General Grievance

I tried to work through the manic episode, but it was an unusually social day at work. I was trying to do my job because my morning hours are precious vis-à-vis my productivity. Past editors-in-chief of Blood and were getting their pictures taken with the Research Council, and they loved to laugh in front of the elevators, which I sit near.

I hid in a vacant office and finally got some work done. Unfortunately, our laptop batteries last only about an hour, and nobody on my floor could locate a cord. I tried taking a walk, and it didn’t work. If I didn’t start my day two hours before everyone else, I wouldn’t have finished anything.

When agitated, some will sputter something that sounds like English but seemed to be a forgotten dialect. That was me telling my boss I had to go home. It must have scared the crap out of her.

The walk to the Metro was calming, and I breathed through my commute in a half-empty subway car. I got home, didn’t play with Oscar, laid down, breathed for twenty more minutes, and finished my work for the day, except for one thing.

I had to bring myself down before the show, but I also wanted to hang out with Ember and whoever she had collected since I saw her last. That person was Steve, a chatty, retired man carrying a sign that said, “Nazi HQ.” Steve’s girlfriend works in the Capitol and may be a legislator.

Immediately after I introduced myself, an older man on a bike in the Cadillac of MAGA hats wheeled over on one of those rental bikes. Everybody was calm. Ember didn’t engage, she just waved her sign. Steve and the man traded talking points, which were deflected by the target’s stubbornness. Nobody got angry, but we thought he was stupid, and he thought we were stupid.

When I had arrived, she wasn’t sitting in the path of the douchebags because they had parked their Escalades in front of her. Off to the side, she waved one sign as high as she could (which wasn’t very high) and wore one around her neck.

I wondered if she was acting weird around me for some reason, but she’s really just weird in general. Thursday, she had painted Celtic knot-work on DMT onto her cheekbones. Her glasses were amber and the shape of sunflowers. Her baseball cap was covered in metal studs.

Speaking of DMT, we talked a lot about it. In fact, she had a recipe for extracting it from tree bark because “it comes from nature.” No thank you. The last time I tried a hallucinogen, I had a bad time, so never again. The last time Ember did, she saw a blue goddess who said she was ready.

I asked her how long she’d been doing this, and she told me two weeks. I asked her how long she lived in the DMV area, and she told me two weeks. Something called her, she didn’t know what. I tried to explain that I didn’t believe in the supernatural, but I was fascinated by it, but I lost control over my words and turned into a sputtering mess. We changed the subject.

She had been living in Vermont as a cook. Apparently, she has a bachelor’s in psychology but without a masters and doctorate, it’s a useless degree. She couldn’t find a “real” job, so she did some factory work while her soul died. She quit the kitchen when her calling found her, and she came straight here, where her cousin lives.

Ember is inspiring and brave, as well as being cocky and full of life. It’s impossible to believe that she came from the parents she later described to me.

The sidewalk, a block from Union Station, is prime hunting grounds for people-watchers, like myself. Except for the guy on the bike, most people, ignored us after I arrived. As the day went on, though, people thanked us, took pictures with Ember (She had the flashy signs), and chatted with us.

For example, while his family waved at us with enthusiasm, a dad told his eight-year-old daughter, “They’re protesting. If there’s something you don’t like, protest.” An older gentleman walked past us, spun around, middle fingers extended, and yelled, “Fuck the Heritage Foundation! I used to work for George W. Bush!”

I was there for an hour when we were approached by two people Ember already knew. They were federal workers, so they wore Covid masks to hide their identities. Though they did tell me their names, though: Brandy and Dani.

Brandy (plot twist: he’s a middle-aged man) paced the sidewalk, a tiger in a cage, with his own sign. He’s a veteran, who are another demographic the government is screwing.

Dani brought a slide whistle, playing it every time someone entered or left the building. She lives in Takoma Park, the same town as all the coffee shops I like.

Next, we met Carrie. Carrie was passing by on her way to Union Station, wearing a Banksy T-shirt and a red headscarf. She needed to plan tonight’s White House protest, but she stuck around for half an hour, discussing the resistance. While Dani played the slide whistle, Carrie booed.

