Lovely Rita

When terrorists crashed planes into the World Trade Center on September 11, 2001, they inadvertently brought Rita and me together. You have to look on the bright side.

Basically, a high percentage of a tribe of friends in Brooklyn were born in September, so they couldn’t celebrate their birthdays that ear. One of them said “Screw that, we’re celebrating!” and threw what we would now call a rager. My girlfriend’s thirtieth was September 13, so we damned well went. She and I were at a point in our relationship where we were just fine not hanging out, so I partied like I did all my life by smoking cigarettes outside and letting people come to me.

The people I met that night were largely forgettable, except for a pair who came out kind of early with their manly Camels. They were like anime characters—the duo who look almost exactly alike, but one has platinum blonde hair, and the other is a dark, dark brunette. They introduced themselves as Anne Marie and Rita, respectively. I’m pretty sure one of them dropped a bullfrog reference on me, but Rita felt my pain because of the goddamned Beatles.

Rita and Anne Marie were, to be clear, really cute, and I was feeling like Mr. Charm by keeping their attention. Eventually, I became comfortable enough that I opened my wallet, took out the only money I had, and said, “I’ll give you five dollars if you make out.” They said no. “What can I get for five dollars?” They shook hands and took my money.

I probably never would have seen them again were it not for a friend from Nebraska. I had always thought of her and her husband as a unit, but she called to tell me they were getting divorced. I had never been through a friend’s divorce before, and I didn’t have any friends who might tell me what it’s like, so I tracked down Rita, who had described the nightmare of her own divorce in vivid detail.

Also, she and Anne Marie were really cool, and I wanted to hang out again.

Rita and I met at the International Bar, on First Street in Manhattan, between Second and Third. I haven’t been to New York in ten years, but it was still there then. It’s the kind of place you assume has multiple health- and building-code violations. Their bathrooms are single stall, without the space for a sink. It was there, outside, in full view of the entire bar, so if you didn’t wash your hands, we knew. They only served beer in bottles, and the only beer that didn’t taste like watered-down yak piss was Amstel Light. Rita answered my questions, and we became instant friends.

Rita is (still) thin, not as in skinny, but as in lean. One look, and you know she’s as affectionate as a housecat, but she is fully capable of clawing your eyes out if you do the wrong thing. Her eyes are as dark as her hair, and she does his goofy head bop when she listens to cool music.

Whenever I hung out with Rita, it was either one-on-one at the International Bar or we’d go to a larger bar to house the Group. The Group was kind of like a French-style salon. We were vulgar and talked a lot of dumb shit, but we also discussed politics and philosophy until we could drink no more. The group had a rotating cast, and they all had one thing in common: they all were really cool, even the dorky ones.

Did that mean I was at least kind of cool? I did introduce the group to a catchphrase. When someone mildly annoys you, you say in a flat tone of voice, “I never liked you.” We were independently fans of the same hiphoppunkfunkmamboska band. I played a crucial part in one guy’s trip-hop remix of our bar conversations. I kept getting invited back. It’s not like they didn’t know how much of a nerd I was—Rita and I had a sleepover the day I watched my beloved Sam Raimi’s Spider-Man.

Rita had a pet iguana. I do not remember the iguana’s name. I have asked Rita four times for the iguana’s name, and I have forgotten it four times. Next time I ask, she’s going to tattoo it on my arm. On Spider-Man day, I discovered that she had inherited some birds from an aunt (?) and kept them in a cage in her kitchen. She would never hurt them, but if they suddenly fell over dead, she would not be sad.

That was the first half of 2002. After June, we didn’t see each other as much, mostly because I started hanging out with different friends, who I had just met. However, after I bought a leather pea coat and took on the alter ego of Jack Murphy, cop on the edge, she started calling me Jackass Murphy because the true duty of your friend is to take the wind out of your sails.

She came to Jersey City for my going away party in 2004. My ex-wife told me afterward that she had said something mean to one of her friends. This only was the first time my ex would try to distance me from one of my people, but unlike the later times, she did not succeed. This time, I just didn’t believe it. Rita could get very angry, but she was never cruel. I assumed my ex’s friend had misheard something.

