In My Dreams, It’s Still The Same …

I hate dating. I hate it with the fiery intensity of ten thousand exploding suns. Dating is a lot like a job interview; it doesn’t matter how good a boyfriend/girlfriend/employee you might potentially be—there is a script, a dress code, and certain dance steps you have to know if you’re going to do it right. The difference between the two is that dating doesn’t require a resume. 

It totally should. Actually, forget the resume. What it needs is a list of references. How cool would it be if you could make some phone calls and find out how you can be expect to be treated? The closest to references any of us gets is the way he or she talks about their exes. If there is consistent badmouthing going on, expect to be badmouthed when you become the ex. It’s a simple formula, but it never fails to astound me how few people put it together. Lord knows I never did. 

It should have been obvious. My habits and quirks were constantly compared to his—and if I ever did or said something similar, I was expected to explain how and why I wasn’t him. It was exhausting, and not once did it occur to me that she would probably be doing the same to some other poor dude or dudette in the future. I wish I’d had an opportunity to speak to those exes, and I wish I had the opportunity to talk to any upcoming boy or girlfriends. I wouldn’t badmouth her, per se; I’d just advise caution. And the potential suitor wouldn’t have to take my word for it, either. There are a number of witnesses who could help build a clear picture of a future with her. Hopefully he or she could learn from our mistakes. Likewise, I wish that my girlfriends could have had access to that kind of information. 

In case you’re wondering: yes, I am talking about a very specific ex. She is one on a short list (a very, very short list) who won’t talk to me anymore, and for the life of me, I can’t tell you why. 

I know that I’ve never really handled a breakup well. What I don’t know is anyone who has. When you’re breaking up, whether you be the breaker or the breakee, not only is it excusable to act like a real fuck-knuckle, it’s expected. In fact, there is no way not to be a fuck-knuckle. If you yell, it’s frightening and stressful. If you cry, it’s pathetic and stressful. If you are calm and rational, it’s coldhearted and stressful. 

Mourning can last for a short period of time, or it can last months, even years. But there comes a point, as in the case with any loss, that you have to take one step and another just to get on with life, because it’s getting on just fine without you. But even then, a little thing, like a song or a stray toothbrush, can send you back into the emptiness his or her absence has left you. 

Then one day, you’re okay again. And if you’re really lucky, you can remember the relationship with fondness, but without wanting to go back. But what do you do if your former partner doesn’t? It doesn’t matter how independent or free-thinking you are; you will always see yourself in the reflection of the people around you. But even if dozens of people think you’re swell, what does it say about you when one person to whom you’d once devoted your soul seems to hate you? 

The time I spent with her was a very, very important period of my life, and it kind of pisses me off that she doesn’t feel the same. Or maybe she does, and my departure is still an open wound. I don’t know, and I’ll never know, and it’s not fair. Sometimes it makes me angry; sometimes it makes me sad; but most of the time, I just don’t think about it. 

Yesterday, she and I weren’t on speaking terms. Tomorrow, we won’t be on speaking terms. Yesterday, I didn’t care that we weren’t on speaking terms, nor will I tomorrow. Before we met, I’d never known she existed. When we were together, I couldn’t imagine life without her. And now, she’s just another chapter. 

Last night, I dreamed that we had lunch. It was nothing special, just an open-air noodle place I’d been to once in Boston. She was so happy, and living a rich, fulfilling life. I never asked if she was in a relationship, and she never told me; there was no romance between us or any yearning for said romance. Our lives had intersected for one brief moment so long ago, and that was it, and that was okay

I woke up at peace, but that didn’t last. Instead, I got a little pissed off that this had never occurred in real life. After a little while the anger turned into melancholy. And now, the memory and emotions of the dream have faded into mere facts and images in the back of my mind. I’m grateful for the time I spent with her. I’m grateful for the time I’ve spent with all of my girlfriends, my friends, and now, my wife. Love builds people, and lord knows I’ve had enough of it. 

So I hope my ex is happy, I really do. And I hope that she listens to the bands I’d introduced her to, or reads a book I’d turned her onto, or snickers at a private joke she and I’d once shared; and I hope this makes her smile a little. 