We later found out this is illegal, as Ember explained to me slowly and carefully so as to avoid misunderstanding.

I left after about two hours, when it had gone from a single fiery woman to a small movement. As I pointed myself at St. Mark’s Episcopal Church, Dani spread her arms. I generally don’t do hugs, but I let her wrap her arms around me this time. It felt right.

If I needed any proof this was an episode, and a particularly bad one, it could be found in the way I kept up with Steve. And with Jane from the play, with her delighted, effervescent charm.

I suggested an idea for how to increase ticket sales for Thursday shows to the producer. I pitched my artistic services to the same producer. I teased some of the actors who’d never spoken to me before. I started so many conversations, and I invented the word “DOGEbag.”

The problem with hypomania is that it’s not as destructive as regular mania, so it feels like a lot of fun. However, as my morning in the office proved, it’s not great. I probably need to talk to my doctor.

I also got three phone numbers.

Portrait of an Artist

I still think of my friend several times a day. He’s been gone since the first week of November, and it doesn’t feel like it’s been almost four months. I can’t bring myself to look at a photo of him. I wrote a chapter about him in my premature memoirs (which he read) three years ago, and I can’t bring myself to read it or edit to include the conclusion.

However, I’ve included him as a secondary character in the novel I’m writing, and I’ve done my best to capture what made his personality shine. It helps fill the void he left. It breaks my heart that I can’t share it with him, because there are parts I know he’d laugh his ass off to, and I miss his laugh.

I have wanted to draw and/or paint a picture of him since his death, but it hurts too much. I did this last weekend, and it’s not great. I really screwed up the arms and the color of his hair. Baby steps.

Virtue Signaling

Glenn Beck, whoever that is, held a rally on September 12 (I can’t remember the year) to unite us as a country, like we were on September 12, 2001. I can’t begin to list all of the ways this is a lie, so I won’t. Remember, though, regardless of where you were, what it was like when the world ended, but the next morning, life went on. We had no idea how we were supposed to move forward. Somehow, we did.

When Donald Trump pulled his face off to reveal Elon Musk making a Nazi salute, the world ended. Those of us with any decency had been betrayed by their neighbors, their coworkers, their bosses, some of whom are now saying, “I didn’t vote for this!” Judges are upholding Elon’s draconian cuts and unprecedented access to the confidential information of innocent Americans.

Somehow, life goes on.

It’s bad out there. I don’t need to tell you why. I can’t look at the news without wanting to vomit, and this is not an exaggeration. It’s hard to remember what it was like to be happy, even for a minute. Your body and mind are seeking out dopamine. There are lots of ways to get a little hit of it, but the best way is to pay someone a compliment. That way two people get dopamine hits.

Lately, for no reason, I’ve been more aggressive about pointing out things I like about a person. The dam burst when I was sitting in the dressing ballroom at St. Mark’s Episcopal Church with Lisette listening to my expertise about dresses. I have no expertise, but somehow suggesting binder clips(?) was the solution.

Lisette’s performance and character are my favorite part of Metromaniacs. I realized then there was no reason to keep this to myself. So I told her. She was startled, but touched. The next day, I told Lucille that she had that influencer vibe, and she told me she hadn’t looked at it that way. I’m looking forward to telling Mondor that his fall is art.

I’ve started bugging strangers on the street, making them smile for a moment. It’s not always rewarding, as in the three elder Zoomers walking side-by-side. As I passed them, I said, “You guys look really fucking cool, keep it up.” Then I added, “I’m being sincere. You really look cool walking like that.” Their expressions said, “Who the hell is this crazy old person?” And I think they were waiting for me to hit them up for some Molly.

I’m telling you all this because I need to brag. Bragging is in fashion. However, you only get to brag if it’s about the size of your bank account and/or penis, how much gas your car goes through, and how much people love you. Culture has criminalized bragging about the good things you do.

Well, go fuck yourself, culture, because I’m bragging about making life a tiny bit better for a tiny amount of people. It’s easy, it’s free, it only takes a few seconds, and you can turn someone’s day around. I’m bragging because I want more people to do it.

