Tag Archives: mental health

Manic Panic

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As you know, I’m bipolar, specifically, bipolar 2. That means I’m depressed more often than I’m anything else, leading to misdiagnoses of clinical depression. I have been on all the depression drugs, from Abilify to Zoloft, which has led to discussions that go like great scene in Silver Linings Playbook where Bradley Cooper and Jennifer Lawrence discuss the medications they’ve tried the same way Comic book fans talk about their stashes. What I’m trying to say is that I have lived my entire adult being miserable, except for brief breaks where I’m actually myself, or I’m hypomanic. 

Being hypomanic can be a lot of fun. It’s like having a couple of drinks, and you’re funnier, better looking, and more charming. I’m pretty sure every woman who’s fallen in love with me has done so when I’m hypomanic.

Also, I’m irritable and downright angry. I can’t stop talking, and I’m grandiose. I regret so much of what I do when I’m manic. There is a member of my pantheon of fictional characters who is based on my mania. His name is Max. (Same first two letters—see what I did there?)  Max is an asshole. When I’m hypomanic, I become an asshole.

I spent the least amount of time being normal, and it was tough to tell if anyone actually liked the real me. I wondered how I could be an asshole a third of my adult life without actually being an asshole. Or if I spent six months miserable, did that mean I was just miserable?

Fifteen years ago, my brilliant doctor and I figured it out. It wasn’t some sudden eureka moment. (DOCTOR: “It’s a great day to come to the zoo and see a polar bear … wait. Polar! That’s it!”) He isn’t House. He’s actually like this guy I met in North Jersey who used to hang out with my Uncle Larry. But I digress. It took months of experimentation and patience for us to reach an accurate diagnose because psychiatry isn’t a science, it’s art.

We found a cocktail that worked. I know it worked because I went to bed depressed one night, and I woke up the next morning feeling refreshed, but not manic. I was myself, and I’ve been myself since 2017. The downside is that, when you’re on enough lithium, your emotions are muffled. I’m like a cruise ship: when the waves slam into me, I may tip for a second (I have a bad temper), but I return to normal pretty quickly. This may be one of the reasons Kate divorced me.

There have been a number speed bumps along the way.

Sometimes, when you have a mental illness, and you are relying on drugs to function, they stop working. You have to start from scratch. It happened to me in 2015, and took over a year to right myself. I brush my teeth, get ready for work, work, come home and pet my cat, write and draw, make dinner, and go to bed, all the time being aware this will happen again.

Sometimes, I’ll get hypo-depressed, where I can’t sleep, but it’s all I want to do. It doesn’t make me feel sad and worthless, but I experience a lot of the physical symptoms, like aching joints.

Sometimes, I’ll get hypo-hypomanic, which is the good parts plus some crankiness.

I don’t tell my doctor about either of these because I don’t want to mess with my medication. We have been polishing this cocktail for years, and I’m afraid to live without it. Also, if I’m being perfectly honest, it’s kind of nice to be hypo-hypomanic.

Otherwise, the real me is a hermit, and I haven’t made any long-term friends for a very long time. When I’m hypomanic, the relationships may last minutes, but they’re life-changing.

Weeks ago, when I started getting involved with the community theater and having great conversations, and meeting protestors and hanging out, I wrote ten long blog entries over two weeks. I was clearly hypomanic. I hesitated to call my doctor because I was enjoying myself. It’s so easy to go from manic to depressed, and I didn’t want to rush that.

I melted down at work on a Thursday, and again the following Wednesday. I missed a train and screamed “Fuck!” in a crowded platform. I feel like a cat on stilts. If the internet cuts out, even for a minute, I’m going to throw my laptop out the window.

I called my doctor, and he prescribed me an emergency supply of an antipsychotic to keep me calm and he helped me sleep. He told me to take the next week off work and to stay home and sleep as much as I can. I’m need to lay off my ADHD medication because it’s all stimulants, as well as the devil weed, which is a mild hallucinogen, and it would stimulate me. I am to stay in my apartment with two exceptions:

One exception is my commitment to the St. Mark’s Players. After a long Day One under house arrest, I had to pull myself together and be around other people when I keep losing control over myself.

For example, I was pleasantly surprised to see my favorite eccentric, platinum blonde theater volunteer, Elizabeth. She remembered me and was genuinely excited when she caught my attention. I said, “You look great! Really great!” She assured me it was just work clothes, but I reiterated how great she looked. And she did, but still.

I did not want to do that. She is half my age. Even though my motives are pure, and I genuinely wanted to compliment her, there are rules, and I was stepping over them. My body wanted to keep talking, but I tried to reel me in, resulting in words that sounded backwards. It happened again when I was trying to give directions to my favorite bar in New York, which is probably not there anymore.

I had two more conversations like this at the theater. On top of that, I had to call eleven pharmacists earlier to find the antipsychotic he prescribed, but I still couldn’t find it. I was an asshole to every one of them. I didn’t want to be, but I was. I was telling my mouth what to say, and my mouth was being a real dick about it.

That’s just words. I want to assault people for moving too slowly. I want to beat my desk to death with my ergonomic chair. I am holding myself together with all the energy I have. As I told my boss after my second meltdown, that was me holding myself together.

I don’t have control over my own body. This has been my constant thought since my first meltdown. What happens when I have low blood sugar, and I can’t keep it contained? What happens when I stub my toe, and the bad me gets loose? And there’s nothing to stop my mouth from saying something it shouldn’t. I can’t even regulate my thoughts.

I can see treating this creepy asshole as a separate person, like the Hulk. But it’s not. It’s my voice. It’s my body. It’s my mind. Unlike a cranky Bruce Banner, I don’t get to black out when I’m being destructive. I have to watch myself do it and live with the consequences.

I have to go out to St. Mark’s Episcopal Church again tonight, with all those people, and Elizabeth (who, at least, didn’t act creeped out the rest of the night), and maybe something that’s going to set me off.

I don’t know what I’m going to do or when I’m going to do it, but I’m awaiting this next fuckup, as I have been for over a week. I’m scared. I’m in an ongoing state of vigilance, and I’m so, so tired.

