As a Doctor Who fan, I enjoy multi-Doctor adventures, in which they bring back their former lead or leads to interact with the present star. “The Three Doctors,” in 1973, set the precedent that the Doctors squabble amongst themselves. The Doctor is played by different actors, so they were like different people, but what if they were all the same actor?
I thought about it in earnest one day, and I concluded that, if my past selves met me, they would hate me, or at least see me as a big disappointment. If there’s one thing I do with gusto is reinvent myself every few years. I change hairstyles, I change wardrobes, I change shape. Sometimes I have a beard. Sometimes I’m wearing glasses.
In parts of college, I was a condescending intellectual. In my mid-twenties, I was a miserable
dude who partied somewhat hard. When I was a kid, I could be downright feral. And then there was the polyamorous fitness buff.
I wrote a screenplay about it. I started working on it in Atlanta during my society’s ostentatious 2021 annual meeting. I remember this because I was thumbing through the program for names. I had no idea what I was doing, and it shows. It was proof that an idea is not enough.
I haven’t really been writing anything new lately, but I’m still being productive by finishing unfinished books or completely rewriting garbage drafts. I’m adapting the screenplay into a novel, which means adding a coherent plot and ton of new material.
It’s a sci-fi comedy about a middle-aged loser who is temping at an evil genius’s secret headquarters. A cute scientist flirts with him for a few days, then she lures him into a dangerous experiment. The result is that his past selves have materialized with him in the lab.
The polar opposites that were Ryan, at forty-five, thirty-six, twenty-seven, eighteen, and nine, must all work together, with the help of the cute scientist, to escape before they are disposed of.
My favorite artist is John Singer Sargent, and I think that, ultimately, Impressionism is my favorite movement. The classical, non-portrait art galleries in Washington, D.C. have plenty of Impressionist pieces, but it’s the National Gallery West Wing that has the most massive collection.
I hadn’t been there since the pandemic, when I went to see my favorite painting. (Nonchaloir (Repose), by Sargent.) I think it’s with this painting that the impression Impressionism has left on me is apparent. It’s a picture of a woman with a floofy dress relaxing on a couch, and it looks like it was thrown together in twenty minutes. But that’s not true at all. If you look at her hands, you can see sharp detail and precision that only looks sloppy. It’s an amazing piece of art.
And on that day, four years ago, the entire that whole section of the museum was closed off. No Sargent. No Whistler. No Monet. No girl in yellow reading a book. And I hadn’t been back since.
Because I’ve hit a steady routine of drawing in cafes on Saturdays and/or Sundays, and because you can’t spell routine without rut, I gave the museum another shot. And it hit the target. I got to see my favorites, I got to see new, exciting pieces, and I got to see the same people over again.
This is normal. Depending on which entrance they use, the gallery herds you through the maze of rooms, and certain pieces demand a certain amount of attention from different people, which averages out, and boom, there they are.
Usually, I’d only see them in a couple of rooms, especially when I would sit down and draw a painting that grabbed my attention. I divided my attention between the canvas and the eyes surreptitiously peeking over my shoulder to watch what I was doing. My rough sketches, as you can see, put the rough in rough. There’s a reason I color and ink these pieces as fast as I can.
Normally, most the fun of coming to a museum is people-watching, but I didn’t do that this time because I was so focused on capturing the figures in my style, and quickly. Also, the crowd was really dull. Hair was dark brown, black, and white. Parkas were black or navy blue. There weren’t patrons there I’d describe as bright or notable.
Then there was the woman who interrupted my work by being really striking. Her hair was a very red shade of auburn, and her sweater was white with blue stripes. She was petite and middle-aged, and I watched her do a bored circuit of the room and leave. When she wasn’t distracting me anymore, I finished my drawing.
Later, I was looking for another painting to sketch out, and there she was again, sprawled out on a bench, playing with her phone like a teenager. I just kept seeing her. It took fifteen-to-twenty minutes to finish a sketch, and I did five of them, so she was going through these rooms incredibly slowly. And she wasn’t looking at the art.
Between the first and second time I saw the striking woman, I zeroed in on a great painting of a clown at exactly the same time as an old woman. She was bell-shaped, with a shawl draped over her round, hunched shoulders. She wore a fishing hat and glasses that are so thick, if you rub them you can see the future.
