Write Down to the Nitty Gritty

I was talking to a friend (I have those. Who knew, right?), and she had expressed some interest in my process for writing. I’ve declared before that I don’t do a lot of prep work to start a book, but going over my method, steps 1-5 of 8 are all prep work that I need to do before I get to the fun part (cracking open the notebook and letting the page dictate the story to me). My novels are mostly freeform, but I have a lot more control over them than I admit.  

tl;dr: I can write a novel in two months. This is how I do it. 

1) I want to make a novel about this particular hook. 

2) I need a main character. Default jumping-off point is a straight white guy. From here I some editing. First, the guy should be a woman. (I always do that. I like writing women. What can I say?) Next, does she have to be white? I consider the story possibilities—social, political, emotional—that can open up by writing about a black woman, or a Latina, or an Indian woman, and then I pick one. Next, does she have to be straight?* 

3) I do a little bit of research, if necessary, about the hook and how it relates to the main character’s race, gender, and sexuality. I don’t do this to make the research fit into the confines of the novel, but rather to let the research to take my idea and blossom it. There are ideas and directions I’d never considered that I find out about on Wikipedia.  

4) I look back on my life and I find moods, people, sensations, and events that fit into the world that is being created in my head. I pull details and emotions out of these memories and gift them to the new characters I’m creating.  

5) I stare off into space and think about all of this. If I have a cat, I pet the cat. 

6) I put pen to paper and write. The plot will magically reveal itself to me. 

7) I type what I wrote in my notebook and use the time to review my language or ideas. I catch a lot of mistakes this way. 

8) I wait a month or so after I finish my novel to go back over it. I consider themes and characters I introduced later in the book and see if I can introduce those earlier. I consider pacing. But mostly, I’m satisfied with what I’ve written.  

And that’s where a book comes from. Now, if I could figure out to do with them. 

* (Note that the two main characters in my last novel were white, which they had to be for the irony in the story to work properly. I had considered alternatives, but that’s what I figured would be best. One of them was a white guy, but at least he wasn’t heterosexual, so I give him a pass. The other was straight, but she was a woman. Ultimately, this was probably my most vanilla novel.) 

Smelling the Roses

I made a post on Facebook the day I started my current novel: November 23. I wrote the final word in it yesterday. That’s three days shy of two months. The novel I finished before that was finished in a few days over two months. To which I say: For crying out loud, Jeremiah, slow down! It’s not a race. Writing is your hobby, not something you need to do in less time than it takes to form a habit. Slow down. Savor it. 

Here’s the hardest part. I want to be spending more time with my novels because (this is where most of my friends will think, “Yup, he’s lost it—all those years of solitude have really taken their toll”; my writer friends will think, “Yeah, that’s about right”) I get really attached to these characters. I like hanging out with them, I like learning how they think, I like hearing them talk. They never fail to surprise me. They’re alive, and now that I’m writing one-offs as opposed to a series, once I’m done with them, I’m done with them. They’re gone. It’s like a summer friendship, but shorter, and without the pen-palling.  

It will be a few days before I start my next one. I’ve got the slightest glimmer of an idea, but nothing I can build on just yet. My hope is that I can pace myself this time. There’s no rush. 

A Delicate Snowflake

Let me see if I can frame this so it’s clear. 

I believe I am a really good writer. It’s the only part of myself I have any solid confidence in. I consider it my only real value. Without this belief, I’m just an unremarkable, middle-aged white guy in a country full of them. I’m not exaggerating, this is how I feel, and this is how I feel about only myself. I don’t hate that I’m unremarkable. I’m actually at peace with it. It took me years of therapy to reach that point. 

The last time I tried to get a book published, it was about six or seven years ago, and it was my first novel, The Long Trip. I’m proud of that novel. It was rejected sixty times. I know that other writers have seen more rejections, but I’m not other writers. I don’t have the stomach for it. Each email that I got from agents telling me they were going to pass on my masterpiece was another refutation of that belief in what made me special. 

I stopped writing after that. What was the point? I clearly wasn’t any good at it. It took me until 2017 to pick the pen back up, and I started looking at it differently. I thought, maybe I’m an objectively bad-to-mediocre writer, but in my eyes, I can entertain the hell out of myself. And so I resolved to write for myself and myself alone (though My Biggest Fan has been reading over my shoulder this whole time). 

Kate always asked me what I was planning to do with my novels when I cranked them out at a rate of about one every three-and-a-half months. My answer, to her disappointment (she was looking forward to retiring on my royalty checks), was, “Write more novels.” And I kept doing it, even through the divorce.  

And then a funny thing called Gary happened. I suddenly found in my words, which had previously been used to describe action-packed fantasy, a maturity and a soul that had been missing from my work for a long time. I wrote a book that wasn’t just a fun romp through witches and fairies and cryptids. I wrote a good book. And I’ve resolved for the New Year to give dozens of agents a chance to prove me wrong.  

