Smells Like a Teen’s Pants Are on Fire

So it’s afternoon, and I’m moving heavy things from one room to another, trying to talk myself into hitting the treadmill downstairs, and my iPod shuffle kicks on “Smells Like Teen Spirit.” This in turn kicks on a memory. 

About six months ago, a combination of mp3 technology and space constraints necessitated the purging of our enormous household CD collection. For the most part, it was easy, but there were about a half-shelf of discs that we couldn’t bear to part with for sentimental reasons. Included in this collection is I Told You So, the one and only album by National B, because they’re an amazingly talented local band from Hastings, Nebraska that had long ago collapsed under the weight of the frontman’s ego. There is the rare single, “Jesus Build My Hotrod,” by Ministry, because it’s my favorite song. There’s Pearl Jam’s Ten, because it’s the first CD I ever bought. There’s Satanicide’s Heather, because it’s fucking Satanicide. 

And then there’s my copy of Nevermind, which is unique. Like every other copy of this groundbreaking album, the cover art is an image of a baby in a swimming pool, hypnotized by a dollar bill on a hook. On my copy, this iconic image is marred by a Sharpie scrawl that reads “Kurt Cobain.” This, incidentally, is not Kurt Cobain’s signature, and I’ve whiled away many an hour having to explain this to friends and dates. 

Once upon a time, a new acquaintance had given this disc to me, along with a story about a phone call from Kurt Cobain himself. Mr. Cobain, according to the tale, was the cousin of a friend (or a friend of a cousin—I doubt anyone remembers which). Since the storyteller had once lived in Washington State, it had to be true, as everyone in the Pacific Northwest clearly knew each other. Anyway, Mr. Cobain took it upon himself to mail to the storyteller four autographed copies of the hit album, which he could distribute to his friends and family as he saw fit. The details of the story were so perfect that it was clearly bullshit. But hey, free CD. 

Nearly twenty years later, the storyteller in question is still mortified by his behavior. There are a ton of reasons to be embarrassed, and lord knows that, had I done it, I would be too. Hell, I’ve got plenty to be embarrassed about, so one more event wouldn’t make much of a difference anyway. See, back then, hormones, budding mental illness, and being a teenager in general made me one of the more unpleasant people I’ve ever met. I’d undergone so many changes in my personality in such a short period of time that I had no idea who I was anymore. I had friends, but most of them were going through the same crises as I, and so they were no particular help. 

And yet, here was this kid who looked up to me so much he was willing to do something so nakedly phony to get my attention. And even though I knew immediately that this was fake, and even though my mercurial moods led me to take advantage of and sometimes resent his desire to impress, I carried this album with me through countless moves across the country. Even when I first moved out East, when I could only afford to carry the clothing on my back and a handful of small items in a box, I made sure that my copy of Nevermind was among these. 

Thousands own this album. Of these, dozens own copies signed by any member of the band. But I’m one of four people who owns a copy forged by Jonathan, and that makes me so much cooler than everybody else. 

I wish there was a way I could possibly communicate how sincere I am about this, but alas, all I can say is “Thanks, dude,” and hope he’s listening. 

I Want To Be a Part of It

By 2002, I had lived several lives in New York City. I’d been a wide-eyed tourist, a jaded commuter, an unemployed pothead, a spurned lover, the most social of drunks, and very nearly a Casanova. I’d been broke and financially stable. I’d been profoundly unsure of myself and utterly confident. I’d been introverted and extroverted. The only constant in my life was the flux. That October, I was in between incarnations when I’d left work at The New York Post (another constant), caught the B, D, Q, or F train downtown to the Thirty-third Street PATH station, and saw Jenni. 

I wasn’t looking for Jenni at that point in my life, because at that point in my life, I’d completely lost track of her. It happens. But there she was, looking exactly as she did when I’d seen her last, about eight years prior. That’s not entirely accurate. There was one difference: in 1994, she was a girl—an elegant girl, but a girl nonetheless. In 2002, she was a woman. This wasn’t an issue of appearance; it just was. 