She started talking to me, and I responded, and she gasped and staggered back in shock, as if I’d forgotten to tuck after using a urinal. (I hadn’t forgotten.) What followed was incoherent jabbering, until she said slowly and deliberately, “I thought you were my husband. But you look nothing like him.”
We chatted about the painting for a minute, and she laughed at her antics and left the room. A few minutes later, I too exited the room, and there she was, pointing at me gleefully and whispering to a man who did not look a thing like me, in the slightest. Our clothes were completely different. We were different heights. I had a beard. I was wearing an orange beanie, and he was not.
The man chuckled. “You must be my doppelganger.”
“I’m the World’s Worst Doppelganger,” I said and got the hell out of there, where I ran into a guard.
“Excuse me, sir,” he asked, “is that a sketchbook?”
The guard is an artist, but he’s hit a low point with his art. He’s second-guessing himself, his output has been low and crappy. I’ve been there. I stopped drawing for five years because of it. He wondered if I had any advice about getting back on the horse.
I couldn’t give any advice because I don’t know what I’m doing, but I told him what broke my empty streak: go back to basics. Get rid of everything and start with a pencil and an eraser. Use a sketchpad you don’t care about and go and make mistakes. Draw often. And remember, your art is better than you think it is.
Wisdom. I got it.
That was my outing. People being weird, and some beautiful art. And some sketches. I hope you had a good weekend.
When going through my photo albums, I seemed to hit the sweet spot for nostalgia. Most of my friends throughout my history have been larger-than-life, to the point where I sometimes think of them as characters. When it comes to thinking human beings with their own lives separate from me as characters, the one who demands it the most is Jeff.
If I had to sum Jeff up in two words, they would be “Sassy Nerd.” He was the first Hastings College student I met, and I immediately wrote him off. When it came to being geeky, he was only missing tape on his glasses. It didn’t help that his roommate and my first friend, Rick, declared war on him. On the former’s side were an army of Madonna posters. On the latter’s, Reba McIntyre, all fighting for supremacy.
I didn’t think much of Jeff until my family experienced a loss, and Jeff stepped up to help me out. He volunteered to meet me at the airport and drive me back to school, even though said airport was three hours away. Oh, and it turned out that he was hilarious. And really clever. And sincere. And dangerously unhinged.
His brand was Evil Genius. He literally carried around a checklist for conquering the world, and one of the items was, “Befriend Jeremiah Murphy.” He steepled his fingers with even more menace than Mr. Burns, and when he laughed maniacally, he committed to it.
He said things like, “When life hands you dilemmas, make dilemonade.” For a teenager, he had a lot of wisdom, but he usually delivered it in the snarkiest way imaginable.
He would pathologically not swear. This was part of his identity. As part of out schtick, he and I left movies together behaving like the characters, but after Pulp Fiction, he said nothing. No amount of anything could get him to say something profane.
Except once. Late at night, while I was sitting captive behind the Altman front desk, he approached without emotion, and he whispered into my ear, “Don’t fuck with me.” I fell out of my chair. He denied it for all of college, and if I’m guessing, he’d deny it today.
Though he swears now. I have receipts.
For a while, we were a matched set, despite that the two of us couldn’t be more different. We moved in together sophomore year when Rick fled and there was no way Hastings College was going to let me keep my single without paying for it.
It was not smooth sailing, especially because he could make himself even more irritating if he was mad at you, and I was an unmedicated bipolar, but we came out on top. When we went our separate ways, him still in the dorm, me to a college-owned apartment, we parted as good friends. I even called him at random after I’d had a very weird Halloween.
He’s bald now. He didn’t used to be.
Anyway, I’m not good at likenesses, but this catches the vibe.
From preadolescence in Tahlequah, Oklahoma, to Doha, Qatar, I have tended to gravitate toward weirdos. Even Work Rachel, though she came and left my life in a handful of months, was pretty out there. The people in my life are so off-center, and they’re so different, that I can’t help but think of them as characters.
I bring this up because I took the weekend to digitize my photo albums, and I rediscovered my past. And then, I remembered the characters in my life, and characters are meant to be drawn. I don’t plan on turning this into a thing, especially as MY LIKENESSES ARE TERRIBLE.