Eggsistential Crisis

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I love my apartment, and I love my roommate, but I have to say I miss the old place. The idea of separate rooms at all is one I once enjoyed, and we had a backyard for Newcastle to poke around in. We also had a great neighborhood. In the spring, all of the bushes became soft and colorful.

It’s a mile walk to the 7th Street Hill Café, which I’d long ago adopted. On Saturday mornings, I liked to sit in an easy chair, sip a latte, and watch them assemble the Eastern Market, a cross between a crafts fair and a Farmer’s Market.

I came to the 7th Street Hill Café, located on North Carolina Avenue, on Saturday to do just that. Riding high on bipolar disorder, I needed to get out of my apartment and experience the world. I settled into the chair, pulled my markers out of my bag and eat my breakfast sandwich, resisting the urge to devour the whole thing in two bites.

After I returned it to the end table, the old man in the opposite chair said, “You have egg on your shirt.”

“Gross.” I plucked the solid yolk and dropped it onto the plate, keeping it far from the last bites of my sandwich. I said, “Speaking of eggs, I saw a Cybertruck downtown. I’m gonna crunch some numbers, and I’m gonna get a second job, and I’m gonna go to the bank, and I’m gonna get a loan, and I am going to egg that piece of garbage.” (It’s one of the funniest jokes I ever made. I’m going to use it until I run out of people to say it to.)

“Or,” the old man, whose name was Glen, said, “You could fill up two—no, three—no, two coffin coolers with eggs and sell them at the farmer’s market. That’s what Dan did, you know Dan?”

It was 8:13am, and I accepted that I was going to be in this conversation until the Post Office opened at nine. “No.”

“Dan used to sell eggs here at the Eastern Market. I used to truck them in from his farm. So many eggs. Dan died of a stroke. Not kidding, he just keeled over and died. That’s why nobody’s selling eggs at the farmer’s market anymore. Do know that you can tell what a chicken ate by looking at the color of its yolk?”

I gasped. “No!”

The old man chuckled and looked a bit smug. “Oh, yes. If the yolk is this deep amber, orange color, it ate a lot of marigolds.”

He smirked at me through his beard and waited for my reaction. I had to formulate one, and the only way I could prove I was paying attention was to ask a question. “You feed them marigolds?”

The old man chuckled. “No, no, no, they’re free-range. They can eat whatever the fuck they want. And if I ever want to eat a chicken dinner, all I need to do is grab a rooster who’s getting too big for his britches and hold him upside down and slash, motherfucker! Decapitated! Heh-heh!”

I didn’t know what was going on, but I buckled the fuck up to see where it was headed. It was difficult to follow along, but not because it was a bumper car of thought. No, Glen stubbornly clung to one subject until he veered off into a completely different direction, like he was jumping from train of thought to train of thought at a crowded depot.

Glen once punched a “shepherd bitch” (a dog) in the head, and she was nice to him after that. He recounted why you should never piss him off through the parable of a tense standoff with the owner of the Eastern Market. He already had his Halloween costume ready to go. (Hooded cloak, Goblin nail extensions. A paper machê Satyr mask a friend in Venice made for him.) He couldn’t remember why he didn’t exchange a word with his half-brother for two years while they shared a house. He kept me up to date on the lifespans of his siblings, including his “bitch sister” (a person), who is still alive. For a coup de grace, he unloaded on me how people are always on their “fucking phones” all the time. He could tell you how to get from point a to point B. “You know how? Not through your fucking phone, that’s for sure. Not on a map.” He tapped his temple.

Suddenly, he was gone.

I finished my drawing in peace.

I packed up and wandered off, my first destination being the Post Office to mail a package I’ve been meaning to mail for six months (sorry, Donna). I made it halfway up the block before the generous application of the color orange, my favorite, caught my eye. I’d walked past it on impulse, but I yanked my emergency brake and skidded over to the side to see more paintings.

They were collages coated in a thick layer of shellac, and a figure, bald, faceless, and strangely sexy, appeared on many of them. She said, “I love watching people come in for a second look.” We talked about color, I told her everything I liked about her art, and I bought a piece. She told me her name was Quest, and she gave me a big hug. The visible part of Quest’s hair was made of gray feathers, and she wore a robe, not a dress. I don’t think she was human. In a good way.

I was in and out of the Post Office at the speed of someone who’s done it a lot.

Even though I have Ember’s number, I decided to walk the ten blocks to the House of the Devil to see if she was standing up for us. On my way, I acquired a lava lamp, and I attempted to take a picture of a street called Justice Ct. until a Latinx man accosted me. He knew English nouns, and that was it. He shouted at me an incomprehensible string of them that told the story of an immigrant succeeding in this country, and something about that was making him angry.

A middle-aged couple across the street, surrounded by Chihuahuas yelled, “Sir, can you help us with our dogs? Sir?” I realized who they were talking to me, and I separated from the loud man to join them.

The woman yelled, “Thank you for helping us with our dogs!” The angry man continued ranting, impossible to understand. I never got the names of the couples, but I thanked them profusely.

Ember was not at the Pit of Despair. She later told me she was taking the weekend off. She’s earned it for sure. I look forward to resisting next week.

Exhausted and overstimulated, I headed straight home. But first, there is a big sign at the stop before mine labeled “Arts Walk.” I’ve been meaning to go there for at least two months. I hopped off the train to check it out because I was still jittery. It was okay. It was no Eastern Market. I bought a belt made of an old bicycle tire.

Also this weekend, a relationship that lasted well over a decade came to an end. I’m not going into details because I like to keep it classy in this joint. Also because it was enormously frustrating.

Culture doesn’t put as much value on a friend breakup as it does a romantic one, but they still hurt. You’re closing the door on all that history and intimacy, even if it ended badly. You have every right to mourn.

The truth is, we’d broken years ago, and I just wasn’t ready to let go. I already mourned.

