Sometimes Stuff Just Doesn’t Make Any Sense …

People make even less sense than that. They don’t owe me answers, or an explanation, or even forgiveness. Likewise, I don’t owe anybody anything, especially forgiveness. 

And that’s okay. 

I have regrets, and that’s also okay. I am thoroughly happy with the way my life has gone so far, but doesn’t mean that I can’t wish I hadn’t sold that comic book; or that I hadn’t said that one thing to that one person at that one crucial moment. Anyone who claims they have no regrets are either lying, or inhuman. 

I’m thinking about this now for a couple of reasons: for starters, it’s the overriding theme of my novella, Clear Spirits, especially as I get into the second half. Also, I’m soon going to be in a place where I will be physically reminded of my mistakes, as well as of my unwillingness to forgive. 

I need to remember that certain things will never be resolved. Loose ends will remain loose; the characters and plot of a prior chapter won’t be the characters and plot of the next chapter; and that things will not be tied up into a neat little bow. I may never forgive them, and I may never forgive myself. 

And I need to know that that’s okay. 

Lest I Forget

This week my wife and I watched a documentary about the Oklahoma City bombing and Tim McVeigh, and I had a … moment

As you probably know, I was ridiculously close to the World Trade Center on that sunny, beautiful morning in 2001 when everything changed. Eight and a half years later, I’ve nearly forgotten how it felt. Maybe it’s because a lot of time has passed. Maybe it’s because the imagery—whether it be from “Never Forget” bumper stickers, news stories featuring video of the second plane smashing into the tower, or movies like War of the Worlds and Cloverfield—has become so ubiquitous. Maybe because it’s been used as a tool to justify things that are morally and politically questionable, or things not even remotely related (see Glen Beck’s “9/12” anti-tax rallies). Everything I saw that day has been so mixed in with everything that came afterward that I’ve become numb to it. 

But then this documentary reminded me of something the news and the movies and the chest-beating had all but forgotten: that sound. 

My most vivid memory of the day is not the ashes or the falling office supplies or those boring buildings that housed so memories on fire. It’s sitting in a mostly empty room with no computer, earning twelve bucks an hour for stuffing envelopes, and hearing a loud, deep boom that rumbled through my cheap aluminum desk. It’s going to the window to see what could have caused it. It’s thinking that it couldn’t be that big a deal, and five minutes later believing that everything I knew had come to an end. 

I suppose I could be forgiven for forgetting that. It’s been a long time. 

But then I heard survivors talk about how they thought it was construction or something, or just how flat-out confusing they were for that one moment between the time they heard that sound and the time they realized their lives had been forever destroyed. It reminds me why I flinch whenever I hear any sudden, low-pitched, loud noise. 

A Grand Old Hag

Since man started telling stories to each other, there have been a number of themes that cross into nearly every culture, themes like the creation of the world in the past, the destruction of the world in the future, a separate world underneath ours where the dead go, devastating floods, a god above all other gods, vampires, etc. While the big ideas are the same, the details tend to fit into their own culture, like how the Norse legends told of about ice and irritability; Egyptian legends clustered around a river delta, just like the animals they deified; and Babylonian legends were fierce, angry, and unpredictable, much like the Tigris and Euphrates that brought life and death to their kingdoms. I could go on. 

One of these myths, however, is the same everywhere, and it hasn’t changed at all over these thousands of years. I’m talking about the “Old Hag.” It’s called many different things—most notably “incubus”— but the story is the same: a person will wake to find they cannot move, almost as if something is pinning them down. They sense a malevolent presence nearby, and sure enough, a dark shape descends over them, which could be someone watching or even sitting on them. Sometimes this dark shape speaks, but often in gibberish. Sometimes the victim can’t breathe. But always, the dark shape is terrifying. Eventually, they are released from its grip, and understandably, it’s not so easy to get back to sleep. People have given various identities to these dark shapes. Some have called them demons (this is the origin of the incubi), some have called them evil cats (as if there’s any other kind), and more recently, some have called them alien abductors. Regardless, the experience is persistent and real—so real, in fact, that science has a name for it: “Sleep paralysis.” 