When I arrived at Hastings College, I didn’t exactly blend in. I was darker colors, plaids, and torn jeans, and the entirety of the Midwest was also plaids, but also a blend of earth tones and pastels. I was alone. Suddenly, someone came along, made an obscene comment about the holes in my jeans, and lured me into his den of filthy degenerates.
For a while, it was amazing. With our newfound freedom, we frolicked in innocent (yet very horny) fun, mostly involving smoking cigarettes indoors. Unfortunately, it didn’t last. We were kids, and we didn’t know better.
We started being really horrible to each other in ways I’ve compartmentalized and would refer to as “toxic,” if I didn’t feel like that word has lost all meaning. We’re not bad people. None of us were. We were young, and we got swept up in the moment.
Since running into these photos, I’ve been remembering the early days, before it got complicated, and some of the characters. From left to right:
There’s me, who seemed to be living under a bad-luck curse.
Rick was the one who befouled the reputation of my beloved grunge jeans and brought me into the group of misfits he’d been gathering. Not only was Rick a dancer with moves that could hypnotize a sultan, but he was sincere and curious, two of my favorite traits in a person.
Susan was a pretty, petite young woman who could fell a man by belching on him. She was your drunk uncle at Thanksgiving, without the politics. She was never wrong, and this infuriated me. Sure, she was right most of the time, but did she have to be so belligerent about it? When I met her, she had a Canadian boyfriend, and I said, “Sure.” Then I met him.
If I were dream-casting Greg, I’d go for a young Joan Crawford, smoking a cigarette and waiting for something that piqued her interest. He moved like a marionette, broadly swinging his limbs from one pose to another, going from irritated to overjoyed in an instant. Greg taught me the value of camp and Bea Arthur, without which I would have never appreciated the one good part of the Star Wars Holiday Special.
JJ is difficult to describe. His black T-shirts, sometimes sans sleeves, heavy work boots, and unabashed mullet cast him as a redneck. And he was. He could keep up with Susan on the race to the bottom, and he thought he was the most hilarious person he knew. But sometimes, he’d get really calm, and he’d say something so profound, it would blow the back of your head off. But sometimes, he’d get really calm, and he’d say something so unbelievably stupid, it would blow the back of your head off.
These were just a few of the weirdos I got to know in my early days, far away from home, in a strange land, trapped somewhere between adult and child.
Once upon a time, before I had a blog, I used to send updates about my weekends to all of my friends, many of whom probably ignored it. The idea behind them was to make myself the star of some over-the-top drama with reoccurring characters, centered around some off-center detail. I didn’t do much this weekend, but plenty happened. We’ll begin on Thursday.
To fully appreciate this story, you have to know about the Loquacious One. She. Won’t. Shut. Up. Every moment of the conversation belongs to her and her alone, and she takes you on a train of thought that doesn’t have any stops. When we threw a party for my departing Work Friend, I couldn’t speak to her because the Loquacious One wouldn’t stop talking.
She hangs out at my neighbor’s desk, gossiping for long stretches of time. I have headphones and something to listen to, but her voice pierces through my shields, driving me to psychosis, like a heart buried under the floorboards.
Thursday, we have a short day at work because of the “End-of-Year Party.” I hate parties. I hate speeches. And this is both. But I hang in there, having a good time at a table with Fellow Ace, My Boss, My Boss’s Boss, and a few people I don’t know that well.
The subject comes up of hot doctors and physical therapists because they’re so young these days, and we are collectively not. I bring up hot dental hygienists because there’s no way anyone who sees the inside of your mouth will ever find you attractive.
The Loquacious One brings up her teenage son’s swim team. She starts calling them hot. By this point, everyone is really uncomfortable. But it gets worse.
She unlocks her phone and swipes over to a picture of her son, in a Speedo. She says, “Isn’t he hot?”
*pause to let that set in*
Friday, I have an intense morning at work, but very little to do. I still skip lunch. When I run out at about one o’clock (six hours into my seven-hour work day), I announce that I’m taking the rest of the day off. My boss does not tell me to stay.
