Tag Archives: mental health

Shuffling Onward

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Saturday marked two weeks since I found out Shane was dead. I’m getting used to it. While he was still alive, I thought about him constantly. When I did something with a piece of art I’m proud of. When I ran across a phrase or something in a novel I wrote that he’d appreciate. When I thought of the most offensive joke imaginable, and only he wouldn’t judge me. When I would hear “Oh the Guilt,” a Nirvana song I didn’t know existed until two years ago, and intended to ask if he’d ever heard it.

I never got to ask. Kind of an on-the-nose title, isn’t it? Each time I’d think of something I wanted to share with him, I remembered I couldn’t anymore, and he died again. And again.

I was numb the three-day weekend after I received the news. Artistically, I had a very prolific weekend, as I went to all the cafes I frequent, in order to avoid sitting behind my desk, gazing out the window like I did when he called. Sunday, my parents were there for me in the morning. In the afternoon, Nicole and I explored Union Market, a rapidly developing complex of shops, restaurants, and cafes. When confronted with death, you need to do something that makes you feel alive.

Last weekend, Nicole and I returned to Union Market for a pop-up art fair. By that point, my thoughts about him weren’t as intrusive, and I could function on manual pilot. We wove in and out of buildings, admiring the media of sculpture, painting, sketching, inking, collage, spray paint, etc., all by local artists.

How could I wander through a collection of modern art and not think of my friend, the accomplished artist? Rather than hurt, though, I would look at some of the pieces, knowing he’d really like what I was seeing, and I was comforted.

Now? I’m feeling like my life is returning to normal. I still have those moments that take my breath away, when I forget he’s gone. There is also the slow torture of seeing the publication of my novel around the corner, and how he will never read it. I dedicated it to him while he was still alive, and I didn’t tell him. I wanted him to be surprised when the book came out.

As Paul McCartney says, “Oh-blah-dee, oh-blah-dah.”

I miss him so damned much.

Painting You a Picture

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In Downtown Gallup, New Mexico, there lies a street that only exists for about three or four blocks. This is Coal Avenue, and it is here that I will tell you about my friend, Shane.

Picture a second-story window, and standing before it on the inside is a young man, no older than twenty. He’s not particularly tall, and he’s bulky, but not unattractively so. He wears his blond hair down to his chin, and his clothes, usually denim, were covered in paint. He sticks his head outside and yells out, “I thought I told you to leave Angelita outta this!”

On the sidewalk, a tall, skinny teenager with big glasses and a long, blond ponytail shouts back something misogynist and vulgar, despite that the two boys are not the former, but are definitely the latter.

Vinny was Shane. He was an aspiring artist who returned to Gallup after many years of homelessness, wandering through eighties and nineties alternative culture like Forrest Gump. For a time, he lived in a blue Volkswagen Beetle. He later surfed couches, and eventually got a job waiting tables at the most popular restaurant in Gallup (it was Italian) and an apartment of his own, a studio apartment that he eventually decorated with a bed, a kitchen table, and pastel smears all over the walls. He even had business cards. I will forever remember them because they read:

Shane Van Pelt

Artist/Writter

When I met him, I had already found my identity in the darker side of Alternative culture. Meeting Shane at a football game altered that course, so instead of a path of black clothes and self-destruction, I became something more bohemian.

Shane had a lot of patience for me, who grew up with undiagnosed and untreated mental illnesses. When I went away to college, he was not the best pen-pal. But he did do things like leave phone messages at the front desk of my dorm informing me that Angelita was pregnant.

After his marriage, which I heard about third-hand, he and Elizabeth moved to New York City. He visited me a handful of times in college, shuttling back and forth from there to Gallup. People, seeing us together, assumed we were brothers. We were. He made quick friends with many of my friends as well because he was so freaking charming.

I ended up in New York, with nothing but a little bit of money and my friendship with him. He showed me around Manhattan and showed me where to buy weed. In fact, my first weekend there, he took me into Harlem to pick some up, and we didn’t know at the time that Louis Farrakhan’s Million Youth March was taking place. “Try to look inconspicuous,” he told me.

Elizabeth knew people, and during one of the first weeks I was living New York Adjacent, she took us to a party. Shane and I were the only people either of us knew, and he retreated solo as soon as we walked in the door. I found a corner and suffered, and an intellectual in his thirties approached me and asked if Shane and I were a “team.” As in a band or a writing duo? Even apart, we were simpatico.

