Time for You

A question: if someone says, “That’s so nineties,” what does that mean? I think, as someone who came of age during that decade, I have a harder time of categorizing it in broad strokes than someone who didn’t. 

To me, when I think of the nineties, I think of the early part of the decade, when the eighties were hanging on by their dying hands. I think of when gangsta rap was just a toddler, when industrial music was a thing, and when alternative rock was transitioning from an actual alternative to mainstream. Fashion was baggy—so, so baggy—and brightly colored while also being muted at the same time, and people wore Doc Martens to weddings. Cars went abruptly from blocky to streamlined, and I don’t remember anything about the architecture. Right wing talk radio had only just started to infect mainstream political discourse, and everybody thought that was a fad that was going to go away. But when people talk about the nineties, this is not what they’re talking about. 

So what is it? 

Modest Tea

I’m not a success by any means. I’m only a marginally published author, and I don’t think I’ll be published any more than I already have been. I’m not an artist, not anymore, even after all the work I put into it over the past ten years. I’m divorced and living in the curtained-off living room of a one-bedroom apartment, most of my stuff in storage. I can’t get a job, despite four solid months of looking—though I do have insurance and some work at The Container Store. The Murphy name terminates with me, in that I have no children.  

When my ancestors, who fought and toiled their way through Ireland and Poland to get to the United States and battled in wars and suffered to bring me to being, look at me, will they be disappointed?  

Probably not, because I’m happy. I’ve got a lot to worry about, but I live a good life. I have lived a good life. I’ve seen the world. I lived in one of the most exciting cities on the planet for six years. I’m living in an exciting city now. I’ve met countless people who have enriched my life. I’ve written six novels and am in the home stretch of a seventh. I’ve got a cat who may be the most annoying animal in the world, but he is the most precious thing to me. My roommate is the Queen of Cracking Me Up.  

I know that my ancestors would see that I’m not toiling in a field eighteen hours a day, that I had married for love, that I’m broke but not starving, that my name and my memory will carry on long after I’m dead because of the people I’ve touched—not just because of genetics, that I can turn my dreams into words that live in my hard drive, but may go elsewhere, who knows, I’m not counting anything out. They would see all of this and breathe a sigh of relief. They would be proud. They may not understand things like cafes, but they would be proud that I go to them so frequently and drown myself in my imagination. They would be proud that I made something of myself. That something may not be CEO or bestselling novelist, but it’s enough. It’s all I want*.  

And so, on this, my forty-third birthday, I give myself a slow clap. I did it—I kept it together, despite how hard the world (and my biology) have made it. That calls for some cake. 

_________________________ 

* Well, that and a freaking job. 

Something About a Bullfrog

One of the advantages of having such an unusual name is that, when I hear someone say “Jeremiah,” I’m 80 percent certain they’re talking to or about me. So I’m trained to react to it like a dog reacts to its own name.  

That’s why I was in a state of such high alert when the lacrosse bros were sitting behind me in the cafe, having a long, detailed conversation about their bro, Jeremiah. I was so tense and unfocused while they were there that I don’t think I wrote more than a paragraph. By the time they wrapped up, I was a wreck, relieved that they and their bro were gone. 

Taking their place were a middle-aged lady and a teenage boy who, based on their conversation, were a church youth leader and a church youth. They talked about, at length, a fellow youth named Jeremiah. Was this this same Jeremiah as bro Jeremiah? It doesn’t matter. I have a repetitive stress injury from my ears perking up every time they heard that name.  

I don’t think I can adequately express the amount of anxiety that hearing my name coming from strangers causes me. That’s why I avoid wearing my name tag at work. It’s been literally years since I’ve heard my name spoken about a person who wasn’t me, so the bombardment gave me a bit of a complex. That’s why I was so relieved to go to work that evening, where people don’t ever use my name, even when they are referring to me. 

Uncle Larry

I’m terrible about keeping in touch with people. If you’re not on Facebook, and, hell, even if you are on Facebook, you’re not going to hear much from me. I say this because it’s been years and years since I’ve talked to my uncle Larry, and now he’s gone.  