I got my hair cut two weeks ago in a slightly different style, and someone in the office noticed, and it made my morning. How could I not want to do that for other people?

I’m not a good person. I’m passive-aggressive, my manners have atrophied, my lizard brain is kind of racist, I’m impatient, and I’m a disappointment to my cat. But I like to think I’m a decent person. I do try to have some empathy.

It’s in the spirit of this that I say this: You. Yeah, you. The one reading this. You have a great smile, and I love seeing it. Except you, Lisa. Your mouth is nightmare fuel.

She Doth Protest

My walk from Union Station to St. Mark’s Episcopal Church, only a few blocks from the Capitol, takes me past the headquarters for the Heritage Foundation. These are the people who repackaged George W. Bush from nepo-baby frat-boy to a statesman. They dream up legislation to dump us into the Dark Ages. They are worse than Trump and Elon because Trump and Elon would have no power without them. I tend to flip the building off as I walk past.

Wednesday, the last day of Tech Week, I saw something on the approach that confused me. was a parka, hunched over, on a stool. As I passed by, I noted that the parka was female, and she was carrying a skillfully painted sign that said, “I will not be complicit.”

I walked by and made it to the end of the block before I decided I was going back. But first, I wanted to do something nice in this 25-degree weather. (In metric, that translates to “absolute zero.”) I returned to the Heritage Foundation with a cup of black coffee, which, it turned out, she drinks as is. We chatted for about a minute, and I thanked her. She would be there, she said, seven days a week, eleven to six.

I stopped by Thursday at about noon, but she wasn’t there. I was disappointed, but my life wasn’t over. It’s enough that I met her. She has inspired me. I think I’ve fallen a little bit in love with this tiny, resilient person, sitting in the Arctic cold, forcing these conservative douchebags to walk around her.

I didn’t expect to see the protestor there on Saturday, when the foundation was closed, but there she was. It was a few degrees above absolute zero, but it was still cold, so I grabbed a black coffee and strolled over to her.

She didn’t recognize me because I was wearing a different jacket, but she appreciated the coffee. We talked, a little longer this time, and I learned that she is hardcore. She understands that she comes from a place of privilege, which allows her to quit her job and sit there full-time. Until the people in this building are gone, she isn’t going to participate in this fascist-capitalistic system. I’ll be honest, I find that naïve, but I admire her conviction.

There have been monstrous protests all over the touristy parts of DC since the election, doubly so since the president and his master started goose-stepping around the Oval Office, throwing oppressive executive orders around like confetti. She told me she could go to any one of them, but her calling placed her here.

I asked her if it would be okay if I hung out with her for a couple of hours here and there. She looked at me like I recited a cookie recipe at her in Esperanto. She sputtered for a moment and told me of course. She could use the company. She told me that, the other day, five people stood with her.

I had to go catch up with my ex-roomie, and without my watch, I wasn’t sure what time it was. I introduced myself, and she replied with “I’m Ember.” I told her it’s a beautiful name, and that seemed to make her uncomfortable. I feel bad about that, but to be fair, it is a beautiful name.

Sunday, after a late Saturday, I decided I wanted to protest. At eleven a.m., I caught the Metro to Union Station and walked to the Great Satan’s lair, but she wasn’t there. I really do want to protest, so I plan on stopping by this week. Even if she’s never there again, she affected my life profoundly. She makes me want to resist.

Ranger Things

I received a text from Maddy on Saturday morning, reminding me to watch the door to the auditorium when I worked the play without her that night. The reminder came not because she didn’t trust in my ability to remember, but because a woman almost got clocked on opening night.

They tried to warn her, but she didn’t listen (or hear at all), and she got lucky. With the first half of Maddy’s text, she was telling me that I might have to dive in slow motion to take the hit.

The second half hinted that the Olympic-level quick change at the end of act one almost failed. She put scissors on the prop table in case it came to that. I had a lot to look forward to in the evening.

I had a couple of awkward exchanges on the internet before I headed out for the rest of the day. I missed my Metro train, and I had to wait seven minutes for the next one, so I was almost on time to see my ex-roomie. This was bad.

