A Fistful of Trouble

I have gone to yet another Renaissance Faire this year, and I plan on blogging about the whole thing. There is one experience, however, that was so otherworldly, I have a hard time believing it’s real, even though there were witnesses.

The Faire is a haze of laughing with friends, meeting exciting new people, spending money on trinkets to go into my owl cabinet, and eating authentic fourteenth-century food like fudge. Over the morning and afternoon, I repeatedly wander off by myself. Frankly, nobody should have let me wander off after the first time, when they had to send a search party.

The second time they track me down, we are all exhausted, and we’ve seen all the pewter, leather, and pottery we can handle. Instead of further exploring, we stand in the middle of the path and split off into circles of three and gab. I’m talking to Stephen and Meredith, a married couple I’ve known for over twenty years, my ride to the distant lands of Maryland.

I’ve been hypervigilant to my surroundings. Most people are dressed up, at least a little half-assed, but I reach a point where all I see are corsets and steins. That’s how I don’t spot the umbrella until Steve points it out. Ringed around it are streamers that come down to the ground, and it bears a sign that says, “I Will Tell You a Story.” We can vaguely make out the shape of someone inside wearing a skirt.

Steve watches the umbrella drift past. The thing you have to know about Steve is that he’s a nerd. Goofy and unapologetically awkward, he’s also charming and extremely curious. He gets caught up in the gravity wells of mystery, and this draws him in like a black hole. He informs us he’s going to check it out, and he invites his equally nerdy wife. They both insist I join them. The umbrella isn’t especially large, so fitting us takes some doing. In the end, anyone who looks will see the streamers and my massive ass.

Inside is a peasant woman, with a sand-brown dress, dark-chocolate-colored corset, and white apron, blouse, and bonnet. Her skin is pale like a fairy’s and her eyes are bright and wise.

Once we’re settled, she tells us the tale of the wise man, the only man in the world who was troubled by nothing. Three lords, the weight of the world on their shoulders, sought the man out and found him on the top of a distant mountain. They said, “Master, how is it you live without troubles?” He gave them each a stone.

The mysterious woman holds out a pouch and asks us to take one and put it in our palm. They are marbled pieces of amethyst, the size of a dime, smoothed and heart shaped.

Pictured: Symbolism

She instructs us to curl our fingers around them and turn our fists upside down. “Now open your hand,” she says.

I can’t. I literally cannot. Neither can Steve or Meredith. She has to coax us. I defy both my body and my mind to open up and let it go. I nearly gasp. I’d feel the same way if she had asked me to throw all my sketchbooks into a bonfire. It hits the ground, and I’m thinking, “What have I done?”

The ethereal woman asks, “Was that hard?”

We all agree it was very hard. Judging by the fact that my stone hits the ground last, it’s hardest for me.

At her command, we pick them off the still-drying mud and straw, squeezing them even tighter. “Let these become the place where you put your troubles.” She floats away, leaving us unmoved, in shock.

After a moment, I say, “That was fucking amazing.”

“Yeah, that was awesome,” Steve says, excited.

I don’t let on how hard it was to drop my stone.

The woman never asks us for money or even a tip. She’s someone who goes to the Renaissance Faire with an umbrella, encouraging people to fight their instincts and let their troubles fall and be soaked up by the earth. Who the hell is she?

By the time we call it quits and go home, I’ve completely forgotten her.  It’s not until I’m talking to my closest living friend, who has the same kindness and patience as the woman with the umbrella, that it comes to mind. And now I can’t think about anything else.

Owlman v. the Burbs

You might know from reading my posts that I’ve been on vacation over Thanksgiving, and I got the suburbs of New York from the suburban side. Joining me on my trip was Owlman.

We mostly chilled out.

Pictured: Chilling out:

There were foes to be taken down.

Oh, my gourd!

Look at this mess!

“Let’s get out of here, chum.”

He’s even putting together a band.

A one-man band.

Our host is an accomplished photographer, and he won awards for his Lego Star Wars portraits.

Owlman got to know the studio mannequin:

How many times to I have to tell you, Owlman, you can’t touch the equipment!