I wanted to be a comic book illustrator, but I didn’t know how to draw. Shane, despite the raw stick figures I was starting with, was the first person to call me an artist. And if someone as cool and talented as Shane Van Pelt says it, it must be true.

He, Elizabeth, and their newborn Ava retreated Upstate, and some of the best three-day weekends I ever spent were in his drafty house in Binghamton, after I shelled out sixty bucks for a bus ticket. Together, we’d sit in his studio and work on one of two screenplays, Convenience Store Maniac or The Day the West Went Dry. The former is lost to history, which is too bad because I thought it was brilliant. The latter we’ll get back to.

When I got married, there was one person I wanted at my side, and that was Shane. I have to say, though, twenty years later, I’m still disappointed in his Best Man speech. What was important, though, was that he was there.

For personal reasons I won’t go into and because Shane is a bad pen-pal, we had drifted apart during my marriage. However, we talked a lot more after my divorce (i.e. once every few months), and no time had passed between. We were still insulting each other in gross, not-Woke ways, and we could talk about anything.

In 2022, I recalled that some of the best memories I had were hanging out in Shane’s studio and doing screenplay jam sessions. I took a trip to see him that summer, and for seven days, we extended our two-hour movie into a series. He said he knew people at Netflix. I didn’t care either way. I just wanted the quality time with my best friend.

He called me more frequently than that afterward, about once a month. However earlier in 2024, he told me he was committing to talking more often, and the calls came biweekly. He told me about his plans in Wheeling, West Virginia, which would bring him a short bus ride from me. He had to deal with some property issues because somehow, the high school dropout I knew who used his tips to buy art supplies had property issues now.

The last time I talked to Shane, it was this past Monday. He had called me, scared, because he’d been without some of his medications, and he was starting to feel the withdrawal. He told me he would be getting his medications Tuesday, so I told him that this was a moment. The moment would become a memory, like all his memories, and life would go on. The last thing I said to my best friend was a lie.

Since Shane has lived several lives apart from mine, I don’t know many of his friends or relatives. I met Elissa, his mother, once, and I knew he was devoted to her. Elizabeth has been a good friend to me with the patience of Job. I haven’t seen his daughter Ava since she learned how to walk over a three-day weekend and instructed me how to move Daddy’s paintbrushes from one jar to another. I have never forgotten that lesson, even though I couldn’t understand the words coming out of her mouth.

If you go to his website and you somehow dig up his essay about grunge (Shane’s filing systems made sense to him, at least), you’ll see a storyteller chock full of story. After reading said essay, I have been constantly riding him to write his memoirs. Somehow, Shane has packed about eighty years of living into the fifty he had, and I hope the person who inherits his computer at the very least finds more of these essays. He was also working on a novel, and I was really excited to read it when it finished.

There’s so much more I want to tell you about him. I have stories, like the time we stood on the street, Shane scratching pastels onto a rogue piece of drywall and me, narrating the process in my best (okay, worst) Joe Pesci voice. Or how he stole that boombox from a house I was sitting for, and I was the one who got in trouble. Or the joy on my face the day after Elizabeth Fraser of the Cocteau Twins hugged a painting he made for her.

Shane was an accomplished artist, with shows all over the world. Thirty years ago, I watched him go from painting nudes of Sherilyn Fenn to his current style, whatever that is. Is it Cubist? Surrealist? Impressionist? Outsider? It’s none of those things. Shane was, and always will be unique.

Shane Van Pelt died Saturday, November 9, at approximately 1:00 a.m. Mountain Time.

He had met me in every stage of my life, and he still liked me. He was probably the best friend I’d ever had. I don’t know what I’m going to do without him.

A Day in the Life

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I don’t know if it’s ADHD or a symptom of our society, but I hate the quiet. For most of the day, I’m listening to something. While I work on art, it’s a movie or a YouTube video. While I work at work, I put on a podcast I don’t need to listen to. On the weekends, I like to cozy up in a cafe and get swept up in the busy lives of others.

The main reason I always like to have something on is because the earworms nestle in otherwise. Sometimes they’re fun songs, but usually they’re not.

Today, I’m not plugging into noise, and I’m paying the price for it. I’m hearing my favorite Beatles song, the one I can never listen to anymore, “A Day in the Life,” from Sergeant Pepper’s Lonely Hearts Club Band. This is one of those rare songs ascribed to Lennon/McCartney that actually had contributions from both. If you know their style, you can pick which parts are theirs.

