Dramatis Personae

From preadolescence in Tahlequah, Oklahoma, to Doha, Qatar, I have tended to gravitate toward weirdos. Even Work Rachel, though she came and left my life in a handful of months, was pretty out there. The people in my life are so off-center, and they’re so different, that I can’t help but think of them as characters.

I bring this up because I took the weekend to digitize my photo albums, and I rediscovered my past. And then, I remembered the characters in my life, and characters are meant to be drawn. I don’t plan on turning this into a thing, especially as MY LIKENESSES ARE TERRIBLE.

When I arrived at Hastings College, I didn’t exactly blend in. I was darker colors, plaids, and torn jeans, and the entirety of the Midwest was also plaids, but also a blend of earth tones and pastels. I was alone. Suddenly, someone came along, made an obscene comment about the holes in my jeans, and lured me into his den of filthy degenerates.

For a while, it was amazing. With our newfound freedom, we frolicked in innocent (yet very horny) fun, mostly involving smoking cigarettes indoors. Unfortunately, it didn’t last. We were kids, and we didn’t know better.

We started being really horrible to each other in ways I’ve compartmentalized and would refer to as “toxic,” if I didn’t feel like that word has lost all meaning. We’re not bad people. None of us were. We were young, and we got swept up in the moment.

Since running into these photos, I’ve been remembering the early days, before it got complicated, and some of the characters. From left to right:

There’s me, who seemed to be living under a bad-luck curse.

Rick was the one who befouled the reputation of my beloved grunge jeans and brought me into the group of misfits he’d been gathering. Not only was Rick a dancer with moves that could hypnotize a sultan, but he was sincere and curious, two of my favorite traits in a person.

Susan was a pretty, petite young woman who could fell a man by belching on him. She was your drunk uncle at Thanksgiving, without the politics. She was never wrong, and this infuriated me. Sure, she was right most of the time, but did she have to be so belligerent about it? When I met her, she had a Canadian boyfriend, and I said, “Sure.” Then I met him.

If I were dream-casting Greg, I’d go for a young Joan Crawford, smoking a cigarette and waiting for something that piqued her interest. He moved like a marionette, broadly swinging his limbs from one pose to another, going from irritated to overjoyed in an instant. Greg taught me the value of camp and Bea Arthur, without which I would have never appreciated the one good part of the Star Wars Holiday Special.

JJ is difficult to describe. His black T-shirts, sometimes sans sleeves, heavy work boots, and unabashed mullet cast him as a redneck. And he was. He could keep up with Susan on the race to the bottom, and he thought he was the most hilarious person he knew. But sometimes, he’d get really calm, and he’d say something so profound, it would blow the back of your head off. But sometimes, he’d get really calm, and he’d say something so unbelievably stupid, it would blow the back of your head off.

These were just a few of the weirdos I got to know in my early days, far away from home, in a strange land, trapped somewhere between adult and child.

Weekend Update: a Throwback

Once upon a time, before I had a blog, I used to send updates about my weekends to all of my friends, many of whom probably ignored it. The idea behind them was to make myself the star of some over-the-top drama with reoccurring characters, centered around some off-center detail. I didn’t do much this weekend, but plenty happened. We’ll begin on Thursday.

To fully appreciate this story, you have to know about the Loquacious One. She. Won’t. Shut. Up. Every moment of the conversation belongs to her and her alone, and she takes you on a train of thought that doesn’t have any stops. When we threw a party for my departing Work Friend, I couldn’t speak to her because the Loquacious One wouldn’t stop talking.

She hangs out at my neighbor’s desk, gossiping for long stretches of time. I have headphones and something to listen to, but her voice pierces through my shields, driving me to psychosis, like a heart buried under the floorboards.

Thursday, we have a short day at work because of the “End-of-Year Party.” I hate parties. I hate speeches. And this is both. But I hang in there, having a good time at a table with Fellow Ace, My Boss, My Boss’s Boss, and a few people I don’t know that well.

The subject comes up of hot doctors and physical therapists because they’re so young these days, and we are collectively not. I bring up hot dental hygienists because there’s no way anyone who sees the inside of your mouth will ever find you attractive. 

The Loquacious One brings up her teenage son’s swim team. She starts calling them hot. By this point, everyone is really uncomfortable. But it gets worse.

