Duke of Earl’s

They say, “They say you can never go home again.” You can, but it’s complicated.

The last time my nuclear family got together was at my wedding in 2005, and my bride couldn’t get me away from them fast enough. Over the years, sibling has seen sibling, and kids have seen parents, but the five of us who grew up with each other in New Mexico in the eighties and nineties have not gathered.

It took some doing, but we finally arranged it so the five of us could get together to celebrate our parents’ fiftieth anniversary a month late, on May 6. That’s why I was sitting on a Southwestern flight next to a guy who looked like Ted Cruz’s head on a jacked mercenary’s body.

Picking up my reserved rental in the past had been an exercise in tedium and frustration. The last time took an hour of waiting in a line that didn’t move. This time took fifteen minutes, no line, and about five of those minutes were me waiting at the wrong lot.

I came to Gallup three years ago to work with Shane on a project, and I remember being tackled by nostalgia. This time, it was for the aesthetic of the state. I don’t think I noticed New Mexico like I did yesterday.

While I drove from Albuquerque, I was in awe of the sky, and of the pink and red and white landscape, covered by a lot more green than you’d expect from a desert. Layers of rock and fossilized animals jut out of the desert floor. Bridges span channels that had once been rivers. In the distance, the empty desert is dotted with houses far from civilization. Halfway to my old home is a lava bed miles and miles across. Even closer to my old home is Red Rock State Park, so named because there are rocks in it.

I arrived in Gallup, driving a car that literally drove itself on the interstate. Before I met my family, I stopped at the office supply store, Butler’s, for supplies. It took a long time to get out of there with my purchase because nobody is in any hurry to do anything in this town.

Gallup doesn’t have a bookstore, so imagine my surprise to find one in this privately owned Gallup landmark. The owner is a guy named Barry, whose name is on the building, and we discussed putting my book on their shelves. He can be difficult to talk to because he listens to you speak, waits, and gives you a look like you’re supposed to say something else. I babbled.

Finally I arrived at the house my sister rented for the reunion, the walls of which, like every vertical surface in the state, is covered in adobe. It was also without right angles, and with no clear direction as to where everyone’s room is. Stairs can go to nowhere. A tesseract is a shape that cannot exist in Euclidean space. This house is a tesseract.

I talk to my parents every other week, and through video chat, it’s not clear just how old they are. My mom moves slowly and is in a lot of pain. My dad’s still really spry, but he’s hunched over, and his hearing aids don’t ever seem to work. I spend a lot of time listening to him go, “Huh?”

With the addition of my niece, my niece’s stepfather, and my niece’s husband, there were now eight of us. As football was to the Kennedys, hanging out and talking about nothing is to my family. We did that for what turned out to be hours until we got hungry. That meant Earl’s.

Earl’s is a Gallup landmark on the east side of town. Earl’s is a diner like Johnny Rockets is a diner, which is to say it’s not, but it has characteristics of one. Earl’s has a brand. Earl’s is a family restaurant, not a joint where you hang with friends for hours. Earl’s was where Natives, usually adorable children, went table-to-table selling you jewelry. Earl’s was fine dining when I was growing up, and most of my happy memories in my adolescence were there.

I always remembered the place being crowded, the silhouettes of patrons framed by bright colors. I remember a unique entrance that made you feel like royalty. I remember the six-foot pie case to my right and the miles-long dining counter to my left. I remember the carpet. I hadn’t been there in twenty-seven years. What kind of facelifts had it been given in that time?

None. I could have been stepping in here on the eve of moving to New York in 1998.  

Lately, I’ve been taking pictures of buildings for references. For art and for nostalgia, I photographed Earl’s unique façade, as well as the sign that has remained unchanged for at least fifty years, even in the unforgiving desert sun. As I approached the restaurant, a shadowy, smoking figure called out, “Ya takin’ pitchers uh me? Ya better be takin’ pitchers uh everybody! Ha! Just kidding.”

I told him, “I grew up here. Earl’s is a big part of my life.”

“I know the owner!”

“Cool.” I attempted to retreat.

“He’s the son of the last owner.”

“Fascinating! Gotta eat!”

I escaped and joined my family of misfits, just in time to order. I used to love the patty melt, so that’s what I got. The good-natured, but direct, waiter, hit me with a barrage of questions. When I answered the last one (“Tater tots.”), the family chatted. I told stories, I made bizarre observations, and everybody related.

The food came, and it was time to eat. There were some things I was unprepared for. My brother-in-law, Shafiq, asked for a half-order of an Indian taco, and it was a slab. My niece, Sera, ordered a sandwich of some sort made with fresh frybread. My sister Becca ordered a mound of fries. My mother ordered the split-pea soup. She said it was very good.

I have no memory of this from my youth, but tater tots at Earl’s look like onion rings. They also served a small pile of sliced pickles next to a spear. The waiter explained, “Some people ask for sliced pickles, some people ask for spear pickles. Some people ask for both. Some people don’t want any pickle. Whatever, so we just gave them the pickles.” I’m a “don’t want,” but I appreciate the effort.