But all good things must come to an end, and I left for home today, refreshed and relaxed.

Weirdos in Disguise

Christmas, you get presents. Thanksgiving, you get to indulge yourself. Halloween is that day when you get to be someone else, and that made it my favorite. I’ve been Optimus Prime, John “Hannibal” Smith from the A-Team, and a Ghostbuster named Murphy.

The coolest Halloween experience I ever had was generic Jedi for my seventh Halloween. (“Bow, or whatever, to the adequate might of Jedi Master Temu!”) On the other side of the barrier that separated the older kids was a generic Sith, carrying a red lightsaber to match my yellow one. He came over, and we talked over the fence for a long time. about Star Wars, we talked about what the fifth grade was like, and he wanted to get a better look at my lightsaber. After recess, I never saw him again, but I looked everywhere.

Years later, I wore the world’s worst Halloween costume and drank vodka in lieu of eating something and went to a rock concert and drank a lot of beer and had another jack and coke and said something to That Moby so bad it got me thrown out of the bar and soaked my friend’s couch with vomit.

Once upon a time, when I was much thinner, I’d shave my mustache, throw on a green T-shirt and go as Norville Rogers, with the nom de guerre of Shaggy. I pulled off an amazing Crow, thanks to the incredible makeup skills of my friend M.

Last year, I enjoyed the holiday with M in Colorado, walking the neighborhood and scoping out the decorations.

I’ve been doing it solo so far this year.

For pagans like Kate, Halloween, or Samhain (pronounced SOW-win; don’t say it like it’s spelled or a witch will laugh at you), is the most sacred day of the year. It’s Christmas and Easter rolled up into one, with all the celebration and feasts and prayers. It’s when the veil between the living and the dead is at its thinnest, and you can commune with those that have gone before. It is here I lost the true meaning of Halloween (candy and costumes).

I had a very, very nudge-nudge, wink-wink, say no more, say no more Halloween night in the East Village while the parade went by. On my own, I liked to stop in the neighborhood for a drink and watch Bleeker Street lit up with people having a good time.

Two years ago, I was recruited for the Pumpkin Task Force at work. We wanted to kill at the First Annual Pumpkin Carving Contest, so I said, sure, I’ll help. There were five of us. I bring this up because 20 percent of the group did all the work. I designed the pumpkin:

It was based on the mascot for the American Society of Hematology, Red.

I went to the art store that knows me by name and bought acrylic pens (on the company card). And I said, “You guys do the rest.” My boss offered to carve the pumpkin if someone would draw the face based on my design, but no one did. To say I was disappointed would understate it.

Imagine my surprise when someone asked if I was helping with his year’s contest, closing in two hours. I said no, not after last time. Later, I came across the pumpkin, and someone had written “CARVED” in large letters on it. I hauled it over to the break room and attempted to hose the Sharpie off. I had brought my art markers with me, so I applied them to the pumpkin, using my old design.

It was then that Sera, a work acquaintance, swept in with tubes of acrylic paint, and I was able to work in style. She used to paint, with oils, but she moved into a smaller apartment and can’t fit her easel. While I applied cadmium red to the face, she made hands out of paper plates.

We took it to contest, where it was clear we were not going to win.

Sera and I agreed that we would be more prepared next year.

The party was loud, as parties tended to be. There was an open bar, and I had a doctor’s appointment, so I didn’t stick around.

I was there long enough to puzzle over the group of people who all knew each other, dressed in yellow shirts and overalls. but this Every one of them was wearing glasses, but that’s not that weird. It was weird that they had all had nametags. At first, I thought they were the caterers, but they were all wearing different types of yellow tops.

The only nametag I paid attention to was the cute blonde, named “Lou.” I thought Lou was the best name for a pixie woman, but I also had to remember was that this was a costume. She probably didn’t even need glasses.

Someone dressed like Wednesday, someone dressed like Janet Jackson, Rhythm Nation. There was an axolotl. There was a woman riding “a goose,” “no, an ostrich,” “maybe a swan,” “that is an ostrich,” “that is definitely a goose,” “hey, what’s that you’re riding? I told you it was an ostrich.”