I duck outside to treat myself to a little something-something, but while I’m outside, my mouth on the pipe, the lighter hovering above it, my boss texts me asking if I’m planning on attending the one thirty meeting. Luckily, I hadn’t actually taken a hit, so I can safely take the journey back to my appointment, unlock my work laptop, and am only five minutes late.
On my way back to my little alcove with my repacked pipe, I glance into the furniture-disposal garage and behold the bookshelf of my dreams. The construction, the design, it’s everything I ever wanted. It’s undamaged, but definitely used. I don’t have enough books to put in there, and I can’t fit it into my apartment, I take it anyway.
I’ve been wondering why they would have disposed of it. I had a few ideas, and using Occam’s Razor, I narrowed it down to it being cursed. It will probably be one of the inconvenient ones, like “there’s always a pebble in your shoe,” or “everything tastes like fudge.” Oscar approves of the bookshelf, though, so I’ll hang onto it for a while.
Eventually I do smoke the marijuana.
On Saturday morning, I arrive at the cafe at seven, to discover that they open at eight. It’s a little less than freezing outside, so I can either go home and call this a bust, or I can catch the Metro, which was on the way home, and go to another cafe. What I decide to do is walk the four blocks to the mushroom store and see how much time that uses up. I end up exploring the neighborhood, and I find Georgia Avenue, a lively boulevard in this part of DC. I even find the rental car place where Nicole and I got our transportation to Hall & Oates. I can go for that.
It opens. It takes me a while to focus, but I find a reference and start drawing. I’m surprised when I looked up from my sketchbook to see someone who looks exactly like beloved British comedian, John Oliver. I return to drawing. I look up again, and I get a good look, and it really is John Oliver, beloved British comedian. He gets his coffee and leaves.
I have finally blocked out a decent torso and am refining it when a strung-out woman with a lot of perfume sees me drawing and tells me she can do it better. She tries to rip a page out of my sketchbook, then gets a napkin and a sharpie when I fight back. While she’s gone, a barista runs over and asks if I’m okay (I am not), and he tries to get the woman’s attention.
She pulls a chair in next to me, scoots me against the wall, and starts drawing. The barista has backup now, but still she won’t budge. They try taking her napkin, and she won’t let go of it. They take my laptop, which she and I had been using as a reference, and she doesn’t slow down. She’s a woman possessed. They call the police, and she still won’t leave. Before the police get there, she finishes the drawing, autographs it, and takes off.
The staff is very embarrassed, and they ask me if I’m okay, if I scared. I tell them I was more annoyed than anything. They give me a free coffee and apologize again. I assure them that it is not their fault, and I’m impressed with how they handled it. They could have escalated it, but they did not.
This may be the weirdest coffee shop I’ve ever been to.
I go into a fugue when I get home and work solidly on a piece of art. I had decided that I want to challenge myself by drawing argyle, and not on a flat surface. To pull it off, I have to perform a lot of tricks with few guidelines. I feel like I’ve pulled it off.
When I emerge from this state, I actually feel kind of hungover. I am texting with a friend, and I tell her I’m exhausted. She asks, “Big day?” I reply, “Seeing John Oliver and being interrupted by an aggressive woman in the coffee shop wasn’t enough?”
Sunday, I am planning on camping out in the Lost Sock, the easiest cafe to get to. However, if you need a table, you have to be prepared to arrive early. They open at eight. It takes twelve minutes to walk to the Metro, which runs every six minutes on the weekends. The trip is about three minutes, and the walk to the cafe is another three. I check the weather. Fifteen minutes of walking and up to six minutes on the platform in 20 degrees (-6-Celsius). I stay home and whip up a large painting, from the first scratch to the last brushstroke.
When I take a break, I turn my attention to the probably cursed bookshelf. Part of the reason I love it so much is because it will be the perfect partition between the kitchen and my bedroom, collectively known as The One Room. However, Oscar jumps from the counter to the top of the bookshelf, which sends it crashing to the floor. It’s fine, but still.
I’ve got a week off following Christmas, and I’m looking forward to trying some new things in that time. And I’ll report back to you.
From October 25 through November 2, I was on a mandatory vacation. In September, I had run the vacation calculator, and I found out I had about sixty hours of use-or-lose vacation, so at the end of last month, I went to Colorado to see my friend Emilie. She was kind enough to show me some cool art galleries.