For a lot of writers, rejection is just a necessary part of the process, nothing more. To some, they’re a source of pride that they put themselves out there. But to me, it’s someone telling me that I don’t have anything to contribute, that I’m not interesting enough. That I will always be at or below average, and that’s it. 

It isn’t a healthy way to think. In fact, it’s actually a little dramatic and whiny. I know that I’m a delicate, thin-skinned snowflake. But it’s how I think, it’s how I am, and I’m really sorry about that. I wish I could be stronger. 

I’m doing it, though, because, for now, I feel that my novel is worth it. I promised, for its sake, that I would try. I don’t know if that’s brave or just stubborn. Really, is there a difference? 

Resolution Number Nine Number Two

If you’ve been paying attention, you know that I’ve decided to tackle a New Year’s Resolution that is going to challenge me, but if it works out, will reward me immeasurably. This is a pretty big deal, and, I have to say, for a Resolution, it’s a good one.  

But yesterday, I had a thought. It flashed in my head and left an image there that I couldn’t shake, like when you look into a bright light and there’s that purple blob. And that purple blob is this: in addition to trying to find an agent for my novel, Gary, I’m going to come up with a pitch for a television show, and I’m going to pitch it to someone.  

I know even less about pitching a TV show than I know about finding an agent, which is to say I know nothing. But I know this: I have a really good idea, and I just need to communicate it in the language of entertainment execs (which is a strange, foreign language that even Google Translate won’t dare).  

The worst thing that will happen is that neither agents nor execs are interested, and I will be in the same position at the end of 2020 that I was in at the end of 2019, so there’s really no reason for me not to try. 

If you pray, pray for my success. If you do blessings, bless me. If you cast spells, I need one. If you do none of those things, at least cheer me along as I jog by, winded and aching. Between two jobs, I’m going to be super-busy in 2020, and your support will mean the world to me. 

Resolution Number Nine

The secret to my newfound contentment is that I don’t indulge in things that make me unhappy. This is why I don’t like to go to parties and why I avoid the news (while still staying informed). Some might consider this the coward’s way out. You’re supposed to face your fears, and allegedly only good will come of it. In my experience, this is not the case. Parties bore me and make me uncomfortable. The news fills me with rage. The only true happiness can be found on the path of denial. But the fact is, even this way, I have plenty of adventures and enriching experiences. I’ve never been down this street before? Let’s find out what’s there. A coffee shop I hadn’t noticed before? Let’s get a latte. I’ve never written a novel before (on purpose)? Let me give it a shot. A friend I’ve been estranged from for two years in a city I barely know where it’s impossible to find a job? I guess I’d better be her roommate.  

I don’t necessarily play it safe, but I’m not going to go endure something awful if there’s no reward behind it. 

That said, my New Year’s Resolution is to do a very specific thing that is going to make me miserable, and I’m reasonably certain I’m not going to get anything positive out of it. I’m doing it because I, in this case, deserve to be successful, even if it doesn’t work out that way. 

In 2020–I’m giving myself one year—I’m going to make every attempt to get an agent and traditionally publish my novel, Gary, which I finished writing at the end of November. If I do say so myself, my first drafts are like most people’s second drafts, so I need just a little polishing, some reinforcement of certain themes, until it’s done. I’ve already spoken to a friend who has a background in publishing about my query letter, so I worked on that over the Christmas holiday. I’m giving myself one year. If, by the end of the year, I’ve had nary a nibble, I give myself permission to quit (or continue, depending on how I’m feeling next December). 

I hate rejection. I shouldn’t take it personally. An agent isn’t rejecting me because they think I’m bad, they’re rejecting me because they can’t envision me being a bestseller. I don’t have the name recognition of J.K. Rowling or Stephen King or Stephen King’s son. This won’t be a good Netflix series. (Gary is written in such a way that it can only ever be a novel.) But I still do take it personally. I spent years trying to get someone to consider my first novel, The Long Trip, and no one would. After a while, I felt my soul start to shrivel up and my stomach twist in nasty ways. After sixty rejections, I had to quit. I have a thin skin, what can I say?  

I tell you all this so you know what a big deal this is for me. This is going to hurt, so, so bad. But if, by some slight glimmer of a snowball’s chance, it pays off …  

And a Happy Jew Year

While I lived in New York, I never had family or girlfriends in town for Christmas, but I always had a wonderful time. I usually started out December 25 by braving the bitter, slushy cold to go to a movie with my friend Joshua, and from there we would go out for a Chinese lunch. In Chinatown. Where they didn’t serve chicken with broccoli as much as things that were reminiscent of that racist dining scene in Temple of Doom. From there it was off to The New York Post, where somebody had to put out the December 26 edition, and the job fell to the Jews like Copy Chief Barry and those of us without presents under the tree. They always served us a buffet of turkey and stuffing as a reward for missing our holiday (we weren’t really missing anything, though) while we rode out probably the least eventful news day of the year.  