The numbness of the John Lennon part (“I read the news today, oh boy”) is how I feel having sacrificed passion for my sanity, and the McCartney part (“Woke up, fell out of bed, dragged a comb across my head”) is the result of that, i.e. going through the motions because you have to.

It’s a heavy song, and it never fails to bring me to tears. I found out when Newcastle died that it also described how I was processing my grief. Today, I found myself sitting on my bed, unmoving and unthinking, for ten minutes.

The only way I can feel anything right now is by writing about it.

 I read the news today, oh boy.

Capsule with Butterfly Wings

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When I was married, we owned a gun. It was a Glock 19, nine-millimeter. It was compact and virtually indestructible. Each clip held fifteen rounds, sixteen if you had one in the chamber, which any responsible gun owner will tell you not to do. We used steel-jacketed rounds for target practice, which means, the bullet would go through a victim and hit the person behind them. They would probably not die, but they’d have to go to the hospital. Someone could do that to over sixteen people if they were so inclined, and no one would be able to stop them until they paused to reload (which only takes a second or two).

To buy the gun, we went to the Silver Eagle gun range in Virginia, said, “We want a gun.” Kate knew the make and model, so we walked out of there a couple of minutes later. We did not have to do a background check or give any indication we were not going on a shooting spree or even sign something (maybe saying we weren’t planning on shooting anybody?). The only thing they asked of us was the payment.

I’m telling you this because that one-time purchase was easier than the hoops I have to jump through every single month to get a psychiatric medication I require to function.

USA! USA! USA!

It’s Time to Play the Music

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When I was a teenager, I was into community theater. Don’t come for me. It was fun, it was goofy, and I met a lot of very effusive people. I tried to act, but I could not project, as I learned from the Gallup Independent’s review, in which the reviewer couldn’t understand me. I reacted to that in a rational, logical, well-thought-out way: I quit acting forever.

I still wanted to hang out, so I worked behind the scenes, building things, getting props ready, rearranging the scenery. I met some great people, including the woman who introduced me to Terry Pratchett and knitted me a Doctor Who scarf. There was the woman who used the bag my dinner was in as an ashtray. She later became one of my favorite English teachers.

As I grew older and more cynical, I got real judgy. Community theater was for people who couldn’t make it in a real theater (though you’d be hard pressed to find a real theater in Western New Mexico). They’re a bunch of hilarious narcissists. They have no idea how dumb they look. I could pick community theater people out of a crowd. They are so much more expressive and shameless and sincere and silly and genuinely fun than us latte-sipping serious people.

Even as I grew to value sincerity, I still continued to mock, out of affection now, the same way I make fun of writers, people who love The Matrix, people named Jeremiah, and so on.

I don’t have a lot of time for people with my busy schedule of writing and drawing at all hours, but I realized I was ready to make time. I’m not an unpleasant person, but I’m also afflicted with the kind of shy I haven’t experienced since high school. I’m also middle-aged, and adult men have a really hard time making new friends as they get older.

My therapist recommended the St. Mark’s players. I remembered what it was like as a teenager, so I sent them an email. They told me that they were opening a show that weekend, but I could volunteer to be an usher until they started looking for people for their next show.

They didn’t need ushers. At all. I’ll explain in a minute.

When I arrived, the door was locked. People started showing up, unable to get inside. They were all laughing and joking and not letting it get them down, and not one of them saw me. I was completely invisible.

The door opened, and the staff showed up to tell me what to do. The man taking tickets was a tiny, older bald man with a beard trimmed by a straight razor. He was charming, and he wore a three-piece suit. The lady was also charming. She fussed like a Jewish mother, and she showed me how to use the credit card machine, which is so intuitive, Oscar could use it. There were no programs, only the world’s largest QR code.

I didn’t need to be there. The venue seats thirty, and it’s free seating. The chairs are right next to the door, which is wide open when the house is, so basically, all I did was stand around and chat with the lady and gentleman. (I didn’t get their name because I have Attention-Deficit Hyperactivity Disorder.) There was also Fiona, the house manager. She was interesting, startlingly pretty, and she was invisible if you looked at her from the side.

I discovered that it was the cast who had ignored me. The crew, while not particularly interested in a volunteer usher (who can blame them?), were friendly. I met the stage-manager while he was filling liquor bottles with iced tea. (Some people think this is how John Belushi survived chugging a quart of whisky in Animal House. On the other hand, it is John Belushi.) I haggled the price of the last Snickers bar with the light guy, and I was barely registered by the intense producer who was probably an extra in The Sopranos.

