He Works Hard for His Money

It doesn’t happen often, but sometimes people hear I’m an artist, and they think they could get a custom logo for their businesses. They rarely ever used my art because my style doesn’t necessarily have that clip-art, professional je ne sais quoi that makes it look corporate. What they needed was a graphic designer, but they still paid me, and it is some of my best work. Here’s eight examples.

First was for a post-apocalyptic novel series that I think the author did actually use. It’s a pretty good logo, in my opinion.

Second and third are for a Southern barbecue restaurant that never took off. This guy was never satisfied with anything I turned in, but some of the sketches turned out well regardless.

A friend wanted to write a kids book about a misbehaving kitten, and I mocked up a couple of character sheets, fourth and fifth, and some pages, but the book was never written.

I can’t remember what the sixth one was called, but it was for an indy publisher. This was the one ultimately used on the only book he published, but it took a couple of tries to get it right.

The seventh one came about when a roller derby team asked me to make a figure for their flyers. My style would have been a great match, but they didn’t like my first draft because apparently this is something you’re never supposed to do in the ‘derb.

And finally, the owner of the salon I used to frequent asked me to help with a warning label. The figure chosen from the sixth picture would have the circle/slash signifying “no.” They liked the idea, but it wasn’t slick enough.

Of course, I used to do work for PPC Hero, but my art was never clip-arty enough, and they eventually let me go. The blog no longer exists. That’ll teach them.

I’m happy to be doing my thing these days, with no hope of making money. I may turn in some fantastic work, but it’s usually not good enough for what the client has in mind. As I said, I’m not a graphic designer. Even the ones that used my ideas tended to replace them as soon as something better came along, which is what happened with the comic I wasted 2004 working on, The Book of Jesse. The one I am good enough for is myself. There was a long period of about four to five years ago when I wasn’t, and my art was bad (even my birthday self-portraits), when I was doing it at all (my birthday self-portraits). My renaissance began with a pushy coworker demanding a portrait, but once I shook the rust off, I’ve been amusing myself, and if I can’t do that, then what’s the point?

The Sass and the Furious

I had a brief dream where, in the next Fast and the Furious movie, Vin Diesel’s Dom Toretto gets swept up in the evil shenanigans of his old college roommate, played by some famous slab of beef wearing a fabric baseball cap and a pair of cargo shorts. This is, of course presupposing Dom Toretto, or even Vin Diesel, went to college, much less finished high school. (Considering that it’s in Diesel’s contract that Toretto can never lose a fight onscreen, I’m inclined to think he didn’t.)

Anyway, it got me thinking about my roommates in college, and whether they’d come into my life as bad guys to be forgiven and welcomed back into my family to enjoy a chilled Corona. There’s Will, who’s certainly sharp enough to be a mastermind, but he’s a big softie, and I don’t think he’d take too well to being bad.

Then there’s Jeff. Anyone who knows Jeff knows that he’s got it in him to be a madman. I haven’t seen him in over twenty-five years, but I know he shaved his head, which is a prerequisite to evil. When I knew him, he was perfecting the wicked rubbing together of palms and giggling maniacally while tossing out wicked bon mots like, “When life hands you dilemmas, make dilemonade.”

He could also get inside the hero’s mind. For example, he never swore. He took to words more colorful than “damn” or “hell” like I take to the N-word, i.e. never, ever, not even alone in a dark room with all the listening devices turned off. That’s why it came as enough of a surprise that I fell off my chair when he caught me by myself and leaned in really close, whispering, “Don’t fuck with me.” He denies it to this day, and to this day, nobody believes me but Tim Lentz, who always knew there was something shady about that guy.  

Jeff kept his cool under pressure, a necessary qualification for an overlord, but he also had little patience for malarkey. Even though we were a matched set through much of our freshmen and sophomore years, he didn’t tolerate my bullshit, and understand there was a lot of bullshit back then. Would he kill a minion for making a mistake? Maybe not at twenty, but certainly as he got older, his patience would dwindle.

The reason I know for sure that Jeff’s got amoral plans for the world is that he never left our room without a slip of paper he tucked into his breast pocket. He showed it to no one, but he’d occasionally take it out, read it, and chuckle darkly. One evening, when I was again protecting the purity of Altman Hall from behind the desk, he chatted with me for a few minutes, pulled out this paper, and opened it up, revealing the title: “Taking over the world checklist.” He crossed out a numbered item, “Befriend Jeremiah Murphy,” and folded it back up before I could read what else was on it.

To this day, I have no idea what my role in a global takeover might be. I’m all but hermit who writes novels and illustrates comics no one reads. I have a feeling we’re going to find out soon because we’re both turning fifty, and fifty’s a good age for world-domination. And if he tried to stop him, Vin Diesel find out that this is a fight even Dominic Toretto can’t win.