After I stood there, slack-jawed for a minute or so, I got her attention. It took her some time to figure out who I was (like I said, several lifetimes), it all fell into place. At first things were shaky. I’d been so busy trying to find myself that I didn’t have any time for nostalgia. We had dinner a few days later, exchanged numbers, and proceeded not to call each other. 

That fall, winter, and spring, I’d tried on a couple more identities—rock groupie and on-again-off-again boyfriend—until that summer when, at the insistence of an old friend I have since exorcised, I went out to dinner with Jenni and her new friend, Jennifer. Where nine months earlier, our reunion had been confused and distracted; this time, we clicked just as we had all that time ago. As such, we quickly caught up. 

Her passion then was dancing. This struck me as kind of weird. I’d never thought of her as particularly creative, but rather, focused, inquisitive, and matter-of-fact, kind of like Alice from Alice in Wonderland. In retrospect, this was shortsighted of me. She’d always had an artistic streak—whether it be from cooking experiments we’d undertaken in senior-year English or the maligned pom-pom dance squad; what she also had was determination, with which she’d tackled the challenges laid out before her. 

We spent the summer stealing evenings away from our crowded schedules, wandering around Spring Street looking for cheap food; or walking to or from her dance studio on the border of Soho and Tribeca, during the weekends when the streets were empty; eating at a bizarre vegetarian Asian food place, discussing the absence of love in our lives; or riding the Cyclone in Coney Island with her clamped so tightly on my bicep that it is now shaped differently forever; to later that evening on the beach where we found an amateur astronomer watching Mars through his telescope, inviting others to take a look. It was like dating, but without all that messy, time-consuming, headache-inducing romance, and as before, it brought with it peace. 

But the amount of fun she and I had together was nothing compared to the amount of fun we’d had with the other Jennifer. 

Teenage Superstars

For a period of time several years back, my two best friends were named Jennifer. Our lives intersected and orbited and careened off of each other as lives often do. A few weeks ago, I watched Jennifer say “I do” while Jennifer beamed proudly on as the maiden of honor. 

The bride shall henceforth be known as Jenni, as that was her name when I met her in my junior-year English class at Gallup High School. If I remember correctly (and I often don’t), she had just transferred there from Italy—in a military capacity, though, meaning she was 100 percent American with a distinctly East Coast accent. All of the boys in class were endlessly fascinated with her, and it wasn’t at all difficult to discern why. She was stunning—what with her olive skin, dark brown curls bouncing off her shoulders, and the biggest, brightest eyes anybody at Gallup High had ever seen. 

Being an antisocial, antiestablishment tool, I chose to ignore her. At least I pretended to. At one point, I distinctly recall her slipping into class wearing a leather jacket and a deep green turtleneck. The combination of that with her intense curiosity and focus, aggressive kindness, fluttering energy like that of a hummingbird, and the way her pen twirled around her thumb when she was bored made me think, “She is so cool!” Being an antisocial tool, however, led me to denigrate the pom-pom dance squad for which she was trying out, and that put the kibosh on that relationship. 

That is until a year later. For reasons I, for the life of me, cannot recall, I earned myself an invitation to have lunch with her and her mother in their large, split-level home. The invitation stretched out into a regular, twice-a-week date. I wonder what the rest of the school saw when the awkward, long-haired, grungy Jeremiah folded up into a sky blue hatchback with the graceful, classy Jenni and rode off to parts unknown. 

Something you should probably know about me: I fell in love easily, particularly at that age. See, for the vast majority of people, adolescence really messes with them. For me, adolescence dragged me outside, smacked me around a bit, gave me a wedgie, and sent me on my way. It also whispered things in my ear. These things tended to give me The Wrong Idea—this Idea being crippling crushes that irreparably damaged friendships. 

I didn’t have one of these crushes on Jenni, and I’m not sure why. She has always been one of the most beautiful people I’ve ever met, both physically and spiritually. Hell, I remember how—many years later—she invited me out to the beach at Coney Island, and I thanked the lord that she hadn’t been sunbathing, because if I’d seen her in a bikini, that would have meant that it was okay for me to die. 