The waiter returned with the check, and I handed him a credit card. He said, “There’s a gratuity included, but if you can leave me more of a tip if you want to.” When he came back, I saw how inexpensive dinner for six was. He reminded me, “Like I said, there’s a gratuity included, but you can leave me cash, or you can fill it in right here.” That was about as aggressive as I’ve ever seen a server before, and I respected the hustle enough to persuade my family to leave him more.

He got an additional 20 percent, on top of the 18 from the gratuity.

Shafiq pointed out that we had stayed past closing, and we were keeping these people from their homes. Feeling awfully rude, we shuffled out. Despite this, though, our waiter ran out and caught up to us because Shafiq had forgot his food.

Today’s Dad’s birthday, and I have a speech prepared. I’m really nervous.

Harry Potter and the Miserable C-word

I’m asexual. Many people, including close friends, don’t believe this. They see the fact that I like to draw sexy women as proof I’m not. They see that I’d had sex before with different partners as proof I’m not. Characters in my novels are often quite horny, which is proof I’m not. Some simply don’t believe asexuality exists. Maybe it’s a hormone issue. Maybe somebody hurt me. Maybe I just haven’t met the right person. Maybe I just have a headache.

I wrote and erased a point-by-point rebuttal to these because this is not about me, but it’s still very personal.

April 6 is Asexuality Awareness Day. This is a fairly new role for April 6, and I didn’t even know about it until this happened. JK Rowling knew, and she put out a snarky tweet. I considered posting an image of that tweet, but I didn’t want to google it. It basically says that it’s a day so people who don’t “fancy a shag” get to feel oppressed.

Fuck you, Joanne, we are oppressed. Google “acephobia” to see. There are conversions and
“corrective” rapes, as well as just straight-up violence. Did you know that the word “groomer,” so crucial to the stigmatization of Trans people, became popular describing aces? Apparently, we’re trying to indoctrinate children, when we just want to be left alone. Like Trans people.

The reason you don’t hear about acephobia is because we are, I believe, the smallest subset of the LGBT+ umbrella (if we’re included at all—that’s a gray area), and there are no legal protections for us. Currently, there are no pogroms directed against asexuals, but that could change soon.

Why should the government care who you have sex with? If you ask that question, you clearly did not live in the eighties and nineties, before gay people are such a part of society that even bigot Joanne Rowling (barely) supports them. No, the government is obsessed with who you have sex with.

When I first saw the tweet ten days ago, I thought she was just being a bitch. She is, after all, a bitch, and bitches do bitchy things. But the responses were increasingly unhinged, agreeing with her, denying we existed, telling us how we can be cured, or just threatening rape. Any time an ace stepped in to challenge this, Joanne herself mocked and dismissed them.

Trans people are under attack, and it will escalate even more as soon as the people who voted for Trump (i.e. most of the country) run out of immigrants to terrorize. Transphobia is not new, but it could be argued that JK Rowling made it mainstream. They can talk about how scared they are of men in dresses using the ladies room, but they’re not in any danger. And they know it. Trans people are a weak minority, and nobody’s going to stand up for them while they’re being harassed by the people who are supposed to protect them.

And now she’s coming for the asexuals. Like all fascists, she’s picking on a target that can’t fight back, and she’s raising the profile of us, mocking us then making us out to be a threat somehow. This will escalate.

I can blend into the allosexual world if I want to, but I don’t want to. I am fairly outspoken about being ace, and I intend to stay that way, even facing down the barrel of a gun.

Here’s the thing: Harry Potter is fine. I am not going to talk about how badly written it is (the word I’d use is competent, and leave it at that) or say I knew how problematic it was the whole time. There’s some good stuff in there, but much of it could be found, and presented better, in any Terry Pratchett novel. I’ve read all seven books and seen all the movies. I even think of myself as a Hufflepuff (without all the hard work stuff).

Lately, I’ve been forced to consider “The Death of the Author,” in which an author can be separated from their work. This is important when the artist behaves badly, as in the case of literary giant Neil Gaiman, and my favorite comic book writer, Warren Ellis, as well as comedians Bill Cosby and Dave Chapelle. So much of what I know about storytelling comes from these men, but I can’t separate the hate speech and rape.

Harry Potter fans with an inkling of a conscience use “The Death of the Author” as an excuse for putting on their Gryffindor scarfs and playing Quiddich, despite that the creator of this nonsensical sport is hateful and petty. She is the richest author, ever, and she wants Trans people in prisons, if not dead, for the sin of existing. And now the eye has turned to me.

Maybe they won’t come after asexuals. Maybe they won’t inspect my penis to make sure it’s being used properly. Maybe they won’t try to convert me. But American citizens are being sent to foreign countries to be imprisoned in hellish conditions. Trans people are being attacked by endless legislation. Gay teens are still being tortured legally.

Don’t tell me I’m overreacting. Don’t say it can’t happen. It is happening. You may not know any Trans people, but they’re still people, and you should care. It always starts small, with a little mocking and dismissal, and the next thing you know, you’re public enemy number one. And it looks like I’m next. You might be next.

