May through August of 1998 is known to me as My Summer in Purgatory. My plans for my post-collegiate future were pulled out from under me, and I was so tied up in graduating and working almost full-time that I didn’t make alternate plans, so I moved in with my parents. And my two sisters, who had been doing fine without me there, thank you very much for asking. I spent most of the time being drunk and stoned, being needlessly … well, me … to a wonderful young woman who has moved onto bigger things and beyond. I was offered a hand out, and I took it, and decades later, here I am. I’ve visited Gallup a few times since then, but over the years the city has been completely rebuilt and redesigned while also remaining the exact same. Here I am, twenty-four years since the last time I’d spent more than a couple of days here, crammed into a coffin of a hotel room ten miles from town, and it still feels like home.
I’m here on a writing retreat with Shane. We want to take a 156-page screenplay and expand it out into a four-to-six-episode TV series, and thanks to his networking from being a successful painter and having once been married to literary intelligentsia, he has contacts, and he might be able to get it in front of people. If he doesn’t, that doesn’t bother me. The whole goal of this trip was to work with one of my oldest and best friends on an art project together like we used to do. We have met that goal. We have written a solid first draft of the pilot, and we’ve finished more episodes. What it needs is a fine polish, and then we’re ready to send this butterfly out in the world and see where it lands.
It’s about a hitman and his sidekick and the people they pick up along the way searching for a ruthless drug dealer in Gallup, New Mexico, in 1995, a time and place Shane and I know very well. And the thing about Gallup is, it’s weird. I know, I know, you think your hometown is weird. You’ve never lived in Gallup. It’s a curious cocktail of mixing cultures that don’t mix well, but can get along to get along. The characters, who have impressed some of the contest readers who’ve seen it, are what we’re focused on. The hitman is a professional, but he’s emotionally unstable, and pops antidepressants and anxiety meds like Pez. The sidekick is a hitman in training who doesn’t want to kill people and dresses like a 1995 rapper. The point man is a Reservation resident who acts chill but is shifty. The victim is a cute redneck girl once kidnapped by the drug dealer, and who hangs around the hitman so she can get her bloody revenge. The waitress is a high-class girl in search of adventure. Nobody knows what’s up with the drug dealer. That’s something we have to work on.
Sorry, didn’t mean to bore you. I’m proud of what we’ve done together.
Shane has been a resident of Gallup for years, after living around the country and even outside our country. The town has a certain gravity. It draws people back, like a few of my friends from high school (and me) in the years following. They all scattered to the wind, but a few more came back as adults. And I don’t mean adult like me, where I have a job and failing eyesight, but otherwise I haven’t changed. I mean adult as in married, with children, and buying houses. This was where they wanted to raise their families. Shane knows more of them than he can count. I know two of them.
The first was the cute cheerleader turned cute mom and high-ranking school administrator from my last post. She’s the one who informed me that the narrative I had where I survived high school by being invisible was not remotely true. I’d been seen.
I knew she was in town, and I had expected to see her, so that didn’t blow my mind as much as the next guy. Shane called for a break during a particularly unproductive stretch of hours, and he drove me to the UPS Store to see someone who really wanted to see me. I’m terrible with faces, so I knew that, unless he told me who it was, I wasn’t going to guess. And he took me up to the pass-through and pointed his chin at a guy wearing a COVID mask. I shrugged, and someone called his name, and I remembered everything I talked about in this entry:
tl;dr: If 1998 was My Summer in Purgatory, 1992 was My Summer of Adventure. The Lost Boy was a really good friend when his crew was away, but as soon as the crew returned, he ghosted us. I was heartbroken at the time, but as I got older and met more people who were popular when they were young, the more I understood why.
On the other hand, a member of the crew I ran with that summer was an easily offended, vindictive bitch, and he very well could have unilaterally exiled the Lost Boy.
Either way, the last time I saw him up close was when he tried to explain to me without explaining to me why he had to leave us behind. But once I heard that name, those sharp, manicured eyebrows could belong to no one else. Shane got his attention, and he came over, and they chatted. Then Shane said, “Look who I brought!” The man I used to know as the Lost Boy called out my name and ran out from behind the counter to tackle me with a hug. He looked the same—compact, in shape, no wrinkles, not a single gray hair. The only change was his mullet. He used to have the kind of mullet that would make Billy Ray Cyrus look like Sinead O’Connor. It was business in the front, very long party in the back. And now he had a respectable middle-aged-man haircut. He asked me where I was and what I was doing, and he was excited to hear I was still writing. He reminded me that it didn’t matter if I wasn’t a New York Times Bestseller, I was writing.
Beyond his sexy cool, he was one of my most enthusiastic cheerleaders. When we were hanging out alone, he was always encouraging me to write. At the time I believed that I could tell the story, but I couldn’t think of what the story should be. That’s why I was working on an idea with the vindictive bitch as opposed to my own, which I wasn’t sure I had. But my friend believed that I could come up with my own. He also had a female friend he thought would be a good match for me when the school year began (but that went away when he did). He knew I was bound for bigger things. That hadn’t changed in the slightest, even though it is literally thirty years, summer-to-summer, since we had known each other.
He gave me his number. I’m going to shoot him a text.
Gallup, New Mexico is a weirder-than-average town close to Arizona and three Indian Reservations. It’s a place where magic happens. I’ve set two novels and a screenplay here. It will always be home.
Jeremiah Murphy 