Oh, Bleh …

I had one of those mornings when I wake up and feel like I don’t have anything to show for my life. None of the stuff in the apartment feels like mine, my job feels fake, and writing takes me nowhere. 

Usually when I feel this way, I remind myself how much flat-out fun I’ve had (ignoring, of course, the crippling depression) and how awesome it is to be married, but that doesn’t seem to be doing the trick today. What makes it really weird is that now, since I am properly medicated, I should be able to shake this easily—more easily, in fact, than before. But not today … 

What I need is to do something useful, and then I’ll feel better.  But first … my day awaits. 

Bleh. 

Sometimes Stuff Just Doesn’t Make Any Sense …

People make even less sense than that. They don’t owe me answers, or an explanation, or even forgiveness. Likewise, I don’t owe anybody anything, especially forgiveness. 

And that’s okay. 

I have regrets, and that’s also okay. I am thoroughly happy with the way my life has gone so far, but doesn’t mean that I can’t wish I hadn’t sold that comic book; or that I hadn’t said that one thing to that one person at that one crucial moment. Anyone who claims they have no regrets are either lying, or inhuman. 

I’m thinking about this now for a couple of reasons: for starters, it’s the overriding theme of my novella, Clear Spirits, especially as I get into the second half. Also, I’m soon going to be in a place where I will be physically reminded of my mistakes, as well as of my unwillingness to forgive. 

I need to remember that certain things will never be resolved. Loose ends will remain loose; the characters and plot of a prior chapter won’t be the characters and plot of the next chapter; and that things will not be tied up into a neat little bow. I may never forgive them, and I may never forgive myself. 

And I need to know that that’s okay. 

A Grand Old Hag

Since man started telling stories to each other, there have been a number of themes that cross into nearly every culture, themes like the creation of the world in the past, the destruction of the world in the future, a separate world underneath ours where the dead go, devastating floods, a god above all other gods, vampires, etc. While the big ideas are the same, the details tend to fit into their own culture, like how the Norse legends told of about ice and irritability; Egyptian legends clustered around a river delta, just like the animals they deified; and Babylonian legends were fierce, angry, and unpredictable, much like the Tigris and Euphrates that brought life and death to their kingdoms. I could go on. 

One of these myths, however, is the same everywhere, and it hasn’t changed at all over these thousands of years. I’m talking about the “Old Hag.” It’s called many different things—most notably “incubus”— but the story is the same: a person will wake to find they cannot move, almost as if something is pinning them down. They sense a malevolent presence nearby, and sure enough, a dark shape descends over them, which could be someone watching or even sitting on them. Sometimes this dark shape speaks, but often in gibberish. Sometimes the victim can’t breathe. But always, the dark shape is terrifying. Eventually, they are released from its grip, and understandably, it’s not so easy to get back to sleep. People have given various identities to these dark shapes. Some have called them demons (this is the origin of the incubi), some have called them evil cats (as if there’s any other kind), and more recently, some have called them alien abductors. Regardless, the experience is persistent and real—so real, in fact, that science has a name for it: “Sleep paralysis.” 

Doctors have been studying this phenomenon for years, but like sleep itself, there’s a lot that they don’t understand. They have figured out how sleep paralysis works. See, when the brain goes into a deep, dreaming sleep, your body shuts down completely. It performs a hard restart, and to do that, it needs to turn off the parts that control your limbs while it cycles the senses through whatever gobbledygook it uses to recharge and reset your mind. The origins and function of said gobbledygook is a mystery, but for it to work, our minds need to be powered down. Sometimes, though, something misfires. When that happens, you have no control of your limbs, and the sounds of dreams are still drifting through your head. Whatever it is that causes you to see dreams when your eyes are closed makes you see patches of blackness drifting around when they’re open. And you know that something is nearby. But most of all, and most consistently, is the fear. Whether you’re frightened because of the presence or your fear creates the presence is unknown. All that’s known is you’re scared. 