Justice Stinks!

In west-central New Mexico there is a humble city. Maybe not that humble. Anyway, this city was a magnet for evildoers, and wherever and whenever crime, mayhem, and naughtiness struck, its humble (or not) citizens would cry out for the fragrant justice of their hometown champions!

            When he was a child, young Barry fell into a radioactive sewer and gained the power and abilities of that sewer! From that day forth, he dedicated himself to the protection of Gallup, New Mexico as Sewerboy!

When he was a child, young Eugene sat down on a radioactive cactus and gained the power and abilities of that cactus! His idol, Sewerboy took him under his wing, and he fought by his side as the Kactus Kid!

Over the years, they developed quite the rogue’s gallery, including The Nitpicker (“You’re going to jail, Nitpicker!” “How can I be going to jail if I’m standing right here?”) …

The Passive-Aggressive Giant (“I guess I could go to jail. I feel bad about my mom, though, who has a bad back and can’t do any of the yardwork.”) …

And Irwin, God of Cannabis (“Perhaps we shouldn’t, uh, talk about Irwin.”)

But never was evil more powerful than with the caffeinated villainy of Major Jitters, who drank a radioactive cup of coffee and gained the power and ability of that coffee, and she chose to use it for nefarious ends. All it takes to unleash her awesome gifts is a wholesome mug full of Joe.

With her army of café-themed goons, she has cut a swath through the innocent (?) city of Gallup.

But when it comes to muscle, none can defeat the Percolator.

When evil is afoot, when all seems lost, you’ll hear the battle cry of Sewerboy and know you’re in safe hands.

“Justice Stinks!”

Does Whatever a Mortal Can

I love drawing comics. The comic book I’m working on, the second chapter of Best Fiends Forever, is not my first comic book. The first chapter of Best Fiends Forever was not my first comic book. The one I worked on nineteen years ago for those smug dudes in New York who badmouthed me after I quit was not my first comic book. My first comic book was MortalMan, in 2003, and I dug up some of my sketches from back then.

You probably don’t know this if you’ve picked up comic reading in the past twenty-five-to-thirty years, but once upon a time, issues were self-contained, and the only thing you needed to know was in a one- or two-sentence summary near the logo. For example: “When Peter Parker was bitten by a radioactive spider, he developed abilities of a spider and learned that with great power comes great responsibility.” From there, you’d pretty quickly catch up on Spider-Man’s specific powers and enemies, usually through narration.

For MortalMan, the banner was: “When Joe Branford was bitten by a radioactive spider, he had a rash for three weeks and learned that with no power comes no responsibility.” Joe (first pic) was a good-natured teenager who watched TV and read comics perhaps a little too much. However, this prepared him for some of the weird shit to hit Gallup, New Mexico. For example, he was not fazed when he met a talking dog named Pete, figuring he was just bilingual. Pete is a goth. He sees the world as gray and bleak, he writes dark poetry, and he attempts suicide in the first issue (if I were going to write this again, I’d probably change that last bit). He and Joe hit it off, and they hang out at the mall.

This is Kgnydjll and Fphihln (pronounced “Nigel” and “Phil”) emissaries for the Galactic Empire who come to Earth in the first issue to welcome us to the fold. Unfortunately, they arrive in time for a Science Fiction Convention, and no one believes they’re aliens.

I had a lot of big plans for MortalMan, and I wrote a lot of scripts, but I never followed through with them. Joe and Pete were going to run afoul of a pair of John-Woo-inspired super spies and a mob of Tarantino-esque gangsters at a Mafia Convention being held in Gallup, and they were going to rediscover the long-retired superhero guardians of Gallup, Sewerboy and the Kactus Kid.

One of their rogues’ gallery was Irwin the God of Cannabis.

More on Sewerboy et al on a separate post.

At one point, Joe was going to get sucked into hell and would escape when a pair of little boys, attempting to tunnel to China, dig a hole in Perdition’s walls, leaving Joe stranded in Hastings, Nebraska. On his way home, he’d run into my most ambitious creation, M: the scourge of I-80, based on my dear friend, Emilie. With her sidekick, Pixie (based on our friend Abby), she leaps from car to car and liberates the change from drivers’ ashtrays. To pull her off, I’d have to learn how to draw a lot of cars and some very kinetic poses. Twenty years ago, I knew I had it in me. Now, I’m a little more humble.

I still have the original art for the comic, sans word balloons, but I don’t have the script, nor the scripts for future issues because Newcastle liked to sit on my laptop, and 18 years ago, he was much heavier and broke my hard drive.