For about a half-decade he was the most important man in my life. I was living alone in New York, and the holidays struck violently as they always struck, but Uncle Larry always threw a holiday party for his extended family the weekend before Christmas, and I was always invited. Even when it wasn’t Christmas, I visited him and his mother and father, living together in a tiny house in Linden, New Jersey, quite frequently, and, even though he had a plethora of kids of his own, he treated me like a son. This had been going on a while. When I was just learning language far too long ago, he and his wife, my late aunt Christine, would call me “Jeremiah James Murphy Dukes,” to which I’d reply, emphatically, “No Dukes! No Dukes!” This continued well into my adulthood. 

Larry Dukes was a kind, generous man who believed in the power of family, and he didn’t define family as rigorously as some might. He let people in constantly, even when those around him were skeptical. I’d tell you some of these amazing stories and how much brighter everybody’s life was because of his openness, but they’re not my stories to tell. 

I’m trying to think of more examples of what an incredible man my uncle was, but all I’m doing is choking up. Most of what I remember about him can be distilled into feelings—feelings of safety and joy and warmth, a feeling like I belonged (something especially precious when you’re living in a city that wants you to feel alone). I can’t describe how happy I was spending time in his house on Ainsworth Street. 

He’s had a lot of hardship in his life, which he endured alone because he never wanted to be a burden on others, like the idiot he was. But now I like to think that he’s finally resting. If Uncle Larry is reading Facebook in heaven (he never did on Earth, though, so why should that change?), I hope can see how much I love him. 

Post Script: A memory of Uncle Larry that sticks with me occurred at his father’s funeral. We were following the casket out of the church, and I found myself walking alongside him. I wanted to tell him how sorry I was—John Beck was also an incredible man—both for his loss and for all the loss he’d suffered in recent years. I wanted to tell him that I loved him, and I supported him, and I would do anything he needed. I wanted to tell him just how important he was to me. But there were no words that this writer could think of that would efficiently communicate that, and besides, this was a quiet time. So I put my hand on his shoulder and looked him in the eye. He nodded. We’d said everything that needed to be said. I’ve been touched by that head nod for almost two decades. 

The Golden Rule

I’m going to go on a rant here for a minute, so bear with me. I’m not a very good Christian, but I’ve been thinking lately about things like the audacity of Joel Osteen and of Donald Trump autographing Bibles, and I’ve been thinking about the things that Jesus has actually said, and it’s got me a little riled up. You see, I’ve had this pet peeve for a while, and it recently exploded out of me when I saw a preview for a Netflix movie called Good Sam, the “Sam” being short for “Samaritan.”  

Here’s the thing that really bugs me about that: The Parable of the Good Samaritan is not the story of one guy being nice to another guy in need because he’s nice. It’s the story of a rabbi and a Levite, both high-ranking figures in Jewish society, leaving a man to die on the side of the road because they didn’t want to get their hands dirty. It’s about how you will find more humanity in a filthy, despised foreigner than in the people who lead us. And it’s true today. Close your eyes, being completely honest with yourself, and ask, who is more likely to stop and help someone dying on the side of the road: Franklin Graham? The Koch Brothers? Or a maligned migrant worker on his way to his tiny home after twelve hours at an illegal, dangerous job? Think about it, and you know the answer. Not only would the poor man stop and help, but he’d take the person in need home to dinner too, even if it means he has to sacrifice his own meager portion to feed them. 

Jesus is telling us in that tale to be nice to people, yes, but he’s mostly telling us not to rely on those in power. Because here’s the thing that we, as Americans, always forget: Jesus wasn’t in power. He wasn’t mainstream like he is today. He wasn’t the establishment. Jesus fought the establishment tooth and nail. He mocked the establishment and made it look foolish. He chased the establishment around with a whip. He challenged the establishment so much that they nailed him to a piece of wood for it. Jesus wasn’t telling people which bathroom to use, he was getting in rich people’s faces and telling them that amassing wealth is a sin against their fellow man.  

