Minority Report

So I’m walking down the street, and I see this guy. He’s young and tan and good-looking, with blond hair peeking out of his backwards baseball cap, wearing Abercrombie shorts and expensive aviator sunglasses that are dangling from his unbuttoned, pastel-colored polo. And I think, “This guy is a dude-bro douchebag. And I think he’s a rapist.” I’ve never met him, but I have a pretty good feeling that he’s coerced a woman—chemically or violently—against her will to have sex. If he hasn’t already, he will. I can just tell. He’s got that look. So I follow him. He goes into a bar. Who knows what he’s going to do in there. For sure, he’ll drink, which will impair his judgment and increase the chances of him raping someone. Maybe he’ll meet his victim there. Worried about the fate of his potential victim, I wait. When he leaves, I follow him. He didn’t leave with a woman, which is good news; however, there’s still a chance he’ll find someone else to assault. If not tonight, then sometime in the future—if he hasn’t already. Something needs to be done before a crime is committed. Maybe I should go accost the guy to let him know that I’m watching—that he won’t get away with it. If he takes offense to this and resists, then I’ll have to defend myself. 

So later, I’m walking down the street, and I see this guy. He’s about my age, I think—I can’t tell. It’s dark, and he’s sitting in the driver’s seat of his SUV. The vehicle isn’t running, and there are no lights on. He’s just sitting there, watching. And I think, “This guy is a vigilante. And I think he’s going to hurt somebody.” I’ve never met him, but I have a pretty good feeling that he’s assaulted someone he thought looks suspicious. If he hasn’t already, he will. I can just tell. He’s got that look. Worried about what kind of crimes might be committed tonight, I wait. I notice a teenage boy on the same street. I can’t make out the race of the boy from here, but this doesn’t matter, because vigilantism, as I’ve been told, is colorblind. Something needs to be done to protect this kid. Maybe I should go accost the man in the SUV to let him know that I’m watching—that he won’t get away with it. If he takes offense to this and resists, then I’ll have to defend myself. 

Opinions, Assholes, Etc.

I am sick of the social-media shouting at itself. I am sick of anybody, right or left, posting images with misattributed quotes or links to articles from online magazines with agendas. I am sick of hearing that Monsanto is evil; the Second Amendment is sacred above all else; gay marriage undermines our entire way of life; Planned Parenthood callously murders children; Trayvon Martin is racist; George Zimmerman is racist; misogyny; misandry; the Supreme Court is a corrupt, activist body for what they did and their decisions should be suspect; the Supreme Court interpreted the Constitution as it should be. I am sick of hearing what the Founding Fathers wanted.  

I am sick of feeling helpless and frustrated. I am sick of slactivism. 

I don’t want to parse the words of public figures. I don’t want to hear what Rush Limbaugh had to say about anything. I don’t want to read what Alec Baldwin had to say about anything. I don’t want to be told why Obama is abusing executive power and running America into the ground; I don’t want to hear about how Gretchen Carlson is suddenly the voice of reason. 

I want to know why, if someone supported blanket surveillance ten years ago, why don’t they support it now? What changed?  

I want to know if the president can really be held responsible for rising gas prices? If so, I want to know how. I want to know if the president can be held responsible for falling gas prices as well. I want to know why the media never seemed to hold the former president responsible for rising gas prices before 2009. Moreover, I want to know if the media really didn’t hold the former president responsible for rising gas prices prior to 2009, or if this observation is biased by my political leanings.  

I want proof. Don’t show me evidence from Mother Jones, or from Americans for Prosperity. Show me their sources. Show me the sources of those sources.  

Before we take to the pulpits and legislate based on spite and focus groups, we need to debate about what the role of government should be. If it’s to create jobs, tell me how. Will tax breaks create jobs? Show me how and if that actually works. Will infrastructure projects create jobs? How will we pay for those? Is government a business? Should it turn a profit? 

Let’s talk about something that matters. Let’s talk about how to fix it. 

Simply Put

I don’t think this is that hard to get: extending humanity, civil rights, economic opportunity, and dignity to a race, ethnicity, religion, gender, or sexuality does not subtract any of these things from your race, ethnicity, religion, gender, or sexuality*. Humanity, civil rights, economic opportunity, and dignity are not finite resources. 

_____ 

* Unless you believe that your race, ethnicity, religion, gender, or sexuality requires you to deny or ignore others’ humanity, civil rights, economic opportunity, and dignity. If that’s the case, you should neither be accommodated, nor pitied. 

Sofa King

I wish I had a warm, soft sofa that gives me massages, whispers reassuring words when I’m stressed out, carries me around the house, and never forgets to feed me and give me something to drink. 

I want a piece of furniture that treats me the way I treat my cats. 