And yet, I am starting to look for a projects after I’m finished with Best Fiends Forever…

The Limits of New Relationship Energy

In the summer of 2000, I had grown apart from all of my friends. I was then, as I am now, socially anxious, but one day, I set a goal: I was going to have a conversation with one stranger every day after work in Manhattan before I went home. I succeeded, and a couple I chatted with about the band The London Suede (or Suede in their native England) invited me to a party. Then, as now, I couldn’t imagine a worse place to be than at a party where I knew literally no one, not even the hosts.

I made myself a deal: if I would go to the party and stay for an hour, minimum, I would go to the free concert with Mike Doughty, formerly of Soul Coughing. (There was another band playing after him, a little group no one’s ever heard of called They Might Be Larger Than Average? They Might Be Enormous People? They Might Be The NFC Football Team From New York? They Might Be Something.)

I went to the party, and I went to the concert (Mike Doughty was a huge disappointment), and keeping with my goal of talking to strangers, I forced myself to talk to the really beautiful woman dancing to the intermission elevator music like she was a marionette and her puppeteer had the hiccups. I walked up to her and internally smacked myself in the head when I said to her the following, “You must really like this music.” After a brief chat, she told me that my liking and wanting to illustrate comics was a deal-breaker, and she would not go out with me.

During our first date, she kissed me. Our second date, she tested me, and I passed. We saw X-Men in the theaters. Her last boyfriend, the reason for the deal-breaker that wasn’t, would not have found the humor in the movie that was unintentionally pretty goofy. (She tested me again later with my favorite movie, The Matrix, which has a surprising amount of comedy between the grab-you-by-the-lapels philosophy and the pointless bloodbaths.) Our third date found us on the Brooklyn Bridge and led to her falling off the bed when she was taking my pants off.

Her name was pronounced AND-ree-uh, but I pronounced it Ahn-DRAY-uh. I don’t know why.

Speaking of goofy, she was really goofy. That was one of the things I loved about her. Our honeymoon lasted the first six or seven months we were together, laughing, holding hands, being horny, and just having fun with each other. Unfortunately, the summer of 2001, I lost my job and sank into a deep depression, which led to me being unforgivably unpleasant, which I usually am between Memorial and Labor Days. Literally the day the heat broke and I started to recover was September 11, 2001. Unfortunately, her thirtieth birthday was September 13, 2001. We limped along as a couple until February 2002, when we were heading in different directions socially, and I put our relationship out of our misery.

The thing about her was that her last relationship was the worst relationship she ever head, followed by the one before it, so she exited us hating my guts. I had friends who had mutual friends with her, and my name could not even be mentioned around her without a meltdown. And that makes me sad. I’m one of those people who sees the past with rose-colored glasses (despite knowing how miserable I was through much of it), so I knew it was over, and I understand why, but I still remember how good it was when it was good.

For a long time, I thought the was “The One,” and she’s still one of the most important relationships I’ve ever had, even though we didn’t even last a year and a half. I remember walking with her through Prospect Park, listening to her laugh when we watched an episode of The Muppet Show for the forty-seventh time, spending a Halloween party dancing like we were the only people in the apartment. I was really, really in love with her, and that was a good feeling. I will never forget it, no matter how much she hates me.

That brings me to twenty-one years later and the Doctor Who fanfic I’m tinkering with. I’m not sure why, but I decided to base the Nth Doctor’s companion on her. Like my Andrea, she’s impatient, self-righteous, enthusiastic, and goofy. She’s also a gifted collage artist. When it came time to illustrate her, I found an album of pics that her professional photographer brother took and tried to use them as a reference. That did not work at all. So this weekend, I tried again, but did it entirely based on memory. This time I think I nailed it. Only a handful of people, including my parents and Barry, have any experience with her, and they have likely forgotten what she looks like, but this is how I remember her. I just wish there was some way to share it with her.

Fur Sure

Yesterday, I was leaned back in my office chair, taking a mandated break from the sketchbook painting I was working on, my feet up on my desk. At this angle, the pear-like shape of my body makes a perfect day bed for Newcastle, who was purring and looking at me through hooded eyes, under the spell of the double-ear scratches he was getting. Once he was sated, he rested his head on my chest and drifted off to sleep, leaving me in this position for the foreseeable future, and I did something a little difficult to explain. I cried. I cried heavy sobs as I watched him curled up in a large, fluffy ball on my belly. It wasn’t particularly dignified, but I love this cat, and I don’t know what I’m going to do when he’s gone.

Nineteen years ago, I took a trip to Bloomington, Indiana, to meet my close friend, Kate. During the trip, we realized we were soul mates, and shortly after I returned home, arrangements were made for me to move from New York adjacent to her house on Stoneycrest Road. This was in June, and I would be moving in with her in August.