Doctors have been studying this phenomenon for years, but like sleep itself, there’s a lot that they don’t understand. They have figured out how sleep paralysis works. See, when the brain goes into a deep, dreaming sleep, your body shuts down completely. It performs a hard restart, and to do that, it needs to turn off the parts that control your limbs while it cycles the senses through whatever gobbledygook it uses to recharge and reset your mind. The origins and function of said gobbledygook is a mystery, but for it to work, our minds need to be powered down. Sometimes, though, something misfires. When that happens, you have no control of your limbs, and the sounds of dreams are still drifting through your head. Whatever it is that causes you to see dreams when your eyes are closed makes you see patches of blackness drifting around when they’re open. And you know that something is nearby. But most of all, and most consistently, is the fear. Whether you’re frightened because of the presence or your fear creates the presence is unknown. All that’s known is you’re scared. 

Let me make one thing clear: all of these studies can tell us how sleep paralysis works, but not why. Maybe there are dark spirits preying on us, and the dark shapes and vague terror is the only way we can understand what it is we’re experiencing. Or maybe it’s just neurons misfiring. We’ll figure it out some day. 

 If this sounds kind of scary, keep in mind that when it happens to you, as I learned from personal experience recently, it’s even scarier. 

Easter Sunday night, my cat Newcastle tried to jump onto a drying rack and failed spectacularly. I checked to see if he was hurt, but he wasn’t. He blamed me for the disaster and stayed mad at me for a long time, so when I crawled into bed, he wasn’t interested in purring and kneading my throat like he does every time I lie down. My wife was working a night shift, so he was my only bedtime company, and I was being shunned. Newcastle fell asleep at my feet, and I fell asleep shortly after him. This was around eleven thirty. 

One of the psychiatric medications I take leaves me feeling lightheaded, which is why I take it before bed. The side effect is that this translates in my dreams to floating or flying, and as you can imagine, it’s a bit of a hoot. In fact, I look forward to these dreams. That night, I was fluttering around near the ceiling of a very large room that was bare, except for the chairs that normally sit like thrones in my living room. In the furthest corner of this room was a treasure or something silly like that, and so I tried to float over to pick it up. I couldn’t make it past the chairs, though, and so I had to land. The chair on the left—the one in which my wife usually sits—began to swivel toward me.  

I don’t know why or how I knew this, but as it turned dramatically, I wasn’t expecting my wife to be sitting there. What I did know was that it was going to be something awful. My imagination began to speculate on what to expect when I could see the occupant: would it be a hideous half-animal monster in my wife’s clothes? Would it be a demonic alien in my wife’s clothes? Would it be a rotting zombie that looked like my wife? Either way, I made sure that when it come into view, I was looking at something else. 

Mercifully, I woke up just then, and that’s when I discovered I wasn’t breathing. Naturally, I tried to do so, but I just couldn’t. It was if my throat had swelled up, like when a drink goes down the wrong pipe, and you cough it out, but you just can’t inhale. In this case, I couldn’t even exhale. My ears rang, and I tried to sit up, but no matter how hard I fought, something seemed to be restraining me. Finally, after who knows how long, I gasped in some air. A few moments later, I could move again.  

This, as I found out the next day, is textbook Sleep Paralysis. There were some differences for me, though. As I mentioned earlier, the sufferer in most accounts of sleep paralysis is overwhelmed by panic, dread, and the feeling that something bad is there. 

In my case, there was panic, but no dread, and certainly no presence. Sure, I was rattled by the experience, but who wouldn’t be? I figured I had just slept wrong, so I sat up, adjusted my pillows, and laid back down.  

Another thing that is fairly consistent in these accounts is that these attacks only happen once. This, too, did not apply to me. 

A few minutes after I lay back down, my ears started to ring; my head began to feel heavy, as if someone was pushing it down; and once again, I stopped breathing. This time, there was fear, as to be expected, but since I’d already gone through this, I was prepared. I told myself to relax, and in doing so, my throat would loosen up and everything would be back to normal. Only it didn’t go back to normal. In fact, relaxing only seemed to make it last longer. 