How was the play? It was called The Birthday Party. There was no author named on the marquee. It’s a two-act play, with the first act taking up three-quarters of the two-hour runtime. Up front, I’m going to tell you that the acting was amazing. The set and the scenery were perfect. The blocking was engaging, and in only one scene did I feel it was lacking. The director put together a really great production.

And I did not understand a thing that happened on that stage. There were six characters, and most of them spoke with English accents. One of the characters was Irish, but he spoke in an American accent. One of the characters was an asshole, but he was also having a depressive episode, so I wanted to punch him and give him a hug (like I said, the acting was amazing). At one point, the Irish-American and the Posh English guys in suits one took turns shouting nonsense directly into the ear of the depressed asshole.

(My favorite character was the wife. The performer was an attractive woman, but she played her part like Monty Python in drag.)

All in all, it was a good experience. I don’t get out of my comfort zone a lot, but I am gratified every time I do.

Rent II: Time to Pay Up

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My building has a new owner, as of early September, and one of the first things they did was take down the residential portal on the official website. The portal we’d had so far helped us submit maintenance requests and do other things I never used it for. It was also how I paid my rent. With the exception of electricity, our building handles everything. They don’t pay for it, but I give them money for internet, water, sewer, et cetera, and they pass it on. I assumed that three weeks is enough time to put together a portal.

A quick detail you’ll need to know: new management doesn’t send mass emails out; they leave notes on your door. Basically, since they took over, I occasionally leave my apartment, see the envelope, automatically assume I’m being evicted, then read the letter sigh in relief.

As the end of the month approaches, it’s not clear how I’m going to pay rent, or even how much I will owe, as sewer and water fluctuate every month. I get an eviction notice Monday that says we can pay with a check, whatever that is. I haven’t written a check in five years. After tossing my studio, I find my checkbook in a box in another box under another box.

When I go into the management office, they tell they don’t take personal checks. I need to get a cashier’s check or a money order. I want to get this over with, and there’s a Walmart in my basement, so I stand in line at the customer service department and wait.

And wait.

I’m fifth in line when I get there with two agents at the desks, and it takes twenty minutes to get to the front. Once there, it takes another twenty minutes of entering my information, paying, the transaction not being approved, running it again, restarting from the beginning, still not approved, running it again, running it again, for the rep to tell me that there will be no money orders that day, and I should probably monitor my bank this week in case the transaction went through.

There’s a branch of my bank across the street from work, so I can just pick up a cashier’s check on Wednesday. Only one day late. However, when I opened my door yesterday morning, I find another eviction notice, this one saying they got their own portal, and there was a link to it. In a paper memo. There is also a QR code, so I found the site, but I’m not paying my rent over the phone. When I get home from work, I use DMs to get the page up on my laptop, and that’s when the party starts.

On the page, when it finally finishes loading, is a link: “Set up payment method.” I click on that, and about two minutes later, it gives me an error notice. I try again, and it takes three minutes for the page to load. It takes three minutes for every page to load, and this is what I have to click through to pay my rent, a day late through no fault of my own: Set up payment method->Click here to set up payment method->Credit or direct deposit->Verify->Use this payment method?->Pay bill->Pay balance or custom amount->Select payment method->Confirm->Pay. At three minutes a click, I estimate that I spent roughly four months paying rent today.

One of the best parts about being an adult in 2024 is how easy it is to pay bills. I don’t have to write a check anymore, I don’t have to make sure I have enough stamps, I don’t have to fill out that paper insert, I don’t have to lick an envelope. Nowadays, I don’t even have to remember my password. I paid my last landlord with Venmo, so I would routinely take care of rent while I was running errands. Not this month.

I have never had a harder time trying to give someone thousands of dollars.

Ex-Con

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I went to the Baltimore Comic Con this weekend. I had to stop going to cons for a few years because money was tight, but I really need to leave my apartment, so I took the MARC train into Baltimore. I left after two hours, basically spending more time commuting than wandering the floor. And the fact that I got swindled for $100 as I was exiting the building didn’t improve my mood any.

Right before this, on my way out the door, as I was starting to feel overwhelmed, I noticed there were only about ten people in line to see Ben Edlund. A fellow comic artist once called him “the god who walks among us.” He wrote and illustrated indie comic The Tick, which was adapted into a popular cartoon, and then a live-action show which lasted six episodes, and then another live-action show which ran for two seasons. He was the head scriptwriter for Supernatural and Angel for a time, and he wrote an episode of Firefly. These are the ones I know of.