During this margin, she began to have dreams about a kitten who was about to die. She fancied herself a witch, so she took it as a prophecy and went to the animal shelter. She found the kitten from her dreams, and they were going to put him to sleep. He was a runt with pneumonia and a bad case of the worms. Also, he was ugly, with his greasy brown fur, looking like the transition from mogwi to gremlin. Despite the offers of a better cat, Kate adopted him and spent the next six weeks nursing him to health. She told me over the phone that she knew that this wasn’t her kitten. She didn’t know whose, but it wasn’t hers. This gross little thing was kept in the bathroom until he got better and her other two cats got used to him.

By the time he emerged, he was still a little greaseball, but he was a kitten who wouldn’t sit still for anything until he got tired and fell down to sleep. He’s also rock stupid. She named him Newcastle, after her favorite beer of the moment, because he fit in a pint glass and he had a foamy white chest.

Shortly after I moved in, he started following me around, occasionally taking naps with me when he slowed down long enough. Kate, who didn’t want to support another cat and was planning on adopting him out when he got well, knew she couldn’t break us up.

The runt grew.

And he grew some more.

My theory was that he ate some radioactive kibble. In actuality, he was either a Maine Coon or Norwegian Forest Cat mix. At only sixteen pounds at his largest, though, he was still a runt.

He never outgrew his kitten face, leading to Nicole calling him Baby Cat. (She had nicknames for all the cats when she lived with Kate and me.) Also, the brown darkened into a grayish black, with a spot of brown on his belly with the white chest, so that when we violated the two-pet limit in our high-rise apartment building, we pretended he and Magik were the same.

Like all of our cats while I was married, Newcastle is very social. He loves guests, and he especially enjoys parties, where he can beg for snacks, and he’s not even subtle. He loves people food, except for anything with tomatoes in it. When he was younger, I’d run to the bedroom and jump into bed, and he was right behind me, and we’d lie there together, cuddling. When Kate and I were taking a save-the-marriage quiz, guessing details about our spouses, her answer to “What’s your husband’s favorite animal?” was Newcastle. “You guys have a weird relationship,” she said. In our post-nuptial agreement that was the foundation of our divorce, we split up custody of the cats. She got the other two, and I got Newcastle. I almost lost him, though, because I separated broke and unable to afford his vet bills, which she generously covered for me the first three months following the split.

In 2012, we took him in for an ultrasound, and the vet made an interesting discovery. The reason he was often short of breath was not because of scarring from the pneumonia, as we’d thought, but because almost half of his liver was in his lungs. He recommended “cracking him open” and fixing it, but thankfully our second opinion said that wouldn’t be necessary. He was eight years old by that point, and he was doing fine.

Three years later, the vet noticed a heart murmur, and after another ultrasound, he was diagnosed with congestive heart failure. It had grown too big and was folding in on itself, necessitating semiannual cardiology visits and three medications every day to keep it from getting worse. two years ago, they added a fourth. Every two weeks, I cut up the pills and fit them into capsules so I can enjoy my least favorite time of the day, shoving it down his throat. Unlike most cats, he takes it like a champ, though he does look betrayed afterward. Last year, his back legs got really wobbly, and they told us he had arthritis (requiring a monthly shot), and earlier this year, hyperthyroidism (requiring an expensive ear cream). I don’t want to go broke taking care of him, and I considered not treating the hyperthyroidism, but all the pet docs say he’s pretty spry for an old guy (guitar riff). He could have three active, healthy years left if he’s properly medicated.

Sure he’s wobbly, sure he’s eight pounds lighter than he was in his youth, sure he can’t jump on my lap anymore, and sure, all he does is sleep, but he’s nineteen years old, and he’s been the most consistent relationship I’ve ever had. Since he is coming up on the end, I let him have some people food (he loves Fritos), and if he shows up, meowing at my desk, whether I’m writing, drawing, or working, I will scoop him up and give him all the attention he deserves. He’s earned it.

There were tears yesterday, but they were happy tears. He may be a big, dumb cat, but he’s my best friend. We’ve grown old together, and I love him so much.

Chapter 6

[For context: the narrator, Nora, is a veteran assassin who thinks Julie Andrews is a righteous bitch, and Edgar is the guy she rescued from a suicide attempt.]

“Let me be the first to welcome you back,” Edgar said as he left the PATH turnstile.

I laughed “Well, let me just say I’m honored to be here.”

He led me out of the station. “The financial district is really my hood. I have done a lot of temping here.”

If you draw a shape that cannot possibly exist in a three-dimensional universe, it’s called a tesseract. You could conceivable fit infinity into one. The corridors under the World Trade Center were a tesseract. The only reason I emerged into the plaza between the towers was because I had a guide. I barely found the PATH station on my own from the subway.

We stepped off of the World Trade Center campus and went one block north. “We’re here,” he told me.

I looked around, a frown on my face. “Are you sure, because the only thing I see is a bodega.”

He nodded.

“That bodega makes the best bagel?” I asked.