But I digress. The point is, I was free from my hormones to be friends with Jenni, and as such, I was able to relax in ways I couldn’t anywhere else in my life. And it was good. 

And I haven’t even mentioned our low-budget dramatization of The Taming of the Shrew wherein she played Petrucio and I played Katherine. And I won’t mention it because I have my dignity. 

In My Dreams, It’s Still The Same …

I hate dating. I hate it with the fiery intensity of ten thousand exploding suns. Dating is a lot like a job interview; it doesn’t matter how good a boyfriend/girlfriend/employee you might potentially be—there is a script, a dress code, and certain dance steps you have to know if you’re going to do it right. The difference between the two is that dating doesn’t require a resume. 

It totally should. Actually, forget the resume. What it needs is a list of references. How cool would it be if you could make some phone calls and find out how you can be expect to be treated? The closest to references any of us gets is the way he or she talks about their exes. If there is consistent badmouthing going on, expect to be badmouthed when you become the ex. It’s a simple formula, but it never fails to astound me how few people put it together. Lord knows I never did. 

It should have been obvious. My habits and quirks were constantly compared to his—and if I ever did or said something similar, I was expected to explain how and why I wasn’t him. It was exhausting, and not once did it occur to me that she would probably be doing the same to some other poor dude or dudette in the future. I wish I’d had an opportunity to speak to those exes, and I wish I had the opportunity to talk to any upcoming boy or girlfriends. I wouldn’t badmouth her, per se; I’d just advise caution. And the potential suitor wouldn’t have to take my word for it, either. There are a number of witnesses who could help build a clear picture of a future with her. Hopefully he or she could learn from our mistakes. Likewise, I wish that my girlfriends could have had access to that kind of information. 

In case you’re wondering: yes, I am talking about a very specific ex. She is one on a short list (a very, very short list) who won’t talk to me anymore, and for the life of me, I can’t tell you why. 

I know that I’ve never really handled a breakup well. What I don’t know is anyone who has. When you’re breaking up, whether you be the breaker or the breakee, not only is it excusable to act like a real fuck-knuckle, it’s expected. In fact, there is no way not to be a fuck-knuckle. If you yell, it’s frightening and stressful. If you cry, it’s pathetic and stressful. If you are calm and rational, it’s coldhearted and stressful. 

Mourning can last for a short period of time, or it can last months, even years. But there comes a point, as in the case with any loss, that you have to take one step and another just to get on with life, because it’s getting on just fine without you. But even then, a little thing, like a song or a stray toothbrush, can send you back into the emptiness his or her absence has left you. 

Then one day, you’re okay again. And if you’re really lucky, you can remember the relationship with fondness, but without wanting to go back. But what do you do if your former partner doesn’t? It doesn’t matter how independent or free-thinking you are; you will always see yourself in the reflection of the people around you. But even if dozens of people think you’re swell, what does it say about you when one person to whom you’d once devoted your soul seems to hate you? 

The time I spent with her was a very, very important period of my life, and it kind of pisses me off that she doesn’t feel the same. Or maybe she does, and my departure is still an open wound. I don’t know, and I’ll never know, and it’s not fair. Sometimes it makes me angry; sometimes it makes me sad; but most of the time, I just don’t think about it. 

Yesterday, she and I weren’t on speaking terms. Tomorrow, we won’t be on speaking terms. Yesterday, I didn’t care that we weren’t on speaking terms, nor will I tomorrow. Before we met, I’d never known she existed. When we were together, I couldn’t imagine life without her. And now, she’s just another chapter. 

Last night, I dreamed that we had lunch. It was nothing special, just an open-air noodle place I’d been to once in Boston. She was so happy, and living a rich, fulfilling life. I never asked if she was in a relationship, and she never told me; there was no romance between us or any yearning for said romance. Our lives had intersected for one brief moment so long ago, and that was it, and that was okay

I woke up at peace, but that didn’t last. Instead, I got a little pissed off that this had never occurred in real life. After a little while the anger turned into melancholy. And now, the memory and emotions of the dream have faded into mere facts and images in the back of my mind. I’m grateful for the time I spent with her. I’m grateful for the time I’ve spent with all of my girlfriends, my friends, and now, my wife. Love builds people, and lord knows I’ve had enough of it. 

