in my hometown of Gallup, New Mexico, was the slush, which felt like the season just throwing in the towel. Winters in Nebraska, though, were brash yet cozy, like that relative who was just going to stay over a few days and ends up using up all the hot water and eats all your food. It got into your bones, and even when you were sitting in front of a roaring fireplace in a cable-knit sweater over a set of long johns, you just can’t get warm.

Winters in Virginia and DC, however, have been nothing short of mild. They’re actually pretty wet. Sure it gets cold every once in a while, like when it was in the low 20s (-4° Celsius) last week, but within a few days, it was almost 40° again (4°). And we never, ever get snow. Well, we got snow this year. It was like somebody dumped a big bucket of it on the region. I thought this was great. Winter doesn’t start in DC until mid-January, and on the rare occasion we do get snow, it happens later in the season. Therefore, a major winter storm on January 3 means we won’t get one in February (this is not remotely how meteorology works), and hopefully spring will come early.

I’m thinking about winters in all the places I’ve lived, especially Nebraska, because this morning, when I woke up, it was 16° (-8°) out, certainly not the coldest I’ve ever been, but the coldest I’ve ever been in a long time. I opened the front door to stand in it for a minute and remember what it felt like to absolutely freeze to death. It was not as fun as I remembered. Also on the horizon is a snowstorm that is supposed to be as bad as the one two weeks ago, but with freezing rain to add to it, and I’m like, what am I, in the Midwest? We still haven’t gotten rid of the last snow.

Weather’s not the same as when I was a younger, and that is 100 percent because of manmade climate change. Where weather that approached 0° (-18°) used to be pretty bad in the Midwest, thanks to polar vortices, temperatures far below that are frequently gripping the Heartland and bringing it to its knees, which is a particular hardship given the shoddy American infrastructure—which tends to be worse in states with Republican governors. This is the way it is now.

I don’t know if DC’s recent run of actual winter in the winter is a result of climate change, but I do know that this morning, I stood in the doorframe, my breath visible, wistfully remembering what it was like to bundle up and brave the outside, as well as curling up under a blanket with someone special, sipping hot chocolate and watching through the window what looks like stars, slowly drifting from the sky and resting peacefully on the ground with all of the rest of the stars in the universe.

The Muffled Man

A friend recently made a post about how she feels out-of-sorts with her bipolar meds. She’s not depressed, but that’s really the only way to describe her mood, “not depressed.” She has no motivation to do anything. It got me thinking about my experiences.

I’m on a ludicrous amount of lithium, and the side effect of that is that I’m pretty numb all the time. In fact, I feel exactly like my friend. I tell people I’m happy, but I’m using the word “happy” as a synonym for “content.” My life is good, I type, stretching out my hands and arms because my cat is sleeping between myself and the keyboard, but I’m not happy. I don’t even know what happiness feels like. I had an incredible time last month at my work conference, but it didn’t really affect me long-term. Likewise, I have moments of disappointment (my dating life) or despair (that really bad review I got), but never any actual pain. I’m like a Nerf ball: you can put a dent in me, but I’m back to my old shape in moments.

What’s the alternative? Well, I’m bipolar 2, which means I’m depressed most of the time. Depression, with a capital D, is brutal. It’s not just a mental affliction, but a physical one. When I had a bad depressive episode after Robin Williams died, my joints hurt, and I couldn’t walk without pain. Depression turns you into a selfish asshole who sucks the joy out of everything. Nobody knows what to do with you. And when I’m not depressed, I’m manic. Here’s the reason a lot of bipolars will stop taking their medication. Being manic feels like you do after you’ve had a couple of drinks. You’re lucid, better looking, funnier, more charming, and a royal douchebag. Whenever I had a manic episode, it climaxed in some intense behavior, and I would crash instantly into the lowest depression imaginable. What triggers my manic episodes? Unadulterated joy. No wonder I want to be numb all the time. It’s just safer.

What keeps me from becoming a zombie who sits in front of his iPad watching Netflix all day is that I have found the thing or things that bring me joy, and I hold onto it for dear life. I have Doctor Who, as I proved when I spent hundreds of dollars on merchandise in December. Seventeen-foot scarfs and a complete set of Doctors isn’t enough to give me something to feel. My real anchor, which you must have guessed by now, is writing. Making up stories, making up people, and currently, crafting a screenplay (I call if “crafting” because there is a science to drafting a screenplay; i.e. you can’t just make it up as you go along) are the first things I do in the morning, and I can’t wait to go to bed the night before to see what I will cook up tomorrow.  

I’ve lived my entire life like this, and five years ago I finally found the cocktail that works. The side effect is that I’m kind of toned down. I can tell you now that it is 100 percent worth it.

All fourteen Doctors, or the world’s largest doo-wop group?