He grinned and gestured me inside the building. In the back was a guy, probably Armenian, who said, “What you want.” It wasn’t a question.

Edgar reminded me, “They have everything, and everything.”

“I’ll take a plain bagel with butter,” I told the scowling man behind the counter.

While he sliced my bagel in half, Edgar said, “You have the choice of all the bagel flavors in existence, and you went with plain.”

“If they can’t make a good plain bagel,” I replied, “what good are they?”

The Armenian man put the bagel on a rolling toaster and asked Edgar, “What you want?”

“Cinnamon bagel with peanut butter,” Edgar said.

I smirked. “I never took you for a cinnamon bagel guy.”

He smirked back. “How was The Princess Diaries, by the way?”

“On reflection, I did walk into that one.”

We left the bodega and wandered the streets, unwrapping and biting into our bagels. It might not have been the best plain bagel in the city, but it was the best I’d ever had. I swallowed. “I’m coming back to this place as many times as—”

BOOM!

The ground shook under our feet.

“What the hell was that?” I demanded, looking left and right for some answers. South of us, I could make out people screaming.

Edgar looked straight up and dropped his bagel. “Fuck?”

I followed his gaze to the Twin Towers, half of which were on fire. How the fuck did something like that happen? It was probably a plane, a big one. Was the pilot drunk? Having a heart attack? Wasn’t there a copilot to keep this kind of thing from happening? That airline was going to get the pants sued off of it.

What was worse was that whole subway lines were going to be shut down over this. No cab was going to come here to pick me up, and I was wearing heels. How was I supposed to get home?

We stared at the fire for a long time, maybe even a half hour, and then a plane flew into the other tower, making that same BOOM and shaking the ground. The screams got louder.

Okay, that was not an accident. Somebody purposefully bloodied America’s nose. I was actually impressed.

The most important thing I needed to do was get out of there. Anywhere outside of the Financial District, I didn’t care. Just pick a street and go north.

Edgar took a step in the direction of the World Trade Center, and I grabbed his arm. “The way out is that way,” I told him, pointing in the opposite direction.

“I need to make sure they’re okay.”

“Everybody on the top of both towers is screwed,” I said, “and we’re probably going to get lung cancer from breathing in all this asbestos.”

“You think there’s asbestos?” he asked.

“It was built in the seventies, of course there’s asbestos. Now let’s get the fuck out of here.” Not wanting to wait around to explain it to him, I dragged him up the street with no idea where I was going. I needed a cab, a subway entrance, something.

I know I had been doing this a while because the first subway station I saw was City Hall. I pulled out my MetroCard, which was pay-per-ride, not unlimited, so I could swipe twice to get us both through.

While we waited, Edgar craned his neck to look outside, but he didn’t have a good view.

I said, “Look, Edgar, I have no idea what’s going on, but I know I can get you out of here. I will keep you safe.”

“I need to help those people,” he muttered.

“Edgar!” I snapped, holding his shoulders and forcing him to look at me, “the Twin Towers are on fucking fire. All those people on those floors were instantly burned alive or even vaporized. You’re just an out-of-shape writer without a story. I love you, Edgar, but the best thing you can do now is get out. We’ll get you to Hoboken somehow.”

The train arrived, and we stepped onboard. Considering that the previous stop was Cortland Street, inside the World Trade Center complex, I’d expected a lot more riders, but we were alone. Exhausted, I plopped down on one of the hard, plastic seats. Edgar sat beside me.

“I need to do something,” he sighed as the train pulled away from the station.

“Join the army as soon as we figure out who we’re going to war with.” Who would we go to war with? If both towers were struck by planes, that meant terrorists. I didn’t know much about terrorists, just that they attacked other countries, not ours. Destroying two of the tallest buildings in the United States was pretty ambitious for any terrorist. As long as the US treated this as a law-enforcement situation and not as a war, we had a chance of figuring out who did this and bringing them to justice. However, if we went to war with a stateless adversary, then we were in danger of another Vietnam. “On second thought, don’t join the military.”

The driver of the train didn’t announce our stop. They were preoccupied. However, we pulled into the Canal Street station as usual. The doors hung open for a minute, and, just before they closed, Edgar sprang to his feet and outside. I tried to follow, but he had timed it perfectly.

He mouthed, “Sorry!”

“Edgar, you idiot!” I screamed, hopefully loud enough to be heard through the shatter-proof windows. When the train rolled out of the station, I stated, “I’m going to kill you.” Coming from me, that was no idle threat.

I had a lot of patience, which was part of the reason I was so good at my job. I called upon that patience while the train rolled uptown, until we hit the next stop, Prince Street, close to Houston Street, which meaning not that close at all to the World Trade Center, which was where Edgar was headed. I calmly exited the train, walked up street level, kicked off my heels, and ran, barefoot, down Broadway.