In conclusion, if you’re a Harry Potter fan, I urge you to reconsider. I get that it’s part of your childhood, but Sandman was a crucial part of my life, and I’ve boxed it up and put it in the corner of my closet, along with my autographed copy of Norse Myths.

You are not your entertainment. You are a human being, and we need to look out for each other. If I can kick Neil Gaiman and Warren Ellis and all of my favorite books and comics to the curb out of solidarity to women, you can kick Harry Potter and the Insufferable Monster to the curb too, out of solidarity to Trans people, and hopefully not asexuals.

Grave Matters

I woke up directionless On Saturday. I wanted to draw, but nothing was coming to me. You can imagine what a relief it was when one of the most influential people from college shared with me his very good artwork. Dude’s got an eye for color and chaos. We chatted all morning, mostly about philosophy—not like two guys in togas, but rather about the decisions and circumstances that led to where we are. I picked up a lot of insight into my friend and into myself.

I wanted a café near the Metro so I could hop the train over to Union Station and see if Ember was around. I settled on Ididos, nearish to the Metro station, and would leave when I was good and ready.

Just as I was about to eat what I knew was going to be a fantastic, Ethiopian breakfast sandwich, my phone made a noise. It was an unusual noise. It was telling me I was getting a phone call. The only people who call me are the robots at the pharmacy, so I pulled it out of my pocket with sweaty hands.

The caller ID told me it one of the most influential people from New York. Immediately my mind said, “I can’t lose another one.”

There is nothing wrong with my friend. She was checking in because she had some precious, precious time, and she thought she’d spend some of it on me. She was such an amazing friend because she was a hilarious and filthy (and really professional) degenerate, and she was also the most loyal, sincere, protective, Mama B you’ll ever meet.

Energized by my friends and the four golf caps I saw, across all demographics, I decided not to go looking for Ember. Instead, I walked south. It was miles to the next station, and I had no idea how I was getting back home, but I didn’t care.

That’s how I stumbled onto Rock Creek Cemetery. I had been there in 2011 with a friend, seeking out Clover Adams’s grave. I remember how haunting it was. While I was in the neighborhood, directionless, I thought I’d find it again.

Clover is how Marian Adams was known to everybody. In the late 1800s, she was married to famous writer named Henry Adams, and they lived in Washington D.C., near the White House. She was a prolific photographer, and, by all accounts, their marriage was a happy one. However, after her father died, Clover sank into a deep depression and drank a lethal amount of photo-developing chemicals.

When I first heard this story, I was reminded how my then-father-in-law coped with his wife’s death. He purged every photograph with her in it, every tchotchke she collected. He even remodeled the family into something completely unrecognizable. Likewise, Henry burned her letters and photographs. Neither Henry nor my former father-in-law ever spoke of their first wives again.

Her burial was ostentatious. He hired celebrated architect Stanford White to design a memorial to mark Clover’s grave. There is a grove of trees with steps leading into the center. There you’ll find a large, curved marble bench that could seat six comfortably. Across the expanse marked by small, tumbled stones, sits Grief.

The full name of the statue is The Mystery of the Hereafter and the Peace of God that Passeth Understanding, by Augustus Saint-Gaudens. The newspapers saw that title and said, “We’re going to call it Grief.” The subject of the statue is not Clover Adams. It’s neither male nor female. Its only purpose is to mourn because Henry couldn’t.

As a skeptic, I can’t explain the vibe of that place. It was sad, but it was also kind of frightening, requiring me to push through a lot of fear to get that close-up. Then I did the unthinkable. I stuck around with my sketchbook. I’m going to put a lot of time and care into this one.

Henry Adams built an actual monument on top of the final remains of his beloved wife. Her name is nowhere to be found.

Whistling While I Work

It was inevitable: I needed to return to the office. But first, my schedule: I wake up at four a.m. I know, I know. I catch the 5:15 train to Farragut North, followed by a four-block walk, a brief detour into the Wa-Wa for a breakfast sandwich, which for me is tuna salad on a croissant, and at my desk by 5:50. Take another five minutes to wake up the coffee machine (my ungrateful coworkers will never know what I have to endure being first in), and I have a solid hour to draw, not a minute wasted to get here.

So when I arrived at the metro station, a mile from my apartment, without my magical badge, my entire morning was fucked. I went back, grabbed the goddamned thing, disappointed my cat, and called an Uber, the only way I was getting a full hour in before work. As a man whose strict routines have kept him sane, I craved that full hour.

For some reason, the Uber GPS led the driver to the other side of the roundabout, and I thought he left, and then he picked me up, then he apologized and explained himself for over five minutes, and I didn’t need this kind of chaos. I was still twitchy.

I should have just worked from home. But I needed to be there. I needed to sit down in the breakroom, listen to podcasts and work on a piece of art for an hour. I needed to reset myself. I needed to be around people I knew. I needed to do this for myself.

The Uber dropped me off a few minutes after six. I did not get a full hour of art in, though I did finish one drawing. When you look at it, try not to think about the height of the counter. Like, what is she standing on?