Crap Shooting Script

I finished the first draft of my first solo screenplay, and it’s not very good. I’m not saying this out of low self-esteem or false modesty or anything like that. I’m usually beyond pleased with my first drafts. But this is badly paced, inconsistent, full of plot-holes, kind of boring, and the main character doesn’t actually do anything. I have some ideas on how to fix it, but I may need to put it down for a little bit before I try.

I learned some important lessons along the way. First is that you can’t write the beginning of a screenplay without knowing how it’s going to end. I can’t do what I do with a novel, and that is write from the beginning and let the story write itself and the characters tell me who they are as I move along. You need a lot more control in a screenplay, which is more rigidly structured than a novel.

You can’t try writing a screenplay as a way of exploring the idea of time and change and your own identity vis-a-vis the identities you embodied in the past. You can write a screenplay that is a look back at your past selves, but you’d better have a really good handle on the characters and plot before you sit down and put pen to paper. Likewise, you can’t be very introspective in a screenplay. There are introspective movies, but that’s generally the work of the director.

Basically, the more I wrote, the more I knew about the characters and the settings and realized that I’d have to introduce these ideas sooner in the story. I came up with an idea about a minor detail from the beginning that should have loomed large through the whole story, but I didn’t recognize the importance of it until I was about a third of the way through. I had an idea that I thought was genius but will be the first thing I cut in the revision.

If I was writing a novel, I’d close my laptop, say “Well done, old chap” (I talk to myself like I’m an upper-class Englishman), and put the notebook on my bookshelf with all the other notebooks for completed and abandoned novels. I’d take a few days to read a novel, and I’d sit down and start my next book. But my screenplay isn’t done, not by a long shot. This is a whole new thing to me, and it’s pretty exciting, actually.

Post-Countdown Countdown

I wanted to wait until 2022 to get all this down, just in case the universe has anymore surprises to throw at us (Betty White), but now that it’s January 1, I feel like I can safely look back. The one thing I dread every year between Christmas and New Year’s is the pile-on about how terrible the previous year was. Everyone is falling all over themselves to condemn it the hardest, and a quick look at your Twitter, Facebook, Instagram, Tumblr (which is still a thing—I just checked) reveals the accepted wisdom that 2021 was a terrible year. So was 2020, and 2019, and 2018, and 2017, and so on. I have very, very rarely looked at a social media post stating that the year that passed was a good year in all the time I’ve been on social media, and I had a Friendster account. Honestly, the news was pretty bleak this year, and I have several friends, one in particular, whose December was a terrible nightmare that I wouldn’t wish on my worst enemy, much less someone as kind and generous as she is. But the thing, the news is bleak every year. That’s how they sell news. And while I watch the rise of fascism, income inequality, and disease in my own supposedly clean, democratic country with a sense of dread, I had a pretty good year.

I am not a trend-maker, and I cannot convince anybody to do anything, no matter how much I think it’s a good idea, so I don’t expect this to catch on, but I would hope that maybe in the future that people will look upon the passing year with a little nostalgia. This seething hatred and disgust for every year that passes cannot be healthy for us as a society, and neither is this hope for the next year that will be dashed completely a few months in. I’ll go first, and I’ll do it in meme form.

Everyone else:

Me: In 2021, I self-published 10 e-books and one print book, and I got pretty good reviews (and one really bad review) on a couple of them. I jettisoned an unhealthy relationship that was draining me dry. I lost twenty-five pounds in the spring and summer (and gained back six in the fall). I (kind of) learned how to play tennis. I got a promotion and subsequent raise at work. I went on my second business trip ever, and I had a wonderful time and met some really amazing people doing it. There was another Matrix movie, which may have been fan fiction, but was still welcomed with open arms by me. I went to San Francisco and had a much more enjoyable time than the last time I went and got to go on the So I Married an Ax Murderer tour I so desired. I entered several novel-writing/screenwriting/movie-pitching contests and advanced to round two in some of them. I rediscovered classic MacGyver. I befriended my neighbor, who is a treasure. I moved to a better apartment. I went wild and bought all fourteen action figures they made of Doctor Who. I tried dating (which didn’t really take), and I met a lot of interesting people in the process. I went to a movie in the theater for the first time since January 2020.

Again, I know that I have very little influence on what people do, but I still highly recommend doing this for yourself. If I push the flaming dumpster fire that contains things like the January 6 insurgency and both Delta and Omicron—as well as the negative review my TV pilot got or some of the fights I got into with my roommate—off the cliff and never speak of it again, what would I do with all these victories I racked up? Times are hard for America and the world, but they were good for me, and I’ll bet, if you try hard enough, you can come up with some reasons 2021 wasn’t that bad.

If you’ve ever listened to a thing I say, make it this: Live your life. Enjoy the good parts as much as you can. Don’t be hating every moment that passes, or you will die a miserable person.