Man was not meant to run barefoot on a sidewalk, and I could feel the abrasions on my feet. I’d soak them in Epson salt after I saved Edgar’s life so I could strangle him to death with my own hands.

While catching my breath, I saw one person tell another person, “They got the Pentagon!”

How many planes did these guys have? The amount of coordination involved in this endeavor was mind-boggling. Someone in a cave somewhere figured out how to bring the United States to its knees. If they had asked me to plan a way to freak America out to the bone, I never would have had the imagination to think of this. At the risk of giving them too much credit, these guys were evil geniuses.

Whoever it was, I’d kill them. Save the troops, save the billions they’d spend going to war with an invisible enemy. Just send me in there. Give me a week, problem solved.

I put up with the blisters on the soles of my feet as I started to encounter scores of people going in the opposite direction. But he closer I got, the more people were just gawking. I suppose they had a good reason. What were they planning on doing if the towers fell over? Me, I would be in a different borough, if it weren’t for—

“Edgar!” I shouted.

That was definitely him. He turned around and smiled. “Nora, I have to help these people.”

“There’s got to be five hundred firefighters in the towers right now,” I told him. “What do they want with a skinny, out-of-shape gothic boy?”

He studied the entrance to the South Tower far away and took a step toward it. I snagged his arm with my hand and held him in place. He looked at me with pleading eyes.

I said, “I did not save you from killing yourself so you can turn around and kill yourself.”

“Let me go, Nora.”

“But I barely had you,” I said.

“You don’t know me, Nora.”

I let him go. He ran off into the distance to the tower.

“Don’t you fucking die, Edgar,” I whispered. “I’ll wait right here.” He got farther away. “I’ll wait right—”

I felt like I was underwater, and a muffled roar, groans, and collisions were attacking me, and something shoved me onto my back onto the street, and the world switched to gray, with flecks of black and white, making it look like, as William Gibson would say, a TV tuned to a dead channel. A few feet away, I could make out a hunched-over shadow, and then another and another. The only thing I could think of to do was find something like a wall and anchor myself to that.

Using some of that patience I rely on, I waited until the air thinned out, and I could see for more than three feet. It was now closer to ten, maybe fifteen. I decided to take my chances, and I headed for the area I remembered the South Tower.

However, when I got there, the only thing I could see was the shadow of a section of the towers’ latticework shell sticking straight up out of the ground. The South Tower wasn’t there. I looked over my shoulder and saw more latticework and no North Tower.

I sighed, “I got to sit down.” I found what appeared to be a corner of the building and sat on that. “Ugh,” I grunted, coughing in the ash-filled air, “I am definitely getting cancer from this.”

You kill one person, you’re a bad guy. You kill ten people, you’re a monster. Is there a word for the six thousand people they probably killed today? I couldn’t think of anything big enough. I could safely say that I was literally a mass murderer, and I looked like a saint compared to these guys, whoever they were.

I got up and headed home. The searing pain on the soles of my feet focused me as I lurched forward, completely covered in ash—the remains of the people in the building, one foot in front of the other. I couldn’t let my mind wander like I usually would because the pain and the effort took so much concentration.

“Step, move my weight, step, move my weight …”

I wasn’t sure how I did it, but I opened the door to my apartment. With every two steps, I shed another article of clothing until I stood in the bathroom, naked. I turned on the shower, let it heat up, and stepped inside. Without a little cold water to cool it down, the water scalded. Good, maybe if it got hot enough, I could scrub the remains of thousands of people off of my body.

With crimson skin, I finally left the shower and laid down on my bed. It was still light out, but I didn’t have it in me to do anything tonight, not even sleep.

He was gone. I felt like I had finally found something I had never been looking for. I knew him for a week, and we only spent a few hours with each other. He got a coldblooded killer to care about something. And now he was nothing but ash.

“I don’t even know his last name,” I told the empty room.

Time passed, and my phone rang. Not my work phone, but my personal phone. I picked it up and barked, “Only one person has this number, and—”

“It’s me.”

Neither one of us spoke for a while.

“I thought,” I said with an eerie calm, “you were dead, Edgar. I’ve been mourning you for hours.”

“I underst—”

“Holy shit!” I shouted as loudly as I possibly could. “You’re alive! I thought I saw you die.”

“I don’t know what to tell you,” he said. “Here I am.”

“Where’s here?” I asked. “Were you able to get back to Hoboken?”

“I’m at Union Square,” he told me. “There’s plenty of places to rest here.”

“Wait right there,” I said and hung up. I called the number for Brown Limousines and demanded, “I want a car to take me to Fourteen Street, no excuses.”

“Traffic is blocked below Fourteenth Street,” the dispatcher told me.

“It’s a good thing I’m only going to Fourteenth Street then.”

