Classic Doctor Who Will Always Be Superior to New Who: A Thesis in One Episode
I was recently discussing the Classic Who serial, “The Stones of Blood,” with my sister Rachel. The villain of that adventure is Stonehenge. I don’t mean a extra-dimensional monster that exists in Stonehenge. I don’t mean the Space Druids who built Stonehenge returning to fulfill its nefarious purpose. (Both of which would make excellent episodes of Doctor Who.) I mean the slabs of rock that make up Stonehenge, eating people. And the stones didn’t shoot lasers or fly or have big teeth. They slid along the ground at a speed of a sloth on Dramamine stuck in molasses.
Somebody pitched this at the writers’ table, and the showrunner (Douglas Adams, I think) said yes, make this dream a reality!
The ability of a monster to be convincing on Doctor Who rests on the ability of the actors, especially the one playing the Doctor, to sell its menace. Do you think Jodie Whittaker or Peter Capaldi or even David Tennant could face down a foam boulder on wheels being pushed by two key grips offscreen and be terrified? Tom Baker could. Nowadays they show off an actor in a fortune’s worth of makeup or an artist’s rendering of what the CGI is going to look like, and the Doctor barely has to try. Back in the sixties, seventies, and eighties, they had a hundred bucks and the wizardry of imagination constrained. Nowadays they have a pretty good idea of the formula and what worked. Back in the seventies, even after the show had been on for over ten years, they had no clue what they were doing, they just knew it was working.
I love the new show. I bought season 12 on iTunes for a lot of money, and I haven’t regretted it (even after that resort episode, yuck). The monsters could fit I to any sci-fi/fantasy show, and the most exciting plots of New Who are like last Sunday’s episode, fully self-referential to its own mythology. Arguably, the most exciting plot of Classic Who was that the Doctor meets an art thief who was actually an alien whose ship visiting ancient Earth was split up into a dozen or more selves linked psychically over the centuries who convinces Leonardo da Vinci to paint seven copies of the Mona Lisa so he can steal one and sell all seven at top price so he can finance his time machine to go back to his space ship and keep it from exploding but that explosion is literally the first spark of Earth life and if it doesn’t happen, humans won’t exist. What’s more fun, the revelation that the Doctor’s past may be a lie, or the Doctor wandering into an adventure that has no idea what genre it is?
In conclusion, New Who lacks the sheer audacity of Classic Who, and unfortunately, as the audiences are more sophisticated and TV is being considered art, we’ll never see a show like that again.