Paint No Rest for the Wicked

A couple of months ago, I volunteered to be an usher at a community theater production that in no way needed an usher. They told me they’d be in touch if they thought I could help out on their next production. Right before the holidays, a group email went out, rife with reply-alls, soliciting volunteers for set painting.

I like my life. But I need to get out. I need to have conversations with people who can answer me and don’t bite me at random. I’ll take one or the other.

There was a Saturday and Sunday slot. Because I greet the world like a vampire if you wake him up in the afternoon, I volunteered for the two hours Saturday, and not the four hours Sunday. My contact was Ruth, which is one of those wholesome old-person names that you rarely hear anymore. I had a picture of her in my head.

I arrived a quarter after because I timed everything badly. And most of the work had been done because the rehearsal ended early, and the cast had decided to attack the primered foam trees with rollers. They were baffled by me, I was baffled by them, until Ruth showed up.

Ruth was not an old person. Ruth was a perky, bouncy, thirtysomething, cute as a button, who threw herself into the work. She had no idea what was going on, but she was going to take point because someone had to. The woman with the plan was Kathryn, who was a hippie from the sixties and fussed like Piglet. She was what I thought Ruth was going to be like.

One of the volunteers was a house-painter, so he was available to coach, which he was more than happy to do. He didn’t even need prompting. He would just show up behind you and point out an uneven patch, then stroll away for the next tree trunk where they awaited his wisdom. He was a silver fox with no neck, a fitted T-shirt, and wranglers he kept pulling up.

He and I bonded over the Doors. One of their songs started playing on the radio station (I didn’t know they still had those), and he couldn’t identify it. I asked, “Want me to tell you?” It was “LA Woman.” He explained to his companion that the Doors were from the sixties more than the seventies because Jim Morrison died in the early part of the seventies. Was it ’71? ’72? ’73? He then rattled off a bunch of the Dead at 27 Club.

I spent most of my time in the storage closet with Ruth because it looked like someone emptied a giant junk drawer into it. The storage closet is about the same size as the one Kate dumped my stuff in after the divorce, which is to say it’s very small. The theater troop were there by the grace of St. Mark’s Episcopal Church, with a Sunday school in the room the next day, so all the trees were going to have to be put away. Apparently, the stage had to be broken down and stashed every Saturday night for mass.

I have no spatial reasoning, so I don’t know how to make things fit, until Saturday night, when I was directing Ruth to move things into the best space. She laughed a lot, which was good because I was supposed to be funny.

When everyone went home, Ruth hung out with me while I waited for my Uber. She asked me my favorite part of community theater thirty-five years ago, and I told her working in the wings. I’m the first person who didn’t say acting, so she is going to talk to the stage manager, who might need an assistant, as the play is a farce.

I made it to bed and woke up the next morning to continue the project I was working on Saturday. I asked myself if I wanted to stay home all day like I’ve done for the past bunch of Sundays. I did not, so that afternoon, I headed out to St. Mark’s Church and met more people.

I arrived early because I overcompensated, so Ruth and I cleared up the chairs from Sunday school and learned stuff about each other. She told me her husband was a novelist, with one book self-published, and he was interested in trying out his hand with traditional publishers. I offered some tips.

She was very excited to introduce me to Jess. Jess is on “The Board” with her husband, and she’s an artist. When she was showing off the samples she wanted to do, she turned to me for my expertise, even though I explained I am not an expert. When I asked what kind of art she did, she sheepishly told me crafts stuff, as well as a large bus for a karaoke competition. She was way more of an expert here than I was. In fact, I did two things all afternoon. First, I attempted to sponge over the base layer in a way that looked like leaves. It did not work. I attempted to add highlights. It looked like Jackson Pollack had rolled around on one of his canvasses. The second thing I did was paint over it with the base color and left it to Jess, whose trees looked magnificent.

Meanwhile, Kathryn, who assured us she was no artist, singlehandedly added a level of depth to the tree trunks that was uncanny. Ruth painted the moon, using a video on TikTok for a reference, and Kathryn was there to help. But she was not an artist. No, sir.

When I showed up, I told them I could only stay for two of the four scheduled hours because I would need to return to my cave with my cat and shun the outside world. We were done within two hours.

Now, all I have to do is wait for Ruth’s email, and maybe I’ll be able to hang out backstage and juggle, while surrounded by weird people.

It’ll be fun.

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