By this point, it was a little after midnight. I lay back down again, more annoyed than anything. How was I supposed to sleep if this kept happening? I deduced that this kept happening to me because I was lying on my back. I started to roll over, but found I couldn’t. Something held me down, My ears rang, and this time, my room went dark. I don’t mean dark as in that nighttime blue-gray that settles over everything. I mean dark as in pitch black that settled gently over everything like a blanket, or like a bottle of ink tipped over and slowly spilling. As the light left the room, so did the air in my lungs.  

I regained control over my body, and the darkness lifted—as gently as it had descended. The ringing died down, and I could now hear my other cat, Magik, outside the room, yowling. I called out to him, because I believed intuitively that a cat beside me would keep me safe. But Magik wouldn’t dare enter. 

And again the room went dark, my limbs and head were pinned down, and I couldn’t breathe. Once free, I sat up and tried to talk Newcastle into moving up the bed with me, but he wouldn’t budge. He didn’t even wake up to give me a dirty look. Finally, after one more case of suffocating and being restrained, I stood up to go to the bathroom and hopefully shake off whatever it was that was causing this, which, I might note, I was still positive had to do with me sleeping the wrong way. No presence here. 

But when I returned to bed after checking the black lump at the foot to make sure it really was Newcastle, I laid down to the room going dark and my body failing and the a new thought: what if it wasn’t me who was causing all of this? I still didn’t feel a presence in the room per se, but I did start to wonder. I rolled over, facing away from the window, because obviously the thing that I didnt think was there came in through that window. I hoped that resting on my side would put an end to this and let me get back to sleep. 

Then the dread settled in. Somehow, I knew this wasn’t the end of it. And sure enough, my ears began to ring, and I couldn’t move. By now, I’d begun to wonder if it wasn’t the ringing itself that was pinning me down and taking away the light, despite the fact that this made no sense. And to make matters even more confusing, I could breath just fine. Maybe I had finally found an angle that didn’t close off my throat. 

“Or maybe,” my brain told me, “he just can’t reach your mouth from this angle.” 

While I couldn’t hear or see or feel a presence in the room, it being there was the only logical conclusion I could draw from this. Prior to the most recent incident, my going theory was that my choking was responsible for the darkness and the ringing. Now I wondered if it was the other way around. This thought scared me more than anything that had happened so far. 

“Please,” I whispered to whatever it was that I was now certain waited just out of sight. “Please stop.” 

It didn’t. In fact, the next attack lasted longer. The ringing got louder, the darkness that folded over me was thicker, and the pressure was stronger. 

“Please,” I begged again. 

And it happened again, with even more force. 

That’s when I decided to get out of bed. Any place had to be safer than this. But when I tried to roll over, to my surprise, I couldn’t move at all. My ears weren’t ringing, the room was the proper shade of cobalt, and nothing seemed be holding me down, but I just couldn’t move. 

To understand how this felt, make a fist with your ring finger extended, and place it, palm-down, on a table or armrest. Now try to move your ring finger. No matter how much willpower you put into it, won’t go anywhere. That’s how I was. I could breathe just fine, but that was about as far as I got. And then suddenly, for no good reason, I was free. It was now about a quarter after one.  

I bolted from the room and moved over to our uncomfortable couch. After I made myself somewhat comfortable, Magik came over and curled up on my chest. I cannot explain to you how safe I felt with him there. It’s like hiding from the monsters under your blanket when you’re a child; i.e. nothing was getting through that blanket. And no monster would come near me with Magik here. 

Around forty-five minutes later, Magik was gone, and I heard the ringing again, but it was muted. Likewise, the room was no darker, and the restraints on my body could be shaken off like they couldn’t before. However, my stomach now felt sour. Bile crept up my throat like I had eaten a full-sized bag of Doritos and a box of donuts before I lay down. But after a dose of Alka-Seltzer and a quick trip to the bathroom, the fear—all of it—had fled. 

When I got back to bed, Newcastle had forgiven me. He gave me a cursory purring and throat-kneading before he dozed off beside my head. I quickly joined him. When I woke up, I had nearly forgotten the whole thing.  