However, as I was standing in line, awkwardly carrying all the books and stickers and prints independent creators had been throwing at me, this guy two people ahead keeps looking at me, like, really intently. His expression is that of a person who mixed up salt and sugar with his breakfast cereal. He’s in a generic Jedi costume, and he seems to believe he is Jedi, in the way he comes up to me and starts speaking quietly, like he didn’t want to escalate this. Condescendingly, he tells me I was in the wrong line. The real line stretched over the horizon. No Ben Edlund for me.  

The whole experience was like walking on a swimming pool full of Lego, and then I met the swindlers. I decided that this was my last con. It was a bust, as far as I was concerned.

That is until I started thinking about it. Everywhere there were artists and writers I admired. Sometimes the only thing they were selling were original pages for hundreds of dollars, or I couldn’t think of anything to say, so I hovered away. People were wearing cool costumes, though I lost interest in taking pictures after a few minutes. Vendors were vending, which is where I found several issues of The Incredible Hulk that I’d been looking for for a while.And Artist’s Alley, always my favorite part, was vast and full of interesting people.

I did talk to some artists. I met Amanda Conner for the fourth time. I called her a filthy degenerate, and she agreed wholeheartedly. Her art is raunchy, but at the same time really sexy, with a cartoony aftertaste.

Her husband, Jimmy Palmiotti, is a writer and inker of exceptional talent, and he sat next to her. They’ve been married forever. The thing about comic artists and writers is that you don’t often see photos of them, so you have no idea what they look like. In the case of Jimmy Palmiotti, he looks exactly like you’d expect a person named Jimmy Palmiotti to look like.

Speaking of not knowing what an artist looks like, I also found Amy Reeder. Amy has got a real fairy-tale style about her, which she showed off in Madame Xanadu, which is about a powerful fortune-teller whose origins were in Camelot. I’ve gotten her autograph two times before this, and I can never remember what she looks like. There’s always the same woman in there with her, and I can’t recall who was who. I spoke to the empty space between them when I talked about how “Amethyst is the perfect book for your style,” and the one who uncapped her pen was Amy.

Likewise, I stood in line to meet Terry Moore. Terry Moore writes character-driven comic book epics in black and white. He pencils and inks his own work, and he hand-letters it. I wanted to talk to him about lettering, so I waited. I was beyond irritated that I’d been standing there for five minutes while this older woman chewed his ear off, especially about how superstar artist Frank Cho was never in his booth. And it wasn’t until Terry Moore said something to her that I realized that this was not Terry Moore, but rather his assistant. Terry was at a panel. I didn’t stick around because I was planning on leaving soon anyway, a path to the door that would take me by Ben Edlund’s booth. And you know how that went.

I had a great time in Artist’s Alley. Lately my obsession is with stickers—I’ve been decorating my sketchbooks like I’m a thirteen-year-old. This led me to a lot of tables to have brief chats with independent creators. My policy is this: if you call me over to your booth and tell me all about your comic or your book or even just your characters, I will buy what you’re, even though I hardly ever read. It’s what I’d want if I was on the other side of the table.

I think I will try this again, maybe next year at Awesome Con, DC’s comic book convention. It wasn’t worth the trip to Maryland, but the DC convention center is only a couple of stops  from me. Maybe I’ll feel less awkward around the talents I admire. Maybe I’ll meet all sorts of young, creative people who are really putting themselves out there. And maybe next time I’ll bring a tote bag.

I also got these.

The Furminator

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“Listen. And understand. That cat is out there. He can’t be bargained with. He can’t be reasoned with. He doesn’t feel pity, or remorse, or fear. And he absolutely will not stop, ever, until the birdie-on-a-stick is dead.”

In another regeneration, I went out a lot with my friends. Sometimes it was with one friend (Hugh or Mark) or it was a salon of drunken idiots (Rita) or it was rock and roll (Satanicide). Even though I was depressed, I cherished my adventures, and every Sunday, during my downtime at The Post, I summed them up and sent them out to a select group of friends who hadn’t yet told me to stop sending them.

I’m at an age where I stop telling people how old I am and start rounding up. My ex got custody of almost all of my friends in the divorce, and all of my hobbies are solitary, so I don’t have as many adventures anymore. That said, three big things happened to me Monday and Tuesday, and I’m going to report them to you.