A habit I had picked up from my Nebraskan ex-wife was to show up early. As they say on Letterkenny, “If you’re early, you’re on time. If you’re on time, you’re late.” I was running late.

After I bought a coffee for the lone protestor at the Heritage Foundation, I became actually late. I became even later when I walked down the wrong street, several blocks past our meeting place. I had a missed call and a text from Nicole, who was worried something terrible had happened to me.

My ex-roomie was telling me that she hadn’t been to the Suffrage Museum, where she volunteered for years, in an age. She is worried, reasonably so, it will be shut down by the president’s boss. I suggested we go this weekend.

We were met by a ranger, a friend of ex-roomie, who took us through the building and showed us everything that had changed since ex-roomie had been there last. They even had her old name-tag.

They were catching up, so I was a third wheel and kind of bored through most of it. While we were hanging out in the gift shop. The ranger pointed at one of their displays and mentioned that no one ever bought the Suffragette Soap. I have a habit of purchasing interesting soaps, so I picked up a bar.

The other ranger, an unusual person with an unusual accent and unusual glasses, cashed me out. I told her that I was excited to smell like oranges, and oh, my god, she loves oranges! I picked up a mini equal rights pin and told her that I want to start a gift exchange with a crow and explained what that entailed. She asked if I like birds, and I told her that I liked owls, and oh, my god she loves owls. I told her that the only owls I’ve ever seen in real life were burrow owls, and oh, my god, she loves burrow owls. If I didn’t know any better, I’d say she was flirting with me. Her name was Jess

Upon the park rangers’ suggestions, ex-roomie and I went to the Folger Shakespeare Library across the street and looked over some amazing old manuscripts. They were always open to their illustrations. However, as with all medieval illustrations, I had no idea what was going on.

She and I tried to get lunch at the café, but it is apparently the most popular study place for college students. We found a seat, but she had to leave for an appointment before her food arrived, which meant I had to eat it.

Maddy had completely reset the props before she went home Friday, so there was nothing for me to do until it was time to relocate the weasel. I wasn’t needed until about a half-hour before curtain, so I sat in the Baxter Room with the cast, and I illustrated Jess.

Lisette and Lucille each breathlessly gave me their accounts of the costume-flip nail-biter. The issue wasn’t the corset, but rather the second dress. It had an extra layer, so Lisette and her petticoat kept getting caught in it. She hung up the dress in a way that she could step into it, and I asked her if she were going to practice. If she went down during the performance, it was all over.

What struck me about the exchange was that she was coming to me as an expert. I hadn’t done theater since early high school. I can barely dress myself. On the other hand, my façade of authority allowed me to talk her out of the hanger idea, which might kill her, and into something a little more reasonable, like safety pins.

That did the trick. At the end of the first act, after I rescued the weasel, Lucille and Lisette were a well-oiled machine. I got to hold the flashlight. Apparently, I did that well because Lucille gave me a double thumbs up as Lisette stepped onto the stage.

After the show, we had to break down the set and the seating so the Episcopalians could worship in their own damned church. Ernie from load-in directed us with military precision. Within forty-five minutes, the set was in the closet downstairs, the risers had been relocated, the prop table wrapped up, and the boulder put into a very large plastic bag. All the chairs and the piano had been restored to their original positions.

It was like we weren’t even there. It’s guerilla theater.

Also, it wasn’t until the fourth time I listened to this play that I heard Lisette say to Lucille, “All tits on deck!”

Despite All my Rage I’m Still Just a Weasel Onstage

The end of Tech Week (https://jrmhmurphy.com/tag/theater/) started out with smarm. Specifically, I arrived at the church and stepped into the empty nave before a slick man in a suit appeared somehow without opening the door. He asked if he could help me. I said I was with the St. Mark’s Players and we were meeting at six. He said, and I quote, “It’s not six yet.” It was 5:57.

I quickly found them in the Baxter room, which was the kind of place you could hold a wedding reception. We’d been using it as a dressing room and a place for the cast to hang out.

I want to give mad props to Arianna, the costume tech. I have a lot of respect for people who sew theater costumes (I dated one) because they are some of the craftiest people you’ll ever meet. Looking closely, you can see that the costumes were purchased off the rack, but they have been seriously altered.