So I hope my ex is happy, I really do. And I hope that she listens to the bands I’d introduced her to, or reads a book I’d turned her onto, or snickers at a private joke she and I’d once shared; and I hope this makes her smile a little. 

Oh, Bleh …

I had one of those mornings when I wake up and feel like I don’t have anything to show for my life. None of the stuff in the apartment feels like mine, my job feels fake, and writing takes me nowhere. 

Usually when I feel this way, I remind myself how much flat-out fun I’ve had (ignoring, of course, the crippling depression) and how awesome it is to be married, but that doesn’t seem to be doing the trick today. What makes it really weird is that now, since I am properly medicated, I should be able to shake this easily—more easily, in fact, than before. But not today … 

What I need is to do something useful, and then I’ll feel better.  But first … my day awaits. 

Bleh. 

Sometimes Stuff Just Doesn’t Make Any Sense …

People make even less sense than that. They don’t owe me answers, or an explanation, or even forgiveness. Likewise, I don’t owe anybody anything, especially forgiveness. 

And that’s okay. 

I have regrets, and that’s also okay. I am thoroughly happy with the way my life has gone so far, but doesn’t mean that I can’t wish I hadn’t sold that comic book; or that I hadn’t said that one thing to that one person at that one crucial moment. Anyone who claims they have no regrets are either lying, or inhuman. 

I’m thinking about this now for a couple of reasons: for starters, it’s the overriding theme of my novella, Clear Spirits, especially as I get into the second half. Also, I’m soon going to be in a place where I will be physically reminded of my mistakes, as well as of my unwillingness to forgive. 

I need to remember that certain things will never be resolved. Loose ends will remain loose; the characters and plot of a prior chapter won’t be the characters and plot of the next chapter; and that things will not be tied up into a neat little bow. I may never forgive them, and I may never forgive myself. 

And I need to know that that’s okay. 

A Grand Old Hag

Since man started telling stories to each other, there have been a number of themes that cross into nearly every culture, themes like the creation of the world in the past, the destruction of the world in the future, a separate world underneath ours where the dead go, devastating floods, a god above all other gods, vampires, etc. While the big ideas are the same, the details tend to fit into their own culture, like how the Norse legends told of about ice and irritability; Egyptian legends clustered around a river delta, just like the animals they deified; and Babylonian legends were fierce, angry, and unpredictable, much like the Tigris and Euphrates that brought life and death to their kingdoms. I could go on. 

One of these myths, however, is the same everywhere, and it hasn’t changed at all over these thousands of years. I’m talking about the “Old Hag.” It’s called many different things—most notably “incubus”— but the story is the same: a person will wake to find they cannot move, almost as if something is pinning them down. They sense a malevolent presence nearby, and sure enough, a dark shape descends over them, which could be someone watching or even sitting on them. Sometimes this dark shape speaks, but often in gibberish. Sometimes the victim can’t breathe. But always, the dark shape is terrifying. Eventually, they are released from its grip, and understandably, it’s not so easy to get back to sleep. People have given various identities to these dark shapes. Some have called them demons (this is the origin of the incubi), some have called them evil cats (as if there’s any other kind), and more recently, some have called them alien abductors. Regardless, the experience is persistent and real—so real, in fact, that science has a name for it: “Sleep paralysis.” 

Doctors have been studying this phenomenon for years, but like sleep itself, there’s a lot that they don’t understand. They have figured out how sleep paralysis works. See, when the brain goes into a deep, dreaming sleep, your body shuts down completely. It performs a hard restart, and to do that, it needs to turn off the parts that control your limbs while it cycles the senses through whatever gobbledygook it uses to recharge and reset your mind. The origins and function of said gobbledygook is a mystery, but for it to work, our minds need to be powered down. Sometimes, though, something misfires. When that happens, you have no control of your limbs, and the sounds of dreams are still drifting through your head. Whatever it is that causes you to see dreams when your eyes are closed makes you see patches of blackness drifting around when they’re open. And you know that something is nearby. But most of all, and most consistently, is the fear. Whether you’re frightened because of the presence or your fear creates the presence is unknown. All that’s known is you’re scared. 