Seven years later, I wanted to honor the tenth anniversary of September 11 by making it a celebration of life. What I made it was the celebration of friends. I split the day three separate ways with three friends, each reminding me of an aspect of New York I treasured. Rita was the ability to start a new story, whenever you want. We went for a run in Central Park, we had dinner, and I played with her oldest kid.

Rita told me that, on September 10, 2001, she was shackled to a cubicle during the week and in a dehumanizing marriage. By the time I’d met her, she had gotten rid of both. She swore she’d never marry again, and she was never working in an office again. She hasn’t, twenty-three years and two kids later. It’s one of the things I admire about her.

I’ve always been a bit of a hermit, but for a while there, I was surrounded by people who wanted to hear my thoughts on a subject. They wanted me to tell a joke. Even though I make Obi-Wan Kenobi look like the wedding crashers these days, I did manage to captivate a small crowd on New Year’s Eve. I’d changed my story, and I don’t think I would have done that if not for her.  

Happy Birthday, Rita!

Regenerational Divide

All my life, I’ve been trying to figure out something about the show I’ve been watching since I was a kid: if Doctor Who is the same person, incarnation after incarnation, how are they so different? Like, for example, it’s not easy to picture Jodie Whittaker as the same person as Jon Pertwee.

A few years prior, I had illustrated all the Doctors up to that point (including Matt Smith, even though we were still firmly in David Tennant territory), in a very cartoony style, so I took that style and reviewed my life, going back twenty-five years. Each year after that, I’ve drawn myself, including the years when I had otherwise quit drawing altogether (you can tell which years those were).

Later, I wrote a screenplay to challenge the question, in which a character based on me met up with four of his younger selves, going back to age nine, and I understood perfectly. Forty-eight-year-old me would not be able to stand a twenty-six-year-old me, and nine-year-old me was a monster. Without further ado, here are twenty-two incarnations of me.

And now, on my forty-eighth birthday, I’m taking care of a cat shortly after my last one passed away, so I guess that makes me a parent.

Enjoy your Sunday! I know I will.

That Crazy Witchcraft

My ex-wife is a card-carrying witch. She fancies herself a hedge witch, which means a solitary, standing between her village and the outside world like a hedge. She taught me a lot about magic, and while I don’t believe in it (though I made every effort to), I was fascinated by the lore.

When we were together, we had been working on a book. It was her idea, but I took the characters, added some more detail, and told the story. The novel has two interludes to tell you what happened while they attended a small, Midwestern, liberal arts college like no one I know.

Something I learned about witchcraft or paganism from my ex was that witches had an affinity for one of the elements (air, fire, water, or earth), and that each of the elements has a corresponding color. I did drawings like these before ten years ago, and I wanted to update them for fun. This is most of the 2014 collection:

This is what I just did:

First, we have Jin Harima, a phonomancer, which means sound, preferably music, powers his magic.

This is Regina de Costa, the Secret Princess of the United States, run away from home.

Susan Young is a track star from Gary, Indiana. She’s not really into all this witchy stuff, but she is endlessly fascinated by Regina and will do anything she says.

And finally, Victor Huber, a farmboy and Regina’s protégé.

I haven’t really thought about them since I published their novel three years ago, but this was a nice trip down memory lane.

The Wrath of Gods

According to a philosopher named Giambattista Vico, there are three ages of mankind. In order, they are the age of gods, the age of heroes, and the age of men. I wanted to use this, in reverse order as a framework for three action comics that I would create. The first would be a grounded vigilante story, the second one a straight-up superhero epic, and the third one would bring the first two together in a unified vision of mythology (i.e. all the gods we know from legend are based on the same five beings).

This guy, the hero in the second book and one of the heroes of the third, is a demi-god. He has super-strength, so he wears a metal suit (and pants because he would look ridiculous in a onesie), and he gets around by leaping (the funky boots keep him from smashing the street when he lands).