First, Oscar is growing up to be a cat, where before he looked like a black ferret. He’s a teenager now, so all he wants to do is play, and when he’s not trying to convince me it’s dinnertime, he’s bugging me to get the birdie-on-a-stick and wave it in his face. He’s sweet, but I have a job.

One of my favorite things to do with Newcastle was take him outside to explore our backyard. One of my favorite things to do with Henry was put him in a harness and take him for a walk. I bought Oscar a harness, and a backpack so I could go for walks with him. It stressed him out, but if he could get used to it, he might have a good time.

Monday, I got him into his harness, which is hard because he’s coated with a thin layer of butter, loaded him in his backpack, and walked the three blocks to find the only open area of grass in my neighborhood.

I opened up the backpack, and he very slowly made his way out, saw me, and freaked out. He squeezed out of the harness and ran straight into traffic. I ran right after him, kicking off my flip-flops in the street, and I didn’t care if I got hit by a car, as long as Oscar got to safety. You’re not going to believe what happened next.

All four lanes of traffic stopped to let us make it across. I was expecting to watch Oscar die, but the asshole drivers of DC had our backs. I chased him through three backyards until he tried to hide under a hosta, and I scruffed him and brought him home. Because flip-flops are flat, you can’t tell they got run over.

That was Monday.

I love my job, but that doesn’t mean it doesn’t fray my nerves. Between ending my day with that and public transit (still better than driving), I don’t want to have to deal with the nuisance of our concierge only being at the desk 50 percent of the time. So when I pick up any packages that come in for me, I tend to pick them up after I get out of the shower. Don’t worry, I dress first.

At 4:30 this morning, I picked up a package from Missouri and just assumed it was the carved owl I just bought for my owl shrine. It was not. With Oscar’s supervision, I opened the box to find another box, and in that box was this mug:

I did not order this mug. In the mug was a business card for a potter who lived in Florida, along with something that looked like a bookmark. On the back was a lovely note thanking me (yes, me—it said “Dear Jeremiah) for the letter I’d sent years ago and how moved they were. Life was happening, so they hadn’t replied, but they sent the mug as a token of appreciation. Signed, “William Pona tawa sina.”

I had no idea who the holy hell this was. I did not remember writing that letter years ago, and I didn’t know a William who made pottery. I visited the website and found out that’s a luxury mug. The clues clicked into place. It wasn’t the potter, it was one of my college roommates, Will. He lives in Missouri. I sent him an essay I’d written about him two years ago, and I’d never heard back.

I figured it out, but I didn’t figure it out in time to stop me from sending a polite email to the potter thanking him for the gift and expressing joy that my words touched him so much, as if I knew him.

That squared away, I had one last detail to attend to. What the hell is “Pona tawa sina”? I looked it up, only raising more questions. Pona tawa sina is from a language called Toki Pona, which was invented in 2001 and bridges the gap between all languages. Kind of like Esperanto, only less baffling. Pona tawa sina literally means “goodness toward you.” It’s a way of saying goodbye or thank you.

That was before work. When I arrived, there was a surprise waiting.

One of the many, many perks of my job is that we get stretch breaks lunchtime Wednesday and Thursday. When I started eating at my desk a year ago, the stretch instructor was Katja, a young, slim, petite, cute-as-a-button person with a pink pixie cut and a lot of energy. Katja was recently replaced with Hali, a young, slim, petite, cute-as-a-button person with a pink pixie cut and a lot of energy.

I hang drawings of Newcastle, Oscar, myself, and other pictures I’ve done, practically daring people to ask me about it. Hali took my dare, and I found out they were a bit of an artist themselves. They’re just learning about watercolors and painting around town, so the next day, I brought them my retired brushes, the cool travel set I’d purchased in Doha. There’s nothing wrong with them, I’ve just traded up. They’ve been occupying a small space in my art drawer, and I wasn’t going to throw them away. Now they have a loving home.

There was a thank you card on my desk when I got to work this morning. Hali wanted to tell me how important those brushes were to them, and they could not wait to take them out for a spin. They have an Etsy store, and I bought some stickers.

I’ve become such a hermit, it’s hard to imagine that I am having any sort of impact in this world. And yet today, the first thing that happened to me today was someone making sure I understood I had affected them, twice. Maybe I was wrong about my impact.