I went to the work party to see me win fifth place, and they announced that the pumpkins were going to be judged in twenty-four by a panel of the building superintendent’s Instagram contacts. So I left.

Then it hit me. They were Minions. They were fucking Minions.

Underworld Figures

I’ve been writing a bonkers novel called Subterraneaus Obscura about the mysterious world underneath Washington, D.C. (which has nothing to do with politics). It’s about three adventurers wearing suits who journey their way through ratweillers, the Mongolian death worm, organic server farms, Gnome Town, etc. They are:

Ember—thrill-seeker. They discovered the underground and keeps recruiting people to explore it with them. They’re optimistic and friendly, and they can’t hold their berry beet smoothies.

Juliette—career criminal. After committing the crime of the century, she is swept up in Ember’s wake when she is almost hit by a Metro train. She’s pretty relaxed, considering.

Mazel—charmed ad absurdum. Cursed with supernaturally good luck, Mazel is on the run from her father, the wealthiest man in the world. Her good fortune gets glitchy underground, so she follows Ember to see if it will run out.

Adventures in Anthropomorphism

I just finished writing a bananas novel called Subterraneous Obscura, which has dozens of supporting characters, from baristas to the richest man in the world. I’ve tried to give memorable personalities to all of them, and the best way to do that is to give them names. I pluck my names out of my life, and along the way, I named seven characters after the pets who are or have been living with my friends, Steve and Meredith, my former roommate, Nicole, and myself.

Here’s Steve and Meredith’s:

Cooper (Ginger Golden Retriever): A doctor who always wanted to do theater. He thinks he’s auditioning for Little Shop of Horrors, but instead, he’s cast in a sex tape.

Harmony (Golden Retriever): The preppy herald of an underworld goddess. (RIP)

Inkling (Sleek Black Cat): The minions of an underworld goddess.

Stardust (Small Tortoiseshell): An underworld goddess. (RIP)

Next is Nicole’s baby, Henry (Black Egyptian Mau): An FBI agent used to getting his way. He’s a Momma’s boy, and his Momma is a crazed, shotgun wielding old woman.

Following is my beloved Newcastle (Maine Coon): A butler who took a vow of silence. (RIP)

Finally, my current roommate, Oscar (Fluffy Black Cat): A sleazy teenage data broker.

Culture of Villainy

Fourth of July weekend, Owlman and I went to the National Portrait Gallery/Smithsonian American Art Museum, which share a building. It’s in Chinatown, so we had to take the Metro.

This is our stop, Fort Totten. Independence Day revelers still weren’t out of bed.

We arrived fifteen minutes before the museum opened, so we had to hang outside.

Our first portrait was abolitionist John Brown. Owlman is evil, but he agrees with me that owning another human is bad, so he was happy to see him.

Owlman says, “Keep practicing, you’ll get it someday.”

Like Thomas Edison, Owlman fancies himself an inventor… of death traps and lethal gadgets.

Owlman remembered to bring his camera today.

I told Owlman that this was my favorite painting in the museum, by John Singer Sargent, who is my favorite painter. He memorialized it for me.

Owlman has a thing for redheads.

Owlman knows full well he’s not supposed to touch the sculptures, but he’s evil, so he wants to do it anyway.

Owlman, what did I just tell you?

Owlman wants to know if the TV art installation can get the latest episode of Real Housewives, which he watches because he’s evil.

He terrorizes the streets of alternate Gotham, but this statue from Clover Adams’s grave is really scary.

Tuckered out from our big day, we headed home.

Take Your Supervillain to Work Day

This year, for TYSTWD, I invited Owlman. Owlman comes from an alternate reality and is essentially the anti-Batman. He was thrilled to see what I do when I am not home.

I like to come to work early and do some sketching before I begin my shift. It’s nice to have the place to myself.

As you can see, Washington DC is still sleeping.

We took a tour of my desk, where I had to relocate my owls once Oscar started being feisty. (The glass cat on the hammock is the gift my boss gave me when Newcastle died.)