When I developed him in the late nineties, early aughts, there were no gay superheroes, and that would have made him unique. His nationality is Mexican-American, which wasn’t necessarily unique back then, but it was definitely rare.

Unfortunately, all of the writing I did with the character was lost because Newcastle kept sitting on my laptop twenty years ago. The first image I did this week, using the black, white, and red style. The second I did in 2003, when I became more sure of my skill.

An All Hallows Eve That Will Live in Infamy

To explain to you what went wrong on Halloween night, 2003, I have to tell you about Satanicide.

If you’re an educated Satanicide fan, at some point you have had this conversation in your head: “Doesn’t –icide mean to kill? Killing Satan? They’re on God’s side? Or are they just that stupid?” You never learn the answer to that question because the band in question rocked your face off. Satanicide was a Spinal Tap style of band, i.e. comedy, but can actually rock out.

Front man, the voice, Devlin Mayhem, was played by Dale. Devlin represented hard, biker rock. His chaps even had flame-detailing on them because Dale’s girlfriend (now wife) is amazing at that kind of thing.

Aleister Cradley, played by Phil, is a glam rocker, complete with teased hair and spandex tights. Part of his joke is that he’s an f-word but doesn’t know it. In the Satanicide movie, Aleister moons over Devlin while their cover of “My Heart Will Go On” plays in the background. I thought it was funny. Other people might not. This will get me into trouble during the Halloween in question.

Satanicide goes through a lot of bassists, and their replacements are always relatives of the first one, Baron von Goaten. None of the von Goatens could speak English, and, mentally, they weren’t operating on the same world as the rest of us. Last I checked, they all wore masks to hide their Frankenstein hideousness from the world. I’m pretty sure the second Baron was my contemporary. He might have been the first. His name was Jake, and he was the sweetest guy. The von Goaten clan represents European metal, which is some weird, scary shit.

English punk was represented by Sloth Vader. One minute, he was tearing some shit up in London, and then he wakes up in a dumpster in New Jersey, so he joined a band. Griff, the English guy behind Sloth, was a big guy. He loped along like a bear. So when I tell you he routinely did stage dives on top of me, you won’t question my commitment to taking one for the band.

I first saw them because Beth invited me to a show. She did that within five minutes of meeting me, before she even asked me for my name, if I remember correctly. Since that initial concert, I don’t think I missed more than one show during my last two years in New York. Beth’s boyfriend was Dale, so we had the inside scoop. I even recommended a fragment of a song that Devlin sang at one of their concerts (“P is for pussy, that’s good enough for me!”)  

In 2003, Beth thought that it would be funny if, on Halloween, Steve and I dressed as Devlin and Aleister, respectively, and go to a Satanicide show. I thought it was a brilliant idea, but my execution was loathesome and half-assed. I wore a curly wig when Phil’s was straight. I couldn’t find exciting tights, so I wore these pants that looked like a cheetah-print pajama bottom. I wore makeup like a drag queen, thanks to Beth. Steve’s costume was on point. We were a terrible mismatch.

Right before we left Steve’s apartment to go to the bar, we had to decide if we were going to eat something for dinner or do vodka shots. We didn’t have time for both. We chose vodka shots. Later at the bar, before the concert, we did shots again, more than once. We watched the show with beers in our hands. After the show, I had a Jack and Coke.

It was in that state that I encountered Moby. That Moby. He went to high school with Beth and Steve. I called him a homophobic slur. The reason I did was because juvenile gay jokes were part of the Satanicide experience. However, this did not endear me to him. Next, I encountered Ed Helms, who was a very, very loosely defined neighbor of Dale. Ed Helms is a cool guy. On the street you will recognize him as Ed Helms, but he looks completely different than the dork that is his brand.

I sat down at the bar and ordered another drink. After I finished it, I swear there was an earthquake, and I fell off the stool. Immediately, I was escorted out of the bar. I ran into Beth and Steve outside, having a cigarette, and we all agreed to call it a night. Beth went off on her own adventure while Steve took me home and put me on his couch.