Arianna sewed snaps on the petticoat and dress for Lisette. This was useful because Lisette, as I’ve mentioned in the past, has a quick-change out of a corset and into the royal dress. Tuesday night, Jane and Maddy struggled with the removal part, so Arianna reduced the size of the string holding it together and turned a few fasteners into snaps and that made all the difference in the world. She had a minute and forty-five seconds to switch it over, and after a few rounds, Maddy, Jane, Lisette, and I managed to do it in a minute fifteen.

Another area of improvisation I was stunned with was how she handled Damis’s jacket. Because Arianna had sewn a cape onto it, it kept falling off, so she added backpack straps to the inside, and it stayed together.

I know you were all (both of you) anxiously anticipated the arrival of the metal codpiece. I am happy to announce that it arrived, and it was glorious. I asked if it was bulletproof, but Arianna didn’t know.

I forgot to tell you this, but act one ends with a pair of cast members bursting out of the nave, swinging the door with gusto. It’s my responsibility to wait in the lobby to keep people from getting smacked in the face with it. I’ll be honest, though, I kind of want to see someone get walloped, so if I saw someone approaching the door, I’m not sure I’d rescue them.

Maddie gave me a spreadsheet of my duties, and one of the items was “Fluff the Weasel.” Since that sounds like a full sentence, I had to ask exactly how to fluff said weasel. No, its name is Fluff. That meant I was singing, “Fluff the magic weasel, lives on the stage …”

Wednesday’s rehearsal went off without a hitch, including Lisette’s big change. Maddie let me do the work because I’m going to be by myself on Saturday, which means I will have to help them strike the set for church Sunday.

Meanwhile, I’ve been getting three or four hours of sleep, so I’m ready to collapse. I’ve been working, and with the help of my friend, Monsieur Adderall, I’ve been able to make it through, but I’ve hit a wall. I’ve had so much fun, I feel like a five-year-old after a day at the beach.

Metromaniacs opens Friday, 21 February, at St. Mark’s Church on Capitol Hill.

Having a (Costume) Ball

Last night was the dress rehearsal for Metromaniacs, and it was worth the price of admission. From the gold and white of Francalou to the red cape on Damis, they went all out. There were buckles. So many buckles. Everybody had buckles except for Mondor, who was a filthy servant and didn’t deserve any.

The problem with working backstage is that I can’t see a proper performance, and that made me sad. The performances were very physical, especially the women. Lucille posed across the stage like an Instagram model, and Lisette imitated her, but I’d only seen them do it in twenty-first-century clothes. In fluffy Sun King dresses, I’m sure it was a sight to behold.

I was there for a reason, though, and Maddy walked me through this. There wasn’t much. I will mostly be sitting in the back, reading my proofs on my phone, and waiting for the very few things I need to do.

First, we had to check the props table, with the fake quill pens and the feather fan and the hat Yankee Doodle named Macaroni. Everything was in its exact space and labeled, and the cast tended to leave them right where they belonged, so after initial setup, we only straighten them out for the next show.

Next, we plug in the running lights and the backstage blue lamp, so nobody breaks a leg. Next, we prop open the secret door so cast members doing costume changes don’t get locked out. Next, we set the trumpet. Next, we reset the beanbag boulder for the first act.

The next thing we have to do is retrieve the weasel. Lucille tosses it backward, over the curtain, where it lands right in the path of the actors’ mid-stage exit. If we don’t want anybody to break a leg, we have to grab that right away.

We hit a wall during the quick change at the end of act one. I observed so I can try it out tonight, but Maddy, the professional, dove right in. In less than two minutes, Lisette needs to drop her drab, black maid’s dress and step into a royal pink one. The problem was that the maid’s dress had a corset, and corsets are shifty.

Every time Maddy and Lucille thought they had loosened it, they found themselves struggling with more string. The play had to be paused to figure this out. The fancy dress, petticoats, and wig went right on with no opposition. Tomorrow, Maddy and I are going to practice unlacing a corset, which I haven’t done since I was married.