Let me make one thing clear: all of these studies can tell us how sleep paralysis works, but not why. Maybe there are dark spirits preying on us, and the dark shapes and vague terror is the only way we can understand what it is we’re experiencing. Or maybe it’s just neurons misfiring. We’ll figure it out some day. 

 If this sounds kind of scary, keep in mind that when it happens to you, as I learned from personal experience recently, it’s even scarier. 

Easter Sunday night, my cat Newcastle tried to jump onto a drying rack and failed spectacularly. I checked to see if he was hurt, but he wasn’t. He blamed me for the disaster and stayed mad at me for a long time, so when I crawled into bed, he wasn’t interested in purring and kneading my throat like he does every time I lie down. My wife was working a night shift, so he was my only bedtime company, and I was being shunned. Newcastle fell asleep at my feet, and I fell asleep shortly after him. This was around eleven thirty. 

One of the psychiatric medications I take leaves me feeling lightheaded, which is why I take it before bed. The side effect is that this translates in my dreams to floating or flying, and as you can imagine, it’s a bit of a hoot. In fact, I look forward to these dreams. That night, I was fluttering around near the ceiling of a very large room that was bare, except for the chairs that normally sit like thrones in my living room. In the furthest corner of this room was a treasure or something silly like that, and so I tried to float over to pick it up. I couldn’t make it past the chairs, though, and so I had to land. The chair on the left—the one in which my wife usually sits—began to swivel toward me.  

I don’t know why or how I knew this, but as it turned dramatically, I wasn’t expecting my wife to be sitting there. What I did know was that it was going to be something awful. My imagination began to speculate on what to expect when I could see the occupant: would it be a hideous half-animal monster in my wife’s clothes? Would it be a demonic alien in my wife’s clothes? Would it be a rotting zombie that looked like my wife? Either way, I made sure that when it come into view, I was looking at something else. 

Mercifully, I woke up just then, and that’s when I discovered I wasn’t breathing. Naturally, I tried to do so, but I just couldn’t. It was if my throat had swelled up, like when a drink goes down the wrong pipe, and you cough it out, but you just can’t inhale. In this case, I couldn’t even exhale. My ears rang, and I tried to sit up, but no matter how hard I fought, something seemed to be restraining me. Finally, after who knows how long, I gasped in some air. A few moments later, I could move again.  

This, as I found out the next day, is textbook Sleep Paralysis. There were some differences for me, though. As I mentioned earlier, the sufferer in most accounts of sleep paralysis is overwhelmed by panic, dread, and the feeling that something bad is there. 

In my case, there was panic, but no dread, and certainly no presence. Sure, I was rattled by the experience, but who wouldn’t be? I figured I had just slept wrong, so I sat up, adjusted my pillows, and laid back down.  

Another thing that is fairly consistent in these accounts is that these attacks only happen once. This, too, did not apply to me. 

A few minutes after I lay back down, my ears started to ring; my head began to feel heavy, as if someone was pushing it down; and once again, I stopped breathing. This time, there was fear, as to be expected, but since I’d already gone through this, I was prepared. I told myself to relax, and in doing so, my throat would loosen up and everything would be back to normal. Only it didn’t go back to normal. In fact, relaxing only seemed to make it last longer. 

By this point, it was a little after midnight. I lay back down again, more annoyed than anything. How was I supposed to sleep if this kept happening? I deduced that this kept happening to me because I was lying on my back. I started to roll over, but found I couldn’t. Something held me down, My ears rang, and this time, my room went dark. I don’t mean dark as in that nighttime blue-gray that settles over everything. I mean dark as in pitch black that settled gently over everything like a blanket, or like a bottle of ink tipped over and slowly spilling. As the light left the room, so did the air in my lungs.  