A few minutes after seven, I dove right into the 171 emails I received, between the three inboxes I monitored, confirmed that my boss and my colleagues had already taken care of most of it, and moved onto where I was needed.

While I got caught up, the second person in was Work Dad, dressed in workout gear and looking like a Gen-X skateboarder. This was a side of him people who showed up on time never got to see. I weep for them. The third person at the office reminds me of a gray golden retriever because she is simultaneously shy and effusive, and she’s got a little slouch.

The fourth person who shows up is my Emergency Backup Boss. (She’s still a boss, but she’s not my main boss.) Before the vast office reshuffling, EBB and I were neighbors, and we’d check in with each other every morning. She is far away from me now, so we don’t see each other as much. But she dropped by to check up on me this morning, and I filled her in on everything.

I noted that I was talking very fast, and I was having a difficult time shutting myself up. That is a bad sign.

There was an employee luncheon that afternoon, and she and my boss talked me into going. When the hour arrived, we left with a group, but EBB and I got way ahead of everybody because it was cold, and we were hungry. I followed her around because either she knew what she was doing, or she was acting like she did, and I needed that confidence to hold onto.

There was too much chaos, but I had a plate full of boutique quesadillas I needed to shove into my mouth before I ran out, screaming, whapping people square in the face with my backpack. I found myself at the bar, sipping a mocktail called a DuPont sunrise, with Mr. Production.

Mr. Production and I are a lot alike. We’re both middle-aged white men with gray hair. We are both devoted to making our colleagues’ jobs easier. And we’re both really fucking awkward.

We had a lovely conversation, and I ended up staying almost a half an hour later as a result. He told me how he worked at the same society as the Loquacious One, but not at the same time. I told him that hemoglobin was a weird thing to select for in evolution.

Despite that fact that the chips and guac line was behind him, this turned out to be a great getaway from the hassle of the restaurant. I had a lot of work to do before I could call it quits for the day, so I finished my DuPont sunrise and left the restaurant calm and a little rested, if you can believe it.

How did I do? I think I talked too much, which is bad. I figured out how to tip without getting a bill, and I tipped the staff a lot. Throwing money around is bad.

On the other hand, my thoughts were under control, I was focused, and I was patient. I adapted to inconveniences more efficiently because I wasn’t resorting to violence.

I have an appointment with my doctor this evening, and we’ll see where it goes from there.

Busy Being Dizzy

I’m not going to list everything I did today, suffice it to say, at one point, I crawled under my bed with a broom because somehow Oscar got kitty litter under all of my suitcases.

I’m back on the time-release stimulant, and I have so much freaking energy right now. It’s got me concerned because it feels manic, but my thoughts aren’t racing, and I’m not irritable. I did have to tell the woman at the cafe I discovered this morning how awesome their place is, which is not typical for me.

I go back to work tomorrow, and I have no idea what to expect. I’ve got 74 emails in my personal inbox, but the staff has been working to cover for me for everything else. They didn’t need my help in my absence, and that kind of makes me feel unloved.

That’s just tasks. I don’t know how I will be in an office. The headaches are ongoing and a little more frequent, even as I’ve been back on Vyvanse, so it’s not withdrawal, as my doctor suspects. I’m incredibly calm, focused, and productive, so maybe it’s not the mania.

I don’t feel out of the woods yet, but I have a life, and I need to return to it.

In the meantime, here’s an actual photo of me being manic.

Psycho Killer, Que L’Enfer?

A common trigger for manic episodes is a sleep disruption. Starting with tech week, I’d been going to sleep three-to-four hours after my bedtime. I’d wake up at my normal hour, which is ungodly, feed Oscar, and start my day. I was tired at work, but otherwise functioning. Then the manic episode kicked in.

My doctor prescribed a medication he described as a “sledgehammer,” which I was looking forward to, but no pharmacy had it. To be fair, there are hundreds of pharmacies in town, and I only called eleven, but I sensed a pattern. He even called his ace-in-the-hole drugstore, and they didn’t have it.

His solution was to prescribe another antipsychotic for my first night, this one like “a sledgehammer, but heavier,” which I couldn’t wait to try. That night, I went to the theater, regretted some things I said, and looked forward to one more evening of that. I took an Uber home, welcomed the sledgehammer, and curled up in bed.

I woke up at my usual time Friday morning to feed the cat, then I went back to bed for three hours. I was sluggish most of the day and took a lot of naps. Since I had to leave early the night before, due to being overwhelmed (which I described as “sick”), Monique texted me and told me not to come in that night, but rather for closing Saturday. I said, “Thank you,” and I took another nap. I fell asleep at six p.m. and woke up at my normal time.

I felt like a zombie all day Saturday, and all I wanted to do was lie in bed. I’d sit at my desk, look at a partial sketch, strategize, then lie back down. To shake some of the rust off, I explored my parking garage, and the next day, I went looking for Fort Totten Park, which is on the map, but is hard to get to. Turns out, there is no park there, only a conservatory. I did find a park, but it was more of a memorial next to an endless expansive of community gardens.