Sunday, I dedicated my day to my project, the fruits of which you’ve seen yesterday. I’ve received no feedback on them from any of the St. Mark’s Players, and now I’m frightened to go to the show on Thursday.

My next project is finding a light bulb for my lava lamp.

Virtue Signaling

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Glenn Beck, whoever that is, held a rally on September 12 (I can’t remember the year) to unite us as a country, like we were on September 12, 2001. I can’t begin to list all of the ways this is a lie, so I won’t. Remember, though, regardless of where you were, what it was like when the world ended, but the next morning, life went on. We had no idea how we were supposed to move forward. Somehow, we did.

When Donald Trump pulled his face off to reveal Elon Musk making a Nazi salute, the world ended. Those of us with any decency had been betrayed by their neighbors, their coworkers, their bosses, some of whom are now saying, “I didn’t vote for this!” Judges are upholding Elon’s draconian cuts and unprecedented access to the confidential information of innocent Americans.

Somehow, life goes on.

It’s bad out there. I don’t need to tell you why. I can’t look at the news without wanting to vomit, and this is not an exaggeration. It’s hard to remember what it was like to be happy, even for a minute. Your body and mind are seeking out dopamine. There are lots of ways to get a little hit of it, but the best way is to pay someone a compliment. That way two people get dopamine hits.

Lately, for no reason, I’ve been more aggressive about pointing out things I like about a person. The dam burst when I was sitting in the dressing ballroom at St. Mark’s Episcopal Church with Lisette listening to my expertise about dresses. I have no expertise, but somehow suggesting binder clips(?) was the solution.

Lisette’s performance and character are my favorite part of Metromaniacs. I realized then there was no reason to keep this to myself. So I told her. She was startled, but touched. The next day, I told Lucille that she had that influencer vibe, and she told me she hadn’t looked at it that way. I’m looking forward to telling Mondor that his fall is art.

I’ve started bugging strangers on the street, making them smile for a moment. It’s not always rewarding, as in the three elder Zoomers walking side-by-side. As I passed them, I said, “You guys look really fucking cool, keep it up.” Then I added, “I’m being sincere. You really look cool walking like that.” Their expressions said, “Who the hell is this crazy old person?” And I think they were waiting for me to hit them up for some Molly.

I’m telling you all this because I need to brag. Bragging is in fashion. However, you only get to brag if it’s about the size of your bank account and/or penis, how much gas your car goes through, and how much people love you. Culture has criminalized bragging about the good things you do.

Well, go fuck yourself, culture, because I’m bragging about making life a tiny bit better for a tiny amount of people. It’s easy, it’s free, it only takes a few seconds, and you can turn someone’s day around. I’m bragging because I want more people to do it.

I got my hair cut two weeks ago in a slightly different style, and someone in the office noticed, and it made my morning. How could I not want to do that for other people?

I’m not a good person. I’m passive-aggressive, my manners have atrophied, my lizard brain is kind of racist, I’m impatient, and I’m a disappointment to my cat. But I like to think I’m a decent person. I do try to have some empathy.

It’s in the spirit of this that I say this: You. Yeah, you. The one reading this. You have a great smile, and I love seeing it. Except you, Lisa. Your mouth is nightmare fuel.

Zany to the Max

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(Tech Week continues! Prologue: https://jrmhmurphy.com/2025/01/13/paint-no-rest-for-the-wicked/; Setting up: https://jrmhmurphy.com/2025/02/17/critical-stage/)

The name of the play is Metromaniacs, which sounds like cartoon set in the DC Underground. It’s actually set in a mansion in Paris, in the eighteenth-century.

The metro in Metromaniacs refers to a metronome, and therefore meter. It’s told in rhyming couplets delivered with such casual ease that it took me half of the first scene to notice. The theme of the play is poetry and the power of words to seduce.

The plot is convoluted. It’s a farce—it’s supposed to be convoluted. What follows is the general breakdown of the characters and the first part of the story.

1. Francalou, rich man and scorned poet, created the alter ego of Meriadec, a reclusive lady poet. As her, has become quite the celebrity in the literary journal circuit, despite that the work is objectively bad. He has written a play so utterly noxious, the cast got sick. But the show must go on!

2. Lizette, maid and master manipulator, is the sassy voice of reason. To put it bluntly, everyone in the play is an idiot except for her, but even she is a slave to her needs. She was my favorite character and performance, hands down, because the chaos of the first act was almost all her doing. From behind, she looks exactly like Francalou’s daughter. Not that this will come up later or anything.

3. Mondor, Cosmo’s loyal, frustrated, and creepy manservant, tries to corral his boss, then gives up and steals his fake identity to woo Francalou’s daughter. His heart truly belongs to Lizette, but she spurns him at every opportunity.

4. Damis is a wannabe poet and man in debt. (He is played by a guy named Oscar.) He wrote a play under the name Bouillabaisse, opening this very day. He is deeply in love with Francalou’s alter ego, but he thinks Meriadec is his daughter.

5. Lucille, Francalou’s daughter, played by everybody’s favorite actor, Jane, is aloof, yet overly performative. Poetry makes her all tritterpated.

6. Durant is a rugged man’s man who wants the rich man’s daughter. He gets his old friend Damis to write him a poem, but this backfires. (Don’t worry, it turns out well in the end.)

7. Angry Uncle Baliveau. He paid for Damis’s school, and Damis has been going to school for ten years. Before Baliveau can have Damis arrested, Francalou maneuvers him into starring in the play as a character based on him.

From there, it gets weird. Mistaken identities, deception, fourth-wall-breaking, love at first sight, three weddings at the end (there are two women and five men in this play; do the math), this is a classic Shakespearean farce, and I don’t think I’m exaggerating to say that. It doesn’t have the substance of the Bard, but it has the delirious energy of his best comedies.

The actors were having a great time, and they each brought their own level of expressiveness. Francalou was manic, Lizette confident and amused, Mondor was sleazy, Damis was twitchy and deluded, Durant was a doofus, and Angry Uncle was angry. Jane was a lot of fun as Lucille, with her influencer vibe. Performing as someone who is performing has got to be a challenge, but she stuck with it.