Spooky Crap

I accidentally locked Newcastle in a storage closet for about an hour the other day. Upon his rescue, he left behind an unraveled roll of toilet paper. This seems like a normal thing for a cat to do, until you realize that there had never been any toilet paper in that closet. 

A Little Something from Terry Pratchett

Because this is something I’ve been thinking about lately whenever I see the news: 

“‘HUMANS NEED FANTASY TO BE HUMAN. TO BE THE PLACE WHERE THE FALLING ANGEL MEETS THE RISING APE.’ 

“‘Tooth fairies? [Santa Claus]? Little—’ 

“‘YES. AS PRACTICE. YOU HAVE TO START OUT LEARNING TO BELIEVE THE LITTLE LIES.’ 

“‘So we can believe the big ones?’ 

“‘YES. JUSTICE. MERCY. DUTY. THAT SORT OF THING.’” 

I Have No Cutsey Puns for This One

I have two sisters, one good, one Evil. Like, stupid Evil. Good Sister is the youngest in our family, and the one I was always closest to. She loves animals, and Terry Pratchett books, and gory movies; she’s a lot like me. On Sunday, she sent me the following message: 

I have decided that if [Cat #2] is bad sick I will get [Cat #1] a home and be done. I have had a week of non responses to show its cool. You and [Evil Sister] can comfort mom and dad. 

Some context: 1) In February of 2012, she had to put her cat of many years to sleep. She found a new cat, and had to put her to sleep a earlier this year. She got another cat who ran away, followed by a fourth, [Cat #2], has an infection in her uterus. [Cat #1] is her favorite thing in the world right now; 2) This past Thanksgiving, she drank a six pack of beer, swallowed a half bottle of sleeping pills, and called her Best Friend to travel from Pennsylvania to California to find a home for her pets. My sister chose Best Friend because she was far enough away that she couldn’t go over there in person to rescue her. Best Friend made a bunch of calls, which got my sister to a hospital, in which she told the doctors it was an accident, and she was sent home. 

I found out later, from Best Friend, that these kinds of phone calls were not uncommon—this is just the first one that got to that point. Over the past six months, her situation has been precarious. She refuses to speak to our parents, who have been using me as a proxy (mostly because I am also bipolar). She won’t actually speak to me, either, limiting our conversations to Facebook IMing (with one exception, and I’ll get back to that later). Having been in her situation—i.e. not wanting to live anymore, but continuing on because someone else does— I got it, and so I never tried to give her “The sun will come out tomorrow” platitudes that had driven her from her other friends. I was someone with whom she could share her ugly thoughts, such as her resentment of myself and the rest of our family for making her alive. In fact, this, from a recent Hyperbole and a Half essay, has become one of her favorite quotations: 

… I noticed myself wishing that nothing loved me so I wouldnt feel obligated to keep existing. 

And so, on Sunday, just as my spouse and I were trying to recover from a dreadfully boring vampire movie, I received that message. Over the course of an hour or so, I prodded her with questions to find out whether she was seriously going to make another attempt, or if she was just frustrated. And then she said this: 

Could you make sure [Cat #1] gets a good home? 

And her messages stopped for a little while. I reached out to Best Friend, who didn’t get back to me; I called the crisis hotline, who were not very helpful (when it comes to loved ones, they aren’t prepared to handle “experts” in the field like myself). 

And then, suddenly, it was over. My sister seemed to snap out of it. As can happen. She called the suicide hotline herself and spoke to one of the few local friends she had left. Best Friend got back to me and explained that a) she had been incommunicado for a few days, leading my sister to assume their relationship had ended; b) but she finally answered her texts and talked her down; c) my sister went through this kind of thing at least a couple of times a month. 

And so it turns out that nothing I did matters. On her end, the hour and a half I panicked, and mourned, and cried helplessly on the phone to a stranger on a hotline, and hated myself for wanting her to go through with it so she wouldn’t have to be in pain anymore, and suffered survivor’s guilt for having good insurance and a stubborn spouse … all of that meant nothing, because all it took was one (kind of enabling) friend to take care of it. 

I’m fucking sick of this. 

I’m sick of spending the days after these with an emotional hangover, gently poking her on Facebook to see how she’s doing. I’m sick of hiding this from my parents, who are moving to Florida next week and don’t need this shit. I’m sick of being the last person on the list when she needs help. I’m sick of being jealous of the trust she’s passed onto others. 

I’ve made every effort to reach out and be her friend, and she leaves me out—I don’t care the reason. When I flew from DC to LA to hang out and see how she was doing, she spent most of the time drunk and uninterested in doing anything fun. She’s even formed an extremely tight, very public bond with Evil Sister, who has recently offered her a home if she wants to leave California and move in with family. I find this particularly insulting, perhaps childishly so. 