Feeling slow, I braced myself to go to St. Mark’s Episcopal Church, where Maddie was already there to do all the work. I was needed to help with strike, and to make an appearance at the cast party.

From the opening trumpet of act one, I had an excruciating headache—not a migraine, but a cousin at the least. Maddie found me two Tylenol, and I stuck it out. Somehow, after the final bow, I found myself wrapping up running lights and removing their gaffer tape, while also getting electrocuted. This did not give me superpowers.

I did another awkward thing, where my brain was shouting, “Abort!” but my mouth kept going. It’s surreal. I used shrooms on Shane’s birthday, and I hated it. But it’s nothing compared to what I’ve been going through. But, yes, I told Elizabeth she was “Really cool,” and I didn’t exit so as to avoid creepiness. She was gracious, but I can only assume she was uncomfortable.

By the time I finished with the gaffer tape, most of the work was done, and they didn’t need my help with anything. I still had the headache, so I sat in the changing room and physically held my head back from exploding. I was about to leave when I noticed a gift bag with my name on it. Even though they’d understand, I would feel rude if I left without it. Also, I wanted to know what was in the bags.

The mushroom is baffling, but greatly appreciated. Monique said she’d be in touch, and I’ve been talking to some of the producers about donating some art to future shows. The problem is, if this sleep situation led to my psychotic break, like I suspect, I won’t be able to go out and play like I want to.

After all the gifts were given out, I hired an Uber, which smelled of stale weed. So I did what I’ve been doing since I had my first meltdown: just grabbed onto the “Oh Shit handle” and just let it happen.

Manic Panic

As you know, I’m bipolar, specifically, bipolar 2. That means I’m depressed more often than I’m anything else, leading to misdiagnoses of clinical depression. I have been on all the depression drugs, from Abilify to Zoloft, which has led to discussions that go like great scene in Silver Linings Playbook where Bradley Cooper and Jennifer Lawrence discuss the medications they’ve tried the same way Comic book fans talk about their stashes. What I’m trying to say is that I have lived my entire adult being miserable, except for brief breaks where I’m actually myself, or I’m hypomanic. 

Being hypomanic can be a lot of fun. It’s like having a couple of drinks, and you’re funnier, better looking, and more charming. I’m pretty sure every woman who’s fallen in love with me has done so when I’m hypomanic.

Also, I’m irritable and downright angry. I can’t stop talking, and I’m grandiose. I regret so much of what I do when I’m manic. There is a member of my pantheon of fictional characters who is based on my mania. His name is Max. (Same first two letters—see what I did there?)  Max is an asshole. When I’m hypomanic, I become an asshole.

I spent the least amount of time being normal, and it was tough to tell if anyone actually liked the real me. I wondered how I could be an asshole a third of my adult life without actually being an asshole. Or if I spent six months miserable, did that mean I was just miserable?

Fifteen years ago, my brilliant doctor and I figured it out. It wasn’t some sudden eureka moment. (DOCTOR: “It’s a great day to come to the zoo and see a polar bear … wait. Polar! That’s it!”) He isn’t House. He’s actually like this guy I met in North Jersey who used to hang out with my Uncle Larry. But I digress. It took months of experimentation and patience for us to reach an accurate diagnose because psychiatry isn’t a science, it’s art.

We found a cocktail that worked. I know it worked because I went to bed depressed one night, and I woke up the next morning feeling refreshed, but not manic. I was myself, and I’ve been myself since 2017. The downside is that, when you’re on enough lithium, your emotions are muffled. I’m like a cruise ship: when the waves slam into me, I may tip for a second (I have a bad temper), but I return to normal pretty quickly. This may be one of the reasons Kate divorced me.

There have been a number speed bumps along the way.

Sometimes, when you have a mental illness, and you are relying on drugs to function, they stop working. You have to start from scratch. It happened to me in 2015, and took over a year to right myself. I brush my teeth, get ready for work, work, come home and pet my cat, write and draw, make dinner, and go to bed, all the time being aware this will happen again.

Sometimes, I’ll get hypo-depressed, where I can’t sleep, but it’s all I want to do. It doesn’t make me feel sad and worthless, but I experience a lot of the physical symptoms, like aching joints.

Sometimes, I’ll get hypo-hypomanic, which is the good parts plus some crankiness.

I don’t tell my doctor about either of these because I don’t want to mess with my medication. We have been polishing this cocktail for years, and I’m afraid to live without it. Also, if I’m being perfectly honest, it’s kind of nice to be hypo-hypomanic.

Otherwise, the real me is a hermit, and I haven’t made any long-term friends for a very long time. When I’m hypomanic, the relationships may last minutes, but they’re life-changing.

Weeks ago, when I started getting involved with the community theater and having great conversations, and meeting protestors and hanging out, I wrote ten long blog entries over two weeks. I was clearly hypomanic. I hesitated to call my doctor because I was enjoying myself. It’s so easy to go from manic to depressed, and I didn’t want to rush that.

I melted down at work on a Thursday, and again the following Wednesday. I missed a train and screamed “Fuck!” in a crowded platform. I feel like a cat on stilts. If the internet cuts out, even for a minute, I’m going to throw my laptop out the window.