The trees we spent so much time painting for the set are actually for the set within the set, but we never see the play. Probably for the best. It sounds like Vogons wrote it. I also found out the purpose of the beanbag boulder: Mondor falls face-first onto it; as a connoisseur of pratfalls, and having been a fine practioner of them in my youth, I was remarkably impressed. He went straight down like a two-by-four. I’ll be setting up the boulder during intermission, and I probably shouldn’t screw that up.

I’ll be working backstage with my sketchbook, which might be a problem. The most important prop is a notebook with a leather cover and a long strap to wrap it in. In the dark, it is identical to my sketchbook. That won’t go badly, will it? On the set of a farce? Nah.

Critical Stage

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I returned to St. Mark’s Church on Capitol Hill this weekend for the beginning of Tech Week. The cast of Metromaniacs has been practicing for weeks now, and it’s time to do rehearsals onstage. A stage, therefore, needed to be built. The trick to this is that St. Mark’s is an active church, so stage must be disassembled every Saturday. Sunday was the day it would be built for the first time, using the trees and moon I’d helped decorate in January (https://jrmhmurphy.com/2025/01/13/paint-no-rest-for-the-wicked/ ).

I didn’t have as much fun as the first time. In fact, it was kind of a drag during act 2. This was because a call went out for volunteers, and lots of people showed up. There were about twenty of us there in total, and no one knew each other, aside from the director, the producers, the cast, and the crew, who all had ther own in-jokes.

The volunteer named Elizabeth had the right idea. She introduced herself to everybody and asked them where they’re from. It’s a legitimate question in DC.

I hate when someone asks me that, because I have to respond with a high-pitched, “Welllll…” I could always continue and say “Lots of places,” like Connor McLeod, but I always list them. They usually zone out after the first three.

Elizabeth was adorable, with her platinum bob, pink hoodie, clear-framed glasses, and her fearlessness. If you meet someone like this, you’re likely to assume that, once you got them started, they were going to talk you into unconsciousness. Not Elizabeth.

She answered questions quickly and efficiently, so you had to steer her in the right direction. She was born in 1997. She’s from Montgomery, she went to college in Birmingham, and she moved here because she needed more culture in her life. She likes backstage work, but hasn’t done it since high school, and she will be my rival from now on.

The other person I met immediately, who was not afraid to talk, was Jane. She was somewhere in her mid-twenties, and had a Barbie figure. Her hair was long and straight, from the nineties (formerly from the sixties), and her voice squeaked like Betty Boop, making it difficult to understand the words she was saying. She was in the cast, and she’d never done community theater before. She was spirited away early on.

Ernie spoke. Ernie reminds me of my tenth-grade communications teacher, who was a compact, swarthy man with a mustache and an aggressive hippy vibe. He assured us that once he finished giving his speech, he would be giving the whole thing over to Monique, the stage manager.

He did not. He led us through the transformation of the seating from church seating to bleacher seating. First, we stacked the chairs already there.

Then we set up the risers. (That’s Elizabeth with her back to us.)

And finally, putting seventy-six of the chairs back.

With twenty of us, it was easy to get the work done instantaneously. The problem was, by the time you can get something to do, someone sweeps in and grabs the job. It was a full-contact sport trying to be useful. You’re tripping over everyone, and everyone is tripping over you.

Elizabeth, as always, was the vanguard of activity. She just went to people and asked them questions. I tried this, but if you’re awkward, and someone calls out for volunteers right when you ingratiate yourself into a conversation, it might be discouraging.

When they started hanging the curtains in front of the altar, I realized that I was only getting in the way. I sat in the bleachers and counted down the 127 minutes until we were done, but then it got interesting.

When we were painting last month, Ruth, the bouncy producer, was disbelieving and thrilled that I was interested in working backstage. When I arrived today, the other producer, the assistant stage manager, the director, and Monique, the stage manager, were thrilled to meet me.

As I sat there, feeling useless, Maddy, young and concerned, and Monique, middle-aged and amused, sat on either side of me and explained what I’d be doing. Monique, as you might remember, was the stage manager, and Maddie was her assistant. My job includes moving the “beanbag boulder” during intermission.

After that: stuff to do! The three of set up the backstage so we wouldn’t be seen from the bleachers, wouldn’t get in the way of the cast in this manic farce, and would be in a lot of light because there would be a lot of downtime, and they’re encouraging me to draw.

They also showed me the props, among which were a feathered fan, a plushie ferret, a glass clock, and the contents of locked box. The contents of the box were a pouch full of (fake) blood, a pouch of (fake) silver coins, including three British pounds, and a pair of (fake) dueling pistols, which were the reason the box was locked.

They sent me home early, which I realized when I looked at my phone, was eighteen minutes early. On my way out, I bumped into Jane, who was in full costume, which I can only describe as Marie Antoinette. Monday night, I’m advised to do nothing but watch the rehearsal so I get a feel for it. This is going to be a breeze.

Paint No Rest for the Wicked

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A couple of months ago, I volunteered to be an usher at a community theater production that in no way needed an usher. They told me they’d be in touch if they thought I could help out on their next production. Right before the holidays, a group email went out, rife with reply-alls, soliciting volunteers for set painting.

I like my life. But I need to get out. I need to have conversations with people who can answer me and don’t bite me at random. I’ll take one or the other.

There was a Saturday and Sunday slot. Because I greet the world like a vampire if you wake him up in the afternoon, I volunteered for the two hours Saturday, and not the four hours Sunday. My contact was Ruth, which is one of those wholesome old-person names that you rarely hear anymore. I had a picture of her in my head.

I arrived a quarter after because I timed everything badly. And most of the work had been done because the rehearsal ended early, and the cast had decided to attack the primered foam trees with rollers. They were baffled by me, I was baffled by them, until Ruth showed up.

Ruth was not an old person. Ruth was a perky, bouncy, thirtysomething, cute as a button, who threw herself into the work. She had no idea what was going on, but she was going to take point because someone had to. The woman with the plan was Kathryn, who was a hippie from the sixties and fussed like Piglet. She was what I thought Ruth was going to be like.