Let me make one thing clear: all of these studies can tell us how sleep paralysis works, but not why. Maybe there are dark spirits preying on us, and the dark shapes and vague terror is the only way we can understand what it is we’re experiencing. Or maybe it’s just neurons misfiring. We’ll figure it out some day. 

 If this sounds kind of scary, keep in mind that when it happens to you, as I learned from personal experience recently, it’s even scarier. 

Easter Sunday night, my cat Newcastle tried to jump onto a drying rack and failed spectacularly. I checked to see if he was hurt, but he wasn’t. He blamed me for the disaster and stayed mad at me for a long time, so when I crawled into bed, he wasn’t interested in purring and kneading my throat like he does every time I lie down. My wife was working a night shift, so he was my only bedtime company, and I was being shunned. Newcastle fell asleep at my feet, and I fell asleep shortly after him. This was around eleven thirty. 

One of the psychiatric medications I take leaves me feeling lightheaded, which is why I take it before bed. The side effect is that this translates in my dreams to floating or flying, and as you can imagine, it’s a bit of a hoot. In fact, I look forward to these dreams. That night, I was fluttering around near the ceiling of a very large room that was bare, except for the chairs that normally sit like thrones in my living room. In the furthest corner of this room was a treasure or something silly like that, and so I tried to float over to pick it up. I couldn’t make it past the chairs, though, and so I had to land. The chair on the left—the one in which my wife usually sits—began to swivel toward me.  

I don’t know why or how I knew this, but as it turned dramatically, I wasn’t expecting my wife to be sitting there. What I did know was that it was going to be something awful. My imagination began to speculate on what to expect when I could see the occupant: would it be a hideous half-animal monster in my wife’s clothes? Would it be a demonic alien in my wife’s clothes? Would it be a rotting zombie that looked like my wife? Either way, I made sure that when it come into view, I was looking at something else. 

Mercifully, I woke up just then, and that’s when I discovered I wasn’t breathing. Naturally, I tried to do so, but I just couldn’t. It was if my throat had swelled up, like when a drink goes down the wrong pipe, and you cough it out, but you just can’t inhale. In this case, I couldn’t even exhale. My ears rang, and I tried to sit up, but no matter how hard I fought, something seemed to be restraining me. Finally, after who knows how long, I gasped in some air. A few moments later, I could move again.  

This, as I found out the next day, is textbook Sleep Paralysis. There were some differences for me, though. As I mentioned earlier, the sufferer in most accounts of sleep paralysis is overwhelmed by panic, dread, and the feeling that something bad is there. 

In my case, there was panic, but no dread, and certainly no presence. Sure, I was rattled by the experience, but who wouldn’t be? I figured I had just slept wrong, so I sat up, adjusted my pillows, and laid back down.  

Another thing that is fairly consistent in these accounts is that these attacks only happen once. This, too, did not apply to me. 

A few minutes after I lay back down, my ears started to ring; my head began to feel heavy, as if someone was pushing it down; and once again, I stopped breathing. This time, there was fear, as to be expected, but since I’d already gone through this, I was prepared. I told myself to relax, and in doing so, my throat would loosen up and everything would be back to normal. Only it didn’t go back to normal. In fact, relaxing only seemed to make it last longer. 

By this point, it was a little after midnight. I lay back down again, more annoyed than anything. How was I supposed to sleep if this kept happening? I deduced that this kept happening to me because I was lying on my back. I started to roll over, but found I couldn’t. Something held me down, My ears rang, and this time, my room went dark. I don’t mean dark as in that nighttime blue-gray that settles over everything. I mean dark as in pitch black that settled gently over everything like a blanket, or like a bottle of ink tipped over and slowly spilling. As the light left the room, so did the air in my lungs.  

I regained control over my body, and the darkness lifted—as gently as it had descended. The ringing died down, and I could now hear my other cat, Magik, outside the room, yowling. I called out to him, because I believed intuitively that a cat beside me would keep me safe. But Magik wouldn’t dare enter. 

