I received a text from Maddy on Saturday morning, reminding me to watch the door to the auditorium when I worked the play without her that night. The reminder came not because she didn’t trust in my ability to remember, but because a woman almost got clocked on opening night.
They tried to warn her, but she didn’t listen (or hear at all), and she got lucky. With the first half of Maddy’s text, she was telling me that I might have to dive in slow motion to take the hit.
The second half hinted that the Olympic-level quick change at the end of act one almost failed. She put scissors on the prop table in case it came to that. I had a lot to look forward to in the evening.
I had a couple of awkward exchanges on the internet before I headed out for the rest of the day. I missed my Metro train, and I had to wait seven minutes for the next one, so I was almost on time to see my ex-roomie. This was bad.
A habit I had picked up from my Nebraskan ex-wife was to show up early. As they say on Letterkenny, “If you’re early, you’re on time. If you’re on time, you’re late.” I was running late.
After I bought a coffee for the lone protestor at the Heritage Foundation, I became actually late. I became even later when I walked down the wrong street, several blocks past our meeting place. I had a missed call and a text from Nicole, who was worried something terrible had happened to me.
My ex-roomie was telling me that she hadn’t been to the Suffrage Museum, where she volunteered for years, in an age. She is worried, reasonably so, it will be shut down by the president’s boss. I suggested we go this weekend.
We were met by a ranger, a friend of ex-roomie, who took us through the building and showed us everything that had changed since ex-roomie had been there last. They even had her old name-tag.
They were catching up, so I was a third wheel and kind of bored through most of it. While we were hanging out in the gift shop. The ranger pointed at one of their displays and mentioned that no one ever bought the Suffragette Soap. I have a habit of purchasing interesting soaps, so I picked up a bar.
The other ranger, an unusual person with an unusual accent and unusual glasses, cashed me out. I told her that I was excited to smell like oranges, and oh, my god, she loves oranges! I picked up a mini equal rights pin and told her that I want to start a gift exchange with a crow and explained what that entailed. She asked if I like birds, and I told her that I liked owls, and oh, my god she loves owls. I told her that the only owls I’ve ever seen in real life were burrow owls, and oh, my god, she loves burrow owls. If I didn’t know any better, I’d say she was flirting with me. Her name was Jess
Upon the park rangers’ suggestions, ex-roomie and I went to the Folger Shakespeare Library across the street and looked over some amazing old manuscripts. They were always open to their illustrations. However, as with all medieval illustrations, I had no idea what was going on.
She and I tried to get lunch at the café, but it is apparently the most popular study place for college students. We found a seat, but she had to leave for an appointment before her food arrived, which meant I had to eat it.
Maddy had completely reset the props before she went home Friday, so there was nothing for me to do until it was time to relocate the weasel. I wasn’t needed until about a half-hour before curtain, so I sat in the Baxter Room with the cast, and I illustrated Jess.
Lisette and Lucille each breathlessly gave me their accounts of the costume-flip nail-biter. The issue wasn’t the corset, but rather the second dress. It had an extra layer, so Lisette and her petticoat kept getting caught in it. She hung up the dress in a way that she could step into it, and I asked her if she were going to practice. If she went down during the performance, it was all over.
What struck me about the exchange was that she was coming to me as an expert. I hadn’t done theater since early high school. I can barely dress myself. On the other hand, my façade of authority allowed me to talk her out of the hanger idea, which might kill her, and into something a little more reasonable, like safety pins.
That did the trick. At the end of the first act, after I rescued the weasel, Lucille and Lisette were a well-oiled machine. I got to hold the flashlight. Apparently, I did that well because Lucille gave me a double thumbs up as Lisette stepped onto the stage.
After the show, we had to break down the set and the seating so the Episcopalians could worship in their own damned church. Ernie from load-in directed us with military precision. Within forty-five minutes, the set was in the closet downstairs, the risers had been relocated, the prop table wrapped up, and the boulder put into a very large plastic bag. All the chairs and the piano had been restored to their original positions.
It was like we weren’t even there. It’s guerilla theater.
Also, it wasn’t until the fourth time I listened to this play that I heard Lisette say to Lucille, “All tits on deck!”