One of the volunteers was a house-painter, so he was available to coach, which he was more than happy to do. He didn’t even need prompting. He would just show up behind you and point out an uneven patch, then stroll away for the next tree trunk where they awaited his wisdom. He was a silver fox with no neck, a fitted T-shirt, and wranglers he kept pulling up.

He and I bonded over the Doors. One of their songs started playing on the radio station (I didn’t know they still had those), and he couldn’t identify it. I asked, “Want me to tell you?” It was “LA Woman.” He explained to his companion that the Doors were from the sixties more than the seventies because Jim Morrison died in the early part of the seventies. Was it ’71? ’72? ’73? He then rattled off a bunch of the Dead at 27 Club.

I spent most of my time in the storage closet with Ruth because it looked like someone emptied a giant junk drawer into it. The storage closet is about the same size as the one Kate dumped my stuff in after the divorce, which is to say it’s very small. The theater troop were there by the grace of St. Mark’s Episcopal Church, with a Sunday school in the room the next day, so all the trees were going to have to be put away. Apparently, the stage had to be broken down and stashed every Saturday night for mass.

I have no spatial reasoning, so I don’t know how to make things fit, until Saturday night, when I was directing Ruth to move things into the best space. She laughed a lot, which was good because I was supposed to be funny.

When everyone went home, Ruth hung out with me while I waited for my Uber. She asked me my favorite part of community theater thirty-five years ago, and I told her working in the wings. I’m the first person who didn’t say acting, so she is going to talk to the stage manager, who might need an assistant, as the play is a farce.

I made it to bed and woke up the next morning to continue the project I was working on Saturday. I asked myself if I wanted to stay home all day like I’ve done for the past bunch of Sundays. I did not, so that afternoon, I headed out to St. Mark’s Church and met more people.

I arrived early because I overcompensated, so Ruth and I cleared up the chairs from Sunday school and learned stuff about each other. She told me her husband was a novelist, with one book self-published, and he was interested in trying out his hand with traditional publishers. I offered some tips.

She was very excited to introduce me to Jess. Jess is on “The Board” with her husband, and she’s an artist. When she was showing off the samples she wanted to do, she turned to me for my expertise, even though I explained I am not an expert. When I asked what kind of art she did, she sheepishly told me crafts stuff, as well as a large bus for a karaoke competition. She was way more of an expert here than I was. In fact, I did two things all afternoon. First, I attempted to sponge over the base layer in a way that looked like leaves. It did not work. I attempted to add highlights. It looked like Jackson Pollack had rolled around on one of his canvasses. The second thing I did was paint over it with the base color and left it to Jess, whose trees looked magnificent.

Meanwhile, Kathryn, who assured us she was no artist, singlehandedly added a level of depth to the tree trunks that was uncanny. Ruth painted the moon, using a video on TikTok for a reference, and Kathryn was there to help. But she was not an artist. No, sir.

When I showed up, I told them I could only stay for two of the four scheduled hours because I would need to return to my cave with my cat and shun the outside world. We were done within two hours.

Now, all I have to do is wait for Ruth’s email, and maybe I’ll be able to hang out backstage and juggle, while surrounded by weird people.

It’ll be fun.

The Power of the Dork Side

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When going through my photo albums, I seemed to hit the sweet spot for nostalgia. Most of my friends throughout my history have been larger-than-life, to the point where I sometimes think of them as characters. When it comes to thinking human beings with their own lives separate from me as characters, the one who demands it the most is Jeff.

If I had to sum Jeff up in two words, they would be “Sassy Nerd.” He was the first Hastings College student I met, and I immediately wrote him off. When it came to being geeky, he was only missing tape on his glasses. It didn’t help that his roommate and my first friend, Rick, declared war on him. On the former’s side were an army of Madonna posters. On the latter’s, Reba McIntyre, all fighting for supremacy.

I didn’t think much of Jeff until my family experienced a loss, and Jeff stepped up to help me out. He volunteered to meet me at the airport and drive me back to school, even though said airport was three hours away. Oh, and it turned out that he was hilarious. And really clever. And sincere. And dangerously unhinged.

His brand was Evil Genius. He literally carried around a checklist for conquering the world, and one of the items was, “Befriend Jeremiah Murphy.” He steepled his fingers with even more menace than Mr. Burns, and when he laughed maniacally, he committed to it.

He said things like, “When life hands you dilemmas, make dilemonade.” For a teenager, he had a lot of wisdom, but he usually delivered it in the snarkiest way imaginable.

He would pathologically not swear. This was part of his identity. As part of out schtick, he and I left movies together behaving like the characters, but after Pulp Fiction, he said nothing. No amount of anything could get him to say something profane.

Except once. Late at night, while I was sitting captive behind the Altman front desk, he approached without emotion, and he whispered into my ear, “Don’t fuck with me.” I fell out of my chair. He denied it for all of college, and if I’m guessing, he’d deny it today.

Though he swears now. I have receipts.

For a while, we were a matched set, despite that the two of us couldn’t be more different. We moved in together sophomore year when Rick fled and there was no way Hastings College was going to let me keep my single without paying for it.

It was not smooth sailing, especially because he could make himself even more irritating if he was mad at you, and I was an unmedicated bipolar, but we came out on top. When we went our separate ways, him still in the dorm, me to a college-owned apartment, we parted as good friends. I even called him at random after I’d had a very weird Halloween.

He’s bald now. He didn’t used to be.

Anyway, I’m not good at likenesses, but this catches the vibe.

Down We Count

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Every single year, it’s the same. The end of December approaches, and with it, the memes, the posts, the general hostility about the previous twelve months. The one we just survived is the worst year ever. Over and over again.

How can you live like that?

When I inconsistently do these years in review, I try to be positive. You can choose which memories you want to have, and I always focus on the ones that are uplifting. I admit to the bad stuff (I mean, I was miserable for 50 percent of my early life), but it’s the least important part of my memoirs.