A small part of me, though, is glad I went through this. As I’ve mentioned earlier, science has studied this for years, and I’ve been frightening myself by reading about it since I was a small boy. Knowing what we do, however, does not remotely begin to describe the sheer horror of it. 

Lord, Help Me Finish What I St

Recently, I’ve been pitching forward, full-steam trying to find out what’s wrong with me and maybe fix it. Barring that, maybe I can slap on some duct tape, tweak some valves, and send me down the road with a hilly-billy tune-up. One of the most recent ideas sent my way by a professional is that I might be suffering from Adult Attention Deficit Disorder, and to investigate this possibility, I’ve been given a homework assignment: Read Driven to Distraction by Edward M. Hallowell. 

Now, if you know me at all, you know that asking me to do a homework assignment is the same as asking me to show up to class the next day unprepared and anxious. I chose not to pursue graduate school because I was sick of reading.  But I’m desperate, so I bought the book and have made a sizeable dent in it. The verdict? I’m skeptical. 

There are plenty of reasons to be skeptical. For one, reading a book and deciding that this is the answer is not a reliable way to identify the answer. This is not why I’m skeptical. The reason I’m skeptical is that there have never been answers to who I am and why I can’t seem to function. Do I have a psychiatric disorder, or am I lazy? Do I have problems sleeping because I’m depressed, or because I like coffee?  Is there something wrong with my brain or is there something wrong with me? I’ve spent well over a decade trying to figure this out. Why should this book change anything? 

When you’re driving your car, and you get stopped by a police officer, sheriff’s deputy, or state trooper, he routinely asks, “Do you know why I pulled you over?” Chances are, regardless of how virtuous a person you are, there is a moment between that question and your answer when you’re thinking, Well, I know what I did wrong, but not what you think I did wrong. In that moment, whether you just went a few miles over the speed limit, or you drove through a red light that you didn’t notice because you were searching on the floor for the crack pipe you dropped while restraining the hostage carrying the duffel bag of money you just stole from the bank; you still think you just might get away with it while being utterly terrified that the full fury of blind justice will descend upon you and throw you in prison for the rest of your life. 

It’s Schrödinger’s guilt, and I feel it every moment I’m awake: waiting for a teacher to realize I don’t know what the fuck I’m talking about; waiting for my employer to fire me; for the person with whom I share a bed to dump me; for my friends to tell me to go fuck myself. As a result, I’ve wandered through these thirty-plus years in a bit of a fugue, alternating between detachment and desperate clinginess. Nothing can change my mind about this feeling: not good grades; not above-average performance reviews; not declarations of everlasting love; not an abundance of friendships. What sticks with me instead is the D-minus, the layoff, the bitter breakup, and the friend who told me to fuck myself. Does this feeling make me unique? Of course not. Is it any way to live? Of course not. I want to find a way out, and this is why I’m skeptical. 

The author of this book frequently (to his credit) reminds the reader that only a psychiatric professional is qualified to diagnose Attention Deficit Disorder. Still, the correlations between ADD and certain expressions of hyperactivity, anxiety, depression, learning disabilities, substance abuse, and creativity all hit too close to home for me. Also, for a neurological condition, ADD is surprisingly cut and dried. Testing is straightforward, treatment involves setting achievable goals, and the 85 percent of people who respond to medication report almost instantaneous improvement. It’s not easy, and there’s no cure, but it’s quantifiable. I’m a little desperate for something quantifiable, and because of that, I’m skeptical. 

So until I can get answers, all I can do is keep holding my breath. 

Block Party

I hesitate to call this feeling writer’s block, but the effect is the same. I’m not sure what to do anymore. This always happens to me. I know where the story’s supposed to go, but I’m not doing a very good job of getting there. I start out strong, and then, within ten pages of an ending, I choke. Whenever a friend or lover has had a similar problem, my solution is, “Write—it doesn’t matter how bad it looks, just write. The hard part is putting the words on the page, and the editing is easy.”  

But really, who can take their own advice? The words I put down are pretty weak (i.e. “He walked over to the door and then he waked through it and then he saw someone and he said, ‘Hey.’), and so I try to compensate by strengthening them a little (i.e. “He staggered over to the entrance, and once he propelled himself through it, his eyes were filled with the silhouette of a figure, to whom he spoke when his voice, husky from a half-decade of smoking, rang out with the following ‘Hey.’”) and kind of give myself a headache from trying too hard. 