And again the room went dark, my limbs and head were pinned down, and I couldn’t breathe. Once free, I sat up and tried to talk Newcastle into moving up the bed with me, but he wouldn’t budge. He didn’t even wake up to give me a dirty look. Finally, after one more case of suffocating and being restrained, I stood up to go to the bathroom and hopefully shake off whatever it was that was causing this, which, I might note, I was still positive had to do with me sleeping the wrong way. No presence here. 

But when I returned to bed after checking the black lump at the foot to make sure it really was Newcastle, I laid down to the room going dark and my body failing and the a new thought: what if it wasn’t me who was causing all of this? I still didn’t feel a presence in the room per se, but I did start to wonder. I rolled over, facing away from the window, because obviously the thing that I didnt think was there came in through that window. I hoped that resting on my side would put an end to this and let me get back to sleep. 

Then the dread settled in. Somehow, I knew this wasn’t the end of it. And sure enough, my ears began to ring, and I couldn’t move. By now, I’d begun to wonder if it wasn’t the ringing itself that was pinning me down and taking away the light, despite the fact that this made no sense. And to make matters even more confusing, I could breath just fine. Maybe I had finally found an angle that didn’t close off my throat. 

“Or maybe,” my brain told me, “he just can’t reach your mouth from this angle.” 

While I couldn’t hear or see or feel a presence in the room, it being there was the only logical conclusion I could draw from this. Prior to the most recent incident, my going theory was that my choking was responsible for the darkness and the ringing. Now I wondered if it was the other way around. This thought scared me more than anything that had happened so far. 

“Please,” I whispered to whatever it was that I was now certain waited just out of sight. “Please stop.” 

It didn’t. In fact, the next attack lasted longer. The ringing got louder, the darkness that folded over me was thicker, and the pressure was stronger. 

“Please,” I begged again. 

And it happened again, with even more force. 

That’s when I decided to get out of bed. Any place had to be safer than this. But when I tried to roll over, to my surprise, I couldn’t move at all. My ears weren’t ringing, the room was the proper shade of cobalt, and nothing seemed be holding me down, but I just couldn’t move. 

To understand how this felt, make a fist with your ring finger extended, and place it, palm-down, on a table or armrest. Now try to move your ring finger. No matter how much willpower you put into it, won’t go anywhere. That’s how I was. I could breathe just fine, but that was about as far as I got. And then suddenly, for no good reason, I was free. It was now about a quarter after one.  

I bolted from the room and moved over to our uncomfortable couch. After I made myself somewhat comfortable, Magik came over and curled up on my chest. I cannot explain to you how safe I felt with him there. It’s like hiding from the monsters under your blanket when you’re a child; i.e. nothing was getting through that blanket. And no monster would come near me with Magik here. 

Around forty-five minutes later, Magik was gone, and I heard the ringing again, but it was muted. Likewise, the room was no darker, and the restraints on my body could be shaken off like they couldn’t before. However, my stomach now felt sour. Bile crept up my throat like I had eaten a full-sized bag of Doritos and a box of donuts before I lay down. But after a dose of Alka-Seltzer and a quick trip to the bathroom, the fear—all of it—had fled. 

When I got back to bed, Newcastle had forgiven me. He gave me a cursory purring and throat-kneading before he dozed off beside my head. I quickly joined him. When I woke up, I had nearly forgotten the whole thing.  

A small part of me, though, is glad I went through this. As I’ve mentioned earlier, science has studied this for years, and I’ve been frightening myself by reading about it since I was a small boy. Knowing what we do, however, does not remotely begin to describe the sheer horror of it. 

Lord, Help Me Finish What I St

Recently, I’ve been pitching forward, full-steam trying to find out what’s wrong with me and maybe fix it. Barring that, maybe I can slap on some duct tape, tweak some valves, and send me down the road with a hilly-billy tune-up. One of the most recent ideas sent my way by a professional is that I might be suffering from Adult Attention Deficit Disorder, and to investigate this possibility, I’ve been given a homework assignment: Read Driven to Distraction by Edward M. Hallowell. 

