Monthly Archives: November 2023

Justice Stinks!

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In west-central New Mexico there is a humble city. Maybe not that humble. Anyway, this city was a magnet for evildoers, and wherever and whenever crime, mayhem, and naughtiness struck, its humble (or not) citizens would cry out for the fragrant justice of their hometown champions!

            When he was a child, young Barry fell into a radioactive sewer and gained the power and abilities of that sewer! From that day forth, he dedicated himself to the protection of Gallup, New Mexico as Sewerboy!

When he was a child, young Eugene sat down on a radioactive cactus and gained the power and abilities of that cactus! His idol, Sewerboy took him under his wing, and he fought by his side as the Kactus Kid!

Over the years, they developed quite the rogue’s gallery, including The Nitpicker (“You’re going to jail, Nitpicker!” “How can I be going to jail if I’m standing right here?”) …

The Passive-Aggressive Giant (“I guess I could go to jail. I feel bad about my mom, though, who has a bad back and can’t do any of the yardwork.”) …

And Irwin, God of Cannabis (“Perhaps we shouldn’t, uh, talk about Irwin.”)

But never was evil more powerful than with the caffeinated villainy of Major Jitters, who drank a radioactive cup of coffee and gained the power and ability of that coffee, and she chose to use it for nefarious ends. All it takes to unleash her awesome gifts is a wholesome mug full of Joe.

With her army of café-themed goons, she has cut a swath through the innocent (?) city of Gallup.

But when it comes to muscle, none can defeat the Percolator.

When evil is afoot, when all seems lost, you’ll hear the battle cry of Sewerboy and know you’re in safe hands.

“Justice Stinks!”

Does Whatever a Mortal Can

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I love drawing comics. The comic book I’m working on, the second chapter of Best Fiends Forever, is not my first comic book. The first chapter of Best Fiends Forever was not my first comic book. The one I worked on nineteen years ago for those smug dudes in New York who badmouthed me after I quit was not my first comic book. My first comic book was MortalMan, in 2003, and I dug up some of my sketches from back then.

You probably don’t know this if you’ve picked up comic reading in the past twenty-five-to-thirty years, but once upon a time, issues were self-contained, and the only thing you needed to know was in a one- or two-sentence summary near the logo. For example: “When Peter Parker was bitten by a radioactive spider, he developed abilities of a spider and learned that with great power comes great responsibility.” From there, you’d pretty quickly catch up on Spider-Man’s specific powers and enemies, usually through narration.

For MortalMan, the banner was: “When Joe Branford was bitten by a radioactive spider, he had a rash for three weeks and learned that with no power comes no responsibility.” Joe (first pic) was a good-natured teenager who watched TV and read comics perhaps a little too much. However, this prepared him for some of the weird shit to hit Gallup, New Mexico. For example, he was not fazed when he met a talking dog named Pete, figuring he was just bilingual. Pete is a goth. He sees the world as gray and bleak, he writes dark poetry, and he attempts suicide in the first issue (if I were going to write this again, I’d probably change that last bit). He and Joe hit it off, and they hang out at the mall.

This is Kgnydjll and Fphihln (pronounced “Nigel” and “Phil”) emissaries for the Galactic Empire who come to Earth in the first issue to welcome us to the fold. Unfortunately, they arrive in time for a Science Fiction Convention, and no one believes they’re aliens.

I had a lot of big plans for MortalMan, and I wrote a lot of scripts, but I never followed through with them. Joe and Pete were going to run afoul of a pair of John-Woo-inspired super spies and a mob of Tarantino-esque gangsters at a Mafia Convention being held in Gallup, and they were going to rediscover the long-retired superhero guardians of Gallup, Sewerboy and the Kactus Kid.

One of their rogues’ gallery was Irwin the God of Cannabis.

More on Sewerboy et al on a separate post.

At one point, Joe was going to get sucked into hell and would escape when a pair of little boys, attempting to tunnel to China, dig a hole in Perdition’s walls, leaving Joe stranded in Hastings, Nebraska. On his way home, he’d run into my most ambitious creation, M: the scourge of I-80, based on my dear friend, Emilie. With her sidekick, Pixie (based on our friend Abby), she leaps from car to car and liberates the change from drivers’ ashtrays. To pull her off, I’d have to learn how to draw a lot of cars and some very kinetic poses. Twenty years ago, I knew I had it in me. Now, I’m a little more humble.

I still have the original art for the comic, sans word balloons, but I don’t have the script, nor the scripts for future issues because Newcastle liked to sit on my laptop, and 18 years ago, he was much heavier and broke my hard drive.

And yet, I am starting to look for a projects after I’m finished with Best Fiends Forever…

Like No One’s Watching

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Something unusual happened to me yesterday, and I’m still not sure what to make of it.

My office takes up five floors of our ten-story building, and on floors 6 through 9, there is an identical conference room. The rooms are made of glass and are not soundproof (which is not important for this story, but is something worth keeping in mind if you work here). They are located in the same corner of each floor as the elevators.

Every Thursday, my boss, my boss’s boss, and my fellow Editorial Coordinator meet in a conference room, very rarely the one on our floor. The table has four sides, but my fellow Coordinator Zooms in because she is disabled and works from home. Her face is projected on a forty-eight-inch screen, and therefore my bosses and I populate three sides of the table, facing her. I like to sit with my back to the window for reasons.

And here is where the event occurred. This week, we were located on the sixth floor. The only thing I know about the sixth floor is that the break room is there. I don’t know anyone who works there, but since I had the best view of the cubicle farm, I people-watched while our department talked amongst ourselves.

There is a really cute girl on the sixth floor. (I call her a girl when she’s in her twenties; also, get off my lawn.) I saw her approach from the far side of the office on a bearing that would have taken her straight through the glass conference-room wall and right into my lap (not in a pervy way; don’t forget I’m ace). It was hard to avoid watching her because my boss and my boss’s boss were seated in a way that I was facing the cubicle farm, but I didn’t want to seem like a creep, so I kept my eyes on my laptop, and eventually, she veered off.

She reappeared in front of the elevators a while later and pushed the button. While she waited, she started to dance. I am the prime audience for people being free and enjoying themselves, so I secretly applauded her. But the next time I looked up, her eyes were on me, and I felt terrible for invading her private moment. She smiled and continued to dance, and she kept turning toward me, as if to make sure I was watching. A coworker joined her, and they danced into the elevator car.

When I go to the elevators, and there’s a meeting, I get really self-conscious. At the same time, I feel like I have to put on a performance for the people who can see me. For me, that means pushing the button and stepping into the car with exaggerated panache. For this young woman, that meant dancing. Who knows? Maybe she was feeling self-conscious. I won’t dance—I have this pathological aversion to dancing—but there’s a show in me somewhere, and if I put it on, it’ll be because it was brought out of me by this nameless blonde in the white sweater.