The car arrived in four minutes, and we were quickly at Union Square. The driver generously volunteered to wait for me to pick up my friend, and I quickly found a half-asleep Edgar on the lawn. I had to partially carry him, despite the fact that it was my feet that were destroyed looking for him, and we made it to the car.

The driver wasn’t having it. “You think I want to clean that shit off of my leather seats? Get a cab if you want to drive somewhere.”

“Do you even know what’s been happening today?”

“No, but traffic below Fourteenth is cut off. Is there a marathon or something?”

I closed my eyes impatiently. “Two planes crashed into the Twin Towers, and they don’t exist anymore. Apparently something like this happened at the Pentagon, but I heard that in passing, so take it with a grain of salt. The world is ending, and you’re going to begrudge a guy who was close enough to get covered in ash because you’re worried your car is going to get dirty? You’re going to do this today of all days? Where’s your generosity? Your charity?” That last bit was laying it on a little thick, but I was in a mood.

“I get it, I get it,” the driver muttered. “You can ride in my car. If you come to me covered in ash any other day but today, you’re walking home. Do you understand me?”

“I’ll tell him when he wakes up,” I said.

“This is just great,” the driver grumbled. “All the streets downtown will be closed for Allah knows how long, and the detours are going to go all the way up to the Fashion District. And don’t forget all the emergency vehicles, snarling up traffic. I tell you, I’d be better off getting blown up in the Twin Towers.”

Living in Infamy

For the first few years, the mantra was “Never Forget.” Cruising through Facebook and Tumblr today, it’s clear we’ve forgotten. Last year, I wrote about how September 11 is fading because it’s not the worst thing that’s happened to this country in the past twenty-five years. But it’s the worst thing that’s happened to me.

After twenty-two years and an assortment of pressures in my current life, I don’t really have anything to say today. This wouldn’t be the first time. For the first ten years I only wrote two journal entries on this day, one in 2005, one in 2011. Since then, I’ve written about it inconsistently. All eight blog entries about it can be found here:

However, as I’ve noted the significance of the day receding in the public consciousness, I think it’s important for me to mark the occasion by not going into work and by writing something.

Last year, I penned a novel in need of a serious rewrite about a female assassin. I wanted to set it in New York, but I wanted to set it in my New York (see September 11, 2011), so I set it in 2001. And because it might be cathartic, I set it in September of 2001. As my memories of the actual event and the TV coverage become blurred, I wrote “Chapter 6: Living in Infamy.” It’s longer than my usual posts, but it would mean a lot if you took the time to read it.

Chapter 6

Separate Ways (Worlds Apart)

A long time ago, in a state far away, my best friend was Tony, an outspoken, argumentative nerd unlucky in love for being a difficult person to be around, but he had a certain chutzpah that I did admire. We had a lot in common, such as the nerdiness. We fell out of touch when I was in college, but when he joined the army in the early 2000s, he used to visit me in New York/New Jersey, and while he still considered me his best friend, I had a hard time being around him. He made all of my female friends and a few males uncomfortable, and he badmouthed me behind my back to my friends without thinking for a single moment that it would get back to me. He had become–before the term had hit the zeitgeist–a toxic male.

Upon my getting married, my wife gave me permission to quarantine him, but when he made a comment on a FB post calling all women who used birth control sluts, I cut him out. I spot him being an asshole to our mutual friends on their posts, and I don’t regret saying goodbye to him.

For a time, though, we had each other’s backs. Even when he was being a shit during his NY/NJ visits, there were always moments that charmed me. One weekend, he came to town with a mission: he was going to buy a leather trench coat, and inspired by the recent release of the forgettable Shaft remake starring Samuel L. Jackson, I whipped this up.

Not the B’s! Not the B’s!

I’ve become kind of obsessed with Scott Adkins.

First, let me back up a little.

I used to really love B-movies. It was one of the few things I had in common with my ex-wife. What makes a B-movie? Well, back when going to the movies was an event, as opposed to the chore it is today (in my opinion), there was a newsreel, a cartoon, a serial (including the original 1944 Captain America), a B-movie, and the marquee film. That’s how people my dad’s age saw cartoons before they were rerun on TV ad nauseam, without the nauseam part. The serial kept people coming back for more. The B-movie had a smaller budget, wooden acting, bad writing, and was usually sensationalist. When TV became ubiquitous, B-movies could be seen late at night on the networks or during the day when the soap operas (or as I called them when I was a kid, “soap poppers”), weren’t on. They also made straight-to-television movies that were often failed pilots, like the original 1979 Captain America, made shortly after I was born, but rerun over and over again, so I saw it in the eighties, back when I was too young to know how bad it was.