Same goes for some of my toys. (The red guy is the mascot for the American Society of Hematology.)

And my miniature painting, which has Owlman contemplating the meaning of beauty.

I hang up my art up at my desk because I like looking at it, and it’s a great conversation-starter.

Owlman works from home, so he brought in his laptop.

He had to go to the storage room to take an important call.

Now it’s break time. I don’t like Starbuck’s, but he insisted on going, and he’s evil so I don’t want to get on his bad side.

Duke of Earl’s

They say, “They say you can never go home again.” You can, but it’s complicated.

The last time my nuclear family got together was at my wedding in 2005, and my bride couldn’t get me away from them fast enough. Over the years, sibling has seen sibling, and kids have seen parents, but the five of us who grew up with each other in New Mexico in the eighties and nineties have not gathered.

It took some doing, but we finally arranged it so the five of us could get together to celebrate our parents’ fiftieth anniversary a month late, on May 6. That’s why I was sitting on a Southwestern flight next to a guy who looked like Ted Cruz’s head on a jacked mercenary’s body.

Picking up my reserved rental in the past had been an exercise in tedium and frustration. The last time took an hour of waiting in a line that didn’t move. This time took fifteen minutes, no line, and about five of those minutes were me waiting at the wrong lot.

I came to Gallup three years ago to work with Shane on a project, and I remember being tackled by nostalgia. This time, it was for the aesthetic of the state. I don’t think I noticed New Mexico like I did yesterday.

While I drove from Albuquerque, I was in awe of the sky, and of the pink and red and white landscape, covered by a lot more green than you’d expect from a desert. Layers of rock and fossilized animals jut out of the desert floor. Bridges span channels that had once been rivers. In the distance, the empty desert is dotted with houses far from civilization. Halfway to my old home is a lava bed miles and miles across. Even closer to my old home is Red Rock State Park, so named because there are rocks in it.

I arrived in Gallup, driving a car that literally drove itself on the interstate. Before I met my family, I stopped at the office supply store, Butler’s, for supplies. It took a long time to get out of there with my purchase because nobody is in any hurry to do anything in this town.

Gallup doesn’t have a bookstore, so imagine my surprise to find one in this privately owned Gallup landmark. The owner is a guy named Barry, whose name is on the building, and we discussed putting my book on their shelves. He can be difficult to talk to because he listens to you speak, waits, and gives you a look like you’re supposed to say something else. I babbled.

Finally I arrived at the house my sister rented for the reunion, the walls of which, like every vertical surface in the state, is covered in adobe. It was also without right angles, and with no clear direction as to where everyone’s room is. Stairs can go to nowhere. A tesseract is a shape that cannot exist in Euclidean space. This house is a tesseract.

I talk to my parents every other week, and through video chat, it’s not clear just how old they are. My mom moves slowly and is in a lot of pain. My dad’s still really spry, but he’s hunched over, and his hearing aids don’t ever seem to work. I spend a lot of time listening to him go, “Huh?”

With the addition of my niece, my niece’s stepfather, and my niece’s husband, there were now eight of us. As football was to the Kennedys, hanging out and talking about nothing is to my family. We did that for what turned out to be hours until we got hungry. That meant Earl’s.

Earl’s is a Gallup landmark on the east side of town. Earl’s is a diner like Johnny Rockets is a diner, which is to say it’s not, but it has characteristics of one. Earl’s has a brand. Earl’s is a family restaurant, not a joint where you hang with friends for hours. Earl’s was where Natives, usually adorable children, went table-to-table selling you jewelry. Earl’s was fine dining when I was growing up, and most of my happy memories in my adolescence were there.

I always remembered the place being crowded, the silhouettes of patrons framed by bright colors. I remember a unique entrance that made you feel like royalty. I remember the six-foot pie case to my right and the miles-long dining counter to my left. I remember the carpet. I hadn’t been there in twenty-seven years. What kind of facelifts had it been given in that time?

None. I could have been stepping in here on the eve of moving to New York in 1998.  