So I thought it would review the source material. This made it worse. It’s widely known that artists are their own worst critics. Even someone who thinks himself the finest genius the world has ever known (i.e. Quentin Tarantino or Pablo Picasso) will look at their own work and turn a rancid shade of green. The passage of time between the creation of said art and its reevaluation only makes the green greener. All we want to do is use the skills we’ve picked up since then to create what we had originally intended. Most artists can avoid this revisionism by unleashing their piece upon the world; an act that kind of freezes it in amber. Some artists (I’m looking at you, Mr. Lucas) have amassed enough power that they can continue to poke and prod their work until the world has come to an end. Either way, we’re a notoriously difficult bunch. 

This in mind, I discovered in that the 1999 “Week in the Head” was a tiny, elegant piece of poetry. It was kind of a bittersweet haiku; five syllables of regret followed by seven syllables of delirious longing followed by five syllables of hope. The 2009 “Week in the Head” is turning into a sonnet of regret and longing, but without the hope. 

Let’s be honest, this rewrite is some pretty depressing shit; almost Dickensian in nature (not the Christmas Carol Dickens, either. I’m talking about the Dickens whose original ending of Oliver Twist left the titular character frozen to death in a gutter). I should have called it “Bleak in the Head.” I had no idea how dark it was until I got about 75 percent through the rewrite. There’s a reason I didn’t notice, and that’s because everything the main character has experienced is some variation of something I’ve experienced. Having lived through these traumas, they don’t seem so bad. Hell, I’m using this story as a way of walking off some of the pain. My problem is that I’m not giving him anything to walk toward. 

Originally he had been much more like me, a boy from a medium-sized town for whom New York was the Emerald City. To extend the metaphor a little, my last week in Hastings, Nebraska was my poppy field. As for the flying monkeys … well, there were a lot of drugs. I made it to my Emerald City because I knew that’s where I’d find my future; I’d have to be a grownup to make it there. Having tied the main character’s history to that place, I took away New York’s mystique and replaced it with dread. 

And now, thanks to the magic of writing and rereading (specifically, writing and rereading this journal entry), I’ve finally realized why I’m having such a hard time with this ending: I’ve been missing the single most important ingredient. Now I need to figure out how to fold it into the mixture without disturbing everything I’ve posted online so far. This is going to be tough, but now that I’ve got an Emerald City of my own to find, I think I’m ready to move forward. 

Thank you, blog! 

To Err Is Human, but You’ll Get Your Ass Kicked for It Regardless

I’m reading this fictional tale of an old woman fondly remembering her life, and I’m hating it. This is causing me much distress, as the author’s intentions are truly noble. She believes that the folks you see staring into space in nursing homes have lived full, rich, eventful lives that must be shared. I cannot agree more. These folks have lived through the bloodiest war in history, the Civil Rights movement, Elvis, and the Beatles. A decreasing number of them lived through the Great Depression, and because the collapse of the financial institutions of the world without the FDIC didn’t suck enough, history also threw in the Dust Bowl and the rise of fascism. Because history is an asshole. They witnessed our culture shift from manufacturing and production to service and entertainment. And the best part about it is, they didn’t even realize they were living through history, because twenty-four-hour news networks weren’t constantly telling them that they were. The experience and humility of these passing generations is a resource that we must respect—and we, for the most part, do (except when they’re driving—no respect there). 

But then there’s this book. Maybe I’m just not the audience for this book. There will always be people who want to read this kind of thing, where everything is happy and pastel, and the hardships people have to endure are vague and not at all related to mistakes. Mistakes are things other people do. It’s one of those we-worked-for-everything-and-were-grateful old people stories, but without the amusing crankiness and condescension. It relies overly on the words perfect, lovely, friendship, enjoy, and family It is this last word that gets to me, like a pebble in my shoe. 