I called my doctor, and he prescribed me an emergency supply of an antipsychotic to keep me calm and he helped me sleep. He told me to take the next week off work and to stay home and sleep as much as I can. I’m need to lay off my ADHD medication because it’s all stimulants, as well as the devil weed, which is a mild hallucinogen, and it would stimulate me. I am to stay in my apartment with two exceptions:

One exception is my commitment to the St. Mark’s Players. After a long Day One under house arrest, I had to pull myself together and be around other people when I keep losing control over myself.

For example, I was pleasantly surprised to see my favorite eccentric, platinum blonde theater volunteer, Elizabeth. She remembered me and was genuinely excited when she caught my attention. I said, “You look great! Really great!” She assured me it was just work clothes, but I reiterated how great she looked. And she did, but still.

I did not want to do that. She is half my age. Even though my motives are pure, and I genuinely wanted to compliment her, there are rules, and I was stepping over them. My body wanted to keep talking, but I tried to reel me in, resulting in words that sounded backwards. It happened again when I was trying to give directions to my favorite bar in New York, which is probably not there anymore.

I had two more conversations like this at the theater. On top of that, I had to call eleven pharmacists earlier to find the antipsychotic he prescribed, but I still couldn’t find it. I was an asshole to every one of them. I didn’t want to be, but I was. I was telling my mouth what to say, and my mouth was being a real dick about it.

That’s just words. I want to assault people for moving too slowly. I want to beat my desk to death with my ergonomic chair. I am holding myself together with all the energy I have. As I told my boss after my second meltdown, that was me holding myself together.

I don’t have control over my own body. This has been my constant thought since my first meltdown. What happens when I have low blood sugar, and I can’t keep it contained? What happens when I stub my toe, and the bad me gets loose? And there’s nothing to stop my mouth from saying something it shouldn’t. I can’t even regulate my thoughts.

I can see treating this creepy asshole as a separate person, like the Hulk. But it’s not. It’s my voice. It’s my body. It’s my mind. Unlike a cranky Bruce Banner, I don’t get to black out when I’m being destructive. I have to watch myself do it and live with the consequences.

I have to go out to St. Mark’s Episcopal Church again tonight, with all those people, and Elizabeth (who, at least, didn’t act creeped out the rest of the night), and maybe something that’s going to set me off.

I don’t know what I’m going to do or when I’m going to do it, but I’m awaiting this next fuckup, as I have been for over a week. I’m scared. I’m in an ongoing state of vigilance, and I’m so, so tired.

Eggsistential Crisis

I love my apartment, and I love my roommate, but I have to say I miss the old place. The idea of separate rooms at all is one I once enjoyed, and we had a backyard for Newcastle to poke around in. We also had a great neighborhood. In the spring, all of the bushes became soft and colorful.

It’s a mile walk to the 7th Street Hill Café, which I’d long ago adopted. On Saturday mornings, I liked to sit in an easy chair, sip a latte, and watch them assemble the Eastern Market, a cross between a crafts fair and a Farmer’s Market.

I came to the 7th Street Hill Café, located on North Carolina Avenue, on Saturday to do just that. Riding high on bipolar disorder, I needed to get out of my apartment and experience the world. I settled into the chair, pulled my markers out of my bag and eat my breakfast sandwich, resisting the urge to devour the whole thing in two bites.

After I returned it to the end table, the old man in the opposite chair said, “You have egg on your shirt.”

“Gross.” I plucked the solid yolk and dropped it onto the plate, keeping it far from the last bites of my sandwich. I said, “Speaking of eggs, I saw a Cybertruck downtown. I’m gonna crunch some numbers, and I’m gonna get a second job, and I’m gonna go to the bank, and I’m gonna get a loan, and I am going to egg that piece of garbage.” (It’s one of the funniest jokes I ever made. I’m going to use it until I run out of people to say it to.)

“Or,” the old man, whose name was Glen, said, “You could fill up two—no, three—no, two coffin coolers with eggs and sell them at the farmer’s market. That’s what Dan did, you know Dan?”

It was 8:13am, and I accepted that I was going to be in this conversation until the Post Office opened at nine. “No.”

“Dan used to sell eggs here at the Eastern Market. I used to truck them in from his farm. So many eggs. Dan died of a stroke. Not kidding, he just keeled over and died. That’s why nobody’s selling eggs at the farmer’s market anymore. Do know that you can tell what a chicken ate by looking at the color of its yolk?”

I gasped. “No!”

The old man chuckled and looked a bit smug. “Oh, yes. If the yolk is this deep amber, orange color, it ate a lot of marigolds.”

He smirked at me through his beard and waited for my reaction. I had to formulate one, and the only way I could prove I was paying attention was to ask a question. “You feed them marigolds?”

The old man chuckled. “No, no, no, they’re free-range. They can eat whatever the fuck they want. And if I ever want to eat a chicken dinner, all I need to do is grab a rooster who’s getting too big for his britches and hold him upside down and slash, motherfucker! Decapitated! Heh-heh!”