And finally, in the second act, we have to grab Macaroni when Dorant flings it, not because we don’t want people to break a leg, but we didn’t want anyone to smash that delightful product of haberdashery.

That was it. We left everything where we it started, unplugged the lights, reset the weasel, and headed home in the freezing cold.

There is an issue, though. I’ve been getting home three or four hours past my bedtime and waking up at my normal ungodly hour. A sudden disruption of sleep patterns can trigger a manic episode. I should have called my doctor, I said, lamenting that I have to call my doctor to work with the community theater.

All I can do is continue to have fun and hope for the best. I need stimulation! I need excitement! I need one of those fake quills.

Zany to the Max

(Tech Week continues! Prologue: https://jrmhmurphy.com/2025/01/13/paint-no-rest-for-the-wicked/; Setting up: https://jrmhmurphy.com/2025/02/17/critical-stage/)

The name of the play is Metromaniacs, which sounds like cartoon set in the DC Underground. It’s actually set in a mansion in Paris, in the eighteenth-century.

The metro in Metromaniacs refers to a metronome, and therefore meter. It’s told in rhyming couplets delivered with such casual ease that it took me half of the first scene to notice. The theme of the play is poetry and the power of words to seduce.

The plot is convoluted. It’s a farce—it’s supposed to be convoluted. What follows is the general breakdown of the characters and the first part of the story.

1. Francalou, rich man and scorned poet, created the alter ego of Meriadec, a reclusive lady poet. As her, has become quite the celebrity in the literary journal circuit, despite that the work is objectively bad. He has written a play so utterly noxious, the cast got sick. But the show must go on!

2. Lizette, maid and master manipulator, is the sassy voice of reason. To put it bluntly, everyone in the play is an idiot except for her, but even she is a slave to her needs. She was my favorite character and performance, hands down, because the chaos of the first act was almost all her doing. From behind, she looks exactly like Francalou’s daughter. Not that this will come up later or anything.

3. Mondor, Cosmo’s loyal, frustrated, and creepy manservant, tries to corral his boss, then gives up and steals his fake identity to woo Francalou’s daughter. His heart truly belongs to Lizette, but she spurns him at every opportunity.

4. Damis is a wannabe poet and man in debt. (He is played by a guy named Oscar.) He wrote a play under the name Bouillabaisse, opening this very day. He is deeply in love with Francalou’s alter ego, but he thinks Meriadec is his daughter.

5. Lucille, Francalou’s daughter, played by everybody’s favorite actor, Jane, is aloof, yet overly performative. Poetry makes her all tritterpated.

6. Durant is a rugged man’s man who wants the rich man’s daughter. He gets his old friend Damis to write him a poem, but this backfires. (Don’t worry, it turns out well in the end.)

7. Angry Uncle Baliveau. He paid for Damis’s school, and Damis has been going to school for ten years. Before Baliveau can have Damis arrested, Francalou maneuvers him into starring in the play as a character based on him.

From there, it gets weird. Mistaken identities, deception, fourth-wall-breaking, love at first sight, three weddings at the end (there are two women and five men in this play; do the math), this is a classic Shakespearean farce, and I don’t think I’m exaggerating to say that. It doesn’t have the substance of the Bard, but it has the delirious energy of his best comedies.

The actors were having a great time, and they each brought their own level of expressiveness. Francalou was manic, Lizette confident and amused, Mondor was sleazy, Damis was twitchy and deluded, Durant was a doofus, and Angry Uncle was angry. Jane was a lot of fun as Lucille, with her influencer vibe. Performing as someone who is performing has got to be a challenge, but she stuck with it.

The trees we spent so much time painting for the set are actually for the set within the set, but we never see the play. Probably for the best. It sounds like Vogons wrote it. I also found out the purpose of the beanbag boulder: Mondor falls face-first onto it; as a connoisseur of pratfalls, and having been a fine practioner of them in my youth, I was remarkably impressed. He went straight down like a two-by-four. I’ll be setting up the boulder during intermission, and I probably shouldn’t screw that up.

I’ll be working backstage with my sketchbook, which might be a problem. The most important prop is a notebook with a leather cover and a long strap to wrap it in. In the dark, it is identical to my sketchbook. That won’t go badly, will it? On the set of a farce? Nah.