She only upsets her mother twice (once was because she was picking blackberries for Mommy and her dress got stained). One of the old lady’s family members disowns her child because of a marriage on the wrong side of the tracks—but that’s an excuse for a tearful reunion and learned lesson later. When the old lady and her husband go on a cruise, they bring their children and spend the vacation watching them as opposed to, I don’t know, having fun. This is a family without its own hopes and dreams—just affection and learning. This isn’t family that I know. 

My family is far from perfect. We love each other, but half the time we would have loved to run each other over with a car (which happened once, but I was only four. Sorry, Dad!). There was a lot of shouting and frustration and confusion, because my parents had no idea what they were doing. That’s why they screwed up so much. And this isn’t just my family. This is most normal families. Some are the Cleaver family, and some are the Manson family. Behind every person is a parent—mother or father; biological or guardian—who questioned themselves and wanted that child to go away forever. 

This book reminds me of an email meme that goes around about how the mother does all the chores in a family’s life, like cooking, cleaning, laundry, sewing, and working full time, and she does it all thanklessly, while the father brings home a manly check, eats the food, and goes to bed. My mother (no offense, Mom) couldn’t boil a chicken if she had to, and threading a needle was something other people did. She supported our family and came home, cranky and worn out. My father worked some of the dumbest, most demeaning odd jobs in history (I know because I worked some of them too) until he could get to his own dream job. I don’t know what they gave up to raise me and my sisters. So reading these emails and these books is a slap in their faces, diminishing everything they’ve ever done by holding it up to a standard that they, or most of us, can never achieve. 

My parents worked hard, and often rewarded themselves by going out—without us!—like they damned well deserved to. From them I’ve learned from them the value of making shit up as you go along and trying to enjoy yourself at least some of the time. They taught me that it isn’t easy, and it never will be, but that doesn’t make it bad. Yes, my parents and grandparents had to climb uphill both ways in bare feet in the snow, but their lives were more than hardships; they were hard choices. I want to learn about how to do those things. I want to learn about their mistakes, because I want to learn how they fixed them or endured their consequences. Hearing about their victories may be uplifting, but it’s not useful. 

Remembering the good-parts version of life is something I am guilty of. Scratch that: the word guilty is inaccurate. There’s nothing wrong with it. I recall seeing the sunrise as I rode home from a party, without the thoughts of sleeping alone that drowned my joy half the time. I can remember why I fell in love with every one of my exes while leaving the reasons we are exes. I smile every day to memories of friends whose last words to me were the kinds of things I shout to my cats when they throw boxes at my head. I remember drinking without hangovers; smoking without coughing; summers without sweating. But I never forget these things, and any history of me without them would diminish everything I’ve ever done. 

This goes for my family, and your family too. 

It’s a Mad, Mad, Mad, Mad World—Never Mind, It’s Just Me

I didn’t want my next journal entry to be a rant, I really didn’t. Hell, I’m excited because I have some really cool entries lined up for the near future (i.e., I’ve been writing a lot and am eager to show off). 

I’m pissed because I am sick of reading people disrespecting psychology and psychiatry. The psycho-haters are an interesting and very diverse group. On one side, Tom Cruise and his fellow [tax-fraud, cult-like organization with a litigious history that is prompting me not to name them] rails about them, the religious right-wing suggests praying, and liberal potheads like Bill Maher (whom I strongly dislike because he is exactly the kind of latte-sipping, white-wine-sniffing, New York Times-reading, elitist snob who looks down his nose at the middle-class and makes it hard to sell progressive reform) claim that all doctors are out to get you. 

There are concerns, to be sure. I think some doctors are too quick to prescribe some of this medication, and I don’t think they have educated themselves enough about their side effects. In my humble, never-took-a-biology-class-past-tenth-grade opinion, if your patient is complaining about Prozac deadening his libido, the answer is not a prescription for Viagra. Yes, the FDA is a political organization that was, at one time, run by world-renowned agricultural biologist and chemist, Donald Rumsfeld, but it’s not all bad. 

However, the kneejerk, lefty claim about meds (Holier-than-thou doctors and big pharma want to control you and profit off your misery! OMG!) is too similar to the right-wing reaction to global warming and evolution (Holier-than-thou scientists and big government want to control you and profit off your misery! OMG!). Scientists and doctors went to school for years and years to become scientists. You just read an article on the Internet. Science fucks up, but they will admit if they get something wrong. Don’t pretend they don’t. 

