Through the month of April, I’ve been (asexually) smitten with an Iranian artist named Mina. She has a studio in the Brookland Arts Walk, a small plaza dedicated to bougie creativity. Every Saturday morning, weather permitting, the artists open their studios to the public, where they sell art and merch. Add in the food vendors and farmers who spring up, it really is the best way to spend a weekend morning, especially in the spring.

I’d been several times, but I’d never been to Kucheh Studios before last month, when I popped in and was stunned by the stark beauty of the woodcuts.

I was mesmerized by this woodcut, but I didn’t pick it up because I wasn’t ready to drop that price on a print. After thinking about it for two weeks, I went back and discovered that I was completely wrong about the price. It was twice as much as I thought it was. It’s worth it.

The first time I met Mina, she explained the protest symbolism in her work while I listened eagerly. Over the next week, I had to tell everybody about this experience. It was invigorating. The second time I stopped by, she invited me to a bazar she was sponsoring Friday evening. There would be food, music, and art.

Arts Walk is a Metro stop away, but there is a bike/running trail that leads from my station to Brookland. I’ve wanted to walk this path since I first saw it from the train, but it seemed daunting. A mile is okay—my station is about a mile away, and I walk that at least five days a week—but two seems like way too much. Friday, though … Friday was perfect, peak spring. The path I strolled along ran parallel to my train, so I’d seen the scenery already. However, I wasn’t blowing by this time, and I could appreciate the aggressive vegetation, industrial buildings, and graffiti from a fresh angle.

I was there before I knew it. The first thing I noticed was that it wasn’t a very big event. There were a half-dozen vendors, and not much of a crowd. However, it was only five p.m., and nobody else keeps my work hours.

Arriving early meant I got extra time with everyone. It started with Turkish coffee. This was because I was reading the menu on a table, and I was pounced upon by the most adorable teenage girl. While she made my drink, I tried to make conversation, but everything I said was more awkward than the last.

The thing about Turkish coffee is that makes Red Bull look like chamomile tea. Each cup comes with a warning label. I sat on a bench and sipped it, watching people drift through from the adjacent Metro station, until I could get rid of the cup.

My feet insisted on moving, and I found myself at a baklava table manned by the cheeriest woman I’d seen in some time. I thought there was only one kind of baklava, and it was baklava-flavored, but nothing could be further from the truth. she described each item on the menu like she was a sommelier. I chatted with her and her shockingly handsome husband about bazar culture, something I’ve missed from Doha. I left with four orange-cardamom baklavas. They are delicious.

My next stop was the guy with red bottles all over his little table. I sauntered in and listened to his pitch to the young lady before me. He sold herbal remedies in concentrated tea form, and he was passionate about it. Once he snagged me, he offered us both samples and explained which herbs, flowers, berries, and fungi combined to treat mild pain, depression, brain fog, and a number of other ailments. I asked if he had something for focus, and he had the perfect ginseng blend. He even took the time to tell me what ginseng is. He also said the word psychotropic, but that was probably nothing to worry about. He gave me some black tea on the house, and I sat down to listen to the taste of what colors smell like. 

On previous art walks, I sat on a bench or a curb and doodled a bit. The energy is great, and there is always at least one striking person. That in mind, I brought a sketchbook with me and drew the guy with the potions.

I was there long enough, but I had to make two more stops before I would take the train home like the lazy American I am.

I found Mina sitting at a table in front of her studio, carving a small tile. She had a very enthusiastic hello for me, which made me special. I took a woodcutting class two years ago, so I was familiar with the tools, but that was about it. I didn’t tell her because My woodcut was not very good.

She explained the material, the process, and more symbolism, while I listened to her, entranced, asking any question that might keep her talking. Eventually, people she knew stopped by, and I slipped away.

I was almost finished, but I wouldn’t avoid the siren song of my favorite cuisine, Lebanese. This booth specialized in man’oushe, a cheesy, heavily seasoned flatbread. Working with a Palestinian restaurant, they created new flavors specifically for the Kucheh bazar. I had the shawarma chicken and will recommend it to anyone who asks.

I had enough caffeine that I could vibrate through solid objects, but I went home anyway. I crashed about two hours later, well past my bedtime, but at least I slept. It was worth it.