I love my family, and I love the time we spent together watching movies in front of a roaring fire, wondering what we were going to do with all this wrapping paper, but for me, my real nostalgia will always be for Christmas in New York. 

Check It Out

For most of my three-year run at The Container Store in Reston, they made me a register jockey, which I came to resent. This was mostly because it was a pretty boring job most of the time, since you were chained to a small area, and there wasn’t much to do when the customers weren’t around. Also, there was this strong, pushy emphasis on signing people up for the Rewards Program that stressed me out even though I was pretty good at it. And mostly, it’s really draining to interact with that many people every single day. When I trained to be an Order Processor, I found a job that I really liked, and it drastically reduced the amount of time I spent up front, cashing people out. And later, when I moved to Washington, DC, they signed me on to pretty much be exclusively an Order Processor, which I was thrilled by.  

But occasionally, about once a month, I have to do a shift at the register. And I’ve found that I kind of like it. At this store, business is pretty steady, so I’ll show up, sign onto the computer at 6:00, and within what feels like a half an hour, they’re making the announcement that the store will be closing in a few minutes. Since I have stopped caring about the Rewards Program, there’s no pressure, and I still do fine signing people up. But mostly, what I’ve found is that it enables me to have conversations with people, and I don’t have to do the work associated with that. Interacting with people is exhausting, but I can make people laugh, I can chat about the weather, and I can repeat the same dumb jokes, over and over again because they’re going to be gone in less than five minutes and I’m going to have someone new replace them immediately.  

Before a Register shift would drain me, but these days, it charges me up a little. Please don’t tell my bosses that, though, because it only works when it’s three hours every four weeks. Doing it more than that will take the shine right off of it. 

The Night the Lights Went Out

I just had a random flashback. This happened during the great Eastern Seaboard Blackout of August 2003, and the lights had just gone out. They dismissed us from work because, really, what was the point in otherwise? I knew that I was not getting back home without electricity, so I did the only thing I could: I stopped in a bar and proceeded to give my best effort to keep their beer from getting warm. After I did all I could, I headed out, and through a series of coincidences and good timing, I ended up on the world’s most expensive ferry to Jersey City, and from there hopped on a bus home.

When I arrived, I found my upstairs neighbor and my roommate (the normal one, not the crazy one) smoking cigars on my front stoop. My upstairs neighbor asked me what I did when the lights went out, and I told him that I stopped for a drink. My roommate handed him five dollars because my upstairs neighbor was so sure that the first thing I would do in this situation would be to find alcohol that he wagered money on it.

That’s who I was back then.

Three Hundred Sixty-Five

I’ve tried putting it out of my head. I’ve grown a lot since then. I’ve lived a pretty exciting life in the past year. I’ve reconnected with of people, I’ve had a lot of laughs, I’ve been really honest with myself and others. I’ve had a number of milestones on my journey to reflect, and I don’t need another one. But this date is there, it’s seared into my mind, it’s forever a part of me. 

It was a little after 4:00 in the afternoon a year ago today that Kate told me she was divorcing me, and that I had two days to move out, and then walked out of the room with no explanation, never to be seen again. About an hour and a half after that, I had to sit with my General Manager at the break room at work and try to explain what happened when I still wasn’t sure what happened. She was the first person I told. A year ago Monday, I pet two cats I’d snuggled with for fourteen years for the last time, ever. That morning, I left my home and my life, and no one would tell me why. 

I have a new home now. I have a new life. I’m happy. But this day …  

After everything, I didn’t expect it to still hurt. 

Man’s Second-Best Friend

Instead of working on my book all late afternoon, I’ve been hanging out with Newcastle, who has been following me from room to room, giving me big, begging eyes for my attention. I let him curl up with me as I watched my one day off slip away from me. 

I love this cat. I love him so much. 

He crawled off of my lap and curled up in the corner of the couch to go to sleep, and he looks old. He is old. I can feel his bones when I pet him. It really hit me just now. He’s lived a lot longer than he was supposed to, with his heart condition and a liver that’s not where it’s supposed to be. But he and the other cat play chase still, even if Newcastle doesn’t really have the stamina to play long. 

When I saw my psychiatrist for the first time, and he asked me what my goals were, I told him, “I want to be as good as my cat thinks I am.” I don’t know if I’m there yet. I think Newcastle has unfairly high expectations. 

I don’t know what I’m going to do when he’s gone. But I know what I’m going to do for these years, these months he has left, When he comes up to me and demands affection, I’m going to put the notebook down and give it to him. This cat has brought me so much joy in my life that the least I can do is give him a happy retirement.