Kitten Season in Albania

In my old writing group, we had a contest too see which of us could write the most words. The winner got a sticker. If you looked at Kat’s laptop, she was covered in stickers. It’s a free-write—you can talk about how much you hate writing for ten minutes, and you’re still qualified to win. This is surprisingly coherent for a free-write, but that’s the way I roll. The prompt was the phrase, “It was kitten season in Albania.”

It was kitten season in Albania, and no matter how much you sprayed, they were everywhere. And you know what they say about kittens: if you see one, there are dozens around that you can’t actually see. I had a particular problem with the kittens during my stay in Albania as part of my top-secret diplomatic mission with the State Department, and that was this: I had a lot of knickknacks. A LOT of knickknacks. And if there’s one thing that a kitten loves, it’s destroying the knickknacks. There was an owl that my grandmother had given me—she was Albanian, which is how I scored the sweet undercover gig—and a kitten came out of nowhere, bit its head off, knocked the remains to the floor, and disappeared into a portal. Fucking kittens. I don’t know where these portals go, but I vow one day to find out.

I called the kitten exterminators the other day—don’t worry, they don’t actually kill the kittens—they just round them up and put them into a vacuum cleaner to be sent to the kitten retail outlet in Bangor, Maine. They have a portal expert whose job is specifically to figure out where the kittens go after they create their swathes of destruction and adorable, adorable mayhem. We have theories—some of us think that it is a beautiful, sunny world of fluffiness and cotton candy. Others believe—as do I—that it is a dark, hell dimension full of evil and stuff. This makes as much sense to me as anything, being that I really, really loved my Albanian grandmother’s owl statue. I wanted to kill that kitten, but it looked at me with those big kitten eyes and mewed a tiny kitten mew, and it was all over. I’d adopt the little fucker, but I have other owl statues that my Albanian grandmother gave to me. Many owl statues. There was an army of them. I think she used them to unleash dark, Albanian magic upon the world. So who knows, maybe the kittens are a force for good, destroying those talismen of evil. Or maybe they’re just tchotchkes. What kind of magic is dark, Albanian magic? I’ve heard of Dark Macedonian magic, and dark Lithunanean magic, but never dark Albanian magic. I don’t know who spread that rumor, really. I think it was my mother, who never did like her mother-in-law. But still, labeling someone as an evil Albanian magic-user seems a little harsh, don’t you think? Maybe there was a grain of truth about it? I mean, there was all the chanting and the weird lights that eminated from Grandma’s room late at night when she thought everyone was asleep. I wasn’t asleep because the prescriptions I was on for my insomnia never actually worked. The ones for psychosis, however, were magic. Just like my grandmother. And that kitten. Fucking kitten.

Ginger Rap: A Eulogy

It is with a heavy heart that I must announce that I’m putting my current comic, Ginger Rap, on hiatus. It’s not that I don’t have time, it’s not because I lost an interest in drawing, it’s not because it sucks. (Pages 1, 2, and 5 are really good, but it’s not working.) And it’s not because someone read my first color comic, “Haute,” and realized what a genius I was. It’s because it wasn’t doing what it was supposed to.

I decided to illustrate this comic for two reasons. First, I wanted to make a comic. This was not my first comic, and I really enjoyed it. In fact, about a year ago, before my renaissance, I remember thinking that it would be fun to do another comic. Too bad I didn’t draw anymore. Here I am, with fifty sheets of Bristol board, ready to have some fun. The second was that if I drew a lot and a lot of the same characters, over and over, I’d be a better artist.

So here I am, treating the comic as a duty, and wanting to draw bigger pictures, while not enjoying the quality of art I was putting out. I like simple comic art. It’s the reason The Kindly Ones has always been my favorite Sandman story, and why I will buy anything Matt Wagner illustrates. However, my art has been oversimple, unlike the art in my sketchbooks. I had forgotten everything I had just learned about anatomy when I penciled and inked the pages, and I did it because I was rushing. My comic book art has been getting worse.

It’s time to step away and do a post-mortem. Even though each page had been penciled, painted, and inked, they look like sketches. Meanwhile, my sketchbooks have hardly any sketches, rather complete pieces of art. I’ve been treating the whole page like the medium, when I should be making each panel art.

In addition, I’ve been learning a few things, I bought a hand model (first thing I did was flip the cats off because I am a child) and a book on anatomy and a book on perspective. I’m experimenting on some tricks to give my characters more depth.  

So I’m not quitting. But if I spent some time away just practicing and learning, it would be really jarring for the art quality to leap like that between pages 8 and 9. Is it time to put Ginger Rap to rest and move on? I’m really looking forward to the last page, though. That’s why I said hiatus and not canceled.

But you see what I’ve been doing, right? Totally worth it.