Critical Stage

I returned to St. Mark’s Church on Capitol Hill this weekend for the beginning of Tech Week. The cast of Metromaniacs has been practicing for weeks now, and it’s time to do rehearsals onstage. A stage, therefore, needed to be built. The trick to this is that St. Mark’s is an active church, so stage must be disassembled every Saturday. Sunday was the day it would be built for the first time, using the trees and moon I’d helped decorate in January (https://jrmhmurphy.com/2025/01/13/paint-no-rest-for-the-wicked/ ).

I didn’t have as much fun as the first time. In fact, it was kind of a drag during act 2. This was because a call went out for volunteers, and lots of people showed up. There were about twenty of us there in total, and no one knew each other, aside from the director, the producers, the cast, and the crew, who all had ther own in-jokes.

The volunteer named Elizabeth had the right idea. She introduced herself to everybody and asked them where they’re from. It’s a legitimate question in DC.

I hate when someone asks me that, because I have to respond with a high-pitched, “Welllll…” I could always continue and say “Lots of places,” like Connor McLeod, but I always list them. They usually zone out after the first three.

Elizabeth was adorable, with her platinum bob, pink hoodie, clear-framed glasses, and her fearlessness. If you meet someone like this, you’re likely to assume that, once you got them started, they were going to talk you into unconsciousness. Not Elizabeth.

She answered questions quickly and efficiently, so you had to steer her in the right direction. She was born in 1997. She’s from Montgomery, she went to college in Birmingham, and she moved here because she needed more culture in her life. She likes backstage work, but hasn’t done it since high school, and she will be my rival from now on.

The other person I met immediately, who was not afraid to talk, was Jane. She was somewhere in her mid-twenties, and had a Barbie figure. Her hair was long and straight, from the nineties (formerly from the sixties), and her voice squeaked like Betty Boop, making it difficult to understand the words she was saying. She was in the cast, and she’d never done community theater before. She was spirited away early on.

Ernie spoke. Ernie reminds me of my tenth-grade communications teacher, who was a compact, swarthy man with a mustache and an aggressive hippy vibe. He assured us that once he finished giving his speech, he would be giving the whole thing over to Monique, the stage manager.

He did not. He led us through the transformation of the seating from church seating to bleacher seating. First, we stacked the chairs already there.

Then we set up the risers. (That’s Elizabeth with her back to us.)

And finally, putting seventy-six of the chairs back.

With twenty of us, it was easy to get the work done instantaneously. The problem was, by the time you can get something to do, someone sweeps in and grabs the job. It was a full-contact sport trying to be useful. You’re tripping over everyone, and everyone is tripping over you.

Elizabeth, as always, was the vanguard of activity. She just went to people and asked them questions. I tried this, but if you’re awkward, and someone calls out for volunteers right when you ingratiate yourself into a conversation, it might be discouraging.

When they started hanging the curtains in front of the altar, I realized that I was only getting in the way. I sat in the bleachers and counted down the 127 minutes until we were done, but then it got interesting.

When we were painting last month, Ruth, the bouncy producer, was disbelieving and thrilled that I was interested in working backstage. When I arrived today, the other producer, the assistant stage manager, the director, and Monique, the stage manager, were thrilled to meet me.

As I sat there, feeling useless, Maddy, young and concerned, and Monique, middle-aged and amused, sat on either side of me and explained what I’d be doing. Monique, as you might remember, was the stage manager, and Maddie was her assistant. My job includes moving the “beanbag boulder” during intermission.

After that: stuff to do! The three of set up the backstage so we wouldn’t be seen from the bleachers, wouldn’t get in the way of the cast in this manic farce, and would be in a lot of light because there would be a lot of downtime, and they’re encouraging me to draw.

They also showed me the props, among which were a feathered fan, a plushie ferret, a glass clock, and the contents of locked box. The contents of the box were a pouch full of (fake) blood, a pouch of (fake) silver coins, including three British pounds, and a pair of (fake) dueling pistols, which were the reason the box was locked.