That’s where I proceeded to puke all night, like young Regan on The Exorcist. That was not the worst part. The worst part is that I tried to cover it up.

Steve missed this because he went out alone after he’d dropped me off. Later, he described himself as kind of a zombie, but one with a single-minded focus on eating a slice of Ray’s Pizza. When he arrived at the storefront, he lurched up to the counter and somehow ordered a slice, which they brought to him lickety split. As he was walking away, tasting victory in the mozzarella and sweet tomato sauce, he noticed the long line he had just cut in front of.

Beth went to sleep on the sidewalk somewhere.

I don’t know what happened to Moby.

Steve and I never spoke of how I befouled his couch.

While Beth agrees that the night was pretty horrible, she can’t stop talking about it. She treats it like it’s a warning tale for the youths.

I had a hangover for days. I didn’t quit drinking until 2007, but when I was coming up with reasons to stop, Halloween 2003 was Exhibit A.

The Book of Jobs

Here is the last of my work portfolio to share.

First is a job I did for the husband of a friend who wanted to bring photo booths back, in time for the holidays. It was back when I worked a lot in Photoshop.

Next is a day care/tutoring business (I think) called Sprouts that my friend Vicky was starting. I did a lot of different versions of this in several different colors, but this was the one I decided to go with.

The rest weren’t for money, just fun, like the gift I made for Vicky for teaching a cardiac kickboxing class that I loved and feared at the exact same time.

And finally, I made a birthday card for my friend Maryam about ten years ago, when she was terrified of cats. The ones stalking her belonged to our mutual friends, Samir and Sammy.

These are all at least ten years old because I kind of stopped drawing at around this time. I want to start doing birthday cards again, but I have no idea what to draw.

Chuck Norris, but with Kittens instead of Guns

I was chatting with my friend Lisa, and she said, “I want to see Chuck Norris, but with kittens instead of guns.” This was a trap, and I fell for it. Immediately, I started looking up Chuck Norris pictures, and when she Photoshopped what she had in mind (it was a terrible Photoshop), I said, “Thank you for bringing this to me instead of going to an AI.” She said, “I hate AI so much.” This was the ethical (and fun) way of entering a prompt and getting an image out of it. So here he is, Chuck Norris, but with kittens instead of guns, as well as proof I did it (thumbnail, pencils, backgrounds, paints).

I’m Sorry, Who?

It was going to begin with an exciting pre-credits sequence, and then the title, and then a candy-striper named Andrea in 1999 New York City, looking at a patient’s chart. He’s covered in third-degree burns with a body temperature of 61 degrees Fahrenheit, but he’s not dead. Included on the chart is a note that the patient has a strange heart murmur that creates the illusion of a double-pulse. There’s just one problem: the patient in the bed is a petite, Arabic-looking woman with no burns on her whatsoever. However, when Andrea touches her, her skin is deathly cold, and she has a double-heartbeat. The only conclusion she can reach is that they are the same person. The patient wakes up, looks at her hands, and, speaking in an Irish accent, quizzes Andrea on her own appearance, particularly worried about the size of her nose. She recognizes Andrea from “that coffee house in Lincoln, Nebraska, with the on-the-nose name.” “You mean The Coffee House?” But the only remotely British person she ever met there was a dude with a buzz-cut and an awesome leather jacket. Suddenly, a monster would attack, and the woman would introduce herself as the Doctor. Later, they would head for row of porta-potties, and the Doctor leads her to a really classy, wooden one labeled “Police Box.” When Andrea enters, she sees it’s bigger in the inside than it is on the outside, and her reaction is, “Whoa. Cool outhouse.”