With a Single Step

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I have a lot of vestigial dates on my calendar. For example, September 13 will always be the birthday of my ex, Andrea. I make a note of it every year, despite that she will never speak to me again. May 7, the day after my dad’s birthday, belongs to a high school best friend who grew up to be odious. These are people I no longer have a relationship with. But that’s the past. On the rare occasion I make a new friend, I can’t remember when they were born.

Other dates that have no relevance for me are April 30, which is my wedding anniversary. December 13 is when she served me divorce papers. Her birthday is March 23, but I can safely say that I haven’t noticed it the last five times that day has passed. August 22 (today!) is the twentieth anniversary of when I left New York.

In 2004, I was miserable a good half-to-two-thirds of the time. This was mostly because of my untreated, undiagnosed mental illness, and also, I was really lonely. Kate was the solution to this because she was, at the time, my soul mate, and she was opening her home to me. The resulting adventure was epic.

Was it a good decision? Well, Kate treated me like her property. She convinced me that all my friends were insane and that the only ones I could trust were hers, all of whom turned their backs on me following the split. (Some of them pretended to be “neutral” while actually being Team Kate. These are the people I think the least of.). She convinced my doctors and me that I was incompetent and couldn’t take care of myself. She tried to create a rift between myself and my family.

On the other hand, she was the biggest cheerleader of my art. She bought me supplies I still use and encouraged me to start my own art business. (She wanted to make greeting cards, which I did not enjoy.) She hired me a personal trainer, and for five years, I was in great shape. (You can’t tell by looking at me now that I used to run 5Ks for fun.) Most importantly, she was a champion of my mental health, and the only reason I can function at all is because of her.

In addition, she turned me into a Mac person, she expanded my flavor palette, she took me around the world, she taught me to be more financially responsible. She brought Newcastle and me together. I dressed better when I was married. I feel like I was more of an adult back then, even compared to now.

I honestly think that leaving New York twenty years ago was the best decision I could have made at that point of my life. It was when I took the first step to being an adult. It was when I packed up and chased true love. It was when I was brave. That’s why I remember August 22 every year.

The Giving Tree

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Prior to Sunday, Oscar and I were living in Nicole’s apartment, formerly our apartment. I stayed there for two weeks, and Oscar stayed a week longer than that. The problem is, Henry has been really depressed and crying all night since Newcastle and I moved out, so she was thinking of getting him a kitten. But she wanted to practice with someone old enough to defend himself.

Oscar and Henry did not get along. When the former first showed up at the latter’s, there were some really bad fights, so Nicole’s boyfriend cobbled together a gate to keep them apart, but they could get used to each other. They called it the DMZ. Oscar could jump on top of it without much effort. They could be in the same room together, and on my first night, they snuggled up on opposite sides of my lower legs and we all slept together.

His last week there, Oscar finally had the Surgery That Dare Not Speak Its Name, and I walked him to the vet in a backpack. I couldn’t watch his reaction, but he was quiet, and I think that’s a good sign.

But now we’re home. Nicole’s apartment is 850 square feet, mine is 435. I’d love to take him for a walk, but on the rare occasions I don’t pass out from blood loss and get him into the harness, his feet stop working. His motto is “Death from above!”; but he doesn’t have a lot of heights to aspire to.

I don’t want Oscar to get bored. I play with him a few minutes periodically. I talk to him, I let him sniff whatever’s in my hand, I scratch him behind the ears whenever I see him, I open my window in the middle of a heat wave. I don’t want him to get bored. I bought him a new cat tree and backpack. The tree arrived today, it took me over an hour to assemble it. It’s the perfect height to loaf out in front of the window. On the lower tier, there’s a ledge that’s perfect for hanging out with Dyad while he’s working.

Unfortunately, I have to get rid of the old one. Until January, I’ve never lived alone in my life, especially when it came to Newcastle. I’d never made a big purchase for my cat, the love of my life. It came from our joint account when I was married, and Nicole and I split expenses for the cat. So the first thing I bought was a tree for Newcastle. It was not a tall one, for an old man, but he never used it anyway.

Newcastle only lived alone with me for six weeks, and he never used it. Sometimes he’d get into the hammock that was the same height as my desk. Even if I wasn’t looking, I knew he was there. He was my anchor. Since then, Oscar enjoyed the hammock a lot whenever I was working.

I hated throwing the tree away because it’s the last monument I had to him. But I got a new kid, and I’m buying presents for him now.

* Oscar is in this picture.