She unlocks her phone and swipes over to a picture of her son, in a Speedo. She says, “Isn’t he hot?”

*pause to let that set in*

Friday, I have an intense morning at work, but very little to do. I still skip lunch. When I run out at about one o’clock (six hours into my seven-hour work day), I announce that I’m taking the rest of the day off. My boss does not tell me to stay.

I duck outside to treat myself to a little something-something, but while I’m outside, my mouth on the pipe, the lighter hovering above it, my boss texts me asking if I’m planning on attending the one thirty meeting. Luckily, I hadn’t actually taken a hit, so I can safely take the journey back to my appointment, unlock my work laptop, and am only five minutes late.

On my way back to my little alcove with my repacked pipe, I glance into the furniture-disposal garage and behold the bookshelf of my dreams. The construction, the design, it’s everything I ever wanted. It’s undamaged, but definitely used. I don’t have enough books to put in there, and I can’t fit it into my apartment, I take it anyway.

I’ve been wondering why they would have disposed of it. I had a few ideas, and using Occam’s Razor, I narrowed it down to it being cursed. It will probably be one of the inconvenient ones, like “there’s always a pebble in your shoe,” or “everything tastes like fudge.” Oscar approves of the bookshelf, though, so I’ll hang onto it for a while.

Eventually I do smoke the marijuana.

On Saturday morning, I arrive at the cafe at seven, to discover that they open at eight. It’s a little less than freezing outside, so I can either go home and call this a bust, or I can catch the Metro, which was on the way home, and go to another cafe. What I decide to do is walk the four blocks to the mushroom store and see how much time that uses up. I end up exploring the neighborhood, and I find Georgia Avenue, a lively boulevard in this part of DC. I even find the rental car place where Nicole and I got our transportation to Hall & Oates. I can go for that.

It opens. It takes me a while to focus, but I find a reference and start drawing. I’m surprised when I looked up from my sketchbook to see someone who looks exactly like beloved British comedian, John Oliver. I return to drawing. I look up again, and I get a good look, and it really is John Oliver, beloved British comedian. He gets his coffee and leaves.

I have finally blocked out a decent torso and am refining it when a strung-out woman with a lot of perfume sees me drawing and tells me she can do it better. She tries to rip a page out of my sketchbook, then gets a napkin and a sharpie when I fight back. While she’s gone, a barista runs over and asks if I’m okay (I am not), and he tries to get the woman’s attention.

She pulls a chair in next to me, scoots me against the wall, and starts drawing. The barista has backup now, but still she won’t budge. They try taking her napkin, and she won’t let go of it. They take my laptop, which she and I had been using as a reference, and she doesn’t slow down. She’s a woman possessed. They call the police, and she still won’t leave. Before the police get there, she finishes the drawing, autographs it, and takes off.

The staff is very embarrassed, and they ask me if I’m okay, if I scared. I tell them I was more annoyed than anything. They give me a free coffee and apologize again. I assure them that it is not their fault, and I’m impressed with how they handled it. They could have escalated it, but they did not.

This may be the weirdest coffee shop I’ve ever been to.

I go into a fugue when I get home and work solidly on a piece of art. I had decided that I want to challenge myself by drawing argyle, and not on a flat surface. To pull it off, I have to perform a lot of tricks with few guidelines. I feel like I’ve pulled it off.

When I emerge from this state, I actually feel kind of hungover. I am texting with a friend, and I tell her I’m exhausted. She asks, “Big day?” I reply, “Seeing John Oliver and being interrupted by an aggressive woman in the coffee shop wasn’t enough?”

Sunday, I am planning on camping out in the Lost Sock, the easiest cafe to get to. However, if you need a table, you have to be prepared to arrive early. They open at eight. It takes twelve minutes to walk to the Metro, which runs every six minutes on the weekends. The trip is about three minutes, and the walk to the cafe is another three. I check the weather. Fifteen minutes of walking and up to six minutes on the platform in 20 degrees (-6-Celsius). I stay home and whip up a large painting, from the first scratch to the last brushstroke.

When I take a break, I turn my attention to the probably cursed bookshelf. Part of the reason I love it so much is because it will be the perfect partition between the kitchen and my bedroom, collectively known as The One Room. However, Oscar jumps from the counter to the top of the bookshelf, which sends it crashing to the floor. It’s fine, but still.