Thus begins “The Tyranny of Occam’s Razor,” the first of my Doctor Who fanfics. I had an overarching plot in mind, which would bring them to America more often than usual, and the monsters would be based on American folklore, including a wendigo, a herd of melonheads, and the men in black. There would be no sonic screwdriver. (As a lifelong Doctor Who fan, I kind of loathe the sonic screwdriver.) I have lot of great gags (“What did your sonic screwdriver do?” “Loosen screws, pick locks, scan things, disrupts a Cyberman’s breathing apparatus, like a regular screwdriver, I reckon.” Also, Andrea, as an American, calls them “Darleks.”) I have done tons of art of the characters, and I even made a logo. I’m going to continue to draw and paint them, but I’m not going to write it anymore.

Since I’ve been making comics or sketching full-time, I haven’t had much inspiration to write. I quit in the middle of a lesbian romance, the seventh book in my YA series, a from-the-ground-up revision of my assassin-that-doesn’t-use-guns-or-martial-arts novel, and the Nth Doctor Adventures short stories. I’ve decided I’m going to box up Who. I loved the concept, I loved my Doctor, I loved her companion, I loved the loose plots, I loved the fan service (one of the pre-credit scenes features a couple being rescued by the Eleventh Doctor, and I think I really nailed his voice), I loved coming up with descriptions of the TARDIS noise (someone driving a power drill through a bucket of fruitcake, an accordion in a dishwasher, a flock of geese flying through a cloud of helium, etc.) but the stories are not good. I made it through three-and-a-half of them, and I just ran out of steam.

I think I’m going through phases. Eight years ago, I was a voracious reader. Five years ago, I was a writer. A year ago, I was transitioning, and now I’m almost exclusively artist. I can still write, but only about a page or two at a time. (I’ve illustrated up to page 5 of MortalMan, and I only have 9 written.) I might go back to being a writer again, who knows? But while I still pull out Exile Book 7: The Unkindness of Raven, The Principles of Magnetism, or The Sass in Assassin and tinker at them, I think I’m going to leave the Nth Doctor Adventures in storage for now. Doctor Who, after Newcastle, is the love of my life, and I’m going to give them all the attention they deserve.

In the meantime, as I mentioned above, I’m going to keep illustrating the Doctor and Andrea. The Doctor is in a a necktie again, and Andrea has access to infinite outfits in the TARDIS, so she decides that, if she’s exploring the universe, she should at least wear a suit.

Shrine of the Times

When the vet left my apartment, taking Newcastle with her, she left behind three things: his collar, his paw print, and a lock of his fur. Nicole was with me through the whole ordeal, and when she left, I looked at the three items on my kitchen counter and kept myself from sobbing uncontrollably by putting them on the top shelf of the kitchen cabinet I only used to store his canned food. They have been there since. I knew I’d get to them eventually.

About a week later, I cleared out his food and water bowls and hid them in the cabinet on top of the refrigerator. Nicole didn’t take the canned food because I might decide to get another one someday, so I went into the cabinet to get it, and I saw a small piece of his collar poking out of the top shelf, and I realized I wasn’t ready.

A week later, the box I’d bought to display his hair was delivered, but I still wasn’t ready.

Last Saturday, I picked up his remains from the vet, and I’ve been experimenting in places to put him. Here’s a corner that is currently full of capsized Doctor Who action figures (that he knocked over), but that’s in a corner, tucked away from everything. Things tend to fall off of my desk, so that’s out. My dresser is covered in weird tchotchkes I haven’t sorted out. There’s a small metal shelf by the door, which would make a great location, but I use it to store art supplies when I work on my comic. I finally found the right spot.

Yesterday, I decided I would take his stuff out today. And I did. It was hard—it was really hard, but the spot I picked is perfect. It’s almost as high as the dresser, so it overlooks the whole apartment (which should tell you how big my apartment is). It’s a small chest of drawers that displays my owl collection (Newcastle always reminded me of an owl), and it’s close to my bed. No, I’m not going to cuddle with the box of ashes, but I will see it every time I turn off my lamp.

Here it is, my shrine to my best buddy.

Here’s Newcastle himself, in his coffin.

His paw print, which is nice to have, but it doesn’t make me emotional.

Here’s his fur. He was so matted in the end, but I couldn’t bear to shave him because I didn’t want him to die bald. The vet took this out of his tail, which was still fluffy.