Lately, I’ve been taking pictures of buildings for references. For art and for nostalgia, I photographed Earl’s unique façade, as well as the sign that has remained unchanged for at least fifty years, even in the unforgiving desert sun. As I approached the restaurant, a shadowy, smoking figure called out, “Ya takin’ pitchers uh me? Ya better be takin’ pitchers uh everybody! Ha! Just kidding.”

I told him, “I grew up here. Earl’s is a big part of my life.”

“I know the owner!”

“Cool.” I attempted to retreat.

“He’s the son of the last owner.”

“Fascinating! Gotta eat!”

I escaped and joined my family of misfits, just in time to order. I used to love the patty melt, so that’s what I got. The good-natured, but direct, waiter, hit me with a barrage of questions. When I answered the last one (“Tater tots.”), the family chatted. I told stories, I made bizarre observations, and everybody related.

The food came, and it was time to eat. There were some things I was unprepared for. My brother-in-law, Shafiq, asked for a half-order of an Indian taco, and it was a slab. My niece, Sera, ordered a sandwich of some sort made with fresh frybread. My sister Becca ordered a mound of fries. My mother ordered the split-pea soup. She said it was very good.

I have no memory of this from my youth, but tater tots at Earl’s look like onion rings. They also served a small pile of sliced pickles next to a spear. The waiter explained, “Some people ask for sliced pickles, some people ask for spear pickles. Some people ask for both. Some people don’t want any pickle. Whatever, so we just gave them the pickles.” I’m a “don’t want,” but I appreciate the effort.

The waiter returned with the check, and I handed him a credit card. He said, “There’s a gratuity included, but if you can leave me more of a tip if you want to.” When he came back, I saw how inexpensive dinner for six was. He reminded me, “Like I said, there’s a gratuity included, but you can leave me cash, or you can fill it in right here.” That was about as aggressive as I’ve ever seen a server before, and I respected the hustle enough to persuade my family to leave him more.

He got an additional 20 percent, on top of the 18 from the gratuity.

Shafiq pointed out that we had stayed past closing, and we were keeping these people from their homes. Feeling awfully rude, we shuffled out. Despite this, though, our waiter ran out and caught up to us because Shafiq had forgot his food.

Today’s Dad’s birthday, and I have a speech prepared. I’m really nervous.

Playgrounds New and Old

When Kate and I first moved to the DMV area, we lived in Alexandria. I liked Alexandria because it was a quick Metro ride to DC proper, and it was a big enough city of its own. After we returned from Doha, she made the unilateral decision to move us even farther from the District, and I had no reason to go to Alexandria anymore.

If you’re pondering Alexandria, you might think of it as the home of the best sushi in the world. You might think about the other Washington Monument erected by the Masons. You might think of how the Revolutionary War was planned in a pub there (which explains a lot). That pub, still serving ale, is in Old Town.

The spring following my return to the area in, my friends, Steve and Mere, joined me as we ducked in and out of the quaint shops that line the walk from the Metro station to the Waterfront, about a mile and a half. We explored an interlinking series of cemeteries, as well as the Torpedo Factory (more on this later)

It took six years to return, this time by myself. Even though I’m working on a project this weekend, I wanted to enjoy the weather and crank out a few portraits in a spot where I’d see a lot of tourists. That place was ESP, which stands for Espresso, Snacks, and Pie. I had neither snacks, nor pie, but I did enjoy an Americano, along with a sticker. Every store and café in Old Town sold stickers.

I occupied myself with my weekend project because there was only one interesting person. There was also a deeply plunging neckline, but I only observed that through my strained periphery.

Later, with one eye on my sketchbook and one eye on foot traffic, I spied an older woman, her hair long and wild, looking as if she were going to tear that hair out. To my horror, she approached me, out of breath and panted, “I know you probably can’t help me because you’re a man, but I’m going to ask anyway.”

My mind struggled against this torrent of twitchy desperation like someone walking against a hurricane.

“Are you ready?” she demanded.

No. “Yes.”

“Do you know Call Your Momma?”