I regained control over my body, and the darkness lifted—as gently as it had descended. The ringing died down, and I could now hear my other cat, Magik, outside the room, yowling. I called out to him, because I believed intuitively that a cat beside me would keep me safe. But Magik wouldn’t dare enter. 

And again the room went dark, my limbs and head were pinned down, and I couldn’t breathe. Once free, I sat up and tried to talk Newcastle into moving up the bed with me, but he wouldn’t budge. He didn’t even wake up to give me a dirty look. Finally, after one more case of suffocating and being restrained, I stood up to go to the bathroom and hopefully shake off whatever it was that was causing this, which, I might note, I was still positive had to do with me sleeping the wrong way. No presence here. 

But when I returned to bed after checking the black lump at the foot to make sure it really was Newcastle, I laid down to the room going dark and my body failing and the a new thought: what if it wasn’t me who was causing all of this? I still didn’t feel a presence in the room per se, but I did start to wonder. I rolled over, facing away from the window, because obviously the thing that I didnt think was there came in through that window. I hoped that resting on my side would put an end to this and let me get back to sleep. 

Then the dread settled in. Somehow, I knew this wasn’t the end of it. And sure enough, my ears began to ring, and I couldn’t move. By now, I’d begun to wonder if it wasn’t the ringing itself that was pinning me down and taking away the light, despite the fact that this made no sense. And to make matters even more confusing, I could breath just fine. Maybe I had finally found an angle that didn’t close off my throat. 

“Or maybe,” my brain told me, “he just can’t reach your mouth from this angle.” 

While I couldn’t hear or see or feel a presence in the room, it being there was the only logical conclusion I could draw from this. Prior to the most recent incident, my going theory was that my choking was responsible for the darkness and the ringing. Now I wondered if it was the other way around. This thought scared me more than anything that had happened so far. 

“Please,” I whispered to whatever it was that I was now certain waited just out of sight. “Please stop.” 

It didn’t. In fact, the next attack lasted longer. The ringing got louder, the darkness that folded over me was thicker, and the pressure was stronger. 

“Please,” I begged again. 

And it happened again, with even more force. 

That’s when I decided to get out of bed. Any place had to be safer than this. But when I tried to roll over, to my surprise, I couldn’t move at all. My ears weren’t ringing, the room was the proper shade of cobalt, and nothing seemed be holding me down, but I just couldn’t move. 

To understand how this felt, make a fist with your ring finger extended, and place it, palm-down, on a table or armrest. Now try to move your ring finger. No matter how much willpower you put into it, won’t go anywhere. That’s how I was. I could breathe just fine, but that was about as far as I got. And then suddenly, for no good reason, I was free. It was now about a quarter after one.  

I bolted from the room and moved over to our uncomfortable couch. After I made myself somewhat comfortable, Magik came over and curled up on my chest. I cannot explain to you how safe I felt with him there. It’s like hiding from the monsters under your blanket when you’re a child; i.e. nothing was getting through that blanket. And no monster would come near me with Magik here. 

Around forty-five minutes later, Magik was gone, and I heard the ringing again, but it was muted. Likewise, the room was no darker, and the restraints on my body could be shaken off like they couldn’t before. However, my stomach now felt sour. Bile crept up my throat like I had eaten a full-sized bag of Doritos and a box of donuts before I lay down. But after a dose of Alka-Seltzer and a quick trip to the bathroom, the fear—all of it—had fled. 

When I got back to bed, Newcastle had forgiven me. He gave me a cursory purring and throat-kneading before he dozed off beside my head. I quickly joined him. When I woke up, I had nearly forgotten the whole thing.  

A small part of me, though, is glad I went through this. As I’ve mentioned earlier, science has studied this for years, and I’ve been frightening myself by reading about it since I was a small boy. Knowing what we do, however, does not remotely begin to describe the sheer horror of it. 

Lord, Help Me Finish What I St

Recently, I’ve been pitching forward, full-steam trying to find out what’s wrong with me and maybe fix it. Barring that, maybe I can slap on some duct tape, tweak some valves, and send me down the road with a hilly-billy tune-up. One of the most recent ideas sent my way by a professional is that I might be suffering from Adult Attention Deficit Disorder, and to investigate this possibility, I’ve been given a homework assignment: Read Driven to Distraction by Edward M. Hallowell. 