I’ve got a week off following Christmas, and I’m looking forward to trying some new things in that time. And I’ll report back to you.

Baby Got Pack

Where once the three departments on the fifth floor had each existed peacefully within their own boundaries, the current layout resembles a map of gerrymandering. I come from pubs, but I’m sitting with the manager of a different journal in Research. Several Researchers are sitting in Pubs. My manager is a plush animal’s throw away, near the assistant to the manager by me.

A new employee gets a place to sit the same way you do during a game of Musical Chairs. This is not just the fifth floor. The floors were planned with as much order and precision as two people playing Twister while covered in ketchup packets and lard.

Since our workforce is growing, we purchased the rest of the building and have been spending the past six months expanding the American Society of Hematology and starting from scratch. Everybody is packing up, everybody is moving.

Pubs gets its own floor. And somehow, that will get fucked up, I guarantee it.

The move process is simple. The movers provide you with a plastic crate, you put the sticker with your new home on it, and fill it up. If you don’t have enough space, you can go to the copy room, and there are cardboard boxes. Make sure everything is labeled. You don’t need to do anything with the electronics. Simple, right?

We have an assembly about this today. They explain everything repeatedly. It’s not because the Building Manager is dumb and inefficient, but because she has anticipated getting questions like the first one from the Q&A portion: “Do we put the labels on the monitors before we put them in the crate?”

The heat gets spicy when a woman, who I am going to call Karen for no reason, steps up to the mike. She looks around meeting room 10, which was the size of about six meeting rooms, but is only populated by about forty-five people, and turns back to the Building Manager.

Karen says this: “The boxes are in the copy room. Mmhmm. Are the boxes assembled, or is it something we—” She said “we” like it tasted bad. “Is it something we have to do ourselves?”

When the Building Manager explained that yes, they would have to do it themselves, Karen looked at her audience, nodding ad trying to be relatable. “Could you maybe provide some instruction on how to tape the boxes safely so nobody gets hurt?”

Nobody applauded.

The Building Manager, whose side I’ve been on up to this point, snaps, “They don’t need tape. They’re tapeless boxes. Does anybody else have a question?”

Later, the Building Manager calls over the Expert and asks him to show everyone how easy it is. After whacking the podium three times, the Building Manager leans over and tries to help. She makes it worse. When the HR Giant arrives to bail out his coworkers, he ends up hitting the podium and one of the empty chairs in the front row. If a moving company performed a Nirvana song, this is what it would look like.

In the middle of the show, I received an email featuring a question so stupid I feel a part of my brain die just reading it. I hit my chair with my phone.

Packing is a piece of cake. The only things I need to do my job are a laptop and my faulty brain, so all I have at my desk are some snacks and the toys I don’t want Oscar destroying. I fill up my crate, no boxes, and tried to get back to work.

I can’t because the Director of Research, the supermodel, has to bring her eighteen-month-old son, also a supermodel, to work while she packs. He’s fine. He’s a great kid. He isn’t the problem.

Everyone working in research is a middle-aged mom, so they cluster around him the way a hoard of zombies surrounds one very unlucky alive person. As is the case with zombies, there is a lot of cannibalism. (“I could just eat him up!” “I want to put those toes in my mouth and eat them!”)

So I went home. The move will take place 27 December, so I can’t use my mug until next year.

Come on, Baby, Light my Cigarette

When I first started smoking cigarettes in October, 1994, I had a cute, little, red Bic lighter, and it was magical.

At that time of my life, I mostly hung out with Greg, a drag queen in disguise; JJ, the philosopher redneck; and Susan, an old, grouchy gay man in a teenage girl’s body, in Greg’s dorm room. We smoked a lot of cigarettes because it was the nineties, and you could smoke indoors if you wanted to.

For about a month, I always had flame in my pack-pocket (currently my phone-pocket). This was something special because I tended to distribute my lighters in random places with random people, so I always depended on the other cavemen for fire.

What was even more amazing was that, if I had to leave the dorm for a chilly autumn, the lighter was there, in my jacket pocket, always. I never had an excuse not to smoke.

On a day of sadness, my Bic flicked its last. If mid-nineties culture was tipping one over for your homies, I absolutely would have. I loved that fucking lighter. I disposed of it with ceremony.