There were also some inspirational diners and cafes.
None captured my imagination quite like Corvus. So many colorful people came into that establishment for caffeinated refreshment.
For a couple of days, my sister and I hung out, including our hajj to Mile High Comics, one of the largest comic book stores in the country, possibly the world (not counting those perverts in Japan). It’s in a warehouse. A warehouse. The distance between me and bulbs overhead could be measured in light years. Most of the warehouse was actually a warehouse, storing and shipping comics all over the planet at marked up prices.
They had rows upon rows of older comics, including a separate series of bins for variant covers. They had comic book toys, in their packaging, going back to the toys I collected in high school. Do any Xers remember The Power of the Force? The pre-prequel action figure line with really buff biceps? They had those. They had a bit of everything, including long out-of-print trade paperbacks.
I spent *cough, cough* dollars and started conversations with two strangers, the latter of which is a huge deal for me.
Emily and I spent Halloween together, and the first person we saw outside of each other was a waitress in bunny ears. It bode well for us, and we spent the morning in the mall, goofing off like teenagers whose joints weren’t cooperating anymore.
There were plenty of costumes on the retail workers as we went into an enormous bookstore, a comic store, game and toy stores, the Lego store, the knife store, jewelry stores, and Spencer’s gifts, the latter of which always gives me a giggle.
After retreating to our corners for naps, Emily had dressed up in a sexy medieval (sexy, not skanky) dress, and we wandered the neighborhood, looking for the coolest Halloween decorations, and we were sorely disappointed. Some people went all out, but most either ignored the holiday altogether, or just slapped a couple of pumpkins and a fake spider web and call it done. Some people had eight- or twelve-foot skeletons and expected their game would be judged based entirely on that. Oh, trust me, Alan: we’re judging you.
Emilie and I didn’t spend every waking moment together, even if I had inadvertently booked an Airbnb a block from her house. And honestly, that was for the best. She’s got her way of doing things, I have my way of doing things. She has errands, I have a muse.
When I had dinner without her, I had it shipped to me. However, since guests and hosts prefer to keep as far apart as possible, I had to intercept the drivers before they could ring the doorbell. This is despite that I specifically asked them to go out back. On one occasion, I ordered the food then went on a brief constitutional, taking a wrong turn that led me so far from home base that I had to sprint to catch the driver only moments before she reached the front door.
For our last day together, we went to Golden, the former home of my sister, which has a beautiful downtown. Unfortunately, for the second day in a row, we were disappointed. Golden has a whole lot of restaurants and cafes, but very few quaint shops to roam around in while discussing things of no real importance to anyone but us. We went to a coffee shop instead.
But Saturday, I had to go through that hellhole of airports to return home and to my life, and my Oscar, who is currently punishing me for not being Nicole.
There was a lot of art on my vacation, and I will be sharing it with you. But first, here’s a present I made my friend, Emilie, who was gracious enough to keep me company. It’s of M, the swashbuckling Scourge of I-80 and of her sidekick, Pixie.
My novel was accepted by the publisher almost two years ago. I read the contract very carefully, looking for tricks and traps, but it was straightforward and very generous. The cover looks great, and they were very responsive to my concerns about fonts. Because the title is a Navajo word, they were able to accommodate the unique accenting of the language. The layouts went well. Everyone has been extraordinarily professional. But that’s not why this is taking so long.
I received the first edits fifteen months ago, and they were really bad. When I realized the editor had caused a lot of problems, I asked Production to fix it. They rejected all the changes and brought in a new team. They were just as bad. So was the third edit. The fourth edit was a vast improvement, though it wasn’t until a later round that they stopped changing “Oxen’s Razor,” which was the term used by a teenager trying to sound smart, to “Occam’s Razor,” not getting the joke.
I’ve been going back and forth with them for fifteen months, during which I’ve reread my novel nine times. I’m getting kind of sick of it.
(To be clear, I’m really proud of this book, and I think it’s some of my best writing.)
Now that they’re only sending me the final proofs, I have to edit my own book. Because of my attention span, I can’t catch all of the errors on a pass, so I have to go through it again and again, stripping out the errors. On the ninth pass, I saw that I had misspelled Jennifer once, and I didn’t notice the other eight times I read it. Also, I’m catching some continuity mistakes, like who gave the main character his pickup. These things should have been spotted by an editor.