Now, if you know me at all, you know that asking me to do a homework assignment is the same as asking me to show up to class the next day unprepared and anxious. I chose not to pursue graduate school because I was sick of reading.  But I’m desperate, so I bought the book and have made a sizeable dent in it. The verdict? I’m skeptical. 

There are plenty of reasons to be skeptical. For one, reading a book and deciding that this is the answer is not a reliable way to identify the answer. This is not why I’m skeptical. The reason I’m skeptical is that there have never been answers to who I am and why I can’t seem to function. Do I have a psychiatric disorder, or am I lazy? Do I have problems sleeping because I’m depressed, or because I like coffee?  Is there something wrong with my brain or is there something wrong with me? I’ve spent well over a decade trying to figure this out. Why should this book change anything? 

When you’re driving your car, and you get stopped by a police officer, sheriff’s deputy, or state trooper, he routinely asks, “Do you know why I pulled you over?” Chances are, regardless of how virtuous a person you are, there is a moment between that question and your answer when you’re thinking, Well, I know what I did wrong, but not what you think I did wrong. In that moment, whether you just went a few miles over the speed limit, or you drove through a red light that you didn’t notice because you were searching on the floor for the crack pipe you dropped while restraining the hostage carrying the duffel bag of money you just stole from the bank; you still think you just might get away with it while being utterly terrified that the full fury of blind justice will descend upon you and throw you in prison for the rest of your life. 

It’s Schrödinger’s guilt, and I feel it every moment I’m awake: waiting for a teacher to realize I don’t know what the fuck I’m talking about; waiting for my employer to fire me; for the person with whom I share a bed to dump me; for my friends to tell me to go fuck myself. As a result, I’ve wandered through these thirty-plus years in a bit of a fugue, alternating between detachment and desperate clinginess. Nothing can change my mind about this feeling: not good grades; not above-average performance reviews; not declarations of everlasting love; not an abundance of friendships. What sticks with me instead is the D-minus, the layoff, the bitter breakup, and the friend who told me to fuck myself. Does this feeling make me unique? Of course not. Is it any way to live? Of course not. I want to find a way out, and this is why I’m skeptical. 

The author of this book frequently (to his credit) reminds the reader that only a psychiatric professional is qualified to diagnose Attention Deficit Disorder. Still, the correlations between ADD and certain expressions of hyperactivity, anxiety, depression, learning disabilities, substance abuse, and creativity all hit too close to home for me. Also, for a neurological condition, ADD is surprisingly cut and dried. Testing is straightforward, treatment involves setting achievable goals, and the 85 percent of people who respond to medication report almost instantaneous improvement. It’s not easy, and there’s no cure, but it’s quantifiable. I’m a little desperate for something quantifiable, and because of that, I’m skeptical. 

So until I can get answers, all I can do is keep holding my breath. 

Block Party

I hesitate to call this feeling writer’s block, but the effect is the same. I’m not sure what to do anymore. This always happens to me. I know where the story’s supposed to go, but I’m not doing a very good job of getting there. I start out strong, and then, within ten pages of an ending, I choke. Whenever a friend or lover has had a similar problem, my solution is, “Write—it doesn’t matter how bad it looks, just write. The hard part is putting the words on the page, and the editing is easy.”  

But really, who can take their own advice? The words I put down are pretty weak (i.e. “He walked over to the door and then he waked through it and then he saw someone and he said, ‘Hey.’), and so I try to compensate by strengthening them a little (i.e. “He staggered over to the entrance, and once he propelled himself through it, his eyes were filled with the silhouette of a figure, to whom he spoke when his voice, husky from a half-decade of smoking, rang out with the following ‘Hey.’”) and kind of give myself a headache from trying too hard. 