And yet, when I reached into my jacket pocket a few hours later, the cute, little, red Bic was there, and it still had juice. I thought I’d thrown it out, but it was a strong possibility, even then, my memory of the event failed to correspond with what actually happened.

I didn’t figure it out for a while. On my way to class, I lit a cigarette, returned the lighter to my jacket, and slipped my hand inside my pack-pocket to find another cute, red, little Bic.

The whole time I’d had three identical lighters, and I didn’t have a clue. Maybe something magical did happen here. But the spell was broken, and one-by-one, the remaining Bics disappeared.

I quit smoking 15 May, 2007, four days before I turned thirty-one. I have never stopped loving those triplets.

Shuffling Onward

Saturday marked two weeks since I found out Shane was dead. I’m getting used to it. While he was still alive, I thought about him constantly. When I did something with a piece of art I’m proud of. When I ran across a phrase or something in a novel I wrote that he’d appreciate. When I thought of the most offensive joke imaginable, and only he wouldn’t judge me. When I would hear “Oh the Guilt,” a Nirvana song I didn’t know existed until two years ago, and intended to ask if he’d ever heard it.

I never got to ask. Kind of an on-the-nose title, isn’t it? Each time I’d think of something I wanted to share with him, I remembered I couldn’t anymore, and he died again. And again.

I was numb the three-day weekend after I received the news. Artistically, I had a very prolific weekend, as I went to all the cafes I frequent, in order to avoid sitting behind my desk, gazing out the window like I did when he called. Sunday, my parents were there for me in the morning. In the afternoon, Nicole and I explored Union Market, a rapidly developing complex of shops, restaurants, and cafes. When confronted with death, you need to do something that makes you feel alive.

Last weekend, Nicole and I returned to Union Market for a pop-up art fair. By that point, my thoughts about him weren’t as intrusive, and I could function on manual pilot. We wove in and out of buildings, admiring the media of sculpture, painting, sketching, inking, collage, spray paint, etc., all by local artists.

How could I wander through a collection of modern art and not think of my friend, the accomplished artist? Rather than hurt, though, I would look at some of the pieces, knowing he’d really like what I was seeing, and I was comforted.

Now? I’m feeling like my life is returning to normal. I still have those moments that take my breath away, when I forget he’s gone. There is also the slow torture of seeing the publication of my novel around the corner, and how he will never read it. I dedicated it to him while he was still alive, and I didn’t tell him. I wanted him to be surprised when the book came out.

As Paul McCartney says, “Oh-blah-dee, oh-blah-dah.”

I miss him so damned much.

Painting You a Picture

In Downtown Gallup, New Mexico, there lies a street that only exists for about three or four blocks. This is Coal Avenue, and it is here that I will tell you about my friend, Shane.

Picture a second-story window, and standing before it on the inside is a young man, no older than twenty. He’s not particularly tall, and he’s bulky, but not unattractively so. He wears his blond hair down to his chin, and his clothes, usually denim, were covered in paint. He sticks his head outside and yells out, “I thought I told you to leave Angelita outta this!”

On the sidewalk, a tall, skinny teenager with big glasses and a long, blond ponytail shouts back something misogynist and vulgar, despite that the two boys are not the former, but are definitely the latter.

Vinny was Shane. He was an aspiring artist who returned to Gallup after many years of homelessness, wandering through eighties and nineties alternative culture like Forrest Gump. For a time, he lived in a blue Volkswagen Beetle. He later surfed couches, and eventually got a job waiting tables at the most popular restaurant in Gallup (it was Italian) and an apartment of his own, a studio apartment that he eventually decorated with a bed, a kitchen table, and pastel smears all over the walls. He even had business cards. I will forever remember them because they read:

Shane Van Pelt

Artist/Writter

When I met him, I had already found my identity in the darker side of Alternative culture. Meeting Shane at a football game altered that course, so instead of a path of black clothes and self-destruction, I became something more bohemian.

Shane had a lot of patience for me, who grew up with undiagnosed and untreated mental illnesses. When I went away to college, he was not the best pen-pal. But he did do things like leave phone messages at the front desk of my dorm informing me that Angelita was pregnant.