I didn’t know what was going on, but I buckled the fuck up to see where it was headed. It was difficult to follow along, but not because it was a bumper car of thought. No, Glen stubbornly clung to one subject until he veered off into a completely different direction, like he was jumping from train of thought to train of thought at a crowded depot.

Glen once punched a “shepherd bitch” (a dog) in the head, and she was nice to him after that. He recounted why you should never piss him off through the parable of a tense standoff with the owner of the Eastern Market. He already had his Halloween costume ready to go. (Hooded cloak, Goblin nail extensions. A paper machê Satyr mask a friend in Venice made for him.) He couldn’t remember why he didn’t exchange a word with his half-brother for two years while they shared a house. He kept me up to date on the lifespans of his siblings, including his “bitch sister” (a person), who is still alive. For a coup de grace, he unloaded on me how people are always on their “fucking phones” all the time. He could tell you how to get from point a to point B. “You know how? Not through your fucking phone, that’s for sure. Not on a map.” He tapped his temple.

Suddenly, he was gone.

I finished my drawing in peace.

I packed up and wandered off, my first destination being the Post Office to mail a package I’ve been meaning to mail for six months (sorry, Donna). I made it halfway up the block before the generous application of the color orange, my favorite, caught my eye. I’d walked past it on impulse, but I yanked my emergency brake and skidded over to the side to see more paintings.

They were collages coated in a thick layer of shellac, and a figure, bald, faceless, and strangely sexy, appeared on many of them. She said, “I love watching people come in for a second look.” We talked about color, I told her everything I liked about her art, and I bought a piece. She told me her name was Quest, and she gave me a big hug. The visible part of Quest’s hair was made of gray feathers, and she wore a robe, not a dress. I don’t think she was human. In a good way.

I was in and out of the Post Office at the speed of someone who’s done it a lot.

Even though I have Ember’s number, I decided to walk the ten blocks to the House of the Devil to see if she was standing up for us. On my way, I acquired a lava lamp, and I attempted to take a picture of a street called Justice Ct. until a Latinx man accosted me. He knew English nouns, and that was it. He shouted at me an incomprehensible string of them that told the story of an immigrant succeeding in this country, and something about that was making him angry.

A middle-aged couple across the street, surrounded by Chihuahuas yelled, “Sir, can you help us with our dogs? Sir?” I realized who they were talking to me, and I separated from the loud man to join them.

The woman yelled, “Thank you for helping us with our dogs!” The angry man continued ranting, impossible to understand. I never got the names of the couples, but I thanked them profusely.

Ember was not at the Pit of Despair. She later told me she was taking the weekend off. She’s earned it for sure. I look forward to resisting next week.

Exhausted and overstimulated, I headed straight home. But first, there is a big sign at the stop before mine labeled “Arts Walk.” I’ve been meaning to go there for at least two months. I hopped off the train to check it out because I was still jittery. It was okay. It was no Eastern Market. I bought a belt made of an old bicycle tire.

Also this weekend, a relationship that lasted well over a decade came to an end. I’m not going into details because I like to keep it classy in this joint. Also because it was enormously frustrating.

Culture doesn’t put as much value on a friend breakup as it does a romantic one, but they still hurt. You’re closing the door on all that history and intimacy, even if it ended badly. You have every right to mourn.

The truth is, we’d broken years ago, and I just wasn’t ready to let go. I already mourned.

Sunday, I dedicated my day to my project, the fruits of which you’ve seen yesterday. I’ve received no feedback on them from any of the St. Mark’s Players, and now I’m frightened to go to the show on Thursday.

My next project is finding a light bulb for my lava lamp.

Virtue Signaling

Glenn Beck, whoever that is, held a rally on September 12 (I can’t remember the year) to unite us as a country, like we were on September 12, 2001. I can’t begin to list all of the ways this is a lie, so I won’t. Remember, though, regardless of where you were, what it was like when the world ended, but the next morning, life went on. We had no idea how we were supposed to move forward. Somehow, we did.

When Donald Trump pulled his face off to reveal Elon Musk making a Nazi salute, the world ended. Those of us with any decency had been betrayed by their neighbors, their coworkers, their bosses, some of whom are now saying, “I didn’t vote for this!” Judges are upholding Elon’s draconian cuts and unprecedented access to the confidential information of innocent Americans.

Somehow, life goes on.

It’s bad out there. I don’t need to tell you why. I can’t look at the news without wanting to vomit, and this is not an exaggeration. It’s hard to remember what it was like to be happy, even for a minute. Your body and mind are seeking out dopamine. There are lots of ways to get a little hit of it, but the best way is to pay someone a compliment. That way two people get dopamine hits.

Lately, for no reason, I’ve been more aggressive about pointing out things I like about a person. The dam burst when I was sitting in the dressing ballroom at St. Mark’s Episcopal Church with Lisette listening to my expertise about dresses. I have no expertise, but somehow suggesting binder clips(?) was the solution.

Lisette’s performance and character are my favorite part of Metromaniacs. I realized then there was no reason to keep this to myself. So I told her. She was startled, but touched. The next day, I told Lucille that she had that influencer vibe, and she told me she hadn’t looked at it that way. I’m looking forward to telling Mondor that his fall is art.