The question you have to ask yourself is this: Which Jesus are you going to believe? The one whose words can be twisted to back up your preconceived prejudices and hate, or the rebellious badass who tore up the gospels and freaked out the elites? And while you’re thinking about that, ask yourself this: Which Jesus do we need more today? 

A Difference of Opinion

I used to listen to a lot of movie podcasts, but I really stopped because most of them are just really negative. I had one that I had been holding onto because it had some positivity to it, but I think I’m going to dump this one too, after what just happened. 

They were talking about a movie from my childhood which I don’t remember as being particularly good, but still a lot of fun. They identified two plot holes that they kept bringing up snarkily as evidence that the movie was badly written. But I decided to rent the movie because I remember loving it as a kid, and I have a high tolerance for plot holes (it’s just a movie, it’s not worth getting that bent out of shape about). Those plot holes were addressed within the first twenty minutes of the movie. They weren’t plot holes, they were just bad viewing comprehension on the critics’ part. And more importantly, by viewing one of these as plot holes, they literally missed the entire point of the movie. 

This is such a thing among Internet critics, complaining about plot holes as a way of justifying their opinion. It’s okay to have an opinion, and it’s okay not to have a solid reason for it. I’m tired of being told not to like something (and that there’s something wrong with me for liking it), and I’m tired of the reasons I’m told not to like something being so spectacularly wrong.  

I wish that seeing a thumbnail for a YouTube video proclaiming the failure of a property I’m really into wasn’t something I took so personally, but at least I can take comfort in knowing that my reasons for liking what I like (i.e. it connects with me) are sound, and some troll can’t take that away.  

In Memoriam

For the past four months, I’ve been wondering what I was going to do on April 30. It would have been my fourteenth wedding anniversary. I’m not being maudlin, I’m not obsessing, I don’t want Kate back—I’m very happy with the way things are going for me right now. But fourteen years is literally one-third of my life, and I can’t pretend it never happened.  

We made it work for about thirteen years, and then she quit. I understand why she wanted to split up, even if I may never forgive her for how she went about it. Being divorced at this juncture is one of the best things to happen to me, but there was a period of time where she was the best thing to happen to me.  

With her I’ve lived in all sorts of interesting places. I’ve seen the world, in South America, Europe, and the Middle East. I’ve become a career editor. I quit smoking and drinking. I got into and out of shape. When I was with her, I felt like I reached my potential, and that’s got to count for something. And now that I’ve reached my potential, I’m out on my own, in a dynamic city with a really amazing roommate, and that’s exciting. 

In a month and a half, I’ll be signing the papers that mark this phase of my life completely over. Am I over it? I’m not. I’ll think of something I want to share with her, and I can’t. Or I’ll think about one of the ways she’s treated me during the split or deceived me during our last months together, and I’ll get a cold pit in my stomach. Fourteen years is a long time, and as much as I want to forget it, I never will.  

I’m going to celebrate my fourteenth anniversary, but not the fifteenth. And in a few years, April 30 will be simply be the day before one of my dearest friends’ birthday. 

The Times, They Are a’Changeling

I’m going to run something by you. I’m curious what you think. There is this person in your life, and we’re going to call them Morgan. You don’t know Morgan. You’ve never met Morgan. You’ve never seen Morgan before in your life. And yet one day you get out of bed, log into social media, and half of your friends are friends with them. I mean, not just casual friends, but posting on each other’s timelines, teasing each other, sharing in-jokes. Everyone talks to you about them like they’re your friend. All evidence points to them having gone to school with you, but you don’t remember ever seeing them at school. They even married one of your exes. Morgan seems to have lived a life parallel to yours, and yet you’ve never touched.  

What’s the more likely explanation: that the state where you went to school is pretty small and the friendships forged there are tight, and all Morgan had to do was get in the good graces of one to get into the good graces of all? Or that Morgan is some kind of fairy or demon, quietly skirting the corners of your life, causing general mischief? Or that they’re a god looking to live a real human life, and so they borrowed yours and vastly improved on it? 