This detail brings me back to the one phone call I received, post-Thanksgiving, in the wee, not-quite-awake hours in the morning. My sister was on the phone with Evil Sister (because it’s okay to talk to her apparently), and Evil Sister stated unequivocally that my sister wasn’t serious about her suicide attempt, because if she was serious, she’d have been successful. Given that Evil Sister made two half-assed, attention-getting attempts on college (afterward, my parents had made me their proxy), she’s kind of an expert on that. She doesn’t believe that capital D depression, or even Bipolar 2, is real. Good Sister took this almost as a dare, and called me to talk her down. Despite this, and despite how horrible of a person she is, Evil Sister will get billed as a rescuer. 

I can’t detach myself from this, because she is a good person, and I love her. But don’t know how long I can keep doing this. 

Talking Pictures

I want to share with you a cinematic pet peeve, one which disproportionately affects fantasy and science fiction movies, and that is the opening voiceover narration.  

A good example of this is the classic Sean Connery monologue: “From the dawn of time we came, moving silently through the centuries, living many secret lives, struggling to reach the time of the gathering, when the few who remain will battle to the last. No one has ever known we were among you… until now.” Aside from the fact that it kickstarts an awesome Queen song (also, it showcases that sexy, sexy Scottish brogue), it serves no purpose to The Highlander whatsoever. All of the information contained within is shared with the audience over the course of the film.  

Can you imagine what it would have been like to see The Highlander for the first time, watching wrestling, followed by Christopher Lambert straight-up beheading a dude, getting struck by lightning, and then appearing in sixteenth-century Scotland, sporting a nearly incomprehensible accent? You’d be all like, “What the fart? I’d better stick around for answers!”  

But since you’ve had a ton of spoilers dumped on you right away, you don’t ever get that chance. If the first few minutes of The Highlander were a post on Twitter or 4Chan, it would be berated, openly or passive aggressively, until it was taken down. 

The opening narration assumes that the audience won’t get what’s going on, and doesn’t have the intelligence or patience or trust in the filmmakers to stick around and find out. 

Here’s an example of how the opening narration could go horribly, horribly wrong: Imagine a movie that starts out with the “Warner Brothers presents…” card, followed by a panoramic view of a dark, devastated city. Words in a green font crawl up the screen, and the deep voice of Lawrence Fishburne reads them. “In the future, war raged between man and machine. Machine won. They enslaved mankind, taking from them their homes, their freedom, their bodies, and even their very minds, trapping them in a virtual reality world called ‘The Matrix,’ patrolled by sinister Agents whose sole purpose is to keep mankind from discovering its ultimate fate. But all hope is not lost, for there exists in this world a band of freedom fighters … and they are fighting back.” And cut to Carrie Ann Moss ruthlessly slaughtering four regular Joes just doing their low-paying civil-service job. 

So, Hollywood, if you’re reading this, knock it off. Trust your audience for once. 

An Open Letter to a Freelancer

As you may know, I, along with ten others, am being featured in a crowd-funded fiction anthology. More than enough money was made to get it printed and pay the authors, and so The Editor got the idea to hire illustrators to do their takes on each of the stories. The talent works with each other at their own discretion, because really, it’s the publisher and not the author who contracts and pays The Artist. 

There appears, in my story, a small “twist” that feeds into what I believe is the overall theme of the work; the problem is, it’s actually kind of a challenge not to spoil that twist. I reached out The Artist and mentioned that this was something I was worried about. The Artist didn’t respond to me … well, The Artist sort of did respond, but only sort of … more on that below, in the text of the letter. 

The completed piece arrived, and it was a snapshot of a scene, with a major error, as well as a flagrant blowing-off of that request I’d sent off a day or so earlier. I sent an e-mail that reads (edited for secret content):  

I like the style of the piece[*], but I have two problems with it. 1) the first scene takes place [not in the setting you’ve presented]; and 2) I’ve gone through a lot of trouble—including the story description I wrote and the short excerpt I picked out for indiegogo and my Facebook campaign—to hide [the spoiler]. [This] is a very important part of the story for me. 

The first half of the response I got from The Artist consisted entirely of quotes from my story—not even a hello—followed by an explanation of why I was totally wrong about [spoiler] and the setting of the scene that I wrote. In the story. That I wrote. The letter wrapped up with: “Lastly the editor is the person who contracted me on this project and she has given the final stamp of approval and paid me for the work.” 

This really upset me, like, a lot. I told The Editor that I refused to work with The Artist, and I demanded that this piece not be associated with me. The Editor handled it like a boss, so it’s not my problem anymore. However, that e-mail pretty much ruined my day, so I wrote a letter I have no intention of sending to make myself feel better. And it worked. 

***

Dear Artist; 

I’m a freelance illustrator. I get what it’s like when you turn in a piece and the client isn’t happy with it. I get that I’m not your client. And I get that this is a work-for-hire piece that doesn’t pay very much.  