Let’s try to be a little more realistic: For the most part, these drugs work. I said for the most part. And that’s what’s so damned difficult to comprehend about it. It’s all guesswork and trial-and-error (and yes, Mr. Maher, doctors do admit that it’s guesswork), and it takes a long time and a lot of effort on the part of doctor and patient to make it work. 

There. Is. No. Simple Cure. 

That in itself is frustrating, because I would like more than anything to take a pill or be hypnotized or something just to get rid of it. Full disclosure: I am mentally ill. It’s a pretty minor illness in comparison, even to some of my friends. Since I was a teenager, I’ve been depressed and riddled with crippling anxiety. I tried everything I could find to take the edge off, including cigarettes, illegal drugs, alcohol, poetry, really bad poetry, cognitive-behavioral therapy, heavy metal, support groups, medication, parties, exercise, rock concerts, EMDR, and journaling. All of it worked, and at the same time, none of it did. 

In one case, I found the perfect drug cocktail that made me less stressed out and less sad. And I had to stop taking one of the drugs because it had a side-effect I couldn’t live with. Now I’m trying a combination of a powerful anti-anxiety med, therapy, exercise, and writing. In a few months, this might not be working. It drives my wife crazy, and it drives me crazy. We both just want me to be better, and we’re sick of having to be vigilante for the rest of our lives. 

There is no one solution for any one person. Diet and exercise alone will not fix your depression. You can’t think it better. Anti-depressants will not make it all go away. 

What doesn’t work is telling myself (often at the urging of others) is that it’s all in my head. That my anxiety is shyness or stage fright or what have you. That the depressed are a bunch of whiners. That big agriculture and fast-food chains and TV have all poisoned our minds, and that’s the drugs are only there to make us sheep who will blindly follow The Man’s orders. The truth that lives in these statements makes them hurt, but these statements aren’t the whole truth. In short, Its complicated! 

Rant over. 

Old Friends

I’m tired and cranky and restless. Even with functional air conditioning, my apartment is confining and choking me, like a necktie. There are no less than four parties in my little corner of this condo complex this evening, blowing laughter and smoke over to me. Nobody’s being obnoxious or rude. Even the partygoers lining the sidewalk don’t chat too loudly. But still they chafe. 

I haven’t felt like this in a long time. I had a few options when I did. In Jersey City, salvation lay on my stoop, where I’d sprawl out on the stairs, take a hit off a hash pipe, light up a cigarette or two, and let my mind wander. In no time at all, I’d be jotting down colorful words, whether they be the musings of disgraced demigods, the rantings of confused college students, or the minimalist observations of a boy and his depressed, talking dog. 

If my imaginary friends weren’t speaking to me, it was just a short jog down the block to the corner pub to a cute bartender who knew what I wanted to drink, a foaming-at-the-mouth divorcee, a tough old broad, and a guy I’m positive worked for the mafia.  

In Bloomington, Indiana, things were simpler. I had wine, cigarettes, and the company of my wife. 

Tonight, though, my wife is out of town for a little bit. But more than anything, I want to kill this mood with a bottle of rye and some menthol. I’m trying to remind myself why I can’t have those things anymore. I mean, why can’t I slip around the corner to the drinking establishment, ordered a drink and a pack of cigarettes? Why can’t I creep downstairs to the kids on my sidewalk, bum a smoke and a paper cup of rum? What if I just stopped there? What’s the harm? 

The harm is that I can’t stop there. I’ve proven that to myself repeatedly. I had my fun, and now it’s time for the echoes on the sidewalk and the balconies around me to have theirs. I’ll just yearn from my yonder window and soak up some ambience. 

It’s midnight now, and the crowds are thinning out.  

Kids these days: no stamina. 

