Lady in Lavender 

I haven’t danced around other people since I was mocked for doing so. Prior to that, I didn’t really think much about it, especially when it came to the dances of the high-school variety. Rather than even try to find a date, I spent all my time crying that I couldn’t find a date. There were a few exceptions.  

There was only one person I wanted to take to senior Prom. She wasn’t one of my crushes (who I was “in love” with), but rather a friend I had gotten very close to. I don’t know why I never fell for her. She was beautiful, she had a sexy voice and accent, and she was fascinated by me. We had a spot where we retreated twice a week and were completely open with each other. I would have shown her the time of her life, but she was taken.  

Instead of finding someone just good enough, I spent Prom night with Shane, at a pizza parlor, playing Samurai Showdown 2 for hours. I have sincerely never regretted this. 

I have been to zero proms and one Spring Fling that took place in an alternate universe where everything was made of fun. We occupied our own corner of the floor and danced with a tenacity that’s difficult to describe. We found out that the DJ wouldn’t play “Tequila,” because it promoted alcohol, but had no problem with spinning “Insane in the Membrane.” 

I have been to three Homecomings. One went so horribly wrong, I was grounded for two weeks, and my dad hit me. (To be clear, my dad never hit me. He raged, but he never laid a hand on me, except that once, and I deserved it.) 

The other was years after I graduated. This was almost as much fun as Spring Fling. My date and I were friends who barely knew each other. We just clicked. We weren’t romantic, just flirty. I was popular because I was the only male on the dance floor. While the boys mocked me, their girlfriends surrounded me. There were some slow dances, both with my date and her friends.  

It’s the third one that really sticks with me. As usual, I was too timid to ask anyone to the dance, so I wasn’t planning to go. Boone (as Severa was known back then), was in love with this one girl. She really wanted to go with him, but her cousin was in town. He volunteered me.  

I was expecting her to lack at least one of the following: Looks, brains, or sense of humor. Yes, I was shallow, but if a beautiful woman bored me, I’d wander off without looking back. We drove out of town to pick them up, and his date answered the door. She was attractive—she wasn’t stunning, but I could easily get used to that smile. She invited us in, and Boone was ambushed with flashes. The thing about Boone was that he hated to be photographed, even if it was her date’s family, and he was trying to make a good impression.  

Patiently, I waited for her good-enough cousin to show up. What I wasn’t expecting was an ethereal being. Her dress was Lavender, and her sandy-blonde hair was swept up, leaving a few strands to dangle precisely. Her eyes were a striking glacier blue, her nose was delicate, her skin glowed, and she was smiling at me, like she hit the jackpot. She held an elbow out, and I didn’t get it, so she took mine and led me on a night of pure magic.  

Who was this woman? Because she was a woman. She was eighteen, and we were only sixteen. Unlike most girls, she paid more attention to me than Boone, though she was a pro at playing the whole pack. We danced like the floor was electrified, except when it was slow, when I held onto her waist and couldn’t believe what was happening to me. 

There are two moments that endure the fog of thirty-five years. The first was a slow dance to “Lady in Red” by Chris DeBurgh, which was the kind of moment I’d hoped for since I started noticing girls.  

The second was pure art. The four of us were taking a much-needed break. When my date turned out to be a Dave Barry fan, I promised her I’d find the postcard I’d received from him, which I never left home without. (It read, “Dear Jeremiah, You are clearly a deranged person. This is a good thing. Dave.”)  

While we were chatting, she swept up a handful of glitter into her white-gloved hand and blew it on her cousin. It was a perfect moment. I’d never seen anything so beautiful in my life, and it has since only been topped once. 

When the dance was over, we laughed some more at Kristy’s until my curfew assaulted us. I couldn’t get her out of my head or her address out of him, Whenever I asked, he got really cagey about it. It turned out he was actually in love with my date the whole time, so he was cock-blocking me.  

This guy, who loved Nirvana, Ministry, and Megadeth, bought Chris DeBurgh’s album and listened to that one song over and over again, picturing the glitter and her cranberry lips catching the light bouncing off the disco ball. In the wisdom that comes with age, I have come to realize this was the best thing that could have happened. I never got the chance to ruin everything. 

As a result, I lived like Cinderella for a night. Instead of being an awkward, rude, self-absorbed little twerp, I was charming, good-looking, and a great dancer. I danced with the princess at the ball, but the clock struck midnight. Our carriage turned into a beaten-up pickup. I was just a nerd in his speech-and-debate suit, and my princess walked away forever. No shoe made of a weird material was going to bring her back.  

I can’t remember her name. 

How Bazar, How Bazar

Early in April, I met an Iranian artist, named Mina, who made quite the impression. She has a studio in the Brookland ArtsWalk, a small plaza dedicated to bougie creativity. Every Saturday morning, weather permitting, the artists open their studios to the public, where they sell art and merch. Mina was attentive and excited to tell me about her work, which is all I really want from an artist.

Add in the food vendors and farmers who spring up, it really is the best way to spend a weekend morning, especially in the spring.