Now, if you know me at all, you know that asking me to do a homework assignment is the same as asking me to show up to class the next day unprepared and anxious. I chose not to pursue graduate school because I was sick of reading.  But I’m desperate, so I bought the book and have made a sizeable dent in it. The verdict? I’m skeptical. 

There are plenty of reasons to be skeptical. For one, reading a book and deciding that this is the answer is not a reliable way to identify the answer. This is not why I’m skeptical. The reason I’m skeptical is that there have never been answers to who I am and why I can’t seem to function. Do I have a psychiatric disorder, or am I lazy? Do I have problems sleeping because I’m depressed, or because I like coffee?  Is there something wrong with my brain or is there something wrong with me? I’ve spent well over a decade trying to figure this out. Why should this book change anything? 

When you’re driving your car, and you get stopped by a police officer, sheriff’s deputy, or state trooper, he routinely asks, “Do you know why I pulled you over?” Chances are, regardless of how virtuous a person you are, there is a moment between that question and your answer when you’re thinking, Well, I know what I did wrong, but not what you think I did wrong. In that moment, whether you just went a few miles over the speed limit, or you drove through a red light that you didn’t notice because you were searching on the floor for the crack pipe you dropped while restraining the hostage carrying the duffel bag of money you just stole from the bank; you still think you just might get away with it while being utterly terrified that the full fury of blind justice will descend upon you and throw you in prison for the rest of your life. 

It’s Schrödinger’s guilt, and I feel it every moment I’m awake: waiting for a teacher to realize I don’t know what the fuck I’m talking about; waiting for my employer to fire me; for the person with whom I share a bed to dump me; for my friends to tell me to go fuck myself. As a result, I’ve wandered through these thirty-plus years in a bit of a fugue, alternating between detachment and desperate clinginess. Nothing can change my mind about this feeling: not good grades; not above-average performance reviews; not declarations of everlasting love; not an abundance of friendships. What sticks with me instead is the D-minus, the layoff, the bitter breakup, and the friend who told me to fuck myself. Does this feeling make me unique? Of course not. Is it any way to live? Of course not. I want to find a way out, and this is why I’m skeptical. 

The author of this book frequently (to his credit) reminds the reader that only a psychiatric professional is qualified to diagnose Attention Deficit Disorder. Still, the correlations between ADD and certain expressions of hyperactivity, anxiety, depression, learning disabilities, substance abuse, and creativity all hit too close to home for me. Also, for a neurological condition, ADD is surprisingly cut and dried. Testing is straightforward, treatment involves setting achievable goals, and the 85 percent of people who respond to medication report almost instantaneous improvement. It’s not easy, and there’s no cure, but it’s quantifiable. I’m a little desperate for something quantifiable, and because of that, I’m skeptical. 

So until I can get answers, all I can do is keep holding my breath. 

Block Party

I hesitate to call this feeling writer’s block, but the effect is the same. I’m not sure what to do anymore. This always happens to me. I know where the story’s supposed to go, but I’m not doing a very good job of getting there. I start out strong, and then, within ten pages of an ending, I choke. Whenever a friend or lover has had a similar problem, my solution is, “Write—it doesn’t matter how bad it looks, just write. The hard part is putting the words on the page, and the editing is easy.”  

But really, who can take their own advice? The words I put down are pretty weak (i.e. “He walked over to the door and then he waked through it and then he saw someone and he said, ‘Hey.’), and so I try to compensate by strengthening them a little (i.e. “He staggered over to the entrance, and once he propelled himself through it, his eyes were filled with the silhouette of a figure, to whom he spoke when his voice, husky from a half-decade of smoking, rang out with the following ‘Hey.’”) and kind of give myself a headache from trying too hard. 

So I thought it would review the source material. This made it worse. It’s widely known that artists are their own worst critics. Even someone who thinks himself the finest genius the world has ever known (i.e. Quentin Tarantino or Pablo Picasso) will look at their own work and turn a rancid shade of green. The passage of time between the creation of said art and its reevaluation only makes the green greener. All we want to do is use the skills we’ve picked up since then to create what we had originally intended. Most artists can avoid this revisionism by unleashing their piece upon the world; an act that kind of freezes it in amber. Some artists (I’m looking at you, Mr. Lucas) have amassed enough power that they can continue to poke and prod their work until the world has come to an end. Either way, we’re a notoriously difficult bunch. 