Asking for a friend. 

Open to Interpretation

I used to come to film adaptations of my preferred properties the way that Alan Moore did, skeptical and full of righteous fury. And the RED happened. RED is the Bruce Willis movie that came out a few years ago, and it was based on a three-issue comic book by my man, Warren Ellis. It was intense, violent, hardcore, and pretty damned serious. And then they made a movie out of it. Like the book, the movie was about an old CIA assassin, Retired Extremely Dangerous, whose main concern was getting his pension checks, and he was brought out of retirement by scores of CIA assassins. And subsequently, a whole bunch of faceless men die creatively. But the movie version added John Malkovich as a wacky fellow retiree, as well as Helen Mirren and Brian Cox as star-crossed Cold War lovers. It was laid back and goofy, in that “Aren’t old people just so cute” kind of way, and I was furious. How dare they take such a simple, serious premise and turn it into something so fluffy? I screamed, I shouted, and I put a pox on the studio’s houses for allowing this to happen.  

And then they made a sequel, which further enraged me. But right before it came out, Warren Ellis got on his blog and implored his fans to go see RED 2 because he bought his daughter a horse with the royalties from the first movie, and it was really expensive to feed. Suddenly it became crystal clear that he had made his book, and he did the Warren Ellisiest job he could with it, but it was out in the world. If someone else saw it and made a different interpretation, that was their business, as long as Warren Ellis got paid, which he did, handsomely. His reputation wasn’t ruined by this silliness, just like Alan Moore’s reputation wasn’t ruined by that not-very-good Watchmen adaptation a few years back, or by the prequels comics DC did a few years later. (It’s okay to get mad about how badly DC screwed over Alan Moore financially and legally, though, but getting worked up over Zack Snyder’s gratuitous slowmo and costume alterations kinds of misses the point.) Adaptations are going to happen, and they will, by necessity, make some changes. One day, if I ever get over my crippling exhaustion with the black hole of the publication/marketing process, they might want to do adaptations of my works, and they will be so very different. And if I don’t like the changes, I will just remember that it’s not my interpretation anymore, and I’m getting paid. Unless they whitewash or straightwash the characters. Then I will say something. Otherwise, I look forward to seeing what fellow creative minds might make out of my genius ideas. And perhaps I will buy a horse with the royalty check. I will name her Peanut Butter and she will eat apples and carrots. 

Infinity and Beyond

Pretty much as long as I’ve known Marcelino Soliz, we’ve been talking about a comic we wanted to write together. It featured superpowers, badasses, gods, mutants, a world that had been conquered by an evil queen played by 1991-era Rebecca De Mornay, her rebellious daughter, and characters named after a really obscure eighties-nineties pop group. The concept evolved over the years, rebooted and restyled, each iteration being a little less embarrassing than the last, but it’s always kept the same title, Infinity

And yet neither of us actually sat down and wrote anything.  

Around 2000, we came up with what I consider to be the ultimate version of the story, and the most blasphemous, and the one most anchored to myths, heroes, and what I’d learned in college. I decided then that now was the time to actually write something. Sure we had no artist, but I wasn’t about to let that stop me. Dividing my time between work, my social life, and a comic I was being paid to illustrate, I developed ten issues and extensive, detailed notes for future issues. And then I put it down. My printouts and my notebooks got thrown into a box and started collecting dust.  

Fifteen years later, I’ve written six novels, one of them completing an unfinished idea I’d been working on for over a decade. I can do this. So one day a couple of weeks ago, I took the two-hour train and Uber ride to the storage locker where my belongings have languished since The Great Upheaval of December 2018 and found everything I’d written, and this week, I’ve started adapting my comic book scripts into prose (which is not nearly as easy as you’d think). When I finally do get a job, I’m going to lose a lot of my momentum, but I’m confident that, with my newfound literary tenacity, it’s only a matter of months before this nearly thirty-year-old dreams becomes a reality (though not in the form we’d originally hoped for).  

Wish me luck.