They sent me home early, which I realized when I looked at my phone, was eighteen minutes early. On my way out, I bumped into Jane, who was in full costume, which I can only describe as Marie Antoinette. Monday night, I’m advised to do nothing but watch the rehearsal so I get a feel for it. This is going to be a breeze.

Taking the Bait

When I was employed at the self-publisher in Indiana, a number of cool women worked the front desk. There was Leah, the Leah against whom all future Leahs have been judged. She was escorted from the building by security, and she cut off communication with anyone who ever worked with her, so that ended rather abruptly.

Then there was Isabella. Every photo of her I have in my mind, of her mocha skin and espresso hair, of the flowery sundresses she wore year-round, she is grinning. I don’t know what color her eyes are because I’ve never seen them. She loved meeting everybody, and she traumatized my introverted sister by tackling her in a hug and squealing in her ear, the very first interaction they’d had.

Everything was fun to this woman. She found something to love in everything she could see, hear, feel, smell, or taste, and in every person she met. Isabella was a genuinely sweet and happy person. She was a natural receptionist.

A side-effect of her exuberance was that she dominated conversations. I’m not much of a talker, but I do like to get a word in, so I didn’t hang out with her very much. Still, I loved her presence and her vibe.

That day, in the break room. Chris from HR was examining the crime scene, his assistant Stephanie at his side, poking at a PDA. The Phantom Puker had struck again, and Chris from HR was no closer to catching them.

The pukes had been happening all over both floors of this flat structure, and Chris from HR was going to crack this case. Too bad the Puker knew where all the security cameras were. I rose from my table and stepped out of earshot, catching the last bit of dialogue from that corner: “Find out who had ramen for lunch!”

Even in context, that was pretty messed up, but I was unprepared for what came next. In fact, my deathbed confession will be this sentence fragment, leading a long search for the person who doesn’t remember ever saying it.

Isabella hugged her can of Diet Pepsi and took a quick sip, creating a dramatic pause for her audience. I came in at the middle of the sentence, and she breathlessly said the words that oozed into my ear and soaked my brain.

Sheer momentum kept me going, and I couldn’t hear anything that might put that into context. I don’t remember how I made it back to my desk. Collapsing into my chair, the gears in my head were grinding together, as if you were driving a stick and jumping from first to third.

My Work Wife, Elizabeth, appeared, concerned. “What’s wrong?” she asked. “Do you need to go home? I can tell Dave.”

“What does it mean?” I moaned. “Tell me what it means!”

“What what means?” she replied.

“I can’t tell you,” I groaned. “I have a nosebleed!”

“Oh my God!” she gasped, plucking a issue from the box at her desk. “What did this to you? You know you can tell me anything, Jeremiah. What’s the point of having a work wife if you can’t?”

I hoped not to pass the madness along, but I could live alone with this no longer. “She said.” I breathed. “She said, ‘and then she went back into the fish.’”

“Who was she?”

“I don’t know!”

“What was she doing before she went back into the fish?”

“I don’t know!”

“What was outside of the fish that made returning to it so appealing?”

“I don’t know!”

“What was she doing in the fish in the first place?”

My bloodshot eyes fixated on her as I grabbed her shoulder and shook her. “I! Don’t! Know!”

She brushed my hands off of her. “We’re going to get through this. Just remain calm. Maybe we can ask Isabella what she was talking about.”

“I don’t want her thinking of me as an eavesdropper.”

“Jeremiah,” she said carefully, “this may be the only way you can go on.”

I worked my way downstairs to the front desk, my head pounding, and I waved to get her attention, just in case she was on the phone.

“What’s up, Jeremiah?” she asked, as if Jeremiah gossip was the one thing she’d been waiting for all day.

“I kind of caught part of a story you were telling,” I tried to explain without being a creep. “And you said something that I can’t quite understand.”

Her eyes were wide and eager.

“You said, ‘and then she went back into the fish,’” he told her.

She frowned a huge stage frown. “I don’t remember talking about fish at all today. Sorry!”

I returned upstairs, to my desk, and rested my face on the keyboard. I would never know why someone would return to a fish. I could only speculate. The truth had died that day, and so did a part of me I will always miss.