But 2024 is really fucking pushing it.

First, at the beginning of the year, the relationship between my roommate and I had gotten so toxic that I moved out. I had been kind of poking around in the fall, but I wasn’t ready to move out just yet. I’d found a studio I liked, but I also looked at a two-bedroom because I had never lived on my own before.

The first week of the year, we got into a fight so bad that I sat down at my laptop and applied for the studio. I was approved within a day, and I would have full possession of the keys by the time I finished signing the lease. I paid an extra month’s rent to my former roommate because I was leaving so quickly. We were awful to each other as I made arrangements, until I said, over text, that we weren’t friends anymore.

She panicked and apologized, and we took back our mutual shittiness. That evening, I ordered myself a pizza, and when she got home, I offered her some. She wanted to exercise first, so I had a couple of slices and went to bed. She woke me up and asked if I wanted to watch The Nanny while she ate. Watching TV with dinner had been kind of a sacred ritual for us, but it had fallen off as we fought more and more. This was the last time we’d do it, so it meant a lot.

Our relationship hasn’t fully recovered, but we still text memes and check in. I had cake and ice cream with her the day before her birthday, and she invited me to her friends’ house for board games.

Next: As I was packing up to move across town, I worried about Newcastle. He and Henry had been close friends (Kentucky cousins, as Henry’s mom would say), and neither cat ever recovered from being separated.

Newcastle was depressed in the new place, and he spent most of his time under the bed. I was a coiled spring for the entire time we lived there together. What if he was ready, and I was cruelly forcing him to live? Yet he still wanted to hang with me in bed or at my desk. He ate, he drank water, he befouled the litter box. He couldn’t jump up to my lap anymore, so I had to be ready with a lift at a moment’s notice.

At the end of January, I didn’t see Newcastle for an entire day, so I called the vet and arranged a checkup. He seemed fine, but they wanted to wait for the lab results to know for sure. A week later, the doctor called to tell me he had kidney failure. This was it. There was a treatment that might buy him some time, but I’d have to check him to a facility—

No. I wasn’t going to submit my cat, my world, to that kind of treatment for just a few more months. He was twenty. When I said no, I thought I had six-to-eight weeks. I had two. One day, he didn’t come out from under the bed at all. I knew it was time with the rigid certainty of a diamond. It was too soon. Twenty years wasn’t enough. He was my best friend, the love of my life, the longest I’ve ever lived with someone. And suddenly, he was a box full of ashes.

I didn’t want to replace Newcastle, so I decided that I would give myself a year to grieve. Two months later, my one-time roommate called and asked me if I was willing to hold onto a cat for a week or two. It would be nice to have something to pet around here, so I said sure, and I named him Potato, short for Hot Potato. He looked disheveled and the product of a union between a cat and a dachshund. When she had found him, he was eating a Reese’s wrapper.

The roommate’s  boyfriend took Potato and me to the vet, where the former got checked out. He was in perfect health, aside from the starvation. Because of that, it was hard to estimate his age, but it was around a year. His coat was clean, and he was friendly. This was someone’s cat.

After the two weeks were up, I adopted Potato. After a brainstorming session with former roomie, I decided on Oscar because he looks like an Oscar.

It took me a long time to get used to him. I hadn’t intended to bring another cat into my life so soon. I felt like I was betraying Newcastle, who looked exactly like Oscar when he was a year old. I’m still grieving, ten months later, but it helps that he’s here.

Oscar is a shoulder cat. He’s most comfortable draped around my neck. Oscar a jumper, and he’s really smart, meaning there’s no place in this apartment he can’t get into, except for my refrigerator. He started claiming the shelves I’d used for toys, so I had to relocate Newcastle’s memorial into a box and inside a cupboard over the fridge because he wanted the shelf. He can still get into that cupboard, and I’m waiting for him to push it to the floor.

Also, he’s a biter. Occasionally, he’ll rub affectionately against my arm or my hand and bite them. Not enough to hurt, but enough to get my attention. Once, on my shoulder, he opened his jaws wide and tried to bite off my head. I don’t know how to interpret this.

He’s a wonderful addition to my life, and I’m glad he’s here. I still miss Newcastle, and I have this inkling of a thought about a comic starring Oscar in full weasel mode getting coached by the ghost of Newcastle on how to be a cat. I have no ideas what the stories would be about. Same with the Black Cat Brigade, starring Oscar, Henry, and our friends’ cat Inkling, and the ghost of Newcastle. Again, I’d need a writer.

Third, I lost my best human friend. I’ve written volumes about how much Shane has meant to me since I first met him as a teenager. He was making it a point to call me more often, and he was moving to West Virginia; a small part of the reason was that it put him in a few hours’ bus ride from me. He called me on a Monday, concerned about his health. I assured him everything was going to be okay. That Saturday, he died at forty-nine years old.

I had dedicated my novel to him, and I wanted it to be a surprise. Now he’ll never know. I didn’t go to his memorial service because I wouldn’t be able to afford it, but I wrote a brief letter to share with everyone. Apparently, I dodged a bullet, as there was drama. I’ve been texting with his mother, and I reconnected with some old friends, however briefly. I miss him. Every day I think of something I want to tell him, and I remember I can’t, and he dies again.

He was my mentor when I was a confused, often angry teen. (Even Anakin Skywalker cringed at my antics.) His patience led me to lean in on my creative side and opened up the world of Art. (I sat in on him filming a music video even though he could play neither the guitar and the keyboards. This really doesn’t fit into the flow of the paragraph, but I thought I’d mention it.) When I struggled with ideas, he pushed me along. He talked me through the early days of my visual art. Together, we wrote two screenplays, a TV miniseries, and endless ideas bounced off of each other. We were a team.

When I thought I was through with him, he was always waiting for me. Some people never get to have a friend as loyal and full of life and style as Shane, and that’s really sad. I miss him, but I was lucky to have him in the first place, even if only for thirty-two years.