I’ve started bugging strangers on the street, making them smile for a moment. It’s not always rewarding, as in the three elder Zoomers walking side-by-side. As I passed them, I said, “You guys look really fucking cool, keep it up.” Then I added, “I’m being sincere. You really look cool walking like that.” Their expressions said, “Who the hell is this crazy old person?” And I think they were waiting for me to hit them up for some Molly.

I’m telling you all this because I need to brag. Bragging is in fashion. However, you only get to brag if it’s about the size of your bank account and/or penis, how much gas your car goes through, and how much people love you. Culture has criminalized bragging about the good things you do.

Well, go fuck yourself, culture, because I’m bragging about making life a tiny bit better for a tiny amount of people. It’s easy, it’s free, it only takes a few seconds, and you can turn someone’s day around. I’m bragging because I want more people to do it.

I got my hair cut two weeks ago in a slightly different style, and someone in the office noticed, and it made my morning. How could I not want to do that for other people?

I’m not a good person. I’m passive-aggressive, my manners have atrophied, my lizard brain is kind of racist, I’m impatient, and I’m a disappointment to my cat. But I like to think I’m a decent person. I do try to have some empathy.

It’s in the spirit of this that I say this: You. Yeah, you. The one reading this. You have a great smile, and I love seeing it. Except you, Lisa. Your mouth is nightmare fuel.

Zany to the Max

(Tech Week continues! Prologue: https://jrmhmurphy.com/2025/01/13/paint-no-rest-for-the-wicked/; Setting up: https://jrmhmurphy.com/2025/02/17/critical-stage/)

The name of the play is Metromaniacs, which sounds like cartoon set in the DC Underground. It’s actually set in a mansion in Paris, in the eighteenth-century.

The metro in Metromaniacs refers to a metronome, and therefore meter. It’s told in rhyming couplets delivered with such casual ease that it took me half of the first scene to notice. The theme of the play is poetry and the power of words to seduce.

The plot is convoluted. It’s a farce—it’s supposed to be convoluted. What follows is the general breakdown of the characters and the first part of the story.

1. Francalou, rich man and scorned poet, created the alter ego of Meriadec, a reclusive lady poet. As her, has become quite the celebrity in the literary journal circuit, despite that the work is objectively bad. He has written a play so utterly noxious, the cast got sick. But the show must go on!

2. Lizette, maid and master manipulator, is the sassy voice of reason. To put it bluntly, everyone in the play is an idiot except for her, but even she is a slave to her needs. She was my favorite character and performance, hands down, because the chaos of the first act was almost all her doing. From behind, she looks exactly like Francalou’s daughter. Not that this will come up later or anything.

3. Mondor, Cosmo’s loyal, frustrated, and creepy manservant, tries to corral his boss, then gives up and steals his fake identity to woo Francalou’s daughter. His heart truly belongs to Lizette, but she spurns him at every opportunity.

4. Damis is a wannabe poet and man in debt. (He is played by a guy named Oscar.) He wrote a play under the name Bouillabaisse, opening this very day. He is deeply in love with Francalou’s alter ego, but he thinks Meriadec is his daughter.

5. Lucille, Francalou’s daughter, played by everybody’s favorite actor, Jane, is aloof, yet overly performative. Poetry makes her all tritterpated.

6. Durant is a rugged man’s man who wants the rich man’s daughter. He gets his old friend Damis to write him a poem, but this backfires. (Don’t worry, it turns out well in the end.)

7. Angry Uncle Baliveau. He paid for Damis’s school, and Damis has been going to school for ten years. Before Baliveau can have Damis arrested, Francalou maneuvers him into starring in the play as a character based on him.

From there, it gets weird. Mistaken identities, deception, fourth-wall-breaking, love at first sight, three weddings at the end (there are two women and five men in this play; do the math), this is a classic Shakespearean farce, and I don’t think I’m exaggerating to say that. It doesn’t have the substance of the Bard, but it has the delirious energy of his best comedies.

The actors were having a great time, and they each brought their own level of expressiveness. Francalou was manic, Lizette confident and amused, Mondor was sleazy, Damis was twitchy and deluded, Durant was a doofus, and Angry Uncle was angry. Jane was a lot of fun as Lucille, with her influencer vibe. Performing as someone who is performing has got to be a challenge, but she stuck with it.

The trees we spent so much time painting for the set are actually for the set within the set, but we never see the play. Probably for the best. It sounds like Vogons wrote it. I also found out the purpose of the beanbag boulder: Mondor falls face-first onto it; as a connoisseur of pratfalls, and having been a fine practioner of them in my youth, I was remarkably impressed. He went straight down like a two-by-four. I’ll be setting up the boulder during intermission, and I probably shouldn’t screw that up.

I’ll be working backstage with my sketchbook, which might be a problem. The most important prop is a notebook with a leather cover and a long strap to wrap it in. In the dark, it is identical to my sketchbook. That won’t go badly, will it? On the set of a farce? Nah.