After his marriage, which I heard about third-hand, he and Elizabeth moved to New York City. He visited me a handful of times in college, shuttling back and forth from there to Gallup. People, seeing us together, assumed we were brothers. We were. He made quick friends with many of my friends as well because he was so freaking charming.

I ended up in New York, with nothing but a little bit of money and my friendship with him. He showed me around Manhattan and showed me where to buy weed. In fact, my first weekend there, he took me into Harlem to pick some up, and we didn’t know at the time that Louis Farrakhan’s Million Youth March was taking place. “Try to look inconspicuous,” he told me.

Elizabeth knew people, and during one of the first weeks I was living New York Adjacent, she took us to a party. Shane and I were the only people either of us knew, and he retreated solo as soon as we walked in the door. I found a corner and suffered, and an intellectual in his thirties approached me and asked if Shane and I were a “team.” As in a band or a writing duo? Even apart, we were simpatico.

I wanted to be a comic book illustrator, but I didn’t know how to draw. Shane, despite the raw stick figures I was starting with, was the first person to call me an artist. And if someone as cool and talented as Shane Van Pelt says it, it must be true.

He, Elizabeth, and their newborn Ava retreated Upstate, and some of the best three-day weekends I ever spent were in his drafty house in Binghamton, after I shelled out sixty bucks for a bus ticket. Together, we’d sit in his studio and work on one of two screenplays, Convenience Store Maniac or The Day the West Went Dry. The former is lost to history, which is too bad because I thought it was brilliant. The latter we’ll get back to.

When I got married, there was one person I wanted at my side, and that was Shane. I have to say, though, twenty years later, I’m still disappointed in his Best Man speech. What was important, though, was that he was there.

For personal reasons I won’t go into and because Shane is a bad pen-pal, we had drifted apart during my marriage. However, we talked a lot more after my divorce (i.e. once every few months), and no time had passed between. We were still insulting each other in gross, not-Woke ways, and we could talk about anything.

In 2022, I recalled that some of the best memories I had were hanging out in Shane’s studio and doing screenplay jam sessions. I took a trip to see him that summer, and for seven days, we extended our two-hour movie into a series. He said he knew people at Netflix. I didn’t care either way. I just wanted the quality time with my best friend.

He called me more frequently than that afterward, about once a month. However earlier in 2024, he told me he was committing to talking more often, and the calls came biweekly. He told me about his plans in Wheeling, West Virginia, which would bring him a short bus ride from me. He had to deal with some property issues because somehow, the high school dropout I knew who used his tips to buy art supplies had property issues now.

The last time I talked to Shane, it was this past Monday. He had called me, scared, because he’d been without some of his medications, and he was starting to feel the withdrawal. He told me he would be getting his medications Tuesday, so I told him that this was a moment. The moment would become a memory, like all his memories, and life would go on. The last thing I said to my best friend was a lie.

Since Shane has lived several lives apart from mine, I don’t know many of his friends or relatives. I met Elissa, his mother, once, and I knew he was devoted to her. Elizabeth has been a good friend to me with the patience of Job. I haven’t seen his daughter Ava since she learned how to walk over a three-day weekend and instructed me how to move Daddy’s paintbrushes from one jar to another. I have never forgotten that lesson, even though I couldn’t understand the words coming out of her mouth.

If you go to his website and you somehow dig up his essay about grunge (Shane’s filing systems made sense to him, at least), you’ll see a storyteller chock full of story. After reading said essay, I have been constantly riding him to write his memoirs. Somehow, Shane has packed about eighty years of living into the fifty he had, and I hope the person who inherits his computer at the very least finds more of these essays. He was also working on a novel, and I was really excited to read it when it finished.

There’s so much more I want to tell you about him. I have stories, like the time we stood on the street, Shane scratching pastels onto a rogue piece of drywall and me, narrating the process in my best (okay, worst) Joe Pesci voice. Or how he stole that boombox from a house I was sitting for, and I was the one who got in trouble. Or the joy on my face the day after Elizabeth Fraser of the Cocteau Twins hugged a painting he made for her.

Shane was an accomplished artist, with shows all over the world. Thirty years ago, I watched him go from painting nudes of Sherilyn Fenn to his current style, whatever that is. Is it Cubist? Surrealist? Impressionist? Outsider? It’s none of those things. Shane was, and always will be unique.