Two summers ago, I needed to take care of my use-or-lose vacation time, so I flew to New Mexico to spend the next nine days writing a TV series. Some of my favorite memories are of the days in Shane’s studio, smoking weed and collaborating, sometimes struggling over a single word until we find the perfect one. We were able to duplicate that magic in 2022.

As a bonus, my work friend ghosted me when she left the company. It’s better than the way things had been going. When she first started fall of 2023, we bonded instantly. Some of that was because she sat next to me. She was twenty years younger than I, and she came from a completely different life than I. For example, she and her fiancé owned a house in Foggy Bottom, which he bought in cash. We went out for coffee every Thursday, and we filled each other in on every detail of our lives.

When she got married in the spring, our dynamic changed, as the people her own age showed interest in her. We went from texting and messaging all day and night to not interacting for days. She quit, and we threw a farewell party on her last day. I tried to talk to her, but the Loquacious One dominated the conversation.

Where I have great management, hers was a nightmare, and she ended up doing all the work for her publication. When her manager was fired, she continued to get stuck with the work, and while her manager was training, she still got all the work. So when she left, for her vacation and then for good a few months later, I poked and prodded my managers into arranging coverage for her.

After her first manager was fired, she applied for his job, despite only being there for six months by that point. She didn’t get the job, and she was embittered by that. That put it in my head that I’d like a promotion.

I had gotten one in 2021, and I have vastly expanded my expertise since then. I could have waited until they came around to it, but instead I brought it up at a check-in meeting with my manager. There’s a tier system in Editorial, and I was on the second one. No one knew if there was a third, so it took a while to arrange.

It took a couple of months, but advocating for myself ultimately paid off. An announcement was made, and the general consensus was that it was a long time coming. My new roles including training and absorbing as much of the process as necessary.

I gave up MortalMan for the time being. I finished page seven and sketched out page eight. I had originally put it on hold when I knew that Newcastle was almost gone because I wanted to be there to pay attention to him. After he left, I tried again. I finished page seven and started on page eight before I just put everything away. I’ll try to get back to it.

Yes, 2024 was a bad year. If you know anything about the tarot, it was a Tower year. Or Death, at the very least. The bad that happened to me outweighed the good. But look at the good.

I’ve drawn and colored millions of pictures. I polished off two half-finished novels—one that needed a complete rewrite and one that needed a bit of padding. I tried mushrooms for the first time since the nineties, and I do not recommend it. I didn’t have a bad trip or anything, but I spent most of the time wishing it would just wear off. I went on the most perfect vacation (for me).

I found a coffee shop in my neighborhood, then it closed down. I found two coffee shops over the Maryland state line that I have to either walk or take the Metro to. I found a third coffee shop a little further over the Maryland state line. I found first coffee shop again, not closed down, but rather relocated a short walk from my apartment. It was here that I saw beloved British Comedian, John Oliver at the first coffee shop, while a little later that day, a strung-out woman tried to outdraw me by taking over my table.

These are the things I value. My job appreciates me, and it doesn’t cause me stress. I have Oscar currently draped over my legs, which are kicked up on my desk. It’s chilly, but not cold, which is how I like it. I love my postage-stamp-sized apartment. I have friends (no, really). I have two healthy parents. Life is good.

Weekend Update: a Throwback

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Once upon a time, before I had a blog, I used to send updates about my weekends to all of my friends, many of whom probably ignored it. The idea behind them was to make myself the star of some over-the-top drama with reoccurring characters, centered around some off-center detail. I didn’t do much this weekend, but plenty happened. We’ll begin on Thursday.

To fully appreciate this story, you have to know about the Loquacious One. She. Won’t. Shut. Up. Every moment of the conversation belongs to her and her alone, and she takes you on a train of thought that doesn’t have any stops. When we threw a party for my departing Work Friend, I couldn’t speak to her because the Loquacious One wouldn’t stop talking.

She hangs out at my neighbor’s desk, gossiping for long stretches of time. I have headphones and something to listen to, but her voice pierces through my shields, driving me to psychosis, like a heart buried under the floorboards.

Thursday, we have a short day at work because of the “End-of-Year Party.” I hate parties. I hate speeches. And this is both. But I hang in there, having a good time at a table with Fellow Ace, My Boss, My Boss’s Boss, and a few people I don’t know that well.

The subject comes up of hot doctors and physical therapists because they’re so young these days, and we are collectively not. I bring up hot dental hygienists because there’s no way anyone who sees the inside of your mouth will ever find you attractive. 

The Loquacious One brings up her teenage son’s swim team. She starts calling them hot. By this point, everyone is really uncomfortable. But it gets worse.

She unlocks her phone and swipes over to a picture of her son, in a Speedo. She says, “Isn’t he hot?”

*pause to let that set in*

Friday, I have an intense morning at work, but very little to do. I still skip lunch. When I run out at about one o’clock (six hours into my seven-hour work day), I announce that I’m taking the rest of the day off. My boss does not tell me to stay.

I duck outside to treat myself to a little something-something, but while I’m outside, my mouth on the pipe, the lighter hovering above it, my boss texts me asking if I’m planning on attending the one thirty meeting. Luckily, I hadn’t actually taken a hit, so I can safely take the journey back to my appointment, unlock my work laptop, and am only five minutes late.

On my way back to my little alcove with my repacked pipe, I glance into the furniture-disposal garage and behold the bookshelf of my dreams. The construction, the design, it’s everything I ever wanted. It’s undamaged, but definitely used. I don’t have enough books to put in there, and I can’t fit it into my apartment, I take it anyway.

I’ve been wondering why they would have disposed of it. I had a few ideas, and using Occam’s Razor, I narrowed it down to it being cursed. It will probably be one of the inconvenient ones, like “there’s always a pebble in your shoe,” or “everything tastes like fudge.” Oscar approves of the bookshelf, though, so I’ll hang onto it for a while.

Eventually I do smoke the marijuana.

On Saturday morning, I arrive at the cafe at seven, to discover that they open at eight. It’s a little less than freezing outside, so I can either go home and call this a bust, or I can catch the Metro, which was on the way home, and go to another cafe. What I decide to do is walk the four blocks to the mushroom store and see how much time that uses up. I end up exploring the neighborhood, and I find Georgia Avenue, a lively boulevard in this part of DC. I even find the rental car place where Nicole and I got our transportation to Hall & Oates. I can go for that.