I’d been several times, but I’ve never been to Kucheh Studios before last month, when I popped in and was stunned by the stark beauty of the woodcuts.

Pictured: Shameless Advertisement

I’ve been mesmerized by this print, but I didn’t pick it up because I wasn’t ready to drop that price on a print. After thinking about it for two weeks, I went back and discovered that I was completely wrong about the price. It was twice as much as I thought it was. It’s worth it.

The first time I met Mina, she explained the protest symbolism in her work while I listened eagerly. Over the next week, I had to tell everybody about this experience. It was invigorating. The second time I stopped by, she invited me to Jumeh Bazar, which she was sponsoring Friday evening. There would be food, music, and art.

ArtsWalk is a Metro stop away, but there’s a bike/running trail that leads from my station to Brookland. I’ve wanted to walk this path since I first saw it from the train, but it seems daunting. A mile is okay—my station is about a mile away, and I walk that at least five days a week—but two seems like way too much. Friday, though … Friday is perfect, peak spring. The path I stroll along runs parallel to my train, so I’d seen the scenery already. However, I’m not blowing by this time, and I can appreciate the aggressive vegetation, industrial buildings, and graffiti from a fresh angle.

Pictured: Art

I’m there before I know it. The first thing I notice is that it isn’t a very big event. There are half a dozen vendors and not much of a crowd. However, it’s only five p.m., and nobody else keeps my work hours.

Arriving early means I get extra time with everyone. It starts with Turkish coffee. This is because I’m reading the menu on a table, and I’m pounced upon by the most adorable teenage girl. While she makes my drink, I try to make conversation, but everything I say is more awkward than the last.

The thing about Turkish coffee is that it makes Red Bull look like chamomile tea. Each cup comes with a warning label. I sit on a bench and sip it, watching people drift through from the adjacent Metro station, until I can get rid of the cup.

My feet insist on moving, and I find myself at a baklava table manned by the cheeriest woman I’ve seen in some time. I thought there was only one kind of baklava, and it was baklava-flavored, but nothing could be further from the truth. She describes each item on the menu like she’s a sommelier. I chat with her and her shockingly handsome husband about bazar culture, something I’ve missed from Doha. I leave with four orange-cardamom baklavas. They are delicious.

My next stop is the guy with red bottles all over his little table. I saunter in and listened to his pitch to the young lady before me. He sells herbal remedies in concentrated tea form, and he is passionate about it. Once he snags me, he offers us both samples and explains which herbs, flowers, berries, and fungi combine to treat mild pain, depression, brain fog, and a number of other ailments. I ask if he has something for focus, and he has the perfect ginseng blend. He even takes the time to tell me what ginseng is. He also says the word psychotropic, but that’s probably nothing to worry about. He gives me some black tea on the house, and I sit down to listen to the taste of what colors smell like.

On previous ArtsWalks, I would sit on a bench or a curb and doodle a bit. The energy is great, and there is always at least one striking person. That in mind, I have brought a sketchbook with me, and I draw the guy with the potions.

Pictured: Potions

I was there long enough, but I have to make two more stops before I’ll take the train home like the lazy American I am.

I find Mina sitting at a table in front of her studio, carving a small tile. She has a very enthusiastic hello for me, which makes me feel special. I took a woodcutting class two years ago, so I’m familiar with the tools, but that was about it. I don’t tell her because my woodcut is not very good.

Pictured: “Electric Cat“

She explains the material, the process, and more symbolism, while I listen to her, entranced, asking any question that occurs to me, unlike usual, when I keep them to myself so I don’t seem dumb. She’s eager to talk about her craft, and I love to learn about other people’s art. Eventually, people she knows stop by, and I slip away.

I’m almost finished, but I can’t avoid the siren song of my favorite cuisine, Lebanese. This booth specializes in man’oushe, a cheesy, heavily seasoned flatbread. Working with a Palestinian restaurant, they have created new flavors specifically for the Jomeh Bazar. I have the shawarma chicken and will recommend it to anyone who asks.

I have had enough caffeine that I can vibrate through solid objects, but I go home anyway. I crash about two hours later, well past my bedtime, but at least I sleep. It’s worth it.

Cashed Out

I said, before I can draw this morning, I have to pay my rent. So I hemmed and hawed, and I procrastinated, and I finally, finally sat down to do it. It’s really complicated too.

1. Log into building’s home page using 2-factor authentication so I don’t have to remember a password anymore.
2. See what I owe. (It’s always the same.)
3. Click “Pay.”

And I can recover from the exhaustion of that for another thirty-one days. Huzzah!

In all seriousness, is anyone unsettled by how easy it is to spend money? I haven’t signed a credit card slip in almost a year, and it surprised the hell out of me. I can buy weed with my debit card. If there’s something I want but can’t find, I can go to an online retailer, who know who I am because they send me three emails a day even though I bought one thing from them five years ago. They have my credit card information, so all it takes is one click.

Paying off my credit card, one click.
Buying something that you maybe can’t afford, one click.
Getting takeout instead of shopping, one click.

Capitalism has weaponized convenience.