Shane Van Pelt died Saturday, November 9, at approximately 1:00 a.m. Mountain Time.

He had met me in every stage of my life, and he still liked me. He was probably the best friend I’d ever had. I don’t know what I’m going to do without him.

A Day in the Life

I don’t know if it’s ADHD or a symptom of our society, but I hate the quiet. For most of the day, I’m listening to something. While I work on art, it’s a movie or a YouTube video. While I work at work, I put on a podcast I don’t need to listen to. On the weekends, I like to cozy up in a cafe and get swept up in the busy lives of others.

The main reason I always like to have something on is because the earworms nestle in otherwise. Sometimes they’re fun songs, but usually they’re not.

Today, I’m not plugging into noise, and I’m paying the price for it. I’m hearing my favorite Beatles song, the one I can never listen to anymore, “A Day in the Life,” from Sergeant Pepper’s Lonely Hearts Club Band. This is one of those rare songs ascribed to Lennon/McCartney that actually had contributions from both. If you know their style, you can pick which parts are theirs.

The numbness of the John Lennon part (“I read the news today, oh boy”) is how I feel having sacrificed passion for my sanity, and the McCartney part (“Woke up, fell out of bed, dragged a comb across my head”) is the result of that, i.e. going through the motions because you have to.

It’s a heavy song, and it never fails to bring me to tears. I found out when Newcastle died that it also described how I was processing my grief. Today, I found myself sitting on my bed, unmoving and unthinking, for ten minutes.

The only way I can feel anything right now is by writing about it.

 I read the news today, oh boy.

Costume Drama

It’s seven thirty in the evening. I’m usually in bed by eight. I took an Adderall at ten a.m., and I think it’s still going. This could be bad. Last night, I slept like Santa Claus after an exhausting Christmas Eve. The night before, I slept like a little kid waiting on Santa Claus. I’m worried I’m going to sleep like the latter tonight. I am in a state where marijuana is legal, so I’ve taken steps to ward off the tossing and the turning, but they may not be enough.

Emilie did not take the entire time I am here off from work. I would be kind of upset if she had. We have dinners together on work days, and she is a phenomenal … Doo doo, doo-doo doo! Phenomenal! Doo-doo doo-doo!

Sorry. That got out of control.

Emilie is a really good cook. We talk, I fondle her ceramic flowers, we tell stories, I confessed something, and we call it a night. It’s good to do this in person.

Today was the first workday while I was here, so I needed to entertain myself. I started by sleeping in for an hour and a half. I sleepwalked through getting up, making coffee, and getting clean, and I went to breakfast at the same diner as yesterday. I overheard some fun conversations, though everyone was quieter with a smaller crowd of customers.

“I’m not a boat fan. I been on a few boats. I don’t like ‘em.” I also heard my waitress call out, in the tone of voice of a fed-up mom, “Tell him to stop bein’ such a tree-hugger!” (Shortly after this, a guy entered, wearing a hoodie that said, “I’m voting for the prosecutor, not the convict.” My waitress and him did not have a violent confrontation over this because we, as human beings, are capable of treating each other with respect.)

The most baffling one was, “How do you want your eggs, scrambled?” In a strangely erotic voice, she continued, “You got it. You gooooootttttt it.”

After breakfast, I went back to Corvus, the coffee roaster with a remarkable grift, and I ordered an iced coffee. The barista asked, “What kind of cold brew would you like? There’s Nitro, N’awlins, and Tokyo.”

Ninety seconds passed before I said, “Huh?” She explained the differences in the way that aficionados do. (“It has just a little nitro in it, so it goes down smooth.”) I went with Tokyo because they brewed it with the machine.

I took my Adderall, and I got to work, drawing up a storm for hours, until I realized I should probably go to the bathroom, but only after I finished doing one bit, then while I was here, another bit, and I wouldn’t want to stop when I have this bit to do, and another hour passed. When I had been in there four hours, I decided to move on, and I went to the bathroom finally.

I drove around a bit. The area around my airBnB is loaded with shopping centers, and one of them had a store called Disguises. Emilie had told me about an amazing costume shop we weren’t going to visit because it was Halloween. I was going in. This is the biggest costume shop I’ve ever been in. I’d stroll along, enjoying things like the Kenny Rogers wig and beard called “Gambler Costume,” and wander into separate rooms selling more intricate costumes. I turned right into an aisle, turned right at the end of the aisle, turned right at the next aisle, then right again. But instead of walking in a circle, I stumbled into a section of the store devoted only to tutus.