To go boldly…

A few years ago, I got into a heated debate with a Bush and war-supporting friend regarding the wisdom of invading Iraq. The argument was one of those in which one side refused even to listen to the other side. At one point, during a discussion of Bush’s personality, it was brought up by me that the conversation was odd, given our Star Trek preferences. We had both been members of the Star Trek fanclubs in our misguided youths, and he has made it clear to all who will listen (which really isn’t that many in the first place) that he is a Picard, Next Generation fan, whereas I am a Kirk supporter. What’s strange about this should be obvious to anyone who’s familiar with the two different captains.  

Picard, played with dignity by fine Shakespearean actor, Patrick Stewart, is simply a post-Vietnam diplomat. He consults his crew and Starfleet about any decisions he makes, follows the Prime Directive to the decimal point, only engages in violence when absolutely necessary, and can speak fluent Klingon. 

Kirk, played with a smirk by the walking punchline, William Shatner, is a warrior. he makes brash, unilateral decisions, acknowledges the Prime Directive as that rule he’s going to break in just a second, engages in violence whenever the opportunity presents itself, and only speaks one sentence of Klingon, which translates into “Kiss my ass.” 

You see where I’m going with this. Putting aside the question of Kirk’s libido, which was positively Clintonian, there are deeper similarities to the forty-second and forty-third presidents. For example, who better to portray cold, unfeeling Defense Secretary Donald Rumsfeld than Kirk’s science officer, Mr. Spock, played by Leonard Nimoy; and who else in Star Trek history, other than DeForest Kelley’s Dr. McCoy, could you picture whipping around and telling a fellow member to go fuck himself, like our current vice president? Likewise, is there an awkward, dull, humorless Second-in-Command who is more like Al Gore than Picard’s Number One, William T. Riker, portrayed with remarkable height by Jonathan Frakes? 

I was in a quandary, as was my debate partner. Was there one point either of us could make about our Trek of choice that would make our respective philosophies more than just lip service? Excepting, of course, the fact that Star Trek is merely fiction.  

Years later, it hit me. Despite all the connections I could draw between Captain Kirk and Lieutenant Bush, there was one distinction that sums up just about everything I find wrong with the latter: James T. Kirk would never send anyone into a dangerous situation that he, himself, would not charge into. It’s that simple.  

Now I feel vindicated. It’s a shame I don’t talk to that debate partner anymore. Though I know him, and he would spend hours trying to spin Bush’s draft-dodging ways into gold (or, more likely, he would point out Clinton’s draft-dodging), because admitting he is wrong is something Picard would do, but not my dear friend. 

“The Hardest Decision Was Still in Toe.”

A few days ago, I had occasion to have drinks and food with my friend, the Princess; her boyfriend, the Puppy; and their friend, the Energizer Bunny. The Energizer Bunny and the Puppy are both cute and huggable, with inexhaustible supplies of energy. Luckily, they got to talking to each other at one point, and the Princess and I had a few moments at our own pace to catch up. 

She was concerned that she’s going to lose her job as a university writing tutor, based on the fact that she doesn’t go to staff meetings. I can see how this would be a problem, but she has a pretty good reason to skip them. No work is discussed—rather, the tutors sit around and bitch about how dumb their students are. 

Now I’m conflicted. I have a kneejerk reaction against this behavior. Sure, ten years ago, I liked nothing better than to take our campus literary magazine, The Spectrum, and set fire to it with my blazing sarcasm; but ten years ago, I had also dyed my hair black and wore it in a ponytail. People change. Besides, these students know they are bad and want to get better. That ‘s noble in and of itself. 

But still, my sanity is preserved at this job by making fun of it constantly. Hell, most of these essays are titled the brilliant mistakes from my authors (you can tell which ones they are by the quotation marks, by the way). My publisher, as a vanity press, is making dreams come true, and they come to my department for help. And this is how I repay them? I am such a hypocrite. 

So I beat myself up. Then I come to lines like these. These are clearly not typos. They are genuine expressions from the souls of the writers who pay to have their material printed: 

* “Like magic, the pain went away as I spanked the chicken.” 

* “Jesus could not have died on the cross for the sins of the world if He was not crucified.” 

* “A lot of prostitutes believe that they might as well get paid for sex, instead of having sex for free.” 

* “I am in love with my perfectly sized penis.” 

* “I have seen some interesting rashes in some interesting places.” 

Now you see why I am so conflicted?