It opens. It takes me a while to focus, but I find a reference and start drawing. I’m surprised when I looked up from my sketchbook to see someone who looks exactly like beloved British comedian, John Oliver. I return to drawing. I look up again, and I get a good look, and it really is John Oliver, beloved British comedian. He gets his coffee and leaves.

I have finally blocked out a decent torso and am refining it when a strung-out woman with a lot of perfume sees me drawing and tells me she can do it better. She tries to rip a page out of my sketchbook, then gets a napkin and a sharpie when I fight back. While she’s gone, a barista runs over and asks if I’m okay (I am not), and he tries to get the woman’s attention.

She pulls a chair in next to me, scoots me against the wall, and starts drawing. The barista has backup now, but still she won’t budge. They try taking her napkin, and she won’t let go of it. They take my laptop, which she and I had been using as a reference, and she doesn’t slow down. She’s a woman possessed. They call the police, and she still won’t leave. Before the police get there, she finishes the drawing, autographs it, and takes off.

The staff is very embarrassed, and they ask me if I’m okay, if I scared. I tell them I was more annoyed than anything. They give me a free coffee and apologize again. I assure them that it is not their fault, and I’m impressed with how they handled it. They could have escalated it, but they did not.

This may be the weirdest coffee shop I’ve ever been to.

I go into a fugue when I get home and work solidly on a piece of art. I had decided that I want to challenge myself by drawing argyle, and not on a flat surface. To pull it off, I have to perform a lot of tricks with few guidelines. I feel like I’ve pulled it off.

When I emerge from this state, I actually feel kind of hungover. I am texting with a friend, and I tell her I’m exhausted. She asks, “Big day?” I reply, “Seeing John Oliver and being interrupted by an aggressive woman in the coffee shop wasn’t enough?”

Sunday, I am planning on camping out in the Lost Sock, the easiest cafe to get to. However, if you need a table, you have to be prepared to arrive early. They open at eight. It takes twelve minutes to walk to the Metro, which runs every six minutes on the weekends. The trip is about three minutes, and the walk to the cafe is another three. I check the weather. Fifteen minutes of walking and up to six minutes on the platform in 20 degrees (-6-Celsius). I stay home and whip up a large painting, from the first scratch to the last brushstroke.

When I take a break, I turn my attention to the probably cursed bookshelf. Part of the reason I love it so much is because it will be the perfect partition between the kitchen and my bedroom, collectively known as The One Room. However, Oscar jumps from the counter to the top of the bookshelf, which sends it crashing to the floor. It’s fine, but still.

I’ve got a week off following Christmas, and I’m looking forward to trying some new things in that time. And I’ll report back to you.

Baby Got Pack

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Where once the three departments on the fifth floor had each existed peacefully within their own boundaries, the current layout resembles a map of gerrymandering. I come from pubs, but I’m sitting with the manager of a different journal in Research. Several Researchers are sitting in Pubs. My manager is a plush animal’s throw away, near the assistant to the manager by me.

A new employee gets a place to sit the same way you do during a game of Musical Chairs. This is not just the fifth floor. The floors were planned with as much order and precision as two people playing Twister while covered in ketchup packets and lard.

Since our workforce is growing, we purchased the rest of the building and have been spending the past six months expanding the American Society of Hematology and starting from scratch. Everybody is packing up, everybody is moving.

Pubs gets its own floor. And somehow, that will get fucked up, I guarantee it.

The move process is simple. The movers provide you with a plastic crate, you put the sticker with your new home on it, and fill it up. If you don’t have enough space, you can go to the copy room, and there are cardboard boxes. Make sure everything is labeled. You don’t need to do anything with the electronics. Simple, right?

We have an assembly about this today. They explain everything repeatedly. It’s not because the Building Manager is dumb and inefficient, but because she has anticipated getting questions like the first one from the Q&A portion: “Do we put the labels on the monitors before we put them in the crate?”

The heat gets spicy when a woman, who I am going to call Karen for no reason, steps up to the mike. She looks around meeting room 10, which was the size of about six meeting rooms, but is only populated by about forty-five people, and turns back to the Building Manager.

Karen says this: “The boxes are in the copy room. Mmhmm. Are the boxes assembled, or is it something we—” She said “we” like it tasted bad. “Is it something we have to do ourselves?”

When the Building Manager explained that yes, they would have to do it themselves, Karen looked at her audience, nodding ad trying to be relatable. “Could you maybe provide some instruction on how to tape the boxes safely so nobody gets hurt?”

Nobody applauded.

The Building Manager, whose side I’ve been on up to this point, snaps, “They don’t need tape. They’re tapeless boxes. Does anybody else have a question?”

Later, the Building Manager calls over the Expert and asks him to show everyone how easy it is. After whacking the podium three times, the Building Manager leans over and tries to help. She makes it worse. When the HR Giant arrives to bail out his coworkers, he ends up hitting the podium and one of the empty chairs in the front row. If a moving company performed a Nirvana song, this is what it would look like.

In the middle of the show, I received an email featuring a question so stupid I feel a part of my brain die just reading it. I hit my chair with my phone.

Packing is a piece of cake. The only things I need to do my job are a laptop and my faulty brain, so all I have at my desk are some snacks and the toys I don’t want Oscar destroying. I fill up my crate, no boxes, and tried to get back to work.

I can’t because the Director of Research, the supermodel, has to bring her eighteen-month-old son, also a supermodel, to work while she packs. He’s fine. He’s a great kid. He isn’t the problem.

Everyone working in research is a middle-aged mom, so they cluster around him the way a hoard of zombies surrounds one very unlucky alive person. As is the case with zombies, there is a lot of cannibalism. (“I could just eat him up!” “I want to put those toes in my mouth and eat them!”)

So I went home. The move will take place 27 December, so I can’t use my mug until next year.