The store is some kind of tesseract.

I haven’t dressed up for Halloween since 2002, when I shaved off my mustache and went as Norville Rogers, with the nom de guerre of Shaggy. That was a repeat of my 2000 costume, with which I broke a haunted house with a well-timed “Zoinks.” I thought about maybe getting something and half-assing it (“You can see by the eyepatch that I am a bohemian pirate.”), but I saw nothing that grabbed my attention.

Overwhelmed by the fact that there was always someone behind me, and exhausted by not looking at the shopgirl’s cleavage, I somehow found my way to the exit. By the time I made it to home base, the Adderall would have left my system. I had no problem sleeping for an hour. But I woke up clear-headed and focused, finishing a drawing before Emilie could invite me over for dinner.

She made butter chicken with Indian cayenne pepper. The conversation was very funny (the story of my hubris meeting a Thai ghost pepper) and very personal (a bad thing I’d done that I don’t talk about). And we called it a night.

After writing this, I can feel the crackling potential energy fade, and I think I’m going to sleep well.

Guerilla Art Fair

Something happened to me today that has happened to me an alarming amount of times in my life. It’s difficult to explain.

But first, the context: thanks to the vacation calculator on my HR platform, I discovered that I had to use up sixty hours of vacation before the end of the year or risk losing it forever. I don’t really want to go anywhere right now, and I don’t have that much money. I do however, have some intimate friends I love to see, so I came out to Colorado to see one. Another reason I decided to come here was my sister is here, and I have presents.

For breakfast my first day, I sat down in a greasy spoon diner, the kind you have to go out west to find. The waitress called me honey when she took my order. She engaged in a loud and animated conversation with a fellow waitress about menopause. Later, the second waitress yelled into the kitchen, “Hey, Pablo! You know Men at Work? The band! Liz and I are going to see them next weekend. The band!”

I ordered chicken fried steak with two eggs over-easy, wheat toast, and hash browns. It was delicious.

Emilie and I hung out on the couch my first day, until we moved to a coffee shop called Corvus. She informed me that Corvus offered a class in pour-over coffee for sixty dollars. While I formulated an opinion on that, my mouth delivered a standard disclaimer, “Look, I don’t want to judge …” I paused because my brain hadn’t caught up yet. Emily’s latte evacuated her face through her nose, and she laughed hysterically.

This is a very relaxed vacation. This is why I came here as opposed to New York.

Today, after a walk in one of Denver’s many beautiful parks, Emilie found me an art supply store. Because it opened at noon, we stopped at the best coffee bar in Colorado, apparently, and were greeted by the world’s most eager barista. When he finished my smoothie, he turned and asked me, quivering with joy, if I wanted whipped cream on my berry smoothie. I considered it and decided no. He accepted my choice with a shrug and a grin. Our drinks were made with two pumps of sincerity, and you could really taste it.

After another stop in a park, it was noon, and we drove out to the shopping center where a large, flat building, covered in colors, waited. And this when I entered familiar territory. For some reason, I don’t know why, I tend to wander into art galleries when I’m not expecting it. There are worse Eldritch horrors than “Suddenly: art!”; but you can’t deny it’s weird.

There were five galleries, with names like “Edge” and “Core,” and they each had their own approach to art. One gallery was full of parasols. Another had tiny little pieces, another had vast, geometric canvases. There were sculptures, collages, paintings, jewelry. One place had merch, including stickers, but they were all of babies wearing dark costumes, so I passed.

I started conversations with two attendants, which is not like me at all. All of the galleries are different, but most of them were co-ops. That meant all of the attendants were artists, and they had a lot of insight in the process. One of the attendants even encouraged us to play with his sculpture.

There was another gallery/tattoo artist in the complex, but they were closed. There was also a store, called “POP Culture,” that I investigated, only to find it was a Funko Pop store. Wall-to-wall Funko Pops. I fled. Funko Pops are an invasive species, and they appear where they are not invited.

Maybe one day I’ll understand how art just kind of sneaks up on me, but until then, I might as well see what it has to say.