I sat there, and a number of thoughts rattled through my skull. Did she want me to call my mother? Was she talking about the bagel sandwich chain Call Your Mother? That would make the most sense. And yet. What was it about being a man that would handicap me from knowing a bagel shop’s location? It didn’t matter because I had no idea where it was. Just like a man.

It took about twelve seconds to put all of this together into one coherent thought, while she waited for my answer, quivering in impatience. “Sorry,” I replied, “I don’t live here.”

She stormed away, shouting over her shoulder, “Of course you wouldn’t know! You’re a man!”

Despite being the victim of misandry, my journey of nostalgia went on. I loved coming here when I was younger. But so much had changed. The only comic-book store in Alexandria is now a spa. The coffee-and-pastry place we liked to go to is an empty, gutted building.

One thing hadn’t changed: the Christian bookstore and the sex boutique are still there…

… separated by a tiny Thai restaurant.

That restaurant is a hero.

Eventually I arrived at the Waterfront. When I lived here, this was a parking lot. Now it’s families enjoying their freedom from the latest cold snap.

The reason I took the hour journey, which included two trains and a twenty-minute walk, was the Torpedo Factory. It was once a literal torpedo factory, and now it serves as studios and shopfronts for over a hundred artists.

I was able to make it through the whole building in a short amount of time because most of the studios were closed. A lot of the open ones sold jewelry, which I am not interested in. A lot of the remaining was just not my style. And yet, even though my interests were whittled down to such a small percentage, I saw a lot of great art Saturday.

I have an expensive philosophy when I go to art fairs: if you talk to me about your shit, I will buy something from you. All you have to do to start such a conversation is say hi. You’d be amazed at how many artists don’t get this.

I had four good conversations, and I bought something from three of them. (The fourth was out of my price range, but he gave me a post card.) My longest conversation, however, was not with an artist. It was the hippy at the art store was very chatty.

As soon as I walked in, she asked, “How’s your last day before martial law?”

I asked her why Easter, and she laid out a pretty good case. She also pointed out it was Hitler’s birthday, which was less convincing. We talked more about a lot of stuff while she flipped through my portrait sketchbook and observed that I must be straight. She thinks asexuality is hormones. She is also an atheist, a bit more militant than I.

Ordinarily, I don’t like to talk about politics. It makes me sick to my stomach, and it doesn’t fix the world. For some reason, Candace made it easy to vent. She then assured me that Trump’s days are numbered. She says that the Republican party will impeach him in a few months, July at the latest.

She’s never wrong about these things because she can see the future. She wasn’t talking about any of this “woo-woo shit.” She had a talent for pattern-recognition. Take her word for it.

I enjoyed chatting with her, but I wanted to find a table in the Waterfront and work on some more art. I saw two more interesting people, who I planning on drawing when I’m done with my project. Enriched, I journeyed home.

When people say you can’t go home again, it’s usually with regret and heartbreaking nostalgia. I certainly felt it today. However, nobody talks about the new, exciting stuff that replaces our old loves. Time moves on, nothing’s ever the same, and that’s how life stays fresh.

Late Bloomer

I tried to catch the tail end of the Cherry Blossom festival today, but I missed all the flowers but a small patch away from the water. I was taking pictures of them when three women in their fifties asked me to take their picture. When I handed Woman 1’s phone back, she said:

WOMAN 1: Thank you, sir. Now, are you an expert on cherries?

ME: No, I don’t believe I am.

WOMAN 1:  I thought maybe these were a special kind of cherry tree that doesn’t have any cherries. Are they a special kind of cherry tree that doesn’t have cherries?

ME: I—

WOMAN 1: Have you been to the tidal basin? Are there cherries?

ME: N—

WOMAN 2: Where are my cherries!

WOMAN 1: He says these are special cherry trees that don’t have cherries.

WOMAN 2: Is he an expert on cherries?

ME: I live here, and I’ve never seen cherries.

WOMAN 2: It’s cold!

ME: You should have been here last week. I thought I didn’t have to wear socks anymore.

WOMAN 1: We’ve been here four days.

WOMAN 2: It’s too damned cold!

WOMAN 3: Nice to meet you!