Clearly you don’t care about the piece you just completed. It was a paycheck. This much was expressed in the way you answered the email I sent you while you were still working on it, in which I made a request about the content—a request I considered “very important.” Actually, you had your spouse answer the email by asking if I was being sarcastic, and letting me know that both of you had barely read my story. 

Here’s the thing: I care about this project, and I care a lot. I spent countless hours writing it, and I am personally invested in how the art turns out. It’s not your job to care, but you could at least pretend

You had three options to respond, all of which could have made you look like a professional: you could have changed the art in some way to reflect the concern I had expressed to you before you turned it in (from a freelancer’s perspective, this is the least desirable option, but it still is one); you could have explained that we had different interpretations, but the art was approved and you can’t make any changes; or, if my criticism pissed you off enough, not respond at all. You chose a fourth option, which was to behave like a thin-skinned tween.  

I don’t expect this letter to affect you in any way. You have a business, and it has somehow continued to function despite your communication skills. More importantly, your response to criticism leads me to assume that you don’t like to consider the perspectives of others. I don’t think you’ve even made it this far, unless you’re rage-reading. 

I’m writing this for me, because my feelings were genuinely hurt by your thinly veiled contempt for me. I’m trying to soothe my anger at your behavior by spelling out just what it was about your email that pissed me off. And now that this is out of the way, I can express my initial reaction much more succinctly: 

Grow the fuck up and be nice to others for a change, you narcissistic prima donna. 

Sincerely, 

Jeremiah Murphy 

Writer and Artist 

_____ 

* I actually didn’t, but I wanted to work with the person, because The Editor seemed to think it was a good match. 

The State I’m In

I’m going to be completely honest with you right now: I’m fucking miserable. I don’t want to be. I think Qatar is awesome, and my cats are the best ever, and I love my wife. 

But I’m beyond lonely, and she’s not helping. 

In general, I’m in an awkward time zone, so most people are in bed when I wake up, all the way until my early evening, when my wife comes home. This has meant that I have quietly dropped out of the routine of most of my friends. Every Wednesday evening, I went to a writer’s group and hung out with some great people who hardly seem to miss me anymore. My roomie, who was my best friend, is too busy with her new career and, you know, sleeping to be around for me. 

The compound where I live is populated mostly by entitled parents and international yuppies, and so it’s been difficult to make friends here. And it’s five kilometers to the nearest store, through roundabouts full of traffic that’s not afraid to drive onto sidewalks (not an exaggeration), and another ten kilometers to anyplace that might be fun to explore. 

And then there’s the madness of My Evil Sister’s Wedding from Hell and her little dog too, which have utterly consumed my thoughts. My father took a big step to include me in everything, but once that fell through, there’s been nothing—not a picture, not a Facebook message, nothing. Same thing with the dog—once I stopped asking, nobody told me anything. My Evil Sister lives in the same town as my parents, and it seems like, in regard to this feud, they’ve decided that life is more convenient without me. 

When it comes down to it, the only person other than myself I see most days my wife. 

She is not doing well either. Her job is twice as difficult as it should be, because her predecessor made a huge mess out of it, and there’s a lot of mess and mistrust left to clean up. She comes home from work in the foulest of moods—impatient and indecisive and exhausted, and sometimes just plain fuming. Her response to the stress of it all (and I can’t blame her for it) is to withdraw into herself and her iPad games. I don’t even know if she likes being around me anymore. When I’ve tried to discuss how her bad moods affect me, she either defensively tells me how tired she is, or she tells me about all the times she hasnt been rude or short with me. 

Lately, I’ve been aggressively writing query letters to literary agents. On Thursday afternoon (shortly before opening of business on the East Coast), I sent out the first batch. Early Thursday evening, I received the first rejection. I shouldn’t feel embarrassed, but I do. I mean, I spent at least an hour on each one, researching their books and their likes to tailor-make a pitch for them, but they don’t want to waste their time on it. It’s not their thing. Is it anybodys thing? It makes me wonder if it’s any good; I mean, after all, I can hardly get people online to read what I post, and these are my friends (there are many legitimate reasons for this; I’m just describing what the mean voice in the back of my head is telling me). 

I need my wife right now, so, so badly. And she’s not there. In fact, she’s the opposite of that. 

So I keep it to myself. Because my loneliness and rejection feel petty compared to her job. Her criticisms of the way I went about dealing with the dog situation (or the way my family or Gallup Animal Control handled it—all her anger directed at them by proxy through me, of course) make me want never to discuss the issue again, even if it still has me worried. In fact, she’s just too flat-out exhausted to deal with my depressive episodes, which have been exacerbated by the isolation and culture shock. And worst of all, she’s incapable if just listening without offering advice. Because that’s all I need right now. 

I’m really suffering, and I don’t know what to do …