This in mind, I discovered in that the 1999 “Week in the Head” was a tiny, elegant piece of poetry. It was kind of a bittersweet haiku; five syllables of regret followed by seven syllables of delirious longing followed by five syllables of hope. The 2009 “Week in the Head” is turning into a sonnet of regret and longing, but without the hope. 

Let’s be honest, this rewrite is some pretty depressing shit; almost Dickensian in nature (not the Christmas Carol Dickens, either. I’m talking about the Dickens whose original ending of Oliver Twist left the titular character frozen to death in a gutter). I should have called it “Bleak in the Head.” I had no idea how dark it was until I got about 75 percent through the rewrite. There’s a reason I didn’t notice, and that’s because everything the main character has experienced is some variation of something I’ve experienced. Having lived through these traumas, they don’t seem so bad. Hell, I’m using this story as a way of walking off some of the pain. My problem is that I’m not giving him anything to walk toward. 

Originally he had been much more like me, a boy from a medium-sized town for whom New York was the Emerald City. To extend the metaphor a little, my last week in Hastings, Nebraska was my poppy field. As for the flying monkeys … well, there were a lot of drugs. I made it to my Emerald City because I knew that’s where I’d find my future; I’d have to be a grownup to make it there. Having tied the main character’s history to that place, I took away New York’s mystique and replaced it with dread. 

And now, thanks to the magic of writing and rereading (specifically, writing and rereading this journal entry), I’ve finally realized why I’m having such a hard time with this ending: I’ve been missing the single most important ingredient. Now I need to figure out how to fold it into the mixture without disturbing everything I’ve posted online so far. This is going to be tough, but now that I’ve got an Emerald City of my own to find, I think I’m ready to move forward. 

Thank you, blog! 

Old Friends

I’m tired and cranky and restless. Even with functional air conditioning, my apartment is confining and choking me, like a necktie. There are no less than four parties in my little corner of this condo complex this evening, blowing laughter and smoke over to me. Nobody’s being obnoxious or rude. Even the partygoers lining the sidewalk don’t chat too loudly. But still they chafe. 

I haven’t felt like this in a long time. I had a few options when I did. In Jersey City, salvation lay on my stoop, where I’d sprawl out on the stairs, take a hit off a hash pipe, light up a cigarette or two, and let my mind wander. In no time at all, I’d be jotting down colorful words, whether they be the musings of disgraced demigods, the rantings of confused college students, or the minimalist observations of a boy and his depressed, talking dog. 

If my imaginary friends weren’t speaking to me, it was just a short jog down the block to the corner pub to a cute bartender who knew what I wanted to drink, a foaming-at-the-mouth divorcee, a tough old broad, and a guy I’m positive worked for the mafia.  

In Bloomington, Indiana, things were simpler. I had wine, cigarettes, and the company of my wife. 

Tonight, though, my wife is out of town for a little bit. But more than anything, I want to kill this mood with a bottle of rye and some menthol. I’m trying to remind myself why I can’t have those things anymore. I mean, why can’t I slip around the corner to the drinking establishment, ordered a drink and a pack of cigarettes? Why can’t I creep downstairs to the kids on my sidewalk, bum a smoke and a paper cup of rum? What if I just stopped there? What’s the harm? 

The harm is that I can’t stop there. I’ve proven that to myself repeatedly. I had my fun, and now it’s time for the echoes on the sidewalk and the balconies around me to have theirs. I’ll just yearn from my yonder window and soak up some ambience. 

It’s midnight now, and the crowds are thinning out.  

Kids these days: no stamina. 

“The Hardest Decision Was Still in Toe.”

A few days ago, I had occasion to have drinks and food with my friend, the Princess; her boyfriend, the Puppy; and their friend, the Energizer Bunny. The Energizer Bunny and the Puppy are both cute and huggable, with inexhaustible supplies of energy. Luckily, they got to talking to each other at one point, and the Princess and I had a few moments at our own pace to catch up. 