During the cable era, they were moved to networks like USA and HBO, and later, Cinemax, where they were known as straight-to-video releases. That horrible disappointment in film, the original 1990 Captain America, was a straight-to-video release. B-movies could be anything, from horror movies (the gorier the better), to sex thrillers (one of two non-scrambled places to see nudity before the Internet), to action (this is where Chuck Norris’s infamy comes from), to raunchy sex comedies (the other place to see nudity), to cheap sci-fi flicks (which were my favorite at the time), and more.

B-horror movies were the most popular overall because they would produce more gems, like The Evil Dead, which did have a minor theatrical release, but found a wide audience on cable and video. Fans were thrilled by the low production values and the over-the-top plots and action. Also, watch enough B-movies, and you begin to recognize the actors, who nowadays will appear in small roles in big-budget movies or on the CW. They are popularly known as “character actors,” I refer to them as “Hey, that guys!”

And that brings me to Scott Adkins. Scott Adkins doesn’t have a lot of roles in big movies. The biggest role (ha!) I’ve ever seen him in was in John Wick 4, where he wore a fat suit and wiped the floor with Keanu Reeves. He’s got a big following, though. He’s good-looking, a gifted martial artist, and a pretty decent actor. I’ve seen him in serious roles, like Ninja 2: Shadow of a Tear (“A man who seeks revenge must dig two graves.” “They’re gonna need a lot more graves than that.”), comedic roles, like Max Cloud, and movies that are both, like The Debt Collector. My favorite of his is Accident Man: Hitman’s Holiday, during which he flashes his dreamy smile a lot and fights a clown armed with a cinder block on a stick.

I don’t know why he’s not a leading man. Actually, I attribute that to the fact that actors are no longer chosen for their natural physicality. Instead, they’ll hire an out-of-shape comedian like Chris Pratt, make him lift weights and not eat carbs for six months, make him dehydrate for a day or so, and dunk him in a bathtub of ice water, just to film a thirty-second shirtless scene. Meanwhile, their stunts are performed by wirework or a CGI engine, like in the 2011 original Captain America They didn’t hire real martial artists for The Matrix even, until The Matrix Reloaded, where they found three of the top B-movie action stars of the decade and made them agents probably because they had charisma (not in this movie) and because they didn’t have to train them.

There’s the fact that action starts pushing sixty, like Keanu Reeves and Tom Cruise, won’t retire and still insist on doing their own stunts. Also, Hollywood execs are Gen-X, the Nostalgia Generation, and will only do movies based on comics or toys from their childhood and will drop $300 million on an Indiana Jones movie, despite the fact that only people over forty even care about the character anymore.

As for me, I wanted to watch a movie the other day, and I couldn’t find anything that appealed to me on any of the dozens of streaming services I’m subscribed to. I blame this the single-take sequence in Guardians of the Galaxy Vol. 3: Hope You’re Not Here for Anything Fun. I think single-take sequences are really cool. I watched the one from Oldboy over and over again, and when there was one on True Detective, followed by one on Daredevil, it was jaw-dropping. Fast-forward to the last few years, and we had one on Loki, and it was fine, I guess. And we had one at the climax of Guardians 3, which was almost completely computer-generated characters. It was cheating. The single-take tracking shot went from a stunning achievement in directing, choreography, and the persistence of repetition into something you could do if you had enough VFX artists. What used to be a rare treat was turned into something I was getting tired of.

This in mind, I chose a Scott Adkins movie, the goofier, the better, and it had a single-take sequence that was actually fun. This wasn’t because a digital tree was jumping over a digital monster, but because Scott and his co-heroes were in a hallway, beating up a bunch of faceless bad guys. The only special effects (as far as I can tell) were the plasma blasts from the bad guys’ sci-fi guns. Mostly it was Scott kicking space ninjas in the face and hamming it up as an over-the-top video-game hero. I made it all the way through the movie in one sitting. The next day I watched another one, which started with Scott having four fights in the first thirty minutes, three of which he got his ass kicked hilariously, and ending on a note as heartbreaking as watching small animals get tortured and murdered and have it be the most important part of the movie. (Guardians of the Galaxy: A Silly Comedy Series. You know, for kids!)

The appeal of a good B-movie is that, without computers that have the processing power of an entire country and producers cranking out increasingly unprofitable blockbusters again and again, they depend on human beings. Their writers may not have the allegedly witty banter of a Marvel movie, or their biggest star may be Ryan Phillipe, but they’re not afraid to play with the formula. I know a lot of these movies are crap. I’ve complained about them on this blog before. They’re real, though, and they deserve our love. There’s not a lot of Scott Adkins movies on the multitude of streaming services I’m subscribed to, but I’ve put them all in my lists (“my stuff,” “my watchlists,” whatever), and I’m going through them one at a time. I’ve given up on blockbusters, and by the looks of the box office receipts for 2023 (Barbie and John Wick 4 notwithstanding), the rest of the country is starting to as well.