Finally, his collar. This is the part I have a hard time looking at. It was mostly covered by his luxurious mane, but that lumberjack plaid was his signature look, and he’s had the tag forever.

He was such a big part of my life that I want him in a prominent place in my home. Typing this in bed, all I have to do is turn my head a little, and I can see some souvenirs from my friend. It hurts, and I’m okay with that.

We traveled to other countries together. He was with me through an entire marriage. He held on long enough for me to get used to living alone for the first time in my life. He was my friend.

I miss him so much.

One Day at a Time

Yesterday, I picked up Newcastle’s remains. I could have had them shipped to me, but I thought it was better to pick them up at his vet’s, so I could see the office one last time. I paid a fortune for his death, and I can see where the money went, from this hand-carved, sealed box to the kind, professional vet who came to my apartment seventeen days ago and took him away.

I don’t know where to put him. The other mementos they gave me when he passed, including his collar, paw print, and the lock of his hair are in a cabinet because I can’t bear to look at them. It’s like if I see them, I’ll have to accept that he’s gone.

There’s good days and bad. More often than not, I forget he won’t be there when I get home from my duties in the outside world. It’s the days when I remember that hurt the most. I’m not ready to accept his absence. Last weekend, we had a single spring day amongst the ongoing cold drizzle we’ve been enduring in the DMV area, and I thought about how I’d love to open a window, but I couldn’t because it was still too cold for him, even in his Wookie-fur coat. The same thing happened to me when I

decided to treat myself to a pizza last week because I was going to have to share my sausage with him. I didn’t enjoy the pizza. Too much sausage.

I’ve spoken to a grief counselor twice since he died, the second time when I had forgotten how his fur felt. I may have to call her again. Everyone has been so good to me, though. The girls in my eight-cubicle “pod” at work got me a card, and my boss got me a beautiful window ornament I have displayed at my desk. I have some friends I still talk to when I really miss him, but I feel like the rest of the world has moved on, even if that’s not true.

The worst day was last Wednesday, when I was so overcome with grief, I had to leave work. On the train ride home, I was struck by the image of Neil Gaiman’s perky, goth personification of Death picking the little guy up, scratching him behind the ears and whispering sweet things to him as she carried him where he needed to go. I burst out into tears. I still cry, even writing that sentence. I fell asleep at 3:30 in the afternoon and woke up twelve hours later. That was the worst day I’ve had since the actual day.

My neighborhood consists of a Walmart, some liquor stores, and a lot of fast food, so I went one stop past mine and discovered a beautiful area with a vegan donut shop, a vegan cupcake shop, and a vegan soul food restaurant. Most importantly, there is a café, called The Lost Sock for some reason, and on the rare moments when it hasn’t been raining, I’ve sat outside and drawn or painted. Now that I’m not eking out my last moments with my best friend, I have room to wander, and it’s calling out to me.

Last night, past my bedtime, I went to Artomatic, in which hundreds of local artists set up mini-galleries in a large, empty building. There’s seven floors of art, music, bars, and sandwiches from the historic Busboys & Poets. I made it through two. Also since he left, I’ve unpacked my books, the last remnants of the move, and hung up most of my wall art. It only took two months.

I’ve been drawing and painting a lot since he left. I’ve only managed one page of my comic before it became a burden, but I’ve been focusing my attention on my sketchbooks. I loved drawing and painting him. I have over a dozen works with him as a subject, from bad to good, from 2004 to 2024.

Last week, I rediscovered the hilarious “Gangham Style” video, and I recreated my favorite five seconds in any music video as a self-portrait, with him playing the part of Psy. Drawing him didn’t break my heart, so I think I’m going to see what happens if I do it again.

It’s still hard to talk about him without tearing up. The other day, I barely held it together as I told my sister Rachel about the night I was afflicted with sleep paralysis, and he stayed at my side the whole time, protecting me from the evil dark figure looming at the foot of my bed. He was a good boy. The goodest.

I miss him so much.