She was concerned that she’s going to lose her job as a university writing tutor, based on the fact that she doesn’t go to staff meetings. I can see how this would be a problem, but she has a pretty good reason to skip them. No work is discussed—rather, the tutors sit around and bitch about how dumb their students are. 

Now I’m conflicted. I have a kneejerk reaction against this behavior. Sure, ten years ago, I liked nothing better than to take our campus literary magazine, The Spectrum, and set fire to it with my blazing sarcasm; but ten years ago, I had also dyed my hair black and wore it in a ponytail. People change. Besides, these students know they are bad and want to get better. That ‘s noble in and of itself. 

But still, my sanity is preserved at this job by making fun of it constantly. Hell, most of these essays are titled the brilliant mistakes from my authors (you can tell which ones they are by the quotation marks, by the way). My publisher, as a vanity press, is making dreams come true, and they come to my department for help. And this is how I repay them? I am such a hypocrite. 

So I beat myself up. Then I come to lines like these. These are clearly not typos. They are genuine expressions from the souls of the writers who pay to have their material printed: 

* “Like magic, the pain went away as I spanked the chicken.” 

* “Jesus could not have died on the cross for the sins of the world if He was not crucified.” 

* “A lot of prostitutes believe that they might as well get paid for sex, instead of having sex for free.” 

* “I am in love with my perfectly sized penis.” 

* “I have seen some interesting rashes in some interesting places.” 

Now you see why I am so conflicted? 

“Needless people are dying and suffering.”

My therapist and I are talking about my post-traumatic stress disorder, specifically related to September 11. I’ve been thinking a lot about it lately, and that’s mostly because I’ve acquired a real taste for apocalyptic entertainment, whether it be my obsession with The War of the Worlds (the book or the movie); with the TV shows, LOST and the new, improved, Battlestar Galactica; or comic books like Y the Last Man (which, like Snakes on a Plane, tells you everything you need to know in the title).  

I have an inexplicable craving for the feelings that come out of losing everything like this—not in the Goth, “I-am-the-Crow” way, but in the way everything changes and there is a single-minded focus on survival. I think it might either be an almost addictive reaction to the extreme situations I was in, or it might be like looking at pictures of the World’s Ugliest Dog—it’s hideous and awful, but you have to keep staring.  

I don’t know. 

But since I don’t want to be too much of a bummer, let me tell you what happened this morning when my alarm clock made its horrible, daily yowling sound. When I reached over to pound on it with my fist like I always do, I was blocked by a fat black pussycat who was pressing his paws as hard as he could on the snooze button. That’s right, Magik was trying to turn my alarm clock off. These animals are getting too smart for their own good. Thank the heavens that Newcastle has a mind like a steel trap—that’s been left out in the rain for a week and beaten with a hammer. 

“Our People Are Just Ponds in the Game.”

When Odin, the All-Father of the Aesir, Slayer of Giants, Ruler of Asgard, who drinks mead from the skulls of fallen foes, hung on the World Tree for nine days, who kept him alive?

A squirrel.

When you buy a bird feeder that is absolutely, positively, guaranteed for life, double your money back, to feed birds and birds alone, who ends up eating all of the seeds?

A squirrel.

When I was in college, thinking of the simplest way to describe Robin Goodfellow, the Puck, maker of the most foul mischief in all the fairy realms, who did I think of?

A squirrel.

And when I left my house this morning, strolling to my car, with the sun shining on a fine Monday, who leapt out of the rain gutter and tried to kill me?

A squirrel.

I’ve never trusted those little bastards, they’re up to something; tormenting dogs and teasing my cats through closed windows; stealing food from parkgoers’ hands; watching us with their beady little eyes; tapping into powerlines with their black paws and chirping at each other in their secretive, rodent language; hiding in their bases of operations within in the facades of trees; collecting acorns for reasons we may never know; and today’s failed assassination attempt has revealed to me that they’re finally making their move.