So I thought it would review the source material. This made it worse. It’s widely known that artists are their own worst critics. Even someone who thinks himself the finest genius the world has ever known (i.e. Quentin Tarantino or Pablo Picasso) will look at their own work and turn a rancid shade of green. The passage of time between the creation of said art and its reevaluation only makes the green greener. All we want to do is use the skills we’ve picked up since then to create what we had originally intended. Most artists can avoid this revisionism by unleashing their piece upon the world; an act that kind of freezes it in amber. Some artists (I’m looking at you, Mr. Lucas) have amassed enough power that they can continue to poke and prod their work until the world has come to an end. Either way, we’re a notoriously difficult bunch. 

This in mind, I discovered in that the 1999 “Week in the Head” was a tiny, elegant piece of poetry. It was kind of a bittersweet haiku; five syllables of regret followed by seven syllables of delirious longing followed by five syllables of hope. The 2009 “Week in the Head” is turning into a sonnet of regret and longing, but without the hope. 

Let’s be honest, this rewrite is some pretty depressing shit; almost Dickensian in nature (not the Christmas Carol Dickens, either. I’m talking about the Dickens whose original ending of Oliver Twist left the titular character frozen to death in a gutter). I should have called it “Bleak in the Head.” I had no idea how dark it was until I got about 75 percent through the rewrite. There’s a reason I didn’t notice, and that’s because everything the main character has experienced is some variation of something I’ve experienced. Having lived through these traumas, they don’t seem so bad. Hell, I’m using this story as a way of walking off some of the pain. My problem is that I’m not giving him anything to walk toward. 

Originally he had been much more like me, a boy from a medium-sized town for whom New York was the Emerald City. To extend the metaphor a little, my last week in Hastings, Nebraska was my poppy field. As for the flying monkeys … well, there were a lot of drugs. I made it to my Emerald City because I knew that’s where I’d find my future; I’d have to be a grownup to make it there. Having tied the main character’s history to that place, I took away New York’s mystique and replaced it with dread. 

And now, thanks to the magic of writing and rereading (specifically, writing and rereading this journal entry), I’ve finally realized why I’m having such a hard time with this ending: I’ve been missing the single most important ingredient. Now I need to figure out how to fold it into the mixture without disturbing everything I’ve posted online so far. This is going to be tough, but now that I’ve got an Emerald City of my own to find, I think I’m ready to move forward. 

Thank you, blog! 

Old Friends

I’m tired and cranky and restless. Even with functional air conditioning, my apartment is confining and choking me, like a necktie. There are no less than four parties in my little corner of this condo complex this evening, blowing laughter and smoke over to me. Nobody’s being obnoxious or rude. Even the partygoers lining the sidewalk don’t chat too loudly. But still they chafe. 

I haven’t felt like this in a long time. I had a few options when I did. In Jersey City, salvation lay on my stoop, where I’d sprawl out on the stairs, take a hit off a hash pipe, light up a cigarette or two, and let my mind wander. In no time at all, I’d be jotting down colorful words, whether they be the musings of disgraced demigods, the rantings of confused college students, or the minimalist observations of a boy and his depressed, talking dog. 

If my imaginary friends weren’t speaking to me, it was just a short jog down the block to the corner pub to a cute bartender who knew what I wanted to drink, a foaming-at-the-mouth divorcee, a tough old broad, and a guy I’m positive worked for the mafia.  

In Bloomington, Indiana, things were simpler. I had wine, cigarettes, and the company of my wife. 

Tonight, though, my wife is out of town for a little bit. But more than anything, I want to kill this mood with a bottle of rye and some menthol. I’m trying to remind myself why I can’t have those things anymore. I mean, why can’t I slip around the corner to the drinking establishment, ordered a drink and a pack of cigarettes? Why can’t I creep downstairs to the kids on my sidewalk, bum a smoke and a paper cup of rum? What if I just stopped there? What’s the harm? 

The harm is that I can’t stop there. I’ve proven that to myself repeatedly. I had my fun, and now it’s time for the echoes on the sidewalk and the balconies around me to have theirs. I’ll just yearn from my yonder window and soak up some ambience. 

It’s midnight now, and the crowds are thinning out.  

Kids these days: no stamina.