To be clear, I’ve liked working with them so far. I just can’t figure out how this one department can be so unskilled and unprofessional. And I can’t figure out why the publisher isn’t taking this more seriously. When I self-published three years ago, my novels went up covered in typos. I reread them at least three times, and I still missed a lot. And that’s embarrassing. How am I able to hold up a book proudly and brag about it if it looks self-published? This looks bad for the publisher too. So I just returned the latest round of proofs. I will spend another fifteen months doing this if it’s what it takes to make this perfect. I painted this picture of Aaron and Jen, the main characters of the novel, Hanììbààz Rising because it was on my mind again.
As you may know, I’m ace, or asexual. Some may find this hard to believe because I’ve had my fair share of sex in my life, but there is a pattern. I tend to be more randy when I’m manic, and when I’m baseline or depressed, I’m not interested. I’m still drawn to sexiness, but I don’t want to have sex. Asexuality is a scale, and I fit on it somewhere.
Anyway, that’s my way of saying that I’m apparently going through a manic period. This means delusions of grandeur, snap decision-making, irresponsible spending, a really short, hot temper, and I start remembering sex fondly again. As a result, I started getting a little frisky with some of my drawings. I’m still seeing all the errors, but I’m happy with most of these.
I’ve been feeling really self-conscious about my art lately`. I’m continuing to draw, almost compulsively, and paint or color, because I like the act of doing it. Unfortunately, I am not that crazy with the results.
I obsessively catalog and curate my art, going back almost as far as I’ve been drawing, which was 1998. I started out sketching in lined notebooks or whatever I could get my hands on, and I was so proud. I was drawing stick figures and bodies with no faces, and to me, they were as classic as a John Singer Sargent. Unfortunately, those notebooks are all lost to history. The first sketchbook where I started drawing faces was given away as a wedding gift to someone who would appreciate the symbolism of it. That’s the first six months of me making art.
The earliest drawings I have digitized are from 1999. They’re of Sean, Lisa, and Eugene, characters from a short story I wrote in college and the sequel I was working while I was figuring this out. I still write and illustrate these characters constantly.
Twenty-five years later, I continue to feel pride in these sketches. I can’t always say the same.
Recently, I skimmed through thousands of digitized drawings and picked only the ones that sparked joy, which turned out to be about six hundred. As I was paging through, I saw countless bad drawings that are making me ask myself who I’m fooling.
I’ve drawn pictures as recently as last week I would be mortified by if someone else saw it. Even as I’m getting better with basics like hands and anatomy (I’m still trying to get the hang of hips), I draw mostly stinkers. There are dozens of pictures of Lisa crosshatched with red, blue, green, and black pens, and only four of them are worth looking at. (Almost) everything I drew between 2015 and 2020 was so bad, I quit drawing altogether.
I didn’t start drawing again until the end of 2022, when my coworker saw a self-portrait I did in 2020 (one of the few good ones I did) and would not let me say no to her request for a portrait of her own. This time, I bought a cheap sketchbook and a mechanical pencil and started from scratch.
Look, I have no idea what the hell I’m doing. I have no training. I have two anatomy books that are useless to me because that is not how I learn. I read How to Draw Comics the Marvel Way. Every breakthrough I’ve made is met with a backslide, and I can’t seem to stop that from happening. I’m self-taught, and it shows.
I look at the comic book artists I take inspiration from, and they don’t make mistakes. The penciller doesn’t make one hand bigger than the other. The inker doesn’t lean too hard on their brush and make one line really thick. The exception to this is my idol, Matt Wagner. In his 1983 series, Mage, you can witness his evolution, issue by issue, as he gets better by doing it.
This inspired me to start drawing comics in 2002. I figured out how to do it by doing it. It’s how I learned to draw in the first place, and it’s the most satisfying way for me.
I’m not going to share as much art as before. A lot of what I’ve already shared is a huge mess, and I’m really embarrassed about it. I’m also not getting as much engagement over social media, so I’m seeing that as a less and less productive way to spend my time. If there’s one that really knocks me out, I’ll share it. Otherwise, I’ll